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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EF457 it is the complementary color #910BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EF457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EF457 shade: #73F452, #84FF65, #95FF78, #A6FF8B and #B7FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EF457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EF457 shade: #6EF457, #5DE244, #4CD031, #3BBE1E and #2AAC0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EF457 shade: #6EF457, #99F457, #C3F457, #EDF457 and #F4D157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EF457 shade: #6EF457, #57F46B, #57F495, #57F4BF and #57F4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EF457 shade matches the following richer shades: #6EF457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EF457 shade: #6EF457, #78E666, #83D774, #8DC983 and #97BB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EF457 shade: #C3F457, #99F457, #6FF457, #57F46A and #57F493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EF457 shade: #2FEA0F, #4DF230, #6EF457, #90F77E and #B1F9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EF457 shade: #6EF457, #57ECF4 and #F457AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EF457 shade: #6EF457, #576FF4 and #F4576F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EF457 shade: #6EF457, #57ECF4, #DD57F4 and #F45F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EF457 shade: #6EF457, #57BDF4, #DD57F4 and #F48E57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

Complementary color

CMYK 14 / 93 / 0 / 34

HEX #910BA8

RGB 145 11 168

HSL 291.21, 0.88%, 0.35%

LAB 36.15, 66.87, -50.66

 

CMYK 53 / 0 / 66 / 4

HEX #73F452

RGB 115 244 82

HSL 107.78, 0.88%, 0.64%

LAB 86.48, -64.11, 64.67

 

CMYK 48 / 0 / 60 / 0

HEX #84FF65

RGB 132 255 101

HSL 107.92, 1%, 0.7%

LAB 90.49, -61.87, 61.57

 

CMYK 42 / 0 / 53 / 0

HEX #95FF78

RGB 149 255 120

HSL 107.11, 1%, 0.74%

LAB 91.35, -54.99, 54.44

 

CMYK 35 / 0 / 45 / 0

HEX #A6FF8B

RGB 166 255 139

HSL 106.03, 1%, 0.77%

LAB 92.35, -47.49, 47

 

CMYK 28 / 0 / 38 / 0

HEX #B7FF9E

RGB 183 255 158

HSL 104.54, 1%, 0.81%

LAB 93.47, -39.5, 39.41

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 59 / 0 / 70 / 11

HEX #5DE244

RGB 93 226 68

HSL 110.51, 0.73%, 0.58%

LAB 80.26, -64.35, 63.19

 

CMYK 63 / 0 / 76 / 18

HEX #4CD031

RGB 76 208 49

HSL 109.81, 0.63%, 0.5%

LAB 74.11, -63.44, 63.42

 

CMYK 69 / 0 / 84 / 25

HEX #3BBE1E

RGB 59 190 30

HSL 109.13, 0.73%, 0.43%

LAB 67.91, -62.07, 62.85

 

CMYK 76 / 0 / 94 / 33

HEX #2AAC0B

RGB 42 172 11

HSL 108.45, 0.88%, 0.36%

LAB 61.67, -60.06, 60.98

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 37 / 0 / 64 / 4

HEX #99F457

RGB 153 244 87

HSL 94.78, 0.88%, 0.65%

LAB 88.05, -52.51, 64.84

 

CMYK 20 / 0 / 64 / 4

HEX #C3F457

RGB 195 244 87

HSL 78.73, 0.88%, 0.65%

LAB 90.32, -37.67, 67.94

 

CMYK 3 / 0 / 64 / 4

HEX #EDF457

RGB 237 244 87

HSL 62.68, 0.88%, 0.65%

LAB 93.19, -21.27, 71.83

 

CMYK 0 / 14 / 64 / 4

HEX #F4D157

RGB 244 209 87

HSL 46.62, 0.88%, 0.65%

LAB 84.75, -1.04, 63.13

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 64 / 0 / 56 / 4

HEX #57F46B

RGB 87 244 107

HSL 127.64, 0.88%, 0.65%

LAB 85.9, -67.89, 53.32

 

CMYK 64 / 0 / 39 / 4

HEX #57F495

RGB 87 244 149

HSL 143.69, 0.88%, 0.65%

LAB 86.45, -61.66, 33.96

 

CMYK 64 / 0 / 22 / 4

HEX #57F4BF

RGB 87 244 191

HSL 159.75, 0.88%, 0.65%

LAB 87.24, -53.32, 13.58

 

CMYK 64 / 0 / 4 / 4

HEX #57F4EA

RGB 87 244 234

HSL 176.18, 0.88%, 0.65%

LAB 88.29, -42.87, -7.31

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 48 / 0 / 56 / 10

HEX #78E666

RGB 120 230 102

HSL 111.56, 0.72%, 0.65%

LAB 82.67, -55.55, 52.01

 

CMYK 39 / 0 / 46 / 16

HEX #83D774

RGB 131 215 116

HSL 110.91, 0.55%, 0.65%

LAB 78.86, -44.42, 40.86

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 19 / 0 / 22 / 27

HEX #97BB91

RGB 151 187 145

HSL 111.43, 0.24%, 0.65%

LAB 72.34, -20.2, 17.38

 

CMYK 20 / 0 / 64 / 4

HEX #C3F457

RGB 195 244 87

HSL 78.73, 0.88%, 0.65%

LAB 90.32, -37.67, 67.94

 

CMYK 37 / 0 / 64 / 4

HEX #99F457

RGB 153 244 87

HSL 94.78, 0.88%, 0.65%

LAB 88.05, -52.51, 64.84

 

CMYK 55 / 0 / 64 / 4

HEX #6FF457

RGB 111 244 87

HSL 110.83, 0.88%, 0.65%

LAB 86.39, -64.69, 62.56

 

CMYK 64 / 0 / 57 / 4

HEX #57F46A

RGB 87 244 106

HSL 127.26, 0.88%, 0.65%

LAB 85.89, -68.01, 53.75

 

CMYK 64 / 0 / 40 / 4

HEX #57F493

RGB 87 244 147

HSL 142.93, 0.88%, 0.65%

LAB 86.42, -62.01, 34.92

 

CMYK 80 / 0 / 94 / 8

HEX #2FEA0F

RGB 47 234 15

HSL 111.23, 0.88%, 0.49%

LAB 81.56, -77.51, 77.02

 

CMYK 68 / 0 / 80 / 5

HEX #4DF230

RGB 77 242 48

HSL 111.03, 0.88%, 0.57%

LAB 84.64, -74.21, 73.69

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 42 / 0 / 49 / 3

HEX #90F77E

RGB 144 247 126

HSL 111.07, 0.88%, 0.73%

LAB 88.9, -52.54, 48.65

 

CMYK 29 / 0 / 34 / 2

HEX #B1F9A5

RGB 177 249 165

HSL 111.43, 0.88%, 0.81%

LAB 91.6, -37.76, 33.41

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 64 / 3 / 0 / 4

HEX #57ECF4

RGB 87 236 244

HSL 183.06, 0.88%, 0.65%

LAB 86.28, -36.55, -15.55

 

CMYK 0 / 64 / 29 / 4

HEX #F457AE

RGB 244 87 174

HSL 326.75, 0.88%, 0.65%

LAB 60.87, 67.8, -14.32

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 64 / 55 / 0 / 4

HEX #576FF4

RGB 87 111 244

HSL 230.83, 0.88%, 0.65%

LAB 51.75, 32.3, -69.53

 

CMYK 0 / 64 / 55 / 4

HEX #F4576F

RGB 244 87 111

HSL 350.83, 0.88%, 0.65%

LAB 59.16, 61.62, 19.83

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 64 / 3 / 0 / 4

HEX #57ECF4

RGB 87 236 244

HSL 183.06, 0.88%, 0.65%

LAB 86.28, -36.55, -15.55

 

CMYK 9 / 64 / 0 / 4

HEX #DD57F4

RGB 221 87 244

HSL 291.21, 0.88%, 0.65%

LAB 60.53, 72.54, -54.71

 

CMYK 0 / 61 / 64 / 4

HEX #F45F57

RGB 244 95 87

HSL 3.06, 0.88%, 0.65%

LAB 59.98, 56.68, 34.67

 

CMYK 55 / 0 / 64 / 4

HEX #6EF457

RGB 110 244 87

HSL 111.21, 0.88%, 0.65%

LAB 86.36, -64.94, 62.52

 

CMYK 64 / 23 / 0 / 4

HEX #57BDF4

RGB 87 189 244

HSL 201.02, 0.88%, 0.65%

LAB 72.86, -13.21, -36.03

 

CMYK 9 / 64 / 0 / 4

HEX #DD57F4

RGB 221 87 244

HSL 291.21, 0.88%, 0.65%

LAB 60.53, 72.54, -54.71

 

CMYK 0 / 42 / 64 / 4

HEX #F48E57

RGB 244 142 87

HSL 21.02, 0.88%, 0.65%

LAB 68.94, 33.96, 45.44

 

Description

Color code: HEX #6EF457 | qconv.com Color code: HEX #6EF457 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 244 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 244 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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