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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE92C it is the complementary color #9116D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE92C shade: #73E927, #84FB3A, #95FF4D, #A6FF60 and #B7FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE92C shade: #6EE92C, #5DD719, #4CC506, #3BB300 and #2AA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE92C shade: #6DE92B, #A0E92B, #D4E92B, #E9CB2B and #E9972B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE92C shade: #6DE92B, #3AE92B, #2BE94F, #2BE982 and #2BE9B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE92C shade matches the following richer shades: #6DE92B and #67FC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE92C shade: #6DE92B, #73D63E, #78C351, #7EB064 and #849D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE92C shade: #D3E92B, #A0E92B, #6DE92B, #3BE92B and #2BE94E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE92C shade: #49AF12, #58D416, #6DE92B, #87ED50 and #A0F175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE92C shade: #6EE92C, #2BE9CC and #E92BB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE92C shade: #6EE92C, #2B6DE9 and #E92B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE92C shade: #6EE92C, #2BE9CC, #A62BE9 and #E92B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE92C shade: #6EE92C, #2BCCE9, #A62BE9 and #E9472B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

Complementary color

CMYK 31 / 90 / 0 / 17

HEX #9116D3

RGB 145 22 211

HSL 279.05, 0.81%, 0.46%

LAB 40.08, 73.1, -69.58

 

CMYK 51 / 0 / 83 / 9

HEX #73E927

RGB 115 233 39

HSL 96.49, 0.82%, 0.53%

LAB 82.95, -62.83, 74.79

 

CMYK 47 / 0 / 77 / 2

HEX #84FB3A

RGB 132 251 58

HSL 96.99, 0.96%, 0.61%

LAB 89.02, -63.62, 75.6

 

CMYK 42 / 0 / 70 / 0

HEX #95FF4D

RGB 149 255 77

HSL 95.73, 1%, 0.65%

LAB 90.98, -58.87, 71.61

 

CMYK 35 / 0 / 62 / 0

HEX #A6FF60

RGB 166 255 96

HSL 93.58, 1%, 0.69%

LAB 91.9, -51.99, 65.59

 

CMYK 28 / 0 / 55 / 0

HEX #B7FF73

RGB 183 255 115

HSL 90.86, 1%, 0.73%

LAB 92.94, -44.53, 58.95

 

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

CMYK 57 / 0 / 88 / 16

HEX #5DD719

RGB 93 215 25

HSL 98.53, 0.79%, 0.47%

LAB 76.68, -62.91, 71.92

 

CMYK 61 / 0 / 97 / 23

HEX #4CC506

RGB 76 197 6

HSL 98.01, 0.94%, 0.4%

LAB 70.51, -61.41, 69.16

 

CMYK 67 / 0 / 100 / 30

HEX #3BB300

RGB 59 179 0

HSL 100.22, 1%, 0.35%

LAB 64.3, -59.39, 64.7

 

CMYK 74 / 0 / 100 / 37

HEX #2AA100

RGB 42 161 0

HSL 104.35, 1%, 0.32%

LAB 58.02, -56.89, 59.55

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 31 / 0 / 82 / 9

HEX #A0E92B

RGB 160 233 43

HSL 83.05, 0.81%, 0.54%

LAB 84.96, -48.17, 76.38

 

CMYK 9 / 0 / 82 / 9

HEX #D4E92B

RGB 212 233 43

HSL 66.63, 0.81%, 0.54%

LAB 88.18, -28.1, 80.44

 

CMYK 0 / 13 / 82 / 9

HEX #E9CB2B

RGB 233 203 43

HSL 50.53, 0.81%, 0.54%

LAB 81.95, -4.55, 75.77

 

CMYK 0 / 35 / 82 / 9

HEX #E9972B

RGB 233 151 43

HSL 34.11, 0.81%, 0.54%

LAB 69.21, 22.74, 64.71

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 75 / 0 / 82 / 9

HEX #3AE92B

RGB 58 233 43

HSL 115.26, 0.81%, 0.54%

LAB 81.48, -74.84, 71.95

 

CMYK 82 / 0 / 66 / 9

HEX #2BE94F

RGB 43 233 79

HSL 131.37, 0.81%, 0.54%

LAB 81.49, -74.02, 59.98

 

CMYK 82 / 0 / 44 / 9

HEX #2BE982

RGB 43 233 130

HSL 147.47, 0.81%, 0.54%

LAB 82.06, -67.15, 37.52

 

CMYK 82 / 0 / 22 / 9

HEX #2BE9B5

RGB 43 233 181

HSL 163.58, 0.81%, 0.54%

LAB 82.98, -56.77, 12.66

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 59 / 0 / 90 / 1

HEX #67FC18

RGB 103 252 24

HSL 99.21, 0.97%, 0.54%

LAB 88.24, -72.86, 81.92

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 46 / 0 / 71 / 16

HEX #73D63E

RGB 115 214 62

HSL 99.08, 0.65%, 0.54%

LAB 77.33, -54.51, 62.62

 

CMYK 38 / 0 / 58 / 24

HEX #78C351

RGB 120 195 81

HSL 99.47, 0.49%, 0.54%

LAB 71.97, -43.57, 49.1

 

CMYK 28 / 0 / 43 / 31

HEX #7EB064

RGB 126 176 100

HSL 99.47, 0.32%, 0.54%

LAB 66.83, -30.67, 33.68

 

CMYK 16 / 0 / 24 / 38

HEX #849D77

RGB 132 157 119

HSL 99.47, 0.16%, 0.54%

LAB 61.96, -16.08, 17.05

 

CMYK 9 / 0 / 82 / 9

HEX #D3E92B

RGB 211 233 43

HSL 66.95, 0.81%, 0.54%

LAB 88.11, -28.51, 80.36

 

CMYK 31 / 0 / 82 / 9

HEX #A0E92B

RGB 160 233 43

HSL 83.05, 0.81%, 0.54%

LAB 84.96, -48.17, 76.38

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 75 / 0 / 82 / 9

HEX #3BE92B

RGB 59 233 43

HSL 114.95, 0.81%, 0.54%

LAB 81.5, -74.69, 71.97

 

CMYK 82 / 0 / 67 / 9

HEX #2BE94E

RGB 43 233 78

HSL 131.05, 0.81%, 0.54%

LAB 81.48, -74.12, 60.37

 

CMYK 58 / 0 / 90 / 31

HEX #49AF12

RGB 73 175 18

HSL 98.98, 0.81%, 0.38%

LAB 63.44, -54.3, 61.66

 

CMYK 58 / 0 / 90 / 17

HEX #58D416

RGB 88 212 22

HSL 99.16, 0.81%, 0.46%

LAB 75.59, -63.22, 71.44

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 43 / 0 / 66 / 7

HEX #87ED50

RGB 135 237 80

HSL 98.98, 0.81%, 0.62%

LAB 85.15, -55.98, 64.25

 

CMYK 34 / 0 / 51 / 5

HEX #A0F175

RGB 160 241 117

HSL 99.19, 0.82%, 0.7%

LAB 87.81, -46.09, 51.69

 

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

CMYK 82 / 0 / 12 / 9

HEX #2BE9CC

RGB 43 233 204

HSL 170.84, 0.81%, 0.54%

LAB 83.52, -51.08, 1.35

 

CMYK 0 / 82 / 21 / 9

HEX #E92BB9

RGB 233 43 185

HSL 315.16, 0.81%, 0.54%

LAB 54.61, 80.15, -30.45

 

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

CMYK 82 / 53 / 0 / 9

HEX #2B6DE9

RGB 43 109 233

HSL 219.16, 0.81%, 0.54%

LAB 48.68, 24.31, -68.44

 

CMYK 0 / 82 / 53 / 9

HEX #E92B6D

RGB 233 43 109

HSL 339.16, 0.81%, 0.54%

LAB 52.01, 72.67, 10.86

 

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

CMYK 82 / 0 / 12 / 9

HEX #2BE9CC

RGB 43 233 204

HSL 170.84, 0.81%, 0.54%

LAB 83.52, -51.08, 1.35

 

CMYK 29 / 82 / 0 / 9

HEX #A62BE9

RGB 166 43 233

HSL 278.84, 0.81%, 0.54%

LAB 46.6, 75.43, -71.38

 

CMYK 0 / 82 / 70 / 9

HEX #E92B47

RGB 233 43 71

HSL 351.16, 0.81%, 0.54%

LAB 51.27, 70.46, 32.75

 

CMYK 53 / 0 / 81 / 9

HEX #6EE92C

RGB 110 233 44

HSL 99.05, 0.81%, 0.54%

LAB 82.79, -63.99, 73.37

 

CMYK 82 / 12 / 0 / 9

HEX #2BCCE9

RGB 43 204 233

HSL 189.16, 0.81%, 0.54%

LAB 75.81, -29.69, -25.64

 

CMYK 29 / 82 / 0 / 9

HEX #A62BE9

RGB 166 43 233

HSL 278.84, 0.81%, 0.54%

LAB 46.6, 75.43, -71.38

 

CMYK 0 / 70 / 82 / 9

HEX #E9472B

RGB 233 71 43

HSL 8.84, 0.81%, 0.54%

LAB 54.03, 60.88, 50.99

 

Description

Color code: HEX #6EE92C | qconv.com Color code: HEX #6EE92C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 233 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 233 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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