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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F0973 it is the complementary color #90F68C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F0973. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F0973 shade: #74096E, #851B81, #962D94, #A73FA7 and #B851BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F0973. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F0973 shade: #6F0973, #5E0060, #4D004D, #3C003A and #2B0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F0973 shade: #6D0971, #710959, #71093D, #710921 and #710909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F0973 shade: #6D0971, #510971, #350971, #190971 and #090971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F0973 shade matches the following richer shades: #6D0971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F0973 shade: #6D0971, #641367, #5B1D5D, #522754 and #49314A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F0973 shade: #350971, #500971, #6C0971, #71095B and #71093F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F0973 shade: #240325, #48064B, #6D0971, #920C97 and #B70FBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F0973 shade: #6F0973, #711909 and #097142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F0973 shade: #6F0973, #716C09 and #09716C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F0973 shade: #6F0973, #711909, #0E7109 and #096271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F0973 shade: #6F0973, #713809, #0E7109 and #094271

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

Complementary color

CMYK 41 / 0 / 43 / 4

HEX #90F68C

RGB 144 246 140

HSL 117.74, 0.85%, 0.76%

LAB 88.8, -50.27, 41.81

 

CMYK 0 / 92 / 5 / 55

HEX #74096E

RGB 116 9 110

HSL 303.36, 0.86%, 0.25%

LAB 26.83, 52.32, -29.88

 

CMYK 0 / 80 / 3 / 48

HEX #851B81

RGB 133 27 129

HSL 302.26, 0.66%, 0.31%

LAB 32.6, 54.74, -32.57

 

CMYK 0 / 70 / 1 / 41

HEX #962D94

RGB 150 45 148

HSL 301.14, 0.54%, 0.38%

LAB 38.72, 55.76, -34.4

 

CMYK 0 / 62 / 0 / 35

HEX #A73FA7

RGB 167 63 167

HSL 300, 0.45%, 0.45%

LAB 45.03, 55.98, -35.68

 

CMYK 1 / 56 / 0 / 27

HEX #B851BA

RGB 184 81 186

HSL 298.86, 0.43%, 0.52%

LAB 51.41, 55.74, -36.61

 

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

CMYK 2 / 100 / 0 / 62

HEX #5E0060

RGB 94 0 96

HSL 298.75, 1%, 0.19%

LAB 20.92, 47.69, -30.43

 

CMYK 0 / 100 / 0 / 70

HEX #4D004D

RGB 77 0 77

HSL 300, 1%, 0.15%

LAB 16.07, 41.29, -25.57

 

CMYK 0 / 100 / 3 / 76

HEX #3C003A

RGB 60 0 58

HSL 302, 1%, 0.12%

LAB 11.04, 34.64, -20.47

 

CMYK 0 / 100 / 9 / 83

HEX #2B0027

RGB 43 0 39

HSL 305.58, 1%, 0.08%

LAB 5.96, 26.79, -14.68

 

CMYK 4 / 92 / 0 / 56

HEX #6D0971

RGB 109 9 113

HSL 297.69, 0.85%, 0.24%

LAB 25.68, 51.45, -33.73

 

CMYK 0 / 92 / 21 / 56

HEX #710959

RGB 113 9 89

HSL 313.85, 0.85%, 0.24%

LAB 25.04, 48.55, -19.02

 

CMYK 0 / 92 / 46 / 56

HEX #71093D

RGB 113 9 61

HSL 330, 0.85%, 0.24%

LAB 23.81, 45.21, -1.94

 

CMYK 0 / 92 / 71 / 56

HEX #710921

RGB 113 9 33

HSL 346.15, 0.85%, 0.24%

LAB 23.05, 43.05, 16.41

 

CMYK 0 / 92 / 92 / 56

HEX #710909

RGB 113 9 9

HSL 0, 0.85%, 0.24%

LAB 22.74, 42.16, 30.47

 

CMYK 4 / 92 / 0 / 56

HEX #6D0971

RGB 109 9 113

HSL 297.69, 0.85%, 0.24%

LAB 25.68, 51.45, -33.73

 

CMYK 28 / 92 / 0 / 56

HEX #510971

RGB 81 9 113

HSL 281.54, 0.85%, 0.24%

LAB 20.58, 46.48, -42.21

 

CMYK 53 / 92 / 0 / 56

HEX #350971

RGB 53 9 113

HSL 265.38, 0.85%, 0.24%

LAB 16.23, 42.59, -49.53

 

CMYK 78 / 92 / 0 / 56

HEX #190971

RGB 25 9 113

HSL 249.23, 0.85%, 0.24%

LAB 13.2, 40.17, -54.64

 

CMYK 92 / 92 / 0 / 56

HEX #090971

RGB 9 9 113

HSL 240, 0.85%, 0.24%

LAB 12.26, 39.49, -56.23

 

CMYK 4 / 92 / 0 / 56

HEX #6D0971

RGB 109 9 113

HSL 297.69, 0.85%, 0.24%

LAB 25.68, 51.45, -33.73

 

CMYK 4 / 92 / 0 / 56

HEX #6D0971

RGB 109 9 113

HSL 297.69, 0.85%, 0.24%

LAB 25.68, 51.45, -33.73

 

CMYK 3 / 82 / 0 / 60

HEX #641367

RGB 100 19 103

HSL 297.86, 0.69%, 0.24%

LAB 24.18, 45.37, -29.76

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 2 / 54 / 0 / 67

HEX #522754

RGB 82 39 84

HSL 297.33, 0.37%, 0.24%

LAB 23.29, 27.57, -18.84

 

CMYK 1 / 34 / 0 / 71

HEX #49314A

RGB 73 49 74

HSL 297.6, 0.2%, 0.24%

LAB 24.02, 15.85, -11.13

 

CMYK 53 / 92 / 0 / 56

HEX #350971

RGB 53 9 113

HSL 265.38, 0.85%, 0.24%

LAB 16.23, 42.59, -49.53

 

CMYK 29 / 92 / 0 / 56

HEX #500971

RGB 80 9 113

HSL 280.96, 0.85%, 0.24%

LAB 20.41, 46.32, -42.5

 

CMYK 4 / 92 / 0 / 56

HEX #6C0971

RGB 108 9 113

HSL 297.12, 0.85%, 0.24%

LAB 25.49, 51.26, -34.04

 

CMYK 0 / 92 / 19 / 56

HEX #71095B

RGB 113 9 91

HSL 312.69, 0.85%, 0.24%

LAB 25.14, 48.83, -20.18

 

CMYK 0 / 92 / 44 / 56

HEX #71093F

RGB 113 9 63

HSL 328.85, 0.85%, 0.24%

LAB 23.89, 45.41, -3.21

 

CMYK 3 / 92 / 0 / 85

HEX #240325

RGB 36 3 37

HSL 298.24, 0.85%, 0.08%

LAB 5.18, 21.59, -14.46

 

CMYK 4 / 92 / 0 / 71

HEX #48064B

RGB 72 6 75

HSL 297.39, 0.85%, 0.16%

LAB 15.57, 37.95, -25.05

 

CMYK 4 / 92 / 0 / 56

HEX #6D0971

RGB 109 9 113

HSL 297.69, 0.85%, 0.24%

LAB 25.68, 51.45, -33.73

 

CMYK 3 / 92 / 0 / 41

HEX #920C97

RGB 146 12 151

HSL 297.84, 0.85%, 0.32%

LAB 35.22, 64.06, -41.85

 

CMYK 4 / 92 / 0 / 25

HEX #B70FBE

RGB 183 15 190

HSL 297.6, 0.85%, 0.4%

LAB 44.41, 76.18, -50.05

 

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

CMYK 0 / 78 / 92 / 56

HEX #711909

RGB 113 25 9

HSL 9.23, 0.85%, 0.24%

LAB 24.4, 37.47, 32.15

 

CMYK 92 / 0 / 42 / 56

HEX #097142

RGB 9 113 66

HSL 152.88, 0.85%, 0.24%

LAB 41.63, -38.81, 18.66

 

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

CMYK 0 / 4 / 92 / 56

HEX #716C09

RGB 113 108 9

HSL 57.12, 0.85%, 0.24%

LAB 44.6, -8.83, 48.67

 

CMYK 92 / 0 / 4 / 56

HEX #09716C

RGB 9 113 108

HSL 177.12, 0.85%, 0.24%

LAB 42.69, -27.42, -4.85

 

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

CMYK 0 / 78 / 92 / 56

HEX #711909

RGB 113 25 9

HSL 9.23, 0.85%, 0.24%

LAB 24.4, 37.47, 32.15

 

CMYK 88 / 0 / 92 / 56

HEX #0E7109

RGB 14 113 9

HSL 117.12, 0.85%, 0.24%

LAB 41.09, -45.52, 43.66

 

CMYK 92 / 13 / 0 / 56

HEX #096271

RGB 9 98 113

HSL 188.65, 0.85%, 0.24%

LAB 37.82, -17.88, -15.24

 

CMYK 3 / 92 / 0 / 55

HEX #6F0973

RGB 111 9 115

HSL 297.74, 0.85%, 0.24%

LAB 26.19, 52.17, -34.17

 

CMYK 0 / 50 / 92 / 56

HEX #713809

RGB 113 56 9

HSL 27.12, 0.85%, 0.24%

LAB 30.3, 22.02, 37.26

 

CMYK 88 / 0 / 92 / 56

HEX #0E7109

RGB 14 113 9

HSL 117.12, 0.85%, 0.24%

LAB 41.09, -45.52, 43.66

 

CMYK 92 / 42 / 0 / 56

HEX #094271

RGB 9 66 113

HSL 207.12, 0.85%, 0.24%

LAB 27.15, 1.88, -31.91

 

Description

Color code: HEX #6F0973 | qconv.com Color code: HEX #6F0973 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 9 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 9 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 92 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 92% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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