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Color name
HEX #6F1091

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F1091 it is the complementary color #90EF6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F1091. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F1091 shade: #74108C, #85229F, #9634B2, #A746C5 and #B858D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F1091. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F1091 shade: #6F1091, #5E007E, #4D006B, #3C0058 and #2B0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F1091 shade: #701093, #931092, #93106F, #93104C and #931028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F1091 shade: #701093, #4D1093, #2A1093 and #101093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F1091 shade matches the following richer shades: #701093 and #7703A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F1091 shade: #701093, #6A1E86, #642B78, #5E386B and #57455E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F1091 shade: #2A1093, #4D1093, #701093, #931093 and #931070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F1091 shade: #380849, #540C6E, #701093, #8D14B8 and #A919DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F1091 shade: #6F1091, #931019 and #10933C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F1091 shade: #6F1091, #937010 and #109370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F1091 shade: #6F1091, #931019, #339310 and #10938A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F1091 shade: #6F1091, #932F10, #339310 and #107493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

Complementary color

CMYK 40 / 0 / 54 / 6

HEX #90EF6E

RGB 144 239 110

HSL 104.19, 0.8%, 0.68%

LAB 86.4, -51.15, 53.03

 

CMYK 17 / 89 / 0 / 45

HEX #74108C

RGB 116 16 140

HSL 288.39, 0.79%, 0.31%

LAB 29.35, 56.18, -44.8

 

CMYK 16 / 79 / 0 / 38

HEX #85229F

RGB 133 34 159

HSL 287.52, 0.65%, 0.38%

LAB 35.27, 57.95, -46.75

 

CMYK 16 / 71 / 0 / 30

HEX #9634B2

RGB 150 52 178

HSL 286.67, 0.55%, 0.45%

LAB 41.46, 58.58, -48.02

 

CMYK 15 / 64 / 0 / 23

HEX #A746C5

RGB 167 70 197

HSL 285.83, 0.52%, 0.52%

LAB 47.79, 58.56, -48.86

 

CMYK 15 / 59 / 0 / 15

HEX #B858D8

RGB 184 88 216

HSL 285, 0.62%, 0.6%

LAB 54.16, 58.17, -49.44

 

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

CMYK 25 / 100 / 0 / 51

HEX #5E007E

RGB 94 0 126

HSL 284.76, 1%, 0.25%

LAB 23.29, 53.2, -46.04

 

CMYK 28 / 100 / 0 / 58

HEX #4D006B

RGB 77 0 107

HSL 283.18, 1%, 0.21%

LAB 18.54, 47.01, -41.68

 

CMYK 32 / 100 / 0 / 65

HEX #3C0058

RGB 60 0 88

HSL 280.91, 1%, 0.17%

LAB 13.62, 40.62, -37.2

 

CMYK 38 / 100 / 0 / 73

HEX #2B0045

RGB 43 0 69

HSL 277.39, 1%, 0.14%

LAB 8.51, 34, -32.57

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 0 / 89 / 1 / 42

HEX #931092

RGB 147 16 146

HSL 300.46, 0.8%, 0.32%

LAB 35.3, 62.82, -38.65

 

CMYK 0 / 89 / 24 / 42

HEX #93106F

RGB 147 16 111

HSL 316.49, 0.8%, 0.32%

LAB 33.4, 57.81, -19.79

 

CMYK 0 / 89 / 48 / 42

HEX #93104C

RGB 147 16 76

HSL 332.52, 0.8%, 0.32%

LAB 32.02, 54.02, 0.84

 

CMYK 0 / 89 / 73 / 42

HEX #931028

RGB 147 16 40

HSL 349.01, 0.8%, 0.32%

LAB 31.18, 51.6, 23.44

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 48 / 89 / 0 / 42

HEX #4D1093

RGB 77 16 147

HSL 267.94, 0.8%, 0.32%

LAB 23.85, 51.93, -58.38

 

CMYK 71 / 89 / 0 / 42

HEX #2A1093

RGB 42 16 147

HSL 251.91, 0.8%, 0.32%

LAB 19.92, 48.65, -65.01

 

CMYK 89 / 89 / 0 / 42

HEX #101093

RGB 16 16 147

HSL 240, 0.8%, 0.32%

LAB 18.31, 47.43, -67.73

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 26 / 98 / 0 / 37

HEX #7703A0

RGB 119 3 160

HSL 284.33, 0.96%, 0.32%

LAB 30.7, 62.67, -54.88

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 21 / 78 / 0 / 47

HEX #6A1E86

RGB 106 30 134

HSL 283.85, 0.63%, 0.32%

LAB 28.68, 48.93, -42.24

 

CMYK 17 / 64 / 0 / 53

HEX #642B78

RGB 100 43 120

HSL 284.42, 0.47%, 0.32%

LAB 28.88, 38.65, -33.16

 

CMYK 12 / 48 / 0 / 58

HEX #5E386B

RGB 94 56 107

HSL 284.71, 0.31%, 0.32%

LAB 30.08, 26.57, -23.06

 

CMYK 7 / 27 / 0 / 63

HEX #57455E

RGB 87 69 94

HSL 283.2, 0.15%, 0.32%

LAB 32.01, 12.89, -11.85

 

CMYK 71 / 89 / 0 / 42

HEX #2A1093

RGB 42 16 147

HSL 251.91, 0.8%, 0.32%

LAB 19.92, 48.65, -65.01

 

CMYK 48 / 89 / 0 / 42

HEX #4D1093

RGB 77 16 147

HSL 267.94, 0.8%, 0.32%

LAB 23.85, 51.93, -58.38

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 0 / 89 / 0 / 42

HEX #931093

RGB 147 16 147

HSL 300, 0.8%, 0.32%

LAB 35.36, 62.98, -39.17

 

CMYK 0 / 89 / 24 / 42

HEX #931070

RGB 147 16 112

HSL 316.03, 0.8%, 0.32%

LAB 33.44, 57.94, -20.35

 

CMYK 23 / 89 / 0 / 71

HEX #380849

RGB 56 8 73

HSL 284.31, 0.8%, 0.16%

LAB 12.58, 33.42, -28.64

 

CMYK 24 / 89 / 0 / 57

HEX #540C6E

RGB 84 12 110

HSL 284.08, 0.8%, 0.24%

LAB 21.11, 45.59, -39.4

 

CMYK 24 / 89 / 0 / 42

HEX #701093

RGB 112 16 147

HSL 283.97, 0.8%, 0.32%

LAB 29.21, 56.87, -49.39

 

CMYK 23 / 89 / 0 / 28

HEX #8D14B8

RGB 141 20 184

HSL 284.27, 0.8%, 0.4%

LAB 37.16, 67.7, -58.59

 

CMYK 24 / 89 / 0 / 13

HEX #A919DD

RGB 169 25 221

HSL 284.08, 0.8%, 0.48%

LAB 44.73, 77.75, -67.58

 

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

CMYK 0 / 89 / 83 / 42

HEX #931019

RGB 147 16 25

HSL 355.88, 0.8%, 0.32%

LAB 30.98, 51.04, 32.54

 

CMYK 89 / 0 / 59 / 42

HEX #10933C

RGB 16 147 60

HSL 140.15, 0.8%, 0.32%

LAB 53.28, -51.59, 36.45

 

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

CMYK 0 / 24 / 89 / 42

HEX #937010

RGB 147 112 16

HSL 43.97, 0.8%, 0.32%

LAB 49.29, 5.29, 52.25

 

CMYK 89 / 0 / 24 / 42

HEX #109370

RGB 16 147 112

HSL 163.97, 0.8%, 0.32%

LAB 54.18, -41.17, 9.46

 

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

CMYK 0 / 89 / 83 / 42

HEX #931019

RGB 147 16 25

HSL 355.88, 0.8%, 0.32%

LAB 30.98, 51.04, 32.54

 

CMYK 65 / 0 / 89 / 42

HEX #339310

RGB 51 147 16

HSL 103.97, 0.8%, 0.32%

LAB 53.61, -49.96, 53.34

 

CMYK 89 / 0 / 6 / 42

HEX #10938A

RGB 16 147 138

HSL 175.88, 0.8%, 0.32%

LAB 54.88, -33.91, -4.44

 

CMYK 23 / 89 / 0 / 43

HEX #6F1091

RGB 111 16 145

HSL 284.19, 0.8%, 0.32%

LAB 28.89, 56.31, -48.69

 

CMYK 0 / 68 / 89 / 42

HEX #932F10

RGB 147 47 16

HSL 14.2, 0.8%, 0.32%

LAB 34.55, 40.68, 40.36

 

CMYK 65 / 0 / 89 / 42

HEX #339310

RGB 51 147 16

HSL 103.97, 0.8%, 0.32%

LAB 53.61, -49.96, 53.34

 

CMYK 89 / 21 / 0 / 42

HEX #107493

RGB 16 116 147

HSL 194.2, 0.8%, 0.32%

LAB 45.23, -15.02, -24.32

 

Description

Color code: HEX #6F1091 | qconv.com Color code: HEX #6F1091 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 16 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 16 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 89 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 89% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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