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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EE132 it is the complementary color #911ECD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EE132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EE132 shade: #73E12D, #84F340, #95FF53, #A6FF66 and #B7FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EE132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EE132 shade: #6EE132, #5DCF1F, #4CBD0C, #3BAB00 and #2A9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EE132 shade: #6EE133, #9DE133, #CCE133, #E1C633 and #E19733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EE132 shade: #6EE133, #40E133, #33E155, #33E184 and #33E1B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EE132 shade matches the following richer shades: #6EE133 and #68F320

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EE132 shade: #6EE133, #74CE46, #7ABB59, #80A86C and #86957F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EE132 shade: #CCE133, #9EE133, #70E133, #41E133 and #33E153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EE132 shade: #4AA819, #5ACC1E, #6EE133, #88E657 and #A1EB7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EE132 shade: #6EE132, #33E1C6 and #E133B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EE132 shade: #6EE132, #3370E1 and #E13370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EE132 shade: #6EE132, #33E1C6, #A433E1 and #E1334D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EE132 shade: #6EE132, #33C6E1, #A433E1 and #E14D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

Complementary color

CMYK 29 / 85 / 0 / 20

HEX #911ECD

RGB 145 30 205

HSL 279.43, 0.74%, 0.46%

LAB 40.17, 70.17, -65.95

 

CMYK 49 / 0 / 80 / 12

HEX #73E12D

RGB 115 225 45

HSL 96.67, 0.75%, 0.53%

LAB 80.56, -59.66, 71.13

 

CMYK 46 / 0 / 74 / 5

HEX #84F340

RGB 132 243 64

HSL 97.21, 0.88%, 0.6%

LAB 86.69, -60.31, 71.51

 

CMYK 42 / 0 / 67 / 0

HEX #95FF53

RGB 149 255 83

HSL 96.98, 1%, 0.66%

LAB 91.02, -58.45, 69.48

 

CMYK 35 / 0 / 60 / 0

HEX #A6FF66

RGB 166 255 102

HSL 94.9, 1%, 0.7%

LAB 91.95, -51.47, 63.18

 

CMYK 28 / 0 / 53 / 0

HEX #B7FF79

RGB 183 255 121

HSL 92.24, 1%, 0.74%

LAB 93, -43.94, 56.35

 

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

CMYK 55 / 0 / 85 / 19

HEX #5DCF1F

RGB 93 207 31

HSL 98.86, 0.74%, 0.47%

LAB 74.22, -59.91, 68.59

 

CMYK 60 / 0 / 94 / 26

HEX #4CBD0C

RGB 76 189 12

HSL 98.31, 0.88%, 0.39%

LAB 67.99, -58.59, 66.43

 

CMYK 65 / 0 / 100 / 33

HEX #3BAB00

RGB 59 171 0

HSL 99.3, 1%, 0.34%

LAB 61.7, -56.75, 62.64

 

CMYK 73 / 0 / 100 / 40

HEX #2A9900

RGB 42 153 0

HSL 103.53, 1%, 0.3%

LAB 55.35, -54.34, 57.43

 

CMYK 51 / 0 / 77 / 12

HEX #6EE133

RGB 110 225 51

HSL 99.66, 0.74%, 0.54%

LAB 80.41, -60.77, 69.22

 

CMYK 30 / 0 / 77 / 12

HEX #9DE133

RGB 157 225 51

HSL 83.45, 0.74%, 0.54%

LAB 82.52, -45.54, 71.95

 

CMYK 9 / 0 / 77 / 12

HEX #CCE133

RGB 204 225 51

HSL 67.24, 0.74%, 0.54%

LAB 85.47, -27.31, 75.74

 

CMYK 0 / 12 / 77 / 12

HEX #E1C633

RGB 225 198 51

HSL 50.69, 0.74%, 0.54%

LAB 79.97, -5.15, 71.4

 

CMYK 0 / 33 / 77 / 12

HEX #E19733

RGB 225 151 51

HSL 34.48, 0.74%, 0.54%

LAB 68.3, 19.63, 60.58

 

CMYK 51 / 0 / 77 / 12

HEX #6EE133

RGB 110 225 51

HSL 99.66, 0.74%, 0.54%

LAB 80.41, -60.77, 69.22

 

CMYK 72 / 0 / 77 / 12

HEX #40E133

RGB 64 225 51

HSL 115.52, 0.74%, 0.54%

LAB 79.14, -71.05, 67.57

 

CMYK 77 / 0 / 62 / 12

HEX #33E155

RGB 51 225 85

HSL 131.72, 0.74%, 0.54%

LAB 79.16, -70.01, 54.97

 

CMYK 77 / 0 / 41 / 12

HEX #33E184

RGB 51 225 132

HSL 147.93, 0.74%, 0.54%

LAB 79.74, -63.19, 33.54

 

CMYK 77 / 0 / 20 / 12

HEX #33E1B3

RGB 51 225 179

HSL 164.14, 0.74%, 0.54%

LAB 80.63, -53.33, 10.39

 

CMYK 51 / 0 / 77 / 12

HEX #6EE133

RGB 110 225 51

HSL 99.66, 0.74%, 0.54%

LAB 80.41, -60.77, 69.22

 

CMYK 57 / 0 / 87 / 5

HEX #68F320

RGB 104 243 32

HSL 99.53, 0.9%, 0.54%

LAB 85.58, -69.43, 78.39

 

CMYK 51 / 0 / 77 / 12

HEX #6EE133

RGB 110 225 51

HSL 99.66, 0.74%, 0.54%

LAB 80.41, -60.77, 69.22

 

CMYK 44 / 0 / 66 / 19

HEX #74CE46

RGB 116 206 70

HSL 99.71, 0.58%, 0.54%

LAB 75.01, -50.43, 57.15

 

CMYK 35 / 0 / 52 / 27

HEX #7ABB59

RGB 122 187 89

HSL 99.8, 0.42%, 0.54%

LAB 69.75, -38.53, 42.76

 

CMYK 24 / 0 / 36 / 34

HEX #80A86C

RGB 128 168 108

HSL 100, 0.26%, 0.54%

LAB 64.71, -24.92, 26.73

 

CMYK 10 / 0 / 15 / 42

HEX #86957F

RGB 134 149 127

HSL 100.91, 0.09%, 0.54%

LAB 59.97, -9.66, 9.82

 

CMYK 9 / 0 / 77 / 12

HEX #CCE133

RGB 204 225 51

HSL 67.24, 0.74%, 0.54%

LAB 85.47, -27.31, 75.74

 

CMYK 30 / 0 / 77 / 12

HEX #9EE133

RGB 158 225 51

HSL 83.1, 0.74%, 0.54%

LAB 82.57, -45.18, 72.02

 

CMYK 50 / 0 / 77 / 12

HEX #70E133

RGB 112 225 51

HSL 98.97, 0.74%, 0.54%

LAB 80.48, -60.21, 69.31

 

CMYK 71 / 0 / 77 / 12

HEX #41E133

RGB 65 225 51

HSL 115.17, 0.74%, 0.54%

LAB 79.16, -70.89, 67.59

 

CMYK 77 / 0 / 63 / 12

HEX #33E153

RGB 51 225 83

HSL 131.03, 0.74%, 0.54%

LAB 79.14, -70.23, 55.8

 

CMYK 56 / 0 / 85 / 34

HEX #4AA819

RGB 74 168 25

HSL 99.44, 0.74%, 0.38%

LAB 61.25, -51.24, 58.26

 

CMYK 56 / 0 / 85 / 20

HEX #5ACC1E

RGB 90 204 30

HSL 99.31, 0.74%, 0.46%

LAB 73.19, -59.68, 67.87

 

CMYK 51 / 0 / 77 / 12

HEX #6EE133

RGB 110 225 51

HSL 99.66, 0.74%, 0.54%

LAB 80.41, -60.77, 69.22

 

CMYK 41 / 0 / 62 / 10

HEX #88E657

RGB 136 230 87

HSL 99.44, 0.74%, 0.62%

LAB 83.19, -52.3, 59.32

 

CMYK 31 / 0 / 48 / 8

HEX #A1EB7B

RGB 161 235 123

HSL 99.64, 0.74%, 0.7%

LAB 86.22, -42.47, 46.94

 

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

CMYK 77 / 0 / 12 / 12

HEX #33E1C6

RGB 51 225 198

HSL 170.69, 0.74%, 0.54%

LAB 81.09, -48.59, 0.99

 

CMYK 0 / 77 / 20 / 12

HEX #E133B5

RGB 225 51 181

HSL 315.17, 0.74%, 0.54%

LAB 53.72, 75.97, -29.61

 

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

CMYK 77 / 50 / 0 / 12

HEX #3370E1

RGB 51 112 225

HSL 218.97, 0.74%, 0.54%

LAB 49.17, 20.18, -63.14

 

CMYK 0 / 77 / 50 / 12

HEX #E13370

RGB 225 51 112

HSL 338.97, 0.74%, 0.54%

LAB 51.32, 68.76, 7.85

 

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

CMYK 77 / 0 / 12 / 12

HEX #33E1C6

RGB 51 225 198

HSL 170.69, 0.74%, 0.54%

LAB 81.09, -48.59, 0.99

 

CMYK 27 / 77 / 0 / 12

HEX #A433E1

RGB 164 51 225

HSL 278.97, 0.74%, 0.54%

LAB 46.57, 71.04, -66.9

 

CMYK 0 / 77 / 66 / 12

HEX #E1334D

RGB 225 51 77

HSL 351.03, 0.74%, 0.54%

LAB 50.58, 66.45, 27.99

 

CMYK 51 / 0 / 78 / 12

HEX #6EE132

RGB 110 225 50

HSL 99.43, 0.74%, 0.54%

LAB 80.4, -60.83, 69.51

 

CMYK 77 / 12 / 0 / 12

HEX #33C6E1

RGB 51 198 225

HSL 189.31, 0.74%, 0.54%

LAB 73.89, -28.55, -24.25

 

CMYK 27 / 77 / 0 / 12

HEX #A433E1

RGB 164 51 225

HSL 278.97, 0.74%, 0.54%

LAB 46.57, 71.04, -66.9

 

CMYK 0 / 66 / 77 / 12

HEX #E14D33

RGB 225 77 51

HSL 8.97, 0.74%, 0.54%

LAB 53.55, 56.2, 46.05

 

Description

Color code: HEX #6EE132 | qconv.com Color code: HEX #6EE132 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 225 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 225 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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