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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE15D it is the complementary color #911EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE15D shade: #73E158, #84F36B, #95FF7E, #A6FF91 and #B7FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE15D shade: #6EE15D, #5DCF4A, #4CBD37, #3BAB24 and #2A9911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE15D shade: #6CE15B, #91E15B, #B5E15B, #D9E15B and #E1C55B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE15D shade: #6CE15B, #5BE16E, #5BE192, #5BE1B6 and #5BE1DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE15D shade matches the following richer shades: #6CE15B and #61F14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE15D shade: #6CE15B, #78D16B, #84C27B, #8FB28A and #9BA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE15D shade: #B4E15B, #91E15B, #6DE15B, #5BE16D and #5BE191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE15D shade: #39C524, #4DDB38, #6CE15B, #8CE77E and #ABEEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE15D shade: #6EE15D, #5BD8E1 and #E15BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE15D shade: #6EE15D, #5B6DE1 and #E15B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE15D shade: #6EE15D, #5BD8E1, #CF5BE1 and #E1645B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE15D shade: #6EE15D, #5BB0E1, #CF5BE1 and #E18C5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

Complementary color

CMYK 10 / 81 / 0 / 36

HEX #911EA2

RGB 145 30 162

HSL 292.27, 0.69%, 0.38%

LAB 37.04, 62.01, -45.62

 

CMYK 49 / 0 / 61 / 12

HEX #73E158

RGB 115 225 88

HSL 108.18, 0.7%, 0.61%

LAB 80.85, -56.51, 56.05

 

CMYK 46 / 0 / 56 / 5

HEX #84F36B

RGB 132 243 107

HSL 108.97, 0.85%, 0.69%

LAB 87.03, -56.66, 55

 

CMYK 42 / 0 / 51 / 0

HEX #95FF7E

RGB 149 255 126

HSL 109.3, 1%, 0.75%

LAB 91.42, -54.3, 51.78

 

CMYK 35 / 0 / 43 / 0

HEX #A6FF91

RGB 166 255 145

HSL 108.55, 1%, 0.78%

LAB 92.43, -46.72, 44.22

 

CMYK 28 / 0 / 36 / 0

HEX #B7FFA4

RGB 183 255 164

HSL 107.47, 1%, 0.82%

LAB 93.57, -38.66, 36.57

 

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

CMYK 55 / 0 / 64 / 19

HEX #5DCF4A

RGB 93 207 74

HSL 111.43, 0.58%, 0.55%

LAB 74.47, -57.04, 54.67

 

CMYK 60 / 0 / 71 / 26

HEX #4CBD37

RGB 76 189 55

HSL 110.6, 0.55%, 0.48%

LAB 68.17, -56.44, 55.38

 

CMYK 65 / 0 / 79 / 33

HEX #3BAB24

RGB 59 171 36

HSL 109.78, 0.65%, 0.41%

LAB 61.81, -55.43, 55.53

 

CMYK 73 / 0 / 89 / 40

HEX #2A9911

RGB 42 153 17

HSL 108.97, 0.8%, 0.33%

LAB 55.4, -53.83, 54.6

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 20 / 0 / 60 / 12

HEX #B5E15B

RGB 181 225 91

HSL 79.7, 0.69%, 0.62%

LAB 84.19, -34.04, 59.41

 

CMYK 4 / 0 / 60 / 12

HEX #D9E15B

RGB 217 225 91

HSL 63.58, 0.69%, 0.62%

LAB 86.68, -19.89, 62.86

 

CMYK 0 / 12 / 60 / 12

HEX #E1C55B

RGB 225 197 91

HSL 47.46, 0.69%, 0.62%

LAB 80.01, -2.53, 55.66

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 60 / 0 / 51 / 12

HEX #5BE16E

RGB 91 225 110

HSL 128.51, 0.69%, 0.62%

LAB 80.29, -59.93, 45.21

 

CMYK 60 / 0 / 35 / 12

HEX #5BE192

RGB 91 225 146

HSL 144.63, 0.69%, 0.62%

LAB 80.82, -54.15, 28

 

CMYK 60 / 0 / 19 / 12

HEX #5BE1B6

RGB 91 225 182

HSL 160.75, 0.69%, 0.62%

LAB 81.54, -46.73, 10.21

 

CMYK 60 / 0 / 3 / 12

HEX #5BE1DA

RGB 91 225 218

HSL 176.87, 0.69%, 0.62%

LAB 82.45, -37.88, -7.52

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 60 / 0 / 68 / 5

HEX #61F14C

RGB 97 241 76

HSL 112.36, 0.85%, 0.62%

LAB 84.98, -67.94, 65.19

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 32 / 0 / 37 / 24

HEX #84C27B

RGB 132 194 123

HSL 112.39, 0.37%, 0.62%

LAB 72.84, -33.71, 29.57

 

CMYK 20 / 0 / 22 / 30

HEX #8FB28A

RGB 143 178 138

HSL 112.5, 0.21%, 0.62%

LAB 69.12, -19.67, 16.63

 

CMYK 4 / 0 / 5 / 36

HEX #9BA29A

RGB 155 162 154

HSL 112.5, 0.04%, 0.62%

LAB 65.86, -4.03, 3.28

 

CMYK 20 / 0 / 60 / 12

HEX #B4E15B

RGB 180 225 91

HSL 80.15, 0.69%, 0.62%

LAB 84.13, -34.42, 59.32

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 52 / 0 / 60 / 12

HEX #6DE15B

RGB 109 225 91

HSL 111.94, 0.69%, 0.62%

LAB 80.66, -57.84, 54.47

 

CMYK 60 / 0 / 52 / 12

HEX #5BE16D

RGB 91 225 109

HSL 128.06, 0.69%, 0.62%

LAB 80.28, -60.06, 45.67

 

CMYK 60 / 0 / 36 / 12

HEX #5BE191

RGB 91 225 145

HSL 144.18, 0.69%, 0.62%

LAB 80.8, -54.33, 28.49

 

CMYK 71 / 0 / 82 / 23

HEX #39C524

RGB 57 197 36

HSL 112.17, 0.69%, 0.46%

LAB 70.13, -64.37, 63.32

 

CMYK 65 / 0 / 74 / 14

HEX #4DDB38

RGB 77 219 56

HSL 112.27, 0.69%, 0.54%

LAB 77.59, -66.41, 64.57

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 39 / 0 / 45 / 9

HEX #8CE77E

RGB 140 231 126

HSL 112, 0.69%, 0.7%

LAB 84.09, -47.11, 42.62

 

CMYK 28 / 0 / 32 / 7

HEX #ABEEA1

RGB 171 238 161

HSL 112.21, 0.69%, 0.78%

LAB 88.15, -35.32, 30.76

 

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

CMYK 60 / 4 / 0 / 12

HEX #5BD8E1

RGB 91 216 225

HSL 184.03, 0.69%, 0.62%

LAB 80.05, -31.79, -14.83

 

CMYK 0 / 60 / 28 / 12

HEX #E15BA3

RGB 225 91 163

HSL 327.76, 0.69%, 0.62%

LAB 58.16, 59.35, -12.34

 

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

CMYK 60 / 52 / 0 / 12

HEX #5B6DE1

RGB 91 109 225

HSL 231.94, 0.69%, 0.62%

LAB 50.21, 27.85, -61.36

 

CMYK 0 / 60 / 52 / 12

HEX #E15B6D

RGB 225 91 109

HSL 351.94, 0.69%, 0.62%

LAB 56.68, 53.63, 17.12

 

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

CMYK 60 / 4 / 0 / 12

HEX #5BD8E1

RGB 91 216 225

HSL 184.03, 0.69%, 0.62%

LAB 80.05, -31.79, -14.83

 

CMYK 8 / 60 / 0 / 12

HEX #CF5BE1

RGB 207 91 225

HSL 291.94, 0.69%, 0.62%

LAB 58.21, 64.15, -47.91

 

CMYK 0 / 56 / 60 / 12

HEX #E1645B

RGB 225 100 91

HSL 4.03, 0.69%, 0.62%

LAB 57.92, 48.09, 29.18

 

CMYK 51 / 0 / 59 / 12

HEX #6EE15D

RGB 110 225 93

HSL 112.27, 0.69%, 0.62%

LAB 80.71, -57.36, 53.67

 

CMYK 60 / 22 / 0 / 12

HEX #5BB0E1

RGB 91 176 225

HSL 201.94, 0.69%, 0.62%

LAB 68.54, -11.46, -32.38

 

CMYK 8 / 60 / 0 / 12

HEX #CF5BE1

RGB 207 91 225

HSL 291.94, 0.69%, 0.62%

LAB 58.21, 64.15, -47.91

 

CMYK 0 / 38 / 60 / 12

HEX #E18C5B

RGB 225 140 91

HSL 21.94, 0.69%, 0.62%

LAB 66.15, 27.7, 39.45

 

Description

Color code: HEX #6EE15D | qconv.com Color code: HEX #6EE15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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