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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F1EA8 it is the complementary color #90E157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F1EA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F1EA8 shade: #741EA3, #8530B6, #9642C9, #A754DC and #B866EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F1EA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F1EA8 shade: #6F1EA8, #5E0C95, #4D0082, #3C006F and #2B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F1EA8 shade: #701EA9, #951EA9, #A91E97, #A91E72 and #A91E4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F1EA8 shade: #701EA9, #4A1EA9, #241EA9 and #1E1EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F1EA8 shade matches the following richer shades: #701EA9 and #720EB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F1EA8 shade: #701EA9, #6D2E99, #6A3E89, #674E79 and #645E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F1EA8 shade: #251EA9, #4A1EA9, #6F1EA9, #941EA9 and #A91E99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F1EA8 shade: #411163, #581886, #701EA9, #8724CC and #9B3DDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F1EA8 shade: #6F1EA8, #A91E3C and #1EA937

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F1EA8 shade: #6F1EA8, #A96F1E and #1EA96F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F1EA8 shade: #6F1EA8, #A91E3C, #58A91E and #1EA98B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F1EA8 shade: #6F1EA8, #A9291E, #58A91E and #1E9DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

Complementary color

CMYK 36 / 0 / 61 / 12

HEX #90E157

RGB 144 225 87

HSL 95.22, 0.7%, 0.61%

LAB 82.09, -47.66, 58.21

 

CMYK 29 / 82 / 0 / 36

HEX #741EA3

RGB 116 30 163

HSL 278.8, 0.69%, 0.38%

LAB 32.45, 56.96, -53.87

 

CMYK 27 / 74 / 0 / 29

HEX #8530B6

RGB 133 48 182

HSL 278.06, 0.58%, 0.45%

LAB 38.69, 57.52, -54.98

 

CMYK 25 / 67 / 0 / 21

HEX #9642C9

RGB 150 66 201

HSL 277.33, 0.56%, 0.52%

LAB 45.08, 57.38, -55.65

 

CMYK 24 / 62 / 0 / 14

HEX #A754DC

RGB 167 84 220

HSL 276.62, 0.66%, 0.6%

LAB 51.52, 56.88, -56.05

 

CMYK 23 / 57 / 0 / 6

HEX #B866EF

RGB 184 102 239

HSL 275.91, 0.81%, 0.67%

LAB 57.97, 56.18, -56.3

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

CMYK 37 / 92 / 0 / 42

HEX #5E0C95

RGB 94 12 149

HSL 275.91, 0.85%, 0.32%

LAB 26.19, 55.52, -55.67

 

CMYK 41 / 100 / 0 / 49

HEX #4D0082

RGB 77 0 130

HSL 275.54, 1%, 0.25%

LAB 20.79, 51.91, -52.79

 

CMYK 46 / 100 / 0 / 56

HEX #3C006F

RGB 60 0 111

HSL 272.43, 1%, 0.22%

LAB 16.05, 45.82, -48.49

 

CMYK 53 / 100 / 0 / 64

HEX #2B005C

RGB 43 0 92

HSL 268.04, 1%, 0.18%

LAB 11.18, 39.59, -44.03

 

CMYK 34 / 82 / 0 / 34

HEX #701EA9

RGB 112 30 169

HSL 275.4, 0.7%, 0.39%

LAB 32.34, 57.61, -57.68

 

CMYK 12 / 82 / 0 / 34

HEX #951EA9

RGB 149 30 169

HSL 291.37, 0.7%, 0.39%

LAB 38.17, 64.01, -47.97

 

CMYK 0 / 82 / 11 / 34

HEX #A91E97

RGB 169 30 151

HSL 307.77, 0.7%, 0.39%

LAB 40.57, 65.07, -33.09

 

CMYK 0 / 82 / 33 / 34

HEX #A91E72

RGB 169 30 114

HSL 323.74, 0.7%, 0.39%

LAB 38.86, 60.25, -12.93

 

CMYK 0 / 82 / 55 / 34

HEX #A91E4C

RGB 169 30 76

HSL 340.14, 0.7%, 0.39%

LAB 37.64, 56.64, 9.45

 

CMYK 34 / 82 / 0 / 34

HEX #701EA9

RGB 112 30 169

HSL 275.4, 0.7%, 0.39%

LAB 32.34, 57.61, -57.68

 

CMYK 56 / 82 / 0 / 34

HEX #4A1EA9

RGB 74 30 169

HSL 258.99, 0.7%, 0.39%

LAB 27.43, 52.32, -65.93

 

CMYK 79 / 82 / 0 / 34

HEX #241EA9

RGB 36 30 169

HSL 242.59, 0.7%, 0.39%

LAB 24.22, 48.94, -71.34

 

CMYK 82 / 82 / 0 / 34

HEX #1E1EA9

RGB 30 30 169

HSL 240, 0.7%, 0.39%

LAB 23.9, 48.61, -71.89

 

CMYK 34 / 82 / 0 / 34

HEX #701EA9

RGB 112 30 169

HSL 275.4, 0.7%, 0.39%

LAB 32.34, 57.61, -57.68

 

CMYK 38 / 92 / 0 / 27

HEX #720EB9

RGB 114 14 185

HSL 275.09, 0.86%, 0.39%

LAB 32.69, 65.37, -66.66

 

CMYK 34 / 82 / 0 / 34

HEX #701EA9

RGB 112 30 169

HSL 275.4, 0.7%, 0.39%

LAB 32.34, 57.61, -57.68

 

CMYK 29 / 70 / 0 / 40

HEX #6D2E99

RGB 109 46 153

HSL 275.33, 0.54%, 0.39%

LAB 32.93, 46.93, -47.07

 

CMYK 23 / 55 / 0 / 46

HEX #6A3E89

RGB 106 62 137

HSL 275.2, 0.38%, 0.39%

LAB 34.63, 33.85, -34.56

 

CMYK 15 / 36 / 0 / 53

HEX #674E79

RGB 103 78 121

HSL 274.88, 0.22%, 0.39%

LAB 37.32, 19.38, -20.5

 

CMYK 5 / 10 / 0 / 59

HEX #645E69

RGB 100 94 105

HSL 272.73, 0.06%, 0.39%

LAB 40.79, 4.7, -5.39

 

CMYK 78 / 82 / 0 / 34

HEX #251EA9

RGB 37 30 169

HSL 243.02, 0.7%, 0.39%

LAB 24.28, 49, -71.24

 

CMYK 56 / 82 / 0 / 34

HEX #4A1EA9

RGB 74 30 169

HSL 258.99, 0.7%, 0.39%

LAB 27.43, 52.32, -65.93

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA9

RGB 111 30 169

HSL 274.96, 0.7%, 0.39%

LAB 32.2, 57.45, -57.93

 

CMYK 12 / 82 / 0 / 34

HEX #941EA9

RGB 148 30 169

HSL 290.94, 0.7%, 0.39%

LAB 38, 63.83, -48.24

 

CMYK 0 / 82 / 9 / 34

HEX #A91E99

RGB 169 30 153

HSL 306.91, 0.7%, 0.39%

LAB 40.68, 65.36, -34.13

 

CMYK 34 / 83 / 0 / 61

HEX #411163

RGB 65 17 99

HSL 275.12, 0.71%, 0.23%

LAB 17.58, 37.91, -38.07

 

CMYK 34 / 82 / 0 / 47

HEX #581886

RGB 88 24 134

HSL 274.91, 0.7%, 0.31%

LAB 25.1, 47.77, -48.17

 

CMYK 34 / 82 / 0 / 34

HEX #701EA9

RGB 112 30 169

HSL 275.4, 0.7%, 0.39%

LAB 32.34, 57.61, -57.68

 

CMYK 34 / 82 / 0 / 20

HEX #8724CC

RGB 135 36 204

HSL 275.36, 0.7%, 0.47%

LAB 39.19, 66.85, -67.03

 

CMYK 30 / 72 / 0 / 13

HEX #9B3DDD

RGB 155 61 221

HSL 275.25, 0.7%, 0.55%

LAB 46.35, 64.89, -65.05

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

CMYK 0 / 82 / 64 / 34

HEX #A91E3C

RGB 169 30 60

HSL 347.05, 0.7%, 0.39%

LAB 37.28, 55.56, 19.23

 

CMYK 82 / 0 / 67 / 34

HEX #1EA937

RGB 30 169 55

HSL 130.79, 0.7%, 0.39%

LAB 60.72, -58.02, 47.18

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

CMYK 0 / 34 / 82 / 34

HEX #A96F1E

RGB 169 111 30

HSL 34.96, 0.7%, 0.39%

LAB 51.72, 16.39, 50.86

 

CMYK 82 / 0 / 34 / 34

HEX #1EA96F

RGB 30 169 111

HSL 154.96, 0.7%, 0.39%

LAB 61.48, -49.02, 20.16

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

CMYK 0 / 82 / 64 / 34

HEX #A91E3C

RGB 169 30 60

HSL 347.05, 0.7%, 0.39%

LAB 37.28, 55.56, 19.23

 

CMYK 48 / 0 / 82 / 34

HEX #58A91E

RGB 88 169 30

HSL 94.96, 0.7%, 0.39%

LAB 62.12, -47.24, 57.95

 

CMYK 82 / 0 / 18 / 34

HEX #1EA98B

RGB 30 169 139

HSL 167.05, 0.7%, 0.39%

LAB 62.1, -42.32, 5.54

 

CMYK 34 / 82 / 0 / 34

HEX #6F1EA8

RGB 111 30 168

HSL 275.22, 0.7%, 0.39%

LAB 32.11, 57.23, -57.46

 

CMYK 0 / 76 / 82 / 34

HEX #A9291E

RGB 169 41 30

HSL 4.75, 0.7%, 0.39%

LAB 38.05, 50.89, 38.19

 

CMYK 48 / 0 / 82 / 34

HEX #58A91E

RGB 88 169 30

HSL 94.96, 0.7%, 0.39%

LAB 62.12, -47.24, 57.95

 

CMYK 82 / 7 / 0 / 34

HEX #1E9DA9

RGB 30 157 169

HSL 185.18, 0.7%, 0.39%

LAB 59.21, -28.01, -15.63

 

Description

Color code: HEX #6F1EA8 | qconv.com Color code: HEX #6F1EA8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 30 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 30 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 82 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 82% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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