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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F48AC00 it is the complementary color #90B75300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F48AC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F48AC00 shade: #7448A700, #855ABA00, #966CCD00, #A77EE000 and #B890F300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F48AC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F48AC00 shade: #6F48AC00, #5E369900, #4D248600, #3C127300 and #2B006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F48AC00 shade: #6F48AD, #8A48AD, #A548AD, #AD4899 and #AD487E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F48AC00 shade: #6F48AD, #5448AD and #4848AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F48AC00 shade matches the following richer shades: #6F48AD, #6B34C0, #6721D4 and #620DE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F48AC00 shade: #6F48AD, #745C99, #787085, #7C8471 and #81975D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F48AC00 shade: #4857AD, #5448AD, #6F48AD, #8948AD and #A448AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F48AC00 shade: #4A3072, #5D3C8F, #6F48AD, #8561BD and #9B7EC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F48AC00 shade: #6F48AC, #AD4872 and #4AAD48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F48AC00 shade: #6F48AC, #AD6F48 and #48AD6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F48AC00 shade: #6F48AC, #AD4872, #86AD48 and #48AD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F48AC00 shade: #6F48AC, #AD4854, #86AD48 and #48ADA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #6F48AC00

RGBA 111 72 172 0

HSLA 263.4, 0.41%, 0.48%, 0

LABA 39.57, 38.38, -47.78, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #90B75300

RGBA 144 183 83 0

HSLA 83.4, 0.41%, 0.52%, 0

LABA 69.77, -29.27, 45.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7448A700

RGBA 116 72 167 0

HSLA 267.79, 0.4%, 0.47%, 0

LABA 39.81, 38.33, -44.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #855ABA00

RGBA 133 90 186 0

HSLA 266.88, 0.41%, 0.54%, 0

LABA 46.77, 37.33, -44.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #966CCD00

RGBA 150 108 205 0

HSLA 265.98, 0.49%, 0.61%, 0

LABA 53.62, 36.37, -44.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A77EE000

RGBA 167 126 224 0

HSLA 265.1, 0.61%, 0.69%, 0

LABA 60.35, 35.48, -44.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B890F300

RGBA 184 144 243 0

HSLA 264.24, 0.8%, 0.76%, 0

LABA 66.98, 34.65, -44.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6F48AC00

RGBA 111 72 172 0

HSLA 263.4, 0.41%, 0.48%, 0

LABA 39.57, 38.38, -47.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5E369900

RGBA 94 54 153 0

HSLA 264.24, 0.48%, 0.41%, 0

LABA 32.52, 39.48, -47.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4D248600

RGBA 77 36 134 0

HSLA 265.1, 0.58%, 0.33%, 0

LABA 25.44, 40.43, -47.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3C127300

RGBA 60 18 115 0

HSLA 265.98, 0.73%, 0.26%, 0

LABA 18.5, 40.79, -47.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2B006000

RGBA 43 0 96 0

HSLA 266.88, 1%, 0.19%, 0

LABA 11.68, 40.59, -45.89, 0

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 20 / 58 / 0 / 32

HEX #8A48AD

RGB 138 72 173

HSL 279.21, 0.41%, 0.48%

LAB 42.85, 45.43, -42.94

 

CMYK 5 / 58 / 0 / 32

HEX #A548AD

RGB 165 72 173

HSL 295.25, 0.41%, 0.48%

LAB 46.51, 52.51, -36.9

 

CMYK 0 / 58 / 12 / 32

HEX #AD4899

RGB 173 72 153

HSL 311.88, 0.41%, 0.48%

LAB 46.74, 51.22, -24.61

 

CMYK 0 / 58 / 27 / 32

HEX #AD487E

RGB 173 72 126

HSL 327.92, 0.41%, 0.48%

LAB 45.67, 47.19, -9.97

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 51 / 58 / 0 / 32

HEX #5448AD

RGB 84 72 173

HSL 247.13, 0.41%, 0.48%

LAB 37, 32.54, -52.65

 

CMYK 58 / 58 / 0 / 32

HEX #4848AD

RGB 72 72 173

HSL 240, 0.41%, 0.48%

LAB 36.04, 30.18, -54.25

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 44 / 73 / 0 / 25

HEX #6B34C0

RGB 107 52 192

HSL 263.57, 0.57%, 0.48%

LAB 36.72, 53.39, -64.22

 

CMYK 51 / 84 / 0 / 17

HEX #6721D4

RGB 103 33 212

HSL 263.46, 0.73%, 0.48%

LAB 35.45, 65.48, -77.97

 

CMYK 58 / 94 / 0 / 9

HEX #620DE8

RGB 98 13 232

HSL 263.29, 0.89%, 0.48%

LAB 35.42, 74.49, -89.52

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 24 / 40 / 0 / 40

HEX #745C99

RGB 116 92 153

HSL 263.61, 0.25%, 0.48%

LAB 43.75, 22.94, -29.8

 

CMYK 10 / 16 / 0 / 48

HEX #787085

RGB 120 112 133

HSL 262.86, 0.09%, 0.48%

LAB 48.6, 7.45, -10.4

 

CMYK 6 / 0 / 14 / 48

HEX #7C8471

RGB 124 132 113

HSL 85.26, 0.08%, 0.48%

LAB 54.01, -6.63, 9.26

 

CMYK 15 / 0 / 38 / 41

HEX #81975D

RGB 129 151 93

HSL 82.76, 0.24%, 0.48%

LAB 59.52, -18.07, 28.03

 

CMYK 58 / 50 / 0 / 32

HEX #4857AD

RGB 72 87 173

HSL 231.09, 0.41%, 0.48%

LAB 39.93, 20.57, -47.96

 

CMYK 51 / 58 / 0 / 32

HEX #5448AD

RGB 84 72 173

HSL 247.13, 0.41%, 0.48%

LAB 37, 32.54, -52.65

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 21 / 58 / 0 / 32

HEX #8948AD

RGB 137 72 173

HSL 278.61, 0.41%, 0.48%

LAB 42.72, 45.17, -43.16

 

CMYK 5 / 58 / 0 / 32

HEX #A448AD

RGB 164 72 173

HSL 294.65, 0.41%, 0.48%

LAB 46.37, 52.24, -37.13

 

CMYK 35 / 58 / 0 / 55

HEX #4A3072

RGB 74 48 114

HSL 263.64, 0.41%, 0.32%

LAB 26.11, 27.25, -33.97

 

CMYK 35 / 58 / 0 / 44

HEX #5D3C8F

RGB 93 60 143

HSL 263.86, 0.41%, 0.4%

LAB 33.01, 33.06, -40.93

 

CMYK 36 / 58 / 0 / 32

HEX #6F48AD

RGB 111 72 173

HSL 263.17, 0.41%, 0.48%

LAB 39.63, 38.65, -48.27

 

CMYK 30 / 49 / 0 / 26

HEX #8561BD

RGB 133 97 189

HSL 263.48, 0.41%, 0.56%

LAB 48.52, 34.06, -43.31

 

CMYK 23 / 37 / 0 / 21

HEX #9B7EC9

RGB 155 126 201

HSL 263.2, 0.41%, 0.64%

LAB 58.14, 26.53, -34.89

 

CMYK 35 / 58 / 0 / 33

HEX #6F48AC

RGB 111 72 172

HSL 263.4, 0.41%, 0.48%

LAB 39.57, 38.38, -47.78

 

CMYK 0 / 58 / 34 / 32

HEX #AD4872

RGB 173 72 114

HSL 335.05, 0.41%, 0.48%

LAB 45.27, 45.62, -3.26

 

CMYK 57 / 0 / 58 / 32

HEX #4AAD48

RGB 74 173 72

HSL 118.81, 0.41%, 0.48%

LAB 63.19, -49.29, 42.62

 

CMYK 35 / 58 / 0 / 33

HEX #6F48AC

RGB 111 72 172

HSL 263.4, 0.41%, 0.48%

LAB 39.57, 38.38, -47.78

 

CMYK 0 / 36 / 58 / 32

HEX #AD6F48

RGB 173 111 72

HSL 23.17, 0.41%, 0.48%

LAB 52.64, 20.54, 31.68

 

CMYK 58 / 0 / 36 / 32

HEX #48AD6F

RGB 72 173 111

HSL 143.17, 0.41%, 0.48%

LAB 63.68, -43.68, 23.29

 

CMYK 35 / 58 / 0 / 33

HEX #6F48AC

RGB 111 72 172

HSL 263.4, 0.41%, 0.48%

LAB 39.57, 38.38, -47.78

 

CMYK 0 / 58 / 34 / 32

HEX #AD4872

RGB 173 72 114

HSL 335.05, 0.41%, 0.48%

LAB 45.27, 45.62, -3.26

 

CMYK 23 / 0 / 58 / 32

HEX #86AD48

RGB 134 173 72

HSL 83.17, 0.41%, 0.48%

LAB 66.08, -29.43, 46.7

 

CMYK 58 / 0 / 24 / 32

HEX #48AD83

RGB 72 173 131

HSL 155.05, 0.41%, 0.48%

LAB 64.08, -39.53, 12.92

 

CMYK 35 / 58 / 0 / 33

HEX #6F48AC

RGB 111 72 172

HSL 263.4, 0.41%, 0.48%

LAB 39.57, 38.38, -47.78

 

CMYK 0 / 58 / 51 / 32

HEX #AD4854

RGB 173 72 84

HSL 352.87, 0.41%, 0.48%

LAB 44.46, 42.39, 13.99

 

CMYK 23 / 0 / 58 / 32

HEX #86AD48

RGB 134 173 72

HSL 83.17, 0.41%, 0.48%

LAB 66.08, -29.43, 46.7

 

CMYK 58 / 0 / 7 / 32

HEX #48ADA1

RGB 72 173 161

HSL 172.87, 0.41%, 0.48%

LAB 64.83, -32.18, -2.65

 

Description

Color code: HEX #6F48AC00 | qconv.com Color code: HEX #6F48AC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 72 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 72 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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