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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4387 it is the complementary color #90BC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4387 shade: #744382, #855595, #9667A8, #A779BB and #B88BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4387 shade: #6F4387, #5E3174, #4D1F61, #3C0D4E and #2B003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4387 shade: #704389, #834389, #89437C, #894369 and #894356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4387 shade: #704389, #5D4389, #4B4389 and #434389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4387 shade matches the following richer shades: #704389, #753399, #7A22AA, #7F12BA and #8401CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4387 shade: #704389, #6B5478, #666468, #627557 and #5D8547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4387 shade: #4A4389, #5D4389, #6F4389, #824389 and #89437D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4387 shade: #432851, #5A366D, #704389, #8751A4 and #9A69B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4387 shade: #6F4387, #89434F and #438954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4387 shade: #6F4387, #896F43 and #43896F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4387 shade: #6F4387, #89434F, #5D8943 and #43897D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4387 shade: #6F4387, #894D43, #5D8943 and #437F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

Complementary color

CMYK 23 / 0 / 36 / 26

HEX #90BC78

RGB 144 188 120

HSL 98.82, 0.34%, 0.6%

LAB 71.73, -27.15, 29.8

 

CMYK 11 / 48 / 0 / 49

HEX #744382

RGB 116 67 130

HSL 286.67, 0.32%, 0.39%

LAB 36.63, 32.33, -27.02

 

CMYK 11 / 43 / 0 / 42

HEX #855595

RGB 133 85 149

HSL 285, 0.27%, 0.46%

LAB 43.73, 31.5, -27.3

 

CMYK 11 / 39 / 0 / 34

HEX #9667A8

RGB 150 103 168

HSL 283.38, 0.27%, 0.53%

LAB 50.7, 30.69, -27.55

 

CMYK 11 / 35 / 0 / 27

HEX #A779BB

RGB 167 121 187

HSL 281.82, 0.33%, 0.6%

LAB 57.54, 29.93, -27.78

 

CMYK 11 / 33 / 0 / 19

HEX #B88BCE

RGB 184 139 206

HSL 280.3, 0.41%, 0.68%

LAB 64.25, 29.22, -28

 

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

CMYK 19 / 58 / 0 / 55

HEX #5E3174

RGB 94 49 116

HSL 280.3, 0.41%, 0.32%

LAB 29, 32.81, -30.5

 

CMYK 21 / 68 / 0 / 62

HEX #4D1F61

RGB 77 31 97

HSL 281.82, 0.52%, 0.25%

LAB 21.66, 33.49, -30.07

 

CMYK 23 / 83 / 0 / 69

HEX #3C0D4E

RGB 60 13 78

HSL 283.38, 0.71%, 0.18%

LAB 14.39, 33.46, -29.13

 

CMYK 27 / 100 / 0 / 77

HEX #2B003B

RGB 43 0 59

HSL 283.73, 1%, 0.12%

LAB 7.49, 31.66, -27.09

 

CMYK 18 / 51 / 0 / 46

HEX #704389

RGB 112 67 137

HSL 278.57, 0.34%, 0.4%

LAB 36.49, 32.71, -31.57

 

CMYK 4 / 51 / 0 / 46

HEX #834389

RGB 131 67 137

HSL 294.86, 0.34%, 0.4%

LAB 38.98, 38.43, -27.49

 

CMYK 0 / 51 / 9 / 46

HEX #89437C

RGB 137 67 124

HSL 311.14, 0.34%, 0.4%

LAB 39.22, 37.84, -19.06

 

CMYK 0 / 51 / 23 / 46

HEX #894369

RGB 137 67 105

HSL 327.43, 0.34%, 0.4%

LAB 38.47, 34.66, -8.41

 

CMYK 0 / 51 / 37 / 46

HEX #894356

RGB 137 67 86

HSL 343.71, 0.34%, 0.4%

LAB 37.85, 31.96, 2.62

 

CMYK 18 / 51 / 0 / 46

HEX #704389

RGB 112 67 137

HSL 278.57, 0.34%, 0.4%

LAB 36.49, 32.71, -31.57

 

CMYK 32 / 51 / 0 / 46

HEX #5D4389

RGB 93 67 137

HSL 262.29, 0.34%, 0.4%

LAB 34.29, 27.17, -35.2

 

CMYK 45 / 51 / 0 / 46

HEX #4B4389

RGB 75 67 137

HSL 246.86, 0.34%, 0.4%

LAB 32.52, 22.3, -38.13

 

CMYK 51 / 51 / 0 / 46

HEX #434389

RGB 67 67 137

HSL 240, 0.34%, 0.4%

LAB 31.84, 20.32, -39.26

 

CMYK 18 / 51 / 0 / 46

HEX #704389

RGB 112 67 137

HSL 278.57, 0.34%, 0.4%

LAB 36.49, 32.71, -31.57

 

CMYK 24 / 67 / 0 / 40

HEX #753399

RGB 117 51 153

HSL 278.82, 0.5%, 0.4%

LAB 34.9, 46.34, -43.83

 

CMYK 28 / 80 / 0 / 33

HEX #7A22AA

RGB 122 34 170

HSL 278.82, 0.67%, 0.4%

LAB 34.36, 58.15, -54.93

 

CMYK 32 / 90 / 0 / 27

HEX #7F12BA

RGB 127 18 186

HSL 278.93, 0.82%, 0.4%

LAB 34.98, 66.48, -63.41

 

CMYK 35 / 100 / 0 / 20

HEX #8401CB

RGB 132 1 203

HSL 278.91, 0.99%, 0.4%

LAB 36.44, 72.87, -70.97

 

CMYK 18 / 51 / 0 / 46

HEX #704389

RGB 112 67 137

HSL 278.57, 0.34%, 0.4%

LAB 36.49, 32.71, -31.57

 

CMYK 11 / 30 / 0 / 53

HEX #6B5478

RGB 107 84 120

HSL 278.33, 0.18%, 0.4%

LAB 39.28, 16.83, -16.83

 

CMYK 2 / 4 / 0 / 59

HEX #666468

RGB 102 100 104

HSL 270, 0.02%, 0.4%

LAB 42.67, 1.62, -1.98

 

CMYK 16 / 0 / 26 / 54

HEX #627557

RGB 98 117 87

HSL 98, 0.15%, 0.4%

LAB 46.98, -13.09, 14.29

 

CMYK 30 / 0 / 47 / 48

HEX #5D8547

RGB 93 133 71

HSL 98.71, 0.3%, 0.4%

LAB 51.33, -25.92, 28.98

 

CMYK 46 / 51 / 0 / 46

HEX #4A4389

RGB 74 67 137

HSL 246, 0.34%, 0.4%

LAB 32.43, 22.04, -38.28

 

CMYK 32 / 51 / 0 / 46

HEX #5D4389

RGB 93 67 137

HSL 262.29, 0.34%, 0.4%

LAB 34.29, 27.17, -35.2

 

CMYK 19 / 51 / 0 / 46

HEX #6F4389

RGB 111 67 137

HSL 277.71, 0.34%, 0.4%

LAB 36.37, 32.41, -31.78

 

CMYK 5 / 51 / 0 / 46

HEX #824389

RGB 130 67 137

HSL 294, 0.34%, 0.4%

LAB 38.84, 38.13, -27.72

 

CMYK 0 / 51 / 9 / 46

HEX #89437D

RGB 137 67 125

HSL 310.29, 0.34%, 0.4%

LAB 39.26, 38.01, -19.61

 

CMYK 17 / 51 / 0 / 68

HEX #432851

RGB 67 40 81

HSL 279.51, 0.34%, 0.24%

LAB 21.23, 21.21, -20.22

 

CMYK 17 / 50 / 0 / 57

HEX #5A366D

RGB 90 54 109

HSL 279.27, 0.34%, 0.32%

LAB 29.2, 26.96, -25.76

 

CMYK 18 / 51 / 0 / 46

HEX #704389

RGB 112 67 137

HSL 278.57, 0.34%, 0.4%

LAB 36.49, 32.71, -31.57

 

CMYK 18 / 51 / 0 / 36

HEX #8751A4

RGB 135 81 164

HSL 279.04, 0.34%, 0.48%

LAB 43.82, 37.72, -36.09

 

CMYK 15 / 42 / 0 / 29

HEX #9A69B5

RGB 154 105 181

HSL 278.68, 0.34%, 0.56%

LAB 52.19, 33.64, -32.76

 

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

CMYK 0 / 51 / 42 / 46

HEX #89434F

RGB 137 67 79

HSL 349.71, 0.34%, 0.4%

LAB 37.66, 31.1, 6.76

 

CMYK 51 / 0 / 39 / 46

HEX #438954

RGB 67 137 84

HSL 134.57, 0.34%, 0.4%

LAB 51.52, -34.36, 21.84

 

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

CMYK 0 / 19 / 51 / 46

HEX #896F43

RGB 137 111 67

HSL 37.71, 0.34%, 0.4%

LAB 48.38, 4.31, 28.24

 

CMYK 51 / 0 / 19 / 46

HEX #43896F

RGB 67 137 111

HSL 157.71, 0.34%, 0.4%

LAB 52.1, -28.66, 7.24

 

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

CMYK 0 / 51 / 42 / 46

HEX #89434F

RGB 137 67 79

HSL 349.71, 0.34%, 0.4%

LAB 37.66, 31.1, 6.76

 

CMYK 32 / 0 / 51 / 46

HEX #5D8943

RGB 93 137 67

HSL 97.71, 0.34%, 0.4%

LAB 52.54, -28.41, 32.59

 

CMYK 51 / 0 / 9 / 46

HEX #43897D

RGB 67 137 125

HSL 169.71, 0.34%, 0.4%

LAB 52.47, -25.16, -0.33

 

CMYK 18 / 50 / 0 / 47

HEX #6F4387

RGB 111 67 135

HSL 278.82, 0.34%, 0.4%

LAB 36.26, 31.94, -30.72

 

CMYK 0 / 44 / 51 / 46

HEX #894D43

RGB 137 77 67

HSL 8.57, 0.34%, 0.4%

LAB 39.63, 24.16, 16.95

 

CMYK 32 / 0 / 51 / 46

HEX #5D8943

RGB 93 137 67

HSL 97.71, 0.34%, 0.4%

LAB 52.54, -28.41, 32.59

 

CMYK 51 / 7 / 0 / 46

HEX #437F89

RGB 67 127 137

HSL 188.57, 0.34%, 0.4%

LAB 49.71, -16.57, -11.44

 

Description

Color code: HEX #6F4387 | qconv.com Color code: HEX #6F4387 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 67 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 67 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 50 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 50% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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