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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F32EE it is the complementary color #90CD11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F32EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F32EE shade: #7432E9, #8544FC, #9656FF, #A768FF and #B87AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F32EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F32EE shade: #6F32EE, #5E20DB, #4D0EC8, #3C00B5 and #2B00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F32EE shade: #6D2FEE, #A12FEE, #D42FEE, #EE2FD5 and #EE2FA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F32EE shade: #6D2FEE, #3A2FEE and #2F2FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F32EE shade matches the following richer shades: #6D2FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F32EE shade: #6D2FEE, #7442DC, #7A54CA, #8066B8 and #8778A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F32EE shade: #2F59EE, #392FEE, #6C2FEE, #9F2FEE and #D22FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F32EE shade: #470FBC, #5612E2, #6D2FEE, #8856F1 and #A37CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F32EE shade: #6F32EE, #EE2F8C and #3FEE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F32EE shade: #6F32EE, #EE6C2F and #2FEE6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F32EE shade: #6F32EE, #EE2F8C, #B2EE2F and #2FEE92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F32EE shade: #6F32EE, #EE2F52, #B2EE2F and #2FEECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

Complementary color

CMYK 30 / 0 / 92 / 20

HEX #90CD11

RGB 144 205 17

HSL 79.47, 0.85%, 0.44%

LAB 75.84, -42.92, 73.39

 

CMYK 50 / 79 / 0 / 9

HEX #7432E9

RGB 116 50 233

HSL 261.64, 0.81%, 0.55%

LAB 41.02, 66.03, -80.77

 

CMYK 47 / 73 / 0 / 1

HEX #8544FC

RGB 133 68 252

HSL 261.2, 0.97%, 0.63%

LAB 47.17, 65.52, -81.3

 

CMYK 41 / 66 / 0 / 0

HEX #9656FF

RGB 150 86 255

HSL 262.72, 1%, 0.67%

LAB 52.24, 60.64, -74.62

 

CMYK 35 / 59 / 0 / 0

HEX #A768FF

RGB 167 104 255

HSL 265.03, 1%, 0.7%

LAB 57.4, 54.96, -66.18

 

CMYK 28 / 52 / 0 / 0

HEX #B87AFF

RGB 184 122 255

HSL 267.97, 1%, 0.74%

LAB 62.78, 49.46, -57.46

 

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

CMYK 57 / 85 / 0 / 14

HEX #5E20DB

RGB 94 32 219

HSL 259.89, 0.75%, 0.49%

LAB 35.06, 66.62, -82.69

 

CMYK 62 / 93 / 0 / 22

HEX #4D0EC8

RGB 77 14 200

HSL 260.32, 0.87%, 0.42%

LAB 29.57, 65.38, -80.81

 

CMYK 67 / 100 / 0 / 29

HEX #3C00B5

RGB 60 0 181

HSL 259.89, 1%, 0.35%

LAB 24.63, 62.51, -77.82

 

CMYK 73 / 100 / 0 / 36

HEX #2B00A2

RGB 43 0 162

HSL 255.93, 1%, 0.32%

LAB 20.53, 57.19, -73.22

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 32 / 80 / 0 / 7

HEX #A12FEE

RGB 161 47 238

HSL 275.81, 0.85%, 0.56%

LAB 46.69, 74.51, -74.1

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 80 / 11 / 7

HEX #EE2FD5

RGB 238 47 213

HSL 307.85, 0.85%, 0.56%

LAB 57.09, 83.92, -42.59

 

CMYK 0 / 80 / 32 / 7

HEX #EE2FA1

RGB 238 47 161

HSL 324.19, 0.85%, 0.56%

LAB 54.85, 77.59, -15.97

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 76 / 80 / 0 / 7

HEX #3A2FEE

RGB 58 47 238

HSL 243.46, 0.85%, 0.56%

LAB 36.19, 63.22, -91.75

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 47 / 70 / 0 / 14

HEX #7442DC

RGB 116 66 220

HSL 259.48, 0.69%, 0.56%

LAB 42.42, 55.48, -71.07

 

CMYK 40 / 58 / 0 / 21

HEX #7A54CA

RGB 122 84 202

HSL 259.32, 0.53%, 0.56%

LAB 45.28, 42.19, -56.07

 

CMYK 30 / 45 / 0 / 28

HEX #8066B8

RGB 128 102 184

HSL 259.02, 0.37%, 0.56%

LAB 48.95, 28.46, -39.77

 

CMYK 19 / 28 / 0 / 35

HEX #8778A6

RGB 135 120 166

HSL 259.57, 0.21%, 0.56%

LAB 53.32, 15.45, -22.47

 

CMYK 80 / 63 / 0 / 7

HEX #2F59EE

RGB 47 89 238

HSL 226.81, 0.85%, 0.56%

LAB 44.12, 39.13, -78.68

 

CMYK 76 / 80 / 0 / 7

HEX #392FEE

RGB 57 47 238

HSL 243.14, 0.85%, 0.56%

LAB 36.13, 63.16, -91.85

 

CMYK 55 / 80 / 0 / 7

HEX #6C2FEE

RGB 108 47 238

HSL 259.16, 0.85%, 0.56%

LAB 40.24, 67.51, -84.92

 

CMYK 33 / 80 / 0 / 7

HEX #9F2FEE

RGB 159 47 238

HSL 275.18, 0.85%, 0.56%

LAB 46.41, 74.21, -74.55

 

CMYK 12 / 80 / 0 / 7

HEX #D22FEE

RGB 210 47 238

HSL 291.2, 0.85%, 0.56%

LAB 53.93, 82.5, -62.02

 

CMYK 62 / 92 / 0 / 26

HEX #470FBC

RGB 71 15 188

HSL 259.42, 0.85%, 0.4%

LAB 27.61, 61.8, -77.01

 

CMYK 62 / 92 / 0 / 11

HEX #5612E2

RGB 86 18 226

HSL 259.62, 0.85%, 0.48%

LAB 33.78, 71.41, -88.85

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 44 / 64 / 0 / 5

HEX #8856F1

RGB 136 86 241

HSL 259.35, 0.85%, 0.64%

LAB 49.79, 54.42, -70.87

 

CMYK 33 / 49 / 0 / 4

HEX #A37CF4

RGB 163 124 244

HSL 259.5, 0.85%, 0.72%

LAB 60.55, 40.46, -55.09

 

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

CMYK 0 / 80 / 41 / 7

HEX #EE2F8C

RGB 238 47 140

HSL 330.79, 0.85%, 0.56%

LAB 54.14, 75.51, -4.59

 

CMYK 74 / 0 / 80 / 7

HEX #3FEE2F

RGB 63 238 47

HSL 114.97, 0.85%, 0.56%

LAB 83.13, -75.38, 72.46

 

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

CMYK 0 / 55 / 80 / 7

HEX #EE6C2F

RGB 238 108 47

HSL 19.16, 0.85%, 0.56%

LAB 60.88, 46.84, 55.85

 

CMYK 80 / 0 / 55 / 7

HEX #2FEE6C

RGB 47 238 108

HSL 139.16, 0.85%, 0.56%

LAB 83.36, -71.75, 49.66

 

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

CMYK 0 / 80 / 41 / 7

HEX #EE2F8C

RGB 238 47 140

HSL 330.79, 0.85%, 0.56%

LAB 54.14, 75.51, -4.59

 

CMYK 25 / 0 / 80 / 7

HEX #B2EE2F

RGB 178 238 47

HSL 78.85, 0.85%, 0.56%

LAB 87.4, -43.54, 77.92

 

CMYK 80 / 0 / 39 / 7

HEX #2FEE92

RGB 47 238 146

HSL 151.1, 0.85%, 0.56%

LAB 83.88, -65.63, 31.93

 

CMYK 53 / 79 / 0 / 7

HEX #6F32EE

RGB 111 50 238

HSL 259.47, 0.85%, 0.56%

LAB 40.95, 66.68, -83.74

 

CMYK 0 / 80 / 66 / 7

HEX #EE2F52

RGB 238 47 82

HSL 349.01, 0.85%, 0.56%

LAB 52.75, 71.35, 28.27

 

CMYK 25 / 0 / 80 / 7

HEX #B2EE2F

RGB 178 238 47

HSL 78.85, 0.85%, 0.56%

LAB 87.4, -43.54, 77.92

 

CMYK 80 / 0 / 15 / 7

HEX #2FEECB

RGB 47 238 203

HSL 169.01, 0.85%, 0.56%

LAB 85.03, -53.05, 4.07

 

Description

Color code: HEX #6F32EE | qconv.com Color code: HEX #6F32EE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 50 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 50 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 79 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 79% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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