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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F3C82 it is the complementary color #90C37D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F3C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F3C82 shade: #743C7D, #854E90, #9660A3, #A772B6 and #B884C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F3C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F3C82 shade: #6F3C82, #5E2A6F, #4D185C, #3C0649 and #2B0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F3C82 shade: #6E3B81, #813B81, #813B6F, #813B5C and #813B49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F3C82 shade: #6E3B81, #5B3B81, #493B81 and #3B3B81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F3C82 shade matches the following richer shades: #6E3B81, #752C91, #7C1DA0 and #830EAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F3C82 shade: #6E3B81, #674B72, #605A63, #596953 and #527944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F3C82 shade: #483B81, #5B3B81, #6D3B81, #803B81 and #813B70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F3C82 shade: #3E2149, #562E65, #6E3B81, #86489E and #9C5BB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F3C82 shade: #6F3C82, #813B41 and #3B8152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F3C82 shade: #6F3C82, #816D3B and #3B816D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F3C82 shade: #6F3C82, #813B41, #4F813B and #3B817B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F3C82 shade: #6F3C82, #814B3B, #4F813B and #3B7281

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

Complementary color

CMYK 26 / 0 / 36 / 24

HEX #90C37D

RGB 144 195 125

HSL 103.71, 0.37%, 0.63%

LAB 73.83, -29.78, 29.95

 

CMYK 7 / 52 / 0 / 51

HEX #743C7D

RGB 116 60 125

HSL 291.69, 0.35%, 0.36%

LAB 34.85, 35.21, -26.7

 

CMYK 8 / 46 / 0 / 44

HEX #854E90

RGB 133 78 144

HSL 290, 0.3%, 0.44%

LAB 41.92, 34.42, -27.12

 

CMYK 8 / 41 / 0 / 36

HEX #9660A3

RGB 150 96 163

HSL 288.36, 0.27%, 0.51%

LAB 48.88, 33.61, -27.45

 

CMYK 8 / 37 / 0 / 29

HEX #A772B6

RGB 167 114 182

HSL 286.76, 0.32%, 0.58%

LAB 55.71, 32.82, -27.74

 

CMYK 8 / 34 / 0 / 21

HEX #B884C9

RGB 184 132 201

HSL 285.22, 0.39%, 0.65%

LAB 62.43, 32.08, -28

 

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

CMYK 15 / 62 / 0 / 56

HEX #5E2A6F

RGB 94 42 111

HSL 285.22, 0.45%, 0.3%

LAB 27.25, 35.52, -30.09

 

CMYK 16 / 74 / 0 / 64

HEX #4D185C

RGB 77 24 92

HSL 286.76, 0.59%, 0.23%

LAB 20.06, 35.82, -29.32

 

CMYK 18 / 92 / 0 / 71

HEX #3C0649

RGB 60 6 73

HSL 288.36, 0.85%, 0.15%

LAB 13.06, 35.03, -27.83

 

CMYK 20 / 100 / 0 / 79

HEX #2B0036

RGB 43 0 54

HSL 287.78, 1%, 0.11%

LAB 7.05, 30.45, -24.18

 

CMYK 15 / 54 / 0 / 49

HEX #6E3B81

RGB 110 59 129

HSL 283.71, 0.37%, 0.37%

LAB 34.04, 34.84, -30.52

 

CMYK 0 / 54 / 0 / 49

HEX #813B81

RGB 129 59 129

HSL 300, 0.37%, 0.37%

LAB 36.71, 40.47, -26.15

 

CMYK 0 / 54 / 14 / 49

HEX #813B6F

RGB 129 59 111

HSL 315.43, 0.37%, 0.37%

LAB 35.87, 37.2, -16.22

 

CMYK 0 / 54 / 29 / 49

HEX #813B5C

RGB 129 59 92

HSL 331.71, 0.37%, 0.37%

LAB 35.14, 34.18, -5.31

 

CMYK 0 / 54 / 43 / 49

HEX #813B49

RGB 129 59 73

HSL 348, 0.37%, 0.37%

LAB 34.55, 31.68, 5.99

 

CMYK 15 / 54 / 0 / 49

HEX #6E3B81

RGB 110 59 129

HSL 283.71, 0.37%, 0.37%

LAB 34.04, 34.84, -30.52

 

CMYK 29 / 54 / 0 / 49

HEX #5B3B81

RGB 91 59 129

HSL 267.43, 0.37%, 0.37%

LAB 31.66, 29.34, -34.45

 

CMYK 43 / 54 / 0 / 49

HEX #493B81

RGB 73 59 129

HSL 252, 0.37%, 0.37%

LAB 29.74, 24.46, -37.64

 

CMYK 54 / 54 / 0 / 49

HEX #3B3B81

RGB 59 59 129

HSL 240, 0.37%, 0.37%

LAB 28.49, 21.05, -39.7

 

CMYK 15 / 54 / 0 / 49

HEX #6E3B81

RGB 110 59 129

HSL 283.71, 0.37%, 0.37%

LAB 34.04, 34.84, -30.52

 

CMYK 19 / 70 / 0 / 43

HEX #752C91

RGB 117 44 145

HSL 283.37, 0.53%, 0.37%

LAB 33.19, 47.84, -41.69

 

CMYK 23 / 82 / 0 / 37

HEX #7C1DA0

RGB 124 29 160

HSL 283.51, 0.69%, 0.37%

LAB 33.35, 58.05, -50.52

 

CMYK 25 / 92 / 0 / 31

HEX #830EAF

RGB 131 14 175

HSL 283.6, 0.85%, 0.37%

LAB 34.47, 65.59, -57.69

 

CMYK 15 / 54 / 0 / 49

HEX #6E3B81

RGB 110 59 129

HSL 283.71, 0.37%, 0.37%

LAB 34.04, 34.84, -30.52

 

CMYK 10 / 34 / 0 / 55

HEX #674B72

RGB 103 75 114

HSL 283.08, 0.21%, 0.37%

LAB 36.23, 19.59, -17.83

 

CMYK 3 / 9 / 0 / 61

HEX #605A63

RGB 96 90 99

HSL 280, 0.05%, 0.37%

LAB 39.07, 4.3, -4.29

 

CMYK 15 / 0 / 21 / 59

HEX #596953

RGB 89 105 83

HSL 103.64, 0.12%, 0.37%

LAB 42.54, -10.65, 10.4

 

CMYK 32 / 0 / 44 / 53

HEX #527944

RGB 82 121 68

HSL 104.15, 0.28%, 0.37%

LAB 46.82, -24.5, 24.77

 

CMYK 44 / 54 / 0 / 49

HEX #483B81

RGB 72 59 129

HSL 251.14, 0.37%, 0.37%

LAB 29.64, 24.2, -37.8

 

CMYK 29 / 54 / 0 / 49

HEX #5B3B81

RGB 91 59 129

HSL 267.43, 0.37%, 0.37%

LAB 31.66, 29.34, -34.45

 

CMYK 16 / 54 / 0 / 49

HEX #6D3B81

RGB 109 59 129

HSL 282.86, 0.37%, 0.37%

LAB 33.91, 34.54, -30.74

 

CMYK 1 / 54 / 0 / 49

HEX #803B81

RGB 128 59 129

HSL 299.14, 0.37%, 0.37%

LAB 36.56, 40.18, -26.39

 

CMYK 0 / 54 / 13 / 49

HEX #813B70

RGB 129 59 112

HSL 314.57, 0.37%, 0.37%

LAB 35.92, 37.37, -16.78

 

CMYK 15 / 55 / 0 / 71

HEX #3E2149

RGB 62 33 73

HSL 283.5, 0.38%, 0.21%

LAB 18.33, 21.97, -19.4

 

CMYK 15 / 54 / 0 / 60

HEX #562E65

RGB 86 46 101

HSL 283.64, 0.37%, 0.29%

LAB 26.37, 28.59, -25.12

 

CMYK 15 / 54 / 0 / 49

HEX #6E3B81

RGB 110 59 129

HSL 283.71, 0.37%, 0.37%

LAB 34.04, 34.84, -30.52

 

CMYK 15 / 54 / 0 / 38

HEX #86489E

RGB 134 72 158

HSL 283.26, 0.37%, 0.45%

LAB 41.49, 41.03, -36.21

 

CMYK 13 / 49 / 0 / 29

HEX #9C5BB4

RGB 156 91 180

HSL 283.82, 0.37%, 0.53%

LAB 49.31, 41.78, -36.67

 

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

CMYK 0 / 54 / 50 / 49

HEX #813B41

RGB 129 59 65

HSL 354.86, 0.37%, 0.37%

LAB 34.35, 30.79, 10.83

 

CMYK 54 / 0 / 36 / 49

HEX #3B8152

RGB 59 129 82

HSL 139.71, 0.37%, 0.37%

LAB 48.56, -33.32, 18.96

 

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

CMYK 0 / 16 / 54 / 49

HEX #816D3B

RGB 129 109 59

HSL 42.86, 0.37%, 0.37%

LAB 46.87, 1.07, 30.62

 

CMYK 54 / 0 / 16 / 49

HEX #3B816D

RGB 59 129 109

HSL 162.86, 0.37%, 0.37%

LAB 49.17, -27.23, 4.17

 

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

CMYK 0 / 54 / 50 / 49

HEX #813B41

RGB 129 59 65

HSL 354.86, 0.37%, 0.37%

LAB 34.35, 30.79, 10.83

 

CMYK 39 / 0 / 54 / 49

HEX #4F813B

RGB 79 129 59

HSL 102.86, 0.37%, 0.37%

LAB 49.1, -30.74, 32.42

 

CMYK 54 / 0 / 5 / 49

HEX #3B817B

RGB 59 129 123

HSL 174.86, 0.37%, 0.37%

LAB 49.57, -23.51, -3.46

 

CMYK 15 / 54 / 0 / 49

HEX #6F3C82

RGB 111 60 130

HSL 283.71, 0.37%, 0.37%

LAB 34.44, 34.8, -30.5

 

CMYK 0 / 42 / 54 / 49

HEX #814B3B

RGB 129 75 59

HSL 13.71, 0.37%, 0.37%

LAB 37.87, 21.11, 19.31

 

CMYK 39 / 0 / 54 / 49

HEX #4F813B

RGB 79 129 59

HSL 102.86, 0.37%, 0.37%

LAB 49.1, -30.74, 32.42

 

CMYK 54 / 12 / 0 / 49

HEX #3B7281

RGB 59 114 129

HSL 192.86, 0.37%, 0.37%

LAB 45.01, -13.66, -13.84

 

Description

Color code: HEX #6F3C82 | qconv.com Color code: HEX #6F3C82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 60 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 60 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 54 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 54% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - お茶の水女子大学/ホーム
Link: http://www.ocha.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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