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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F3D89 it is the complementary color #90C276. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F3D89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F3D89 shade: #743D84, #854F97, #9661AA, #A773BD and #B885D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F3D89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F3D89 shade: #6F3D89, #5E2B76, #4D1963, #3C0750 and #2B003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F3D89 shade: #6F3E89, #843E89, #893E7A, #893E66 and #893E52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F3D89 shade: #6F3E89, #5B3E89, #473E89 and #3E3E89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F3D89 shade matches the following richer shades: #6F3E89, #742E99, #7A1DA9 and #7F0DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F3D89 shade: #6F3E89, #6A4E79, #655E69, #606E59 and #5B7E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F3D89 shade: #463E89, #5B3E89, #6F3E89, #833E89 and #893E7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F3D89 shade: #412450, #58316D, #6F3E89, #864AA6 and #9A61B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F3D89 shade: #6F3D89, #893E49 and #3E8951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F3D89 shade: #6F3D89, #896F3E and #3E896F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F3D89 shade: #6F3D89, #893E49, #58893E and #3E897E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F3D89 shade: #6F3D89, #89493E, #58893E and #3E7E89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

Complementary color

CMYK 26 / 0 / 39 / 24

HEX #90C276

RGB 144 194 118

HSL 99.47, 0.38%, 0.61%

LAB 73.43, -30.31, 33.06

 

CMYK 12 / 54 / 0 / 48

HEX #743D84

RGB 116 61 132

HSL 286.48, 0.37%, 0.38%

LAB 35.43, 36.16, -30.13

 

CMYK 12 / 48 / 0 / 41

HEX #854F97

RGB 133 79 151

HSL 285, 0.31%, 0.45%

LAB 42.48, 35.35, -30.46

 

CMYK 12 / 43 / 0 / 33

HEX #9661AA

RGB 150 97 170

HSL 283.56, 0.3%, 0.52%

LAB 49.42, 34.53, -30.71

 

CMYK 12 / 39 / 0 / 26

HEX #A773BD

RGB 167 115 189

HSL 282.16, 0.36%, 0.6%

LAB 56.24, 33.73, -30.93

 

CMYK 12 / 36 / 0 / 18

HEX #B885D0

RGB 184 133 208

HSL 280.8, 0.44%, 0.67%

LAB 62.94, 32.98, -31.14

 

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

CMYK 20 / 64 / 0 / 54

HEX #5E2B76

RGB 94 43 118

HSL 280.8, 0.47%, 0.32%

LAB 27.89, 36.6, -33.53

 

CMYK 22 / 75 / 0 / 61

HEX #4D1963

RGB 77 25 99

HSL 282.16, 0.6%, 0.24%

LAB 20.73, 36.95, -32.88

 

CMYK 25 / 91 / 0 / 69

HEX #3C0750

RGB 60 7 80

HSL 283.56, 0.84%, 0.17%

LAB 13.78, 36.19, -31.5

 

CMYK 30 / 100 / 0 / 76

HEX #2B003D

RGB 43 0 61

HSL 282.3, 1%, 0.12%

LAB 7.68, 32.14, -28.22

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 4 / 55 / 0 / 46

HEX #843E89

RGB 132 62 137

HSL 296, 0.38%, 0.39%

LAB 38.12, 41.37, -28.82

 

CMYK 0 / 55 / 11 / 46

HEX #893E7A

RGB 137 62 122

HSL 312, 0.38%, 0.39%

LAB 38.14, 40.1, -19.49

 

CMYK 0 / 55 / 26 / 46

HEX #893E66

RGB 137 62 102

HSL 328, 0.38%, 0.39%

LAB 37.34, 36.86, -8.22

 

CMYK 0 / 55 / 40 / 46

HEX #893E52

RGB 137 62 82

HSL 344, 0.38%, 0.39%

LAB 36.69, 34.15, 3.48

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 34 / 55 / 0 / 46

HEX #5B3E89

RGB 91 62 137

HSL 263.2, 0.38%, 0.39%

LAB 32.87, 29.68, -37.48

 

CMYK 48 / 55 / 0 / 46

HEX #473E89

RGB 71 62 137

HSL 247.2, 0.38%, 0.39%

LAB 30.86, 24.54, -40.81

 

CMYK 55 / 55 / 0 / 46

HEX #3E3E89

RGB 62 62 137

HSL 240, 0.38%, 0.39%

LAB 30.1, 22.46, -42.08

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 24 / 70 / 0 / 40

HEX #742E99

RGB 116 46 153

HSL 279.25, 0.54%, 0.39%

LAB 33.91, 48.47, -45.43

 

CMYK 28 / 83 / 0 / 34

HEX #7A1DA9

RGB 122 29 169

HSL 279.86, 0.71%, 0.39%

LAB 33.73, 59.55, -55.35

 

CMYK 32 / 93 / 0 / 27

HEX #7F0DBA

RGB 127 13 186

HSL 279.54, 0.87%, 0.39%

LAB 34.69, 67.35, -63.89

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 12 / 36 / 0 / 53

HEX #6A4E79

RGB 106 78 121

HSL 279.07, 0.22%, 0.39%

LAB 37.65, 20.41, -19.96

 

CMYK 4 / 10 / 0 / 59

HEX #655E69

RGB 101 94 105

HSL 278.18, 0.06%, 0.39%

LAB 40.88, 5.08, -5.25

 

CMYK 13 / 0 / 19 / 57

HEX #606E59

RGB 96 110 89

HSL 100, 0.11%, 0.39%

LAB 44.74, -9.59, 9.98

 

CMYK 28 / 0 / 42 / 51

HEX #5B7E49

RGB 91 126 73

HSL 99.62, 0.27%, 0.39%

LAB 49.04, -22.88, 24.95

 

CMYK 49 / 55 / 0 / 46

HEX #463E89

RGB 70 62 137

HSL 246.4, 0.38%, 0.39%

LAB 30.77, 24.3, -40.96

 

CMYK 34 / 55 / 0 / 46

HEX #5B3E89

RGB 91 62 137

HSL 263.2, 0.38%, 0.39%

LAB 32.87, 29.68, -37.48

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 4 / 55 / 0 / 46

HEX #833E89

RGB 131 62 137

HSL 295.2, 0.38%, 0.39%

LAB 37.98, 41.07, -29.06

 

CMYK 0 / 55 / 10 / 46

HEX #893E7B

RGB 137 62 123

HSL 311.2, 0.38%, 0.39%

LAB 38.19, 40.27, -20.04

 

CMYK 19 / 55 / 0 / 69

HEX #412450

RGB 65 36 80

HSL 279.55, 0.38%, 0.23%

LAB 19.9, 22.84, -21.65

 

CMYK 19 / 55 / 0 / 57

HEX #58316D

RGB 88 49 109

HSL 279, 0.38%, 0.31%

LAB 27.78, 29.35, -28.02

 

CMYK 19 / 55 / 0 / 46

HEX #6F3E89

RGB 111 62 137

HSL 279.2, 0.38%, 0.39%

LAB 35.26, 35.28, -33.52

 

CMYK 19 / 55 / 0 / 35

HEX #864AA6

RGB 134 74 166

HSL 279.13, 0.38%, 0.47%

LAB 42.34, 41.74, -39.64

 

CMYK 16 / 47 / 0 / 28

HEX #9A61B8

RGB 154 97 184

HSL 279.31, 0.38%, 0.55%

LAB 50.55, 38.78, -37.06

 

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

CMYK 0 / 55 / 47 / 46

HEX #893E49

RGB 137 62 73

HSL 351.2, 0.38%, 0.39%

LAB 36.45, 33.12, 8.85

 

CMYK 55 / 0 / 41 / 46

HEX #3E8951

RGB 62 137 81

HSL 135.2, 0.38%, 0.39%

LAB 51.28, -36.28, 23.14

 

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

CMYK 0 / 19 / 55 / 46

HEX #896F3E

RGB 137 111 62

HSL 39.2, 0.38%, 0.39%

LAB 48.3, 3.82, 30.92

 

CMYK 55 / 0 / 19 / 46

HEX #3E896F

RGB 62 137 111

HSL 159.2, 0.38%, 0.39%

LAB 51.91, -29.9, 6.94

 

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

CMYK 0 / 55 / 47 / 46

HEX #893E49

RGB 137 62 73

HSL 351.2, 0.38%, 0.39%

LAB 36.45, 33.12, 8.85

 

CMYK 36 / 0 / 55 / 46

HEX #58893E

RGB 88 137 62

HSL 99.2, 0.38%, 0.39%

LAB 52.19, -30.88, 34.69

 

CMYK 55 / 0 / 8 / 46

HEX #3E897E

RGB 62 137 126

HSL 171.2, 0.38%, 0.39%

LAB 52.31, -26.07, -1.17

 

CMYK 19 / 55 / 0 / 46

HEX #6F3D89

RGB 111 61 137

HSL 279.47, 0.38%, 0.39%

LAB 35.05, 35.84, -33.86

 

CMYK 0 / 47 / 55 / 46

HEX #89493E

RGB 137 73 62

HSL 8.8, 0.38%, 0.39%

LAB 38.61, 25.95, 18.66

 

CMYK 36 / 0 / 55 / 46

HEX #58893E

RGB 88 137 62

HSL 99.2, 0.38%, 0.39%

LAB 52.19, -30.88, 34.69

 

CMYK 55 / 8 / 0 / 46

HEX #3E7E89

RGB 62 126 137

HSL 188.8, 0.38%, 0.39%

LAB 49.19, -17.18, -12.24

 

Description

Color code: HEX #6F3D89 | qconv.com Color code: HEX #6F3D89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 61 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 61 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 55 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 55% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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