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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EF52F it is the complementary color #910AD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EF52F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EF52F shade: #73F52A, #84FF3D, #95FF50, #A6FF63 and #B7FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EF52F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EF52F shade: #6EF52F, #5DE31C, #4CD109, #3BBF00 and #2AAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EF52F shade: #6DF52E, #A3F52E, #D9F52E, #F5DC2E and #F5A62E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EF52F shade: #6DF52E, #37F52E, #2EF55A, #2EF590 and #2EF5C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EF52F shade matches the following richer shades: #6DF52E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EF52F shade: #6DF52E, #74E33F, #7AD251, #80C063 and #87AE75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EF52F shade: #DBF52E, #A5F52E, #70F52E, #3BF52E and #2EF555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EF52F shade: #46C709, #53EE0B, #6DF52E, #89F755 and #A4F97C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EF52F shade: #6EF52F, #2EF5DB and #F52EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EF52F shade: #6EF52F, #2E70F5 and #F52E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EF52F shade: #6EF52F, #2EF5DB, #B32EF5 and #F52E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EF52F shade: #6EF52F, #2ED4F5, #B32EF5 and #F54F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

Complementary color

CMYK 30 / 95 / 0 / 18

HEX #910AD0

RGB 145 10 208

HSL 280.91, 0.91%, 0.43%

LAB 39.23, 74.3, -69.24

 

CMYK 53 / 0 / 83 / 4

HEX #73F52A

RGB 115 245 42

HSL 98.42, 0.91%, 0.56%

LAB 86.56, -66.94, 77.31

 

CMYK 48 / 0 / 76 / 0

HEX #84FF3D

RGB 132 255 61

HSL 98.04, 1%, 0.62%

LAB 90.21, -64.91, 75.85

 

CMYK 42 / 0 / 69 / 0

HEX #95FF50

RGB 149 255 80

HSL 96.34, 1%, 0.66%

LAB 91, -58.66, 70.56

 

CMYK 35 / 0 / 61 / 0

HEX #A6FF63

RGB 166 255 99

HSL 94.23, 1%, 0.69%

LAB 91.92, -51.73, 64.4

 

CMYK 28 / 0 / 54 / 0

HEX #B7FF76

RGB 183 255 118

HSL 91.53, 1%, 0.73%

LAB 92.97, -44.24, 57.66

 

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

CMYK 59 / 0 / 88 / 11

HEX #5DE31C

RGB 93 227 28

HSL 100.4, 0.78%, 0.5%

LAB 80.38, -66.88, 74.53

 

CMYK 64 / 0 / 96 / 18

HEX #4CD109

RGB 76 209 9

HSL 99.9, 0.92%, 0.43%

LAB 74.29, -65.31, 71.91

 

CMYK 69 / 0 / 100 / 25

HEX #3BBF00

RGB 59 191 0

HSL 101.47, 1%, 0.37%

LAB 68.16, -63.23, 67.77

 

CMYK 76 / 0 / 100 / 32

HEX #2AAD00

RGB 42 173 0

HSL 105.43, 1%, 0.34%

LAB 61.98, -60.63, 62.71

 

CMYK 56 / 0 / 81 / 4

HEX #6DF52E

RGB 109 245 46

HSL 101.01, 0.91%, 0.57%

LAB 86.38, -68.32, 76.12

 

CMYK 33 / 0 / 81 / 4

HEX #A3F52E

RGB 163 245 46

HSL 84.72, 0.91%, 0.57%

LAB 88.59, -51.94, 78.92

 

CMYK 11 / 0 / 81 / 4

HEX #D9F52E

RGB 217 245 46

HSL 68.44, 0.91%, 0.57%

LAB 91.8, -31.58, 82.98

 

CMYK 0 / 10 / 81 / 4

HEX #F5DC2E

RGB 245 220 46

HSL 52.46, 0.91%, 0.57%

LAB 87.39, -7.97, 80.05

 

CMYK 0 / 32 / 81 / 4

HEX #F5A62E

RGB 245 166 46

HSL 36.18, 0.91%, 0.57%

LAB 74.11, 19.95, 68.56

 

CMYK 56 / 0 / 81 / 4

HEX #6DF52E

RGB 109 245 46

HSL 101.01, 0.91%, 0.57%

LAB 86.38, -68.32, 76.12

 

CMYK 78 / 0 / 81 / 4

HEX #37F52E

RGB 55 245 46

HSL 117.29, 0.91%, 0.57%

LAB 85.16, -78.59, 74.54

 

CMYK 81 / 0 / 63 / 4

HEX #2EF55A

RGB 46 245 90

HSL 133.27, 0.91%, 0.57%

LAB 85.31, -76.2, 59.76

 

CMYK 81 / 0 / 41 / 4

HEX #2EF590

RGB 46 245 144

HSL 149.55, 0.91%, 0.57%

LAB 85.96, -68.51, 35.66

 

CMYK 81 / 0 / 20 / 4

HEX #2EF5C5

RGB 46 245 197

HSL 165.53, 0.91%, 0.57%

LAB 86.96, -57.41, 9.97

 

CMYK 56 / 0 / 81 / 4

HEX #6DF52E

RGB 109 245 46

HSL 101.01, 0.91%, 0.57%

LAB 86.38, -68.32, 76.12

 

CMYK 56 / 0 / 81 / 4

HEX #6DF52E

RGB 109 245 46

HSL 101.01, 0.91%, 0.57%

LAB 86.38, -68.32, 76.12

 

CMYK 49 / 0 / 72 / 11

HEX #74E33F

RGB 116 227 63

HSL 100.61, 0.75%, 0.57%

LAB 81.3, -59.07, 66.29

 

CMYK 42 / 0 / 61 / 18

HEX #7AD251

RGB 122 210 81

HSL 100.93, 0.59%, 0.57%

LAB 76.57, -49.18, 54.34

 

CMYK 33 / 0 / 48 / 25

HEX #80C063

RGB 128 192 99

HSL 101.29, 0.42%, 0.57%

LAB 71.68, -37.5, 40.29

 

CMYK 22 / 0 / 33 / 32

HEX #87AE75

RGB 135 174 117

HSL 101.05, 0.26%, 0.57%

LAB 67.06, -23.98, 25.1

 

CMYK 11 / 0 / 81 / 4

HEX #DBF52E

RGB 219 245 46

HSL 67.84, 0.91%, 0.57%

LAB 91.94, -30.78, 83.15

 

CMYK 33 / 0 / 81 / 4

HEX #A5F52E

RGB 165 245 46

HSL 84.12, 0.91%, 0.57%

LAB 88.69, -51.24, 79.05

 

CMYK 54 / 0 / 81 / 4

HEX #70F52E

RGB 112 245 46

HSL 100.1, 0.91%, 0.57%

LAB 86.48, -67.56, 76.24

 

CMYK 76 / 0 / 81 / 4

HEX #3BF52E

RGB 59 245 46

HSL 116.08, 0.91%, 0.57%

LAB 85.22, -78.07, 74.62

 

CMYK 81 / 0 / 65 / 4

HEX #2EF555

RGB 46 245 85

HSL 131.76, 0.91%, 0.57%

LAB 85.27, -76.71, 61.74

 

CMYK 65 / 0 / 95 / 22

HEX #46C709

RGB 70 199 9

HSL 100.74, 0.91%, 0.41%

LAB 70.99, -63.37, 69.16

 

CMYK 65 / 0 / 95 / 7

HEX #53EE0B

RGB 83 238 11

HSL 100.97, 0.91%, 0.49%

LAB 83.45, -73.02, 79.24

 

CMYK 56 / 0 / 81 / 4

HEX #6DF52E

RGB 109 245 46

HSL 101.01, 0.91%, 0.57%

LAB 86.38, -68.32, 76.12

 

CMYK 45 / 0 / 66 / 3

HEX #89F755

RGB 137 247 85

HSL 100.74, 0.91%, 0.65%

LAB 88.21, -58.84, 65.59

 

CMYK 34 / 0 / 50 / 2

HEX #A4F97C

RGB 164 249 124

HSL 100.8, 0.91%, 0.73%

LAB 90.37, -47.39, 51.58

 

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

CMYK 81 / 0 / 11 / 4

HEX #2EF5DB

RGB 46 245 219

HSL 172.16, 0.91%, 0.57%

LAB 87.49, -51.89, -0.74

 

CMYK 0 / 81 / 22 / 4

HEX #F52EC0

RGB 245 46 192

HSL 315.98, 0.91%, 0.57%

LAB 57.24, 82.88, -30.24

 

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

CMYK 81 / 54 / 0 / 4

HEX #2E70F5

RGB 46 112 245

HSL 220.1, 0.91%, 0.57%

LAB 50.41, 27.15, -72.35

 

CMYK 0 / 81 / 54 / 4

HEX #F52E70

RGB 245 46 112

HSL 340.1, 0.91%, 0.57%

LAB 54.59, 75.22, 12.99

 

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

CMYK 81 / 0 / 11 / 4

HEX #2EF5DB

RGB 46 245 219

HSL 172.16, 0.91%, 0.57%

LAB 87.49, -51.89, -0.74

 

CMYK 27 / 81 / 0 / 4

HEX #B32EF5

RGB 179 46 245

HSL 280.1, 0.91%, 0.57%

LAB 49.65, 78.94, -73.09

 

CMYK 0 / 81 / 71 / 4

HEX #F52E48

RGB 245 46 72

HSL 352.16, 0.91%, 0.57%

LAB 53.85, 73, 35.81

 

CMYK 55 / 0 / 81 / 4

HEX #6EF52F

RGB 110 245 47

HSL 100.91, 0.91%, 0.57%

LAB 86.42, -68.03, 75.91

 

CMYK 81 / 13 / 0 / 4

HEX #2ED4F5

RGB 46 212 245

HSL 189.95, 0.91%, 0.57%

LAB 78.61, -29.56, -27.78

 

CMYK 27 / 81 / 0 / 4

HEX #B32EF5

RGB 179 46 245

HSL 280.1, 0.91%, 0.57%

LAB 49.65, 78.94, -73.09

 

CMYK 0 / 68 / 81 / 4

HEX #F54F2E

RGB 245 79 46

HSL 9.95, 0.91%, 0.57%

LAB 57.27, 61.8, 53.35

 

Description

Color code: HEX #6EF52F | qconv.com Color code: HEX #6EF52F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 245 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 245 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 81 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 81% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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