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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F14BA it is the complementary color #90EB45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F14BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F14BA shade: #7414B5, #8526C8, #9638DB, #A74AEE and #B85CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F14BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F14BA shade: #6F14BA, #5E02A7, #4D0094, #3C0081 and #2B006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F14BA shade: #6E13B9, #9B13B9, #B913AA, #B9137E and #B91351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F14BA shade: #6E13B9, #4113B9, #1513B9 and #1313B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F14BA shade matches the following richer shades: #6E13B9 and #7003C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F14BA shade: #6E13B9, #6C24A8, #6B3498, #694587 and #685577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F14BA shade: #1313B9, #3F13B9, #6C13B9, #9813B9 and #B913AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F14BA shade: #410C6E, #580F93, #6E13B9, #8417DE and #9835EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F14BA shade: #6F14BA, #B9133F and #13B929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F14BA shade: #6F14BA, #B96C13 and #13B96C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F14BA shade: #6F14BA, #B9133F, #60B913 and #13B98D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F14BA shade: #6F14BA, #B91913, #60B913 and #13B3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

Complementary color

CMYK 39 / 0 / 71 / 8

HEX #90EB45

RGB 144 235 69

HSL 92.89, 0.81%, 0.6%

LAB 84.88, -53.14, 68.18

 

CMYK 36 / 89 / 0 / 29

HEX #7414B5

RGB 116 20 181

HSL 275.78, 0.8%, 0.39%

LAB 33.03, 63.56, -63.72

 

CMYK 34 / 81 / 0 / 22

HEX #8526C8

RGB 133 38 200

HSL 275.19, 0.68%, 0.47%

LAB 38.8, 65.06, -65.36

 

CMYK 32 / 74 / 0 / 14

HEX #9638DB

RGB 150 56 219

HSL 274.6, 0.69%, 0.54%

LAB 44.84, 65.54, -66.39

 

CMYK 30 / 69 / 0 / 7

HEX #A74AEE

RGB 167 74 238

HSL 274.02, 0.83%, 0.61%

LAB 51.02, 65.42, -67.02

 

CMYK 28 / 64 / 0 / 0

HEX #B85CFF

RGB 184 92 255

HSL 273.87, 1%, 0.68%

LAB 57.14, 64.51, -66.51

 

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

CMYK 44 / 99 / 0 / 35

HEX #5E02A7

RGB 94 2 167

HSL 273.45, 0.98%, 0.33%

LAB 27.33, 61.32, -64.79

 

CMYK 48 / 100 / 0 / 42

HEX #4D0094

RGB 77 0 148

HSL 271.22, 1%, 0.29%

LAB 22.71, 55.92, -60.88

 

CMYK 53 / 100 / 0 / 49

HEX #3C0081

RGB 60 0 129

HSL 267.91, 1%, 0.25%

LAB 18.12, 50.06, -56.63

 

CMYK 61 / 100 / 0 / 57

HEX #2B006E

RGB 43 0 110

HSL 263.45, 1%, 0.22%

LAB 13.47, 44.11, -52.18

 

CMYK 41 / 90 / 0 / 27

HEX #6E13B9

RGB 110 19 185

HSL 272.89, 0.81%, 0.4%

LAB 32.44, 63.89, -67.08

 

CMYK 16 / 90 / 0 / 27

HEX #9B13B9

RGB 155 19 185

HSL 289.16, 0.81%, 0.4%

LAB 39.47, 70.22, -55.32

 

CMYK 0 / 90 / 8 / 27

HEX #B913AA

RGB 185 19 170

HSL 305.42, 0.81%, 0.4%

LAB 43.77, 73.04, -39.25

 

CMYK 0 / 90 / 32 / 27

HEX #B9137E

RGB 185 19 126

HSL 321.33, 0.81%, 0.4%

LAB 41.67, 67.49, -15.84

 

CMYK 0 / 90 / 56 / 27

HEX #B91351

RGB 185 19 81

HSL 337.59, 0.81%, 0.4%

LAB 40.2, 63.46, 10.32

 

CMYK 41 / 90 / 0 / 27

HEX #6E13B9

RGB 110 19 185

HSL 272.89, 0.81%, 0.4%

LAB 32.44, 63.89, -67.08

 

CMYK 65 / 90 / 0 / 27

HEX #4113B9

RGB 65 19 185

HSL 256.63, 0.81%, 0.4%

LAB 27, 59.58, -76.26

 

CMYK 89 / 90 / 0 / 27

HEX #1513B9

RGB 21 19 185

HSL 240.72, 0.81%, 0.4%

LAB 24.09, 57.59, -81.17

 

CMYK 90 / 90 / 0 / 27

HEX #1313B9

RGB 19 19 185

HSL 240, 0.81%, 0.4%

LAB 24.02, 57.55, -81.29

 

CMYK 41 / 90 / 0 / 27

HEX #6E13B9

RGB 110 19 185

HSL 272.89, 0.81%, 0.4%

LAB 32.44, 63.89, -67.08

 

CMYK 44 / 99 / 0 / 21

HEX #7003C9

RGB 112 3 201

HSL 273.03, 0.97%, 0.4%

LAB 33.41, 70.16, -74.9

 

CMYK 41 / 90 / 0 / 27

HEX #6E13B9

RGB 110 19 185

HSL 272.89, 0.81%, 0.4%

LAB 32.44, 63.89, -67.08

 

CMYK 36 / 79 / 0 / 34

HEX #6C24A8

RGB 108 36 168

HSL 272.73, 0.65%, 0.4%

LAB 32.43, 54.57, -56.96

 

CMYK 30 / 66 / 0 / 40

HEX #6B3498

RGB 107 52 152

HSL 273, 0.49%, 0.4%

LAB 33.67, 43.27, -45.28

 

CMYK 22 / 49 / 0 / 47

HEX #694587

RGB 105 69 135

HSL 272.73, 0.32%, 0.4%

LAB 36, 28.95, -31.17

 

CMYK 13 / 29 / 0 / 53

HEX #685577

RGB 104 85 119

HSL 273.53, 0.17%, 0.4%

LAB 39.19, 14.91, -16.37

 

CMYK 90 / 90 / 0 / 27

HEX #1313B9

RGB 19 19 185

HSL 240, 0.81%, 0.4%

LAB 24.02, 57.55, -81.29

 

CMYK 66 / 90 / 0 / 27

HEX #3F13B9

RGB 63 19 185

HSL 255.9, 0.81%, 0.4%

LAB 26.81, 59.44, -76.58

 

CMYK 42 / 90 / 0 / 27

HEX #6C13B9

RGB 108 19 185

HSL 272.17, 0.81%, 0.4%

LAB 32.16, 63.65, -67.56

 

CMYK 18 / 90 / 0 / 27

HEX #9813B9

RGB 152 19 185

HSL 288.07, 0.81%, 0.4%

LAB 38.97, 69.75, -56.15

 

CMYK 0 / 90 / 6 / 27

HEX #B913AE

RGB 185 19 174

HSL 303.98, 0.81%, 0.4%

LAB 44, 73.61, -41.27

 

CMYK 41 / 89 / 0 / 57

HEX #410C6E

RGB 65 12 110

HSL 272.45, 0.8%, 0.24%

LAB 17.98, 42.46, -44.64

 

CMYK 40 / 90 / 0 / 42

HEX #580F93

RGB 88 15 147

HSL 273.18, 0.81%, 0.32%

LAB 25.33, 53.58, -55.89

 

CMYK 41 / 90 / 0 / 27

HEX #6E13B9

RGB 110 19 185

HSL 272.89, 0.81%, 0.4%

LAB 32.44, 63.89, -67.08

 

CMYK 41 / 90 / 0 / 13

HEX #8417DE

RGB 132 23 222

HSL 272.86, 0.81%, 0.48%

LAB 39.23, 73.56, -77.37

 

CMYK 35 / 77 / 0 / 8

HEX #9835EA

RGB 152 53 234

HSL 272.82, 0.81%, 0.56%

LAB 45.86, 70.27, -73.25

 

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

CMYK 0 / 90 / 66 / 27

HEX #B9133F

RGB 185 19 63

HSL 344.1, 0.81%, 0.4%

LAB 39.81, 62.36, 21.24

 

CMYK 90 / 0 / 78 / 27

HEX #13B929

RGB 19 185 41

HSL 127.95, 0.81%, 0.4%

LAB 65.75, -65.13, 57.51

 

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

CMYK 0 / 42 / 90 / 27

HEX #B96C13

RGB 185 108 19

HSL 32.17, 0.81%, 0.4%

LAB 53.04, 24.83, 56.42

 

CMYK 90 / 0 / 42 / 27

HEX #13B96C

RGB 19 185 108

HSL 152.17, 0.81%, 0.4%

LAB 66.46, -56.43, 28.39

 

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

CMYK 0 / 90 / 66 / 27

HEX #B9133F

RGB 185 19 63

HSL 344.1, 0.81%, 0.4%

LAB 39.81, 62.36, 21.24

 

CMYK 48 / 0 / 90 / 27

HEX #60B913

RGB 96 185 19

HSL 92.17, 0.81%, 0.4%

LAB 67.45, -51.36, 65.21

 

CMYK 90 / 0 / 24 / 27

HEX #13B98D

RGB 19 185 141

HSL 164.1, 0.81%, 0.4%

LAB 67.1, -49.21, 11.54

 

CMYK 40 / 89 / 0 / 27

HEX #6F14BA

RGB 111 20 186

HSL 272.89, 0.81%, 0.4%

LAB 32.76, 64.01, -67.16

 

CMYK 0 / 86 / 90 / 27

HEX #B91913

RGB 185 25 19

HSL 2.17, 0.81%, 0.4%

LAB 39.68, 59.74, 46.29

 

CMYK 48 / 0 / 90 / 27

HEX #60B913

RGB 96 185 19

HSL 92.17, 0.81%, 0.4%

LAB 67.45, -51.36, 65.21

 

CMYK 90 / 3 / 0 / 27

HEX #13B3B9

RGB 19 179 185

HSL 182.17, 0.81%, 0.4%

LAB 66.43, -34.32, -13.71

 

Description

Color code: HEX #6F14BA | qconv.com Color code: HEX #6F14BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 20 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 20 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 89 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 89% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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