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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F39DDCE it is the complementary color #90C622CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F39DDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F39DDCE shade: #7439D8CE, #854BEBCE, #965DFECE, #A76FFFCE and #B881FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F39DDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F39DDCE shade: #6F39DDCE, #5E27CACE, #4D15B7CE, #3C03A4CE and #2B0091CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F39DDCE shade: #703BDE, #9C3BDE, #C83BDE, #DE3BC7 and #DE3B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F39DDCE shade: #703BDE, #443BDE and #3B3BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F39DDCE shade matches the following richer shades: #703BDE and #6A28F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F39DDCE shade: #703BDE, #774DCB, #7D60B9, #8372A6 and #8A8593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F39DDCE shade: #3B5EDE, #433BDE, #6E3BDE, #9A3BDE and #C53BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F39DDCE shade: #4B1DA9, #5B23CD, #703BDE, #8A5EE4 and #A481EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F39DDCE shade: #6F39DD, #DE3B8A and #48DE3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F39DDCE shade: #6F39DD, #DE6E3B and #3BDE6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F39DDCE shade: #6F39DD, #DE3B8A, #AADE3B and #3BDE8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F39DDCE shade: #6F39DD, #DE3B59, #AADE3B and #3BDEC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 60 / 0 / 11

HEX #6F39DDCE

RGBA 111 57 221 0.81

HSLA 259.76, 0.71%, 0.55%, 0.81

LABA 40.45, 59.27, -74.89, 0.81

 

Complementary color

CMYK 22 / 0 / 67 / 18

HEX #90C622CE

RGBA 144 198 34 0.81

HSLA 79.76, 0.71%, 0.45%, 0.81

LABA 73.83, -39.4, 68.43, 0.81

 

CMYK 38 / 60 / 0 / 12

HEX #7439D8CE

RGBA 116 57 216 0.81

HSLA 262.26, 0.67%, 0.54%, 0.81

LABA 40.57, 58.73, -71.81, 0.81

 

CMYK 35 / 55 / 0 / 6

HEX #854BEBCE

RGBA 133 75 235 0.81

HSLA 261.75, 0.8%, 0.61%, 0.81

LABA 47, 57.89, -72.05, 0.81

 

CMYK 33 / 51 / 0 / 0

HEX #965DFECE

RGBA 150 93 254 0.81

HSLA 261.24, 0.99%, 0.68%, 0.81

LABA 53.46, 56.87, -72.09, 0.81

 

CMYK 28 / 46 / 0 / 0

HEX #A76FFFCE

RGBA 167 111 255 0.81

HSLA 263.33, 1%, 0.72%, 0.81

LABA 58.79, 51.28, -63.94, 0.81

 

CMYK 23 / 40 / 0 / 0

HEX #B881FFCE

RGBA 184 129 255 0.81

HSLA 266.19, 1%, 0.75%, 0.81

LABA 64.25, 45.71, -55.13, 0.81

 

CMYK 40 / 60 / 0 / 11

HEX #6F39DDCE

RGBA 111 57 221 0.81

HSLA 259.76, 0.71%, 0.55%, 0.81

LABA 40.45, 59.27, -74.89, 0.81

 

CMYK 43 / 65 / 0 / 17

HEX #5E27CACE

RGBA 94 39 202 0.81

HSLA 260.25, 0.68%, 0.47%, 0.81

LABA 34.18, 59.8, -74.29, 0.81

 

CMYK 47 / 72 / 0 / 23

HEX #4D15B7CE

RGBA 77 21 183 0.81

HSLA 260.74, 0.79%, 0.4%, 0.81

LABA 28.2, 59.44, -73.03, 0.81

 

CMYK 51 / 80 / 0 / 29

HEX #3C03A4CE

RGBA 60 3 164 0.81

HSLA 261.24, 0.96%, 0.33%, 0.81

LABA 22.68, 57.74, -70.82, 0.81

 

CMYK 57 / 81 / 0 / 35

HEX #2B0091CE

RGBA 43 0 145 0.81

HSLA 257.79, 1%, 0.28%, 0.81

LABA 18.18, 52.94, -66.66, 0.81

 

CMYK 50 / 73 / 0 / 13

HEX #703BDE

RGB 112 59 222

HSL 259.51, 0.71%, 0.55%

LAB 40.97, 58.76, -74.6

 

CMYK 30 / 73 / 0 / 13

HEX #9C3BDE

RGB 156 59 222

HSL 275.71, 0.71%, 0.55%

LAB 46.27, 66.09, -65.74

 

CMYK 10 / 73 / 0 / 13

HEX #C83BDE

RGB 200 59 222

HSL 291.9, 0.71%, 0.55%

LAB 52.6, 74.48, -55.21

 

CMYK 0 / 73 / 10 / 13

HEX #DE3BC7

RGB 222 59 199

HSL 308.47, 0.71%, 0.55%

LAB 54.85, 75.46, -38.3

 

CMYK 0 / 73 / 30 / 13

HEX #DE3B9B

RGB 222 59 155

HSL 324.66, 0.71%, 0.55%

LAB 52.98, 69.75, -15.54

 

CMYK 50 / 73 / 0 / 13

HEX #703BDE

RGB 112 59 222

HSL 259.51, 0.71%, 0.55%

LAB 40.97, 58.76, -74.6

 

CMYK 69 / 73 / 0 / 13

HEX #443BDE

RGB 68 59 222

HSL 243.31, 0.71%, 0.55%

LAB 37.17, 53.26, -80.99

 

CMYK 73 / 73 / 0 / 13

HEX #3B3BDE

RGB 59 59 222

HSL 240, 0.71%, 0.55%

LAB 36.62, 52.43, -81.93

 

CMYK 50 / 73 / 0 / 13

HEX #703BDE

RGB 112 59 222

HSL 259.51, 0.71%, 0.55%

LAB 40.97, 58.76, -74.6

 

CMYK 56 / 83 / 0 / 6

HEX #6A28F0

RGB 106 40 240

HSL 259.8, 0.87%, 0.55%

LAB 39.37, 70.34, -87.5

 

CMYK 50 / 73 / 0 / 13

HEX #703BDE

RGB 112 59 222

HSL 259.51, 0.71%, 0.55%

LAB 40.97, 58.76, -74.6

 

CMYK 41 / 62 / 0 / 20

HEX #774DCB

RGB 119 77 203

HSL 260, 0.55%, 0.55%

LAB 43.57, 45.71, -59.43

 

CMYK 32 / 48 / 0 / 27

HEX #7D60B9

RGB 125 96 185

HSL 259.55, 0.39%, 0.55%

LAB 47.27, 31.44, -43.02

 

CMYK 21 / 31 / 0 / 35

HEX #8372A6

RGB 131 114 166

HSL 259.62, 0.23%, 0.55%

LAB 51.4, 17.7, -25.46

 

CMYK 6 / 10 / 0 / 42

HEX #8A8593

RGB 138 133 147

HSL 261.43, 0.06%, 0.55%

LAB 56.37, 4.67, -6.82

 

CMYK 73 / 58 / 0 / 13

HEX #3B5EDE

RGB 59 94 222

HSL 227.12, 0.71%, 0.55%

LAB 44.53, 31.4, -68.94

 

CMYK 70 / 73 / 0 / 13

HEX #433BDE

RGB 67 59 222

HSL 242.94, 0.71%, 0.55%

LAB 37.11, 53.16, -81.1

 

CMYK 50 / 73 / 0 / 13

HEX #6E3BDE

RGB 110 59 222

HSL 258.77, 0.71%, 0.55%

LAB 40.76, 58.46, -74.95

 

CMYK 31 / 73 / 0 / 13

HEX #9A3BDE

RGB 154 59 222

HSL 274.97, 0.71%, 0.55%

LAB 46, 65.73, -66.18

 

CMYK 11 / 73 / 0 / 13

HEX #C53BDE

RGB 197 59 222

HSL 290.8, 0.71%, 0.55%

LAB 52.14, 73.89, -55.97

 

CMYK 56 / 83 / 0 / 34

HEX #4B1DA9

RGB 75 29 169

HSL 259.71, 0.71%, 0.39%

LAB 27.41, 52.84, -65.97

 

CMYK 56 / 83 / 0 / 20

HEX #5B23CD

RGB 91 35 205

HSL 259.76, 0.71%, 0.47%

LAB 33.63, 61.76, -76.95

 

CMYK 50 / 73 / 0 / 13

HEX #703BDE

RGB 112 59 222

HSL 259.51, 0.71%, 0.55%

LAB 40.97, 58.76, -74.6

 

CMYK 39 / 59 / 0 / 11

HEX #8A5EE4

RGB 138 94 228

HSL 259.7, 0.71%, 0.63%

LAB 50.7, 47.12, -62.08

 

CMYK 30 / 45 / 0 / 8

HEX #A481EA

RGB 164 129 234

HSL 260, 0.71%, 0.71%

LAB 61.25, 35.41, -48.43

 

CMYK 50 / 74 / 0 / 13

HEX #6F39DD

RGB 111 57 221

HSL 259.76, 0.71%, 0.55%

LAB 40.45, 59.27, -74.89

 

CMYK 0 / 73 / 38 / 13

HEX #DE3B8A

RGB 222 59 138

HSL 330.92, 0.71%, 0.55%

LAB 52.39, 67.9, -6.31

 

CMYK 68 / 0 / 73 / 13

HEX #48DE3B

RGB 72 222 59

HSL 115.21, 0.71%, 0.55%

LAB 78.42, -68.15, 64.35

 

CMYK 50 / 74 / 0 / 13

HEX #6F39DD

RGB 111 57 221

HSL 259.76, 0.71%, 0.55%

LAB 40.45, 59.27, -74.89

 

CMYK 0 / 50 / 73 / 13

HEX #DE6E3B

RGB 222 110 59

HSL 18.77, 0.71%, 0.55%

LAB 58.97, 40.24, 47.55

 

CMYK 73 / 0 / 50 / 13

HEX #3BDE6E

RGB 59 222 110

HSL 138.77, 0.71%, 0.55%

LAB 78.64, -64.7, 43.01

 

CMYK 50 / 74 / 0 / 13

HEX #6F39DD

RGB 111 57 221

HSL 259.76, 0.71%, 0.55%

LAB 40.45, 59.27, -74.89

 

CMYK 0 / 73 / 38 / 13

HEX #DE3B8A

RGB 222 59 138

HSL 330.92, 0.71%, 0.55%

LAB 52.39, 67.9, -6.31

 

CMYK 23 / 0 / 73 / 13

HEX #AADE3B

RGB 170 222 59

HSL 79.14, 0.71%, 0.55%

LAB 82.43, -39, 69.64

 

CMYK 73 / 0 / 36 / 13

HEX #3BDE8F

RGB 59 222 143

HSL 150.92, 0.71%, 0.55%

LAB 79.13, -59.04, 27.15

 

CMYK 50 / 74 / 0 / 13

HEX #6F39DD

RGB 111 57 221

HSL 259.76, 0.71%, 0.55%

LAB 40.45, 59.27, -74.89

 

CMYK 0 / 73 / 60 / 13

HEX #DE3B59

RGB 222 59 89

HSL 348.96, 0.71%, 0.55%

LAB 51.13, 63.81, 21.4

 

CMYK 23 / 0 / 73 / 13

HEX #AADE3B

RGB 170 222 59

HSL 79.14, 0.71%, 0.55%

LAB 82.43, -39, 69.64

 

CMYK 73 / 0 / 14 / 13

HEX #3BDEC0

RGB 59 222 192

HSL 168.96, 0.71%, 0.55%

LAB 80.17, -47.99, 2.85

 

Description

Color code: HEX #6F39DDCE | qconv.com Color code: HEX #6F39DDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 57 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 57 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 60 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 60% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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