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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4893 it is the complementary color #90B76C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4893 shade: #74488E, #855AA1, #966CB4, #A77EC7 and #B890DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4893 shade: #6F4893, #5E3680, #4D246D, #3C125A and #2B0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4893 shade: #6F4893, #834893, #93488F, #93487A and #934866

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4893 shade: #6F4893, #5B4893 and #484893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4893 shade matches the following richer shades: #6F4893, #7037A5, #7125B6, #7113C8 and #7201DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4893 shade: #6F4893, #6E5A81, #6E6C6F, #6D7E5E and #6C8F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4893 shade: #484A93, #5B4893, #6F4893, #834893 and #93488F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4893 shade: #452D5C, #5A3B77, #6F4893, #8458AD and #9874BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4893 shade: #6F4893, #93485D and #489351

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4893 shade: #6F4893, #936F48 and #48936F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4893 shade: #6F4893, #93485D, #6C9348 and #48937E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4893 shade: #6F4893, #934A48, #6C9348 and #489293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

Complementary color

CMYK 21 / 0 / 41 / 28

HEX #90B76C

RGB 144 183 108

HSL 91.2, 0.34%, 0.57%

LAB 70.09, -26.38, 33.92

 

CMYK 18 / 49 / 0 / 44

HEX #74488E

RGB 116 72 142

HSL 277.71, 0.33%, 0.42%

LAB 38.38, 32.18, -31.62

 

CMYK 17 / 44 / 0 / 37

HEX #855AA1

RGB 133 90 161

HSL 276.34, 0.28%, 0.49%

LAB 45.46, 31.3, -31.75

 

CMYK 17 / 40 / 0 / 29

HEX #966CB4

RGB 150 108 180

HSL 275, 0.32%, 0.56%

LAB 52.4, 30.48, -31.87

 

CMYK 16 / 37 / 0 / 22

HEX #A77EC7

RGB 167 126 199

HSL 273.7, 0.39%, 0.64%

LAB 59.21, 29.71, -31.99

 

CMYK 16 / 34 / 0 / 15

HEX #B890DA

RGB 184 144 218

HSL 272.43, 0.5%, 0.71%

LAB 65.9, 29, -32.13

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 27 / 58 / 0 / 50

HEX #5E3680

RGB 94 54 128

HSL 272.43, 0.41%, 0.36%

LAB 30.82, 32.89, -35.14

 

CMYK 29 / 67 / 0 / 57

HEX #4D246D

RGB 77 36 109

HSL 273.7, 0.5%, 0.28%

LAB 23.48, 33.77, -34.96

 

CMYK 33 / 80 / 0 / 65

HEX #3C125A

RGB 60 18 90

HSL 275, 0.67%, 0.21%

LAB 16.16, 34.2, -34.41

 

CMYK 39 / 100 / 0 / 72

HEX #2B0047

RGB 43 0 71

HSL 276.34, 1%, 0.14%

LAB 8.73, 34.47, -33.63

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 11 / 51 / 0 / 42

HEX #834893

RGB 131 72 147

HSL 287.2, 0.34%, 0.43%

LAB 40.52, 37.79, -31.15

 

CMYK 0 / 51 / 3 / 42

HEX #93488F

RGB 147 72 143

HSL 303.2, 0.34%, 0.43%

LAB 42.49, 41.8, -25.49

 

CMYK 0 / 51 / 17 / 42

HEX #93487A

RGB 147 72 122

HSL 320, 0.34%, 0.43%

LAB 41.6, 38.13, -14.06

 

CMYK 0 / 51 / 31 / 42

HEX #934866

RGB 147 72 102

HSL 336, 0.34%, 0.43%

LAB 40.89, 35.09, -2.77

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 38 / 51 / 0 / 42

HEX #5B4893

RGB 91 72 147

HSL 255.2, 0.34%, 0.43%

LAB 35.92, 26.34, -38.73

 

CMYK 51 / 51 / 0 / 42

HEX #484893

RGB 72 72 147

HSL 240, 0.34%, 0.43%

LAB 34.23, 21.54, -41.53

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 32 / 67 / 0 / 35

HEX #7037A5

RGB 112 55 165

HSL 271.09, 0.5%, 0.43%

LAB 35.78, 46.05, -49.7

 

CMYK 38 / 80 / 0 / 29

HEX #7125B6

RGB 113 37 182

HSL 271.45, 0.66%, 0.43%

LAB 34.42, 58.26, -62.05

 

CMYK 44 / 91 / 0 / 22

HEX #7113C8

RGB 113 19 200

HSL 271.16, 0.83%, 0.43%

LAB 34.29, 67.52, -72.87

 

CMYK 48 / 100 / 0 / 15

HEX #7201DA

RGB 114 1 218

HSL 271.24, 0.99%, 0.43%

LAB 35.32, 74.2, -81.6

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 15 / 30 / 0 / 49

HEX #6E5A81

RGB 110 90 129

HSL 270.77, 0.18%, 0.43%

LAB 41.55, 16.3, -18.81

 

CMYK 1 / 3 / 0 / 56

HEX #6E6C6F

RGB 110 108 111

HSL 280, 0.01%, 0.43%

LAB 45.89, 1.39, -1.4

 

CMYK 13 / 0 / 25 / 51

HEX #6D7E5E

RGB 109 126 94

HSL 91.88, 0.15%, 0.43%

LAB 50.67, -12.5, 15.41

 

CMYK 24 / 0 / 47 / 44

HEX #6C8F4C

RGB 108 143 76

HSL 91.34, 0.31%, 0.43%

LAB 55.44, -24.49, 31.65

 

CMYK 51 / 50 / 0 / 42

HEX #484A93

RGB 72 74 147

HSL 238.4, 0.34%, 0.43%

LAB 34.77, 20.24, -40.67

 

CMYK 38 / 51 / 0 / 42

HEX #5B4893

RGB 91 72 147

HSL 255.2, 0.34%, 0.43%

LAB 35.92, 26.34, -38.73

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 11 / 51 / 0 / 42

HEX #834893

RGB 131 72 147

HSL 287.2, 0.34%, 0.43%

LAB 40.52, 37.79, -31.15

 

CMYK 0 / 51 / 3 / 42

HEX #93488F

RGB 147 72 143

HSL 303.2, 0.34%, 0.43%

LAB 42.49, 41.8, -25.49

 

CMYK 25 / 51 / 0 / 64

HEX #452D5C

RGB 69 45 92

HSL 270.64, 0.34%, 0.27%

LAB 23.39, 21.54, -24.1

 

CMYK 24 / 50 / 0 / 53

HEX #5A3B77

RGB 90 59 119

HSL 271, 0.34%, 0.35%

LAB 30.96, 26.42, -29.32

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 24 / 49 / 0 / 32

HEX #8458AD

RGB 132 88 173

HSL 271.06, 0.34%, 0.51%

LAB 45.5, 35, -38.77

 

CMYK 18 / 38 / 0 / 27

HEX #9874BA

RGB 152 116 186

HSL 270.86, 0.34%, 0.59%

LAB 54.77, 27.86, -31.61

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 0 / 51 / 37 / 42

HEX #93485D

RGB 147 72 93

HSL 343.2, 0.34%, 0.43%

LAB 40.62, 33.89, 2.43

 

CMYK 51 / 0 / 45 / 42

HEX #489351

RGB 72 147 81

HSL 127.2, 0.34%, 0.43%

LAB 54.91, -37.91, 27.92

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 0 / 24 / 51 / 42

HEX #936F48

RGB 147 111 72

HSL 31.2, 0.34%, 0.43%

LAB 49.54, 9.25, 27.14

 

CMYK 51 / 0 / 24 / 42

HEX #48936F

RGB 72 147 111

HSL 151.2, 0.34%, 0.43%

LAB 55.47, -32.14, 12.04

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 0 / 51 / 37 / 42

HEX #93485D

RGB 147 72 93

HSL 343.2, 0.34%, 0.43%

LAB 40.62, 33.89, 2.43

 

CMYK 27 / 0 / 51 / 42

HEX #6C9348

RGB 108 147 72

HSL 91.2, 0.34%, 0.43%

LAB 56.61, -26.97, 35.17

 

CMYK 51 / 0 / 14 / 42

HEX #48937E

RGB 72 147 126

HSL 163.2, 0.34%, 0.43%

LAB 55.84, -28.64, 4

 

CMYK 24 / 51 / 0 / 42

HEX #6F4893

RGB 111 72 147

HSL 271.2, 0.34%, 0.43%

LAB 38.06, 31.92, -35.2

 

CMYK 0 / 50 / 51 / 42

HEX #934A48

RGB 147 74 72

HSL 1.6, 0.34%, 0.43%

LAB 40.52, 30.43, 15.33

 

CMYK 27 / 0 / 51 / 42

HEX #6C9348

RGB 108 147 72

HSL 91.2, 0.34%, 0.43%

LAB 56.61, -26.97, 35.17

 

CMYK 51 / 1 / 0 / 42

HEX #489293

RGB 72 146 147

HSL 180.8, 0.34%, 0.43%

LAB 56.13, -22.62, -7.61

 

Description

Color code: HEX #6F4893 | qconv.com Color code: HEX #6F4893 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 72 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 72 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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