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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EDC58 it is the complementary color #9123A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EDC58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EDC58 shade: #73DC53, #84EE66, #95FF79, #A6FF8C and #B7FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EDC58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EDC58 shade: #6EDC58, #5DCA45, #4CB832, #3BA61F and #2A940C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EDC58 shade: #6DDB57, #91DB57, #B4DB57, #D8DB57 and #DBBB57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EDC58 shade: #6DDB57, #57DB64, #57DB88, #57DBAC and #57DBD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EDC58 shade matches the following richer shades: #6DDB57, #62EC46 and #57FC36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EDC58 shade: #6DDB57, #78CB67, #83BA78, #8EAA88 and #999999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EDC58 shade: #B4DB57, #90DB57, #6DDB57, #57DB64 and #57DB87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EDC58 shade: #3FB827, #4FD435, #6DDB57, #8AE379 and #A8EA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EDC58 shade: #6EDC58, #57D7DB and #DB57A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EDC58 shade: #6EDC58, #576DDB and #DB576D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EDC58 shade: #6EDC58, #57D7DB, #C557DB and #DB5B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EDC58 shade: #6EDC58, #57AFDB, #C557DB and #DB8357

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

Complementary color

CMYK 13 / 79 / 0 / 35

HEX #9123A7

RGB 145 35 167

HSL 290, 0.65%, 0.4%

LAB 37.86, 61.48, -47.29

 

CMYK 48 / 0 / 62 / 14

HEX #73DC53

RGB 115 220 83

HSL 105.99, 0.66%, 0.59%

LAB 79.3, -55.07, 56.44

 

CMYK 45 / 0 / 57 / 7

HEX #84EE66

RGB 132 238 102

HSL 106.76, 0.8%, 0.67%

LAB 85.51, -55.24, 55.45

 

CMYK 42 / 0 / 53 / 0

HEX #95FF79

RGB 149 255 121

HSL 107.46, 1%, 0.74%

LAB 91.37, -54.88, 54

 

CMYK 35 / 0 / 45 / 0

HEX #A6FF8C

RGB 166 255 140

HSL 106.43, 1%, 0.77%

LAB 92.36, -47.37, 46.54

 

CMYK 28 / 0 / 38 / 0

HEX #B7FF9F

RGB 183 255 159

HSL 105, 1%, 0.81%

LAB 93.49, -39.37, 38.94

 

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

CMYK 54 / 0 / 66 / 21

HEX #5DCA45

RGB 93 202 69

HSL 109.17, 0.56%, 0.53%

LAB 72.89, -55.65, 55.01

 

CMYK 59 / 0 / 73 / 28

HEX #4CB832

RGB 76 184 50

HSL 108.36, 0.57%, 0.46%

LAB 66.56, -55.04, 55.59

 

CMYK 64 / 0 / 81 / 35

HEX #3BA61F

RGB 59 166 31

HSL 107.56, 0.69%, 0.39%

LAB 60.16, -54.01, 55.49

 

CMYK 72 / 0 / 92 / 42

HEX #2A940C

RGB 42 148 12

HSL 106.76, 0.85%, 0.31%

LAB 53.71, -52.36, 54.12

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 34 / 0 / 60 / 14

HEX #91DB57

RGB 145 219 87

HSL 93.64, 0.65%, 0.6%

LAB 80.39, -44.78, 56.32

 

CMYK 18 / 0 / 60 / 14

HEX #B4DB57

RGB 180 219 87

HSL 77.73, 0.65%, 0.6%

LAB 82.41, -31.97, 59.13

 

CMYK 1 / 0 / 60 / 14

HEX #D8DB57

RGB 216 219 87

HSL 61.36, 0.65%, 0.6%

LAB 84.97, -17.63, 62.66

 

CMYK 0 / 15 / 60 / 14

HEX #DBBB57

RGB 219 187 87

HSL 45.45, 0.65%, 0.6%

LAB 76.85, -0.12, 53.79

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 60 / 0 / 54 / 14

HEX #57DB64

RGB 87 219 100

HSL 125.91, 0.65%, 0.6%

LAB 78.23, -59.94, 47.4

 

CMYK 60 / 0 / 38 / 14

HEX #57DB88

RGB 87 219 136

HSL 142.27, 0.65%, 0.6%

LAB 78.73, -54.42, 30.32

 

CMYK 60 / 0 / 21 / 14

HEX #57DBAC

RGB 87 219 172

HSL 158.64, 0.65%, 0.6%

LAB 79.42, -47.19, 12.48

 

CMYK 60 / 0 / 5 / 14

HEX #57DBD0

RGB 87 219 208

HSL 175, 0.65%, 0.6%

LAB 80.32, -38.45, -5.38

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 58 / 0 / 70 / 7

HEX #62EC46

RGB 98 236 70

HSL 109.88, 0.81%, 0.6%

LAB 83.46, -66.47, 65.82

 

CMYK 65 / 0 / 79 / 1

HEX #57FC36

RGB 87 252 54

HSL 110, 0.97%, 0.6%

LAB 87.93, -75.13, 75.22

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 41 / 0 / 49 / 20

HEX #78CB67

RGB 120 203 103

HSL 109.8, 0.49%, 0.6%

LAB 74.63, -44.43, 41.86

 

CMYK 30 / 0 / 35 / 27

HEX #83BA78

RGB 131 186 120

HSL 110, 0.32%, 0.6%

LAB 70.39, -30.75, 27.89

 

CMYK 16 / 0 / 20 / 33

HEX #8EAA88

RGB 142 170 136

HSL 109.41, 0.17%, 0.6%

LAB 66.73, -16.27, 14.38

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 18 / 0 / 60 / 14

HEX #B4DB57

RGB 180 219 87

HSL 77.73, 0.65%, 0.6%

LAB 82.41, -31.97, 59.13

 

CMYK 34 / 0 / 60 / 14

HEX #90DB57

RGB 144 219 87

HSL 94.09, 0.65%, 0.6%

LAB 80.34, -45.12, 56.25

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 60 / 0 / 54 / 14

HEX #57DB64

RGB 87 219 100

HSL 125.91, 0.65%, 0.6%

LAB 78.23, -59.94, 47.4

 

CMYK 60 / 0 / 38 / 14

HEX #57DB87

RGB 87 219 135

HSL 141.82, 0.65%, 0.6%

LAB 78.72, -54.6, 30.81

 

CMYK 66 / 0 / 79 / 28

HEX #3FB827

RGB 63 184 39

HSL 110.07, 0.65%, 0.44%

LAB 66.12, -58.8, 58.75

 

CMYK 63 / 0 / 75 / 17

HEX #4FD435

RGB 79 212 53

HSL 110.19, 0.65%, 0.52%

LAB 75.46, -63.86, 63.47

 

CMYK 50 / 0 / 60 / 14

HEX #6DDB57

RGB 109 219 87

HSL 110, 0.65%, 0.6%

LAB 78.81, -55.98, 54.11

 

CMYK 39 / 0 / 47 / 11

HEX #8AE379

RGB 138 227 121

HSL 110.38, 0.65%, 0.68%

LAB 82.77, -46.69, 43.37

 

CMYK 28 / 0 / 34 / 8

HEX #A8EA9B

RGB 168 234 155

HSL 110.13, 0.65%, 0.76%

LAB 86.77, -35.38, 31.93

 

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

CMYK 60 / 2 / 0 / 14

HEX #57D7DB

RGB 87 215 219

HSL 181.82, 0.65%, 0.6%

LAB 79.47, -33.65, -12.51

 

CMYK 0 / 60 / 26 / 14

HEX #DB57A2

RGB 219 87 162

HSL 325.91, 0.65%, 0.6%

LAB 56.57, 59.2, -14.25

 

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

CMYK 60 / 50 / 0 / 14

HEX #576DDB

RGB 87 109 219

HSL 230, 0.65%, 0.6%

LAB 49.59, 25.14, -58.98

 

CMYK 0 / 60 / 50 / 14

HEX #DB576D

RGB 219 87 109

HSL 350, 0.65%, 0.6%

LAB 55.05, 53.42, 14.73

 

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

CMYK 60 / 2 / 0 / 14

HEX #57D7DB

RGB 87 215 219

HSL 181.82, 0.65%, 0.6%

LAB 79.47, -33.65, -12.51

 

CMYK 10 / 60 / 0 / 14

HEX #C557DB

RGB 197 87 219

HSL 290, 0.65%, 0.6%

LAB 55.89, 62.38, -48.29

 

CMYK 0 / 58 / 60 / 14

HEX #DB5B57

RGB 219 91 87

HSL 1.82, 0.65%, 0.6%

LAB 55.31, 49.9, 27.94

 

CMYK 50 / 0 / 60 / 14

HEX #6EDC58

RGB 110 220 88

HSL 110, 0.65%, 0.6%

LAB 79.16, -55.98, 54.08

 

CMYK 60 / 20 / 0 / 14

HEX #57AFDB

RGB 87 175 219

HSL 200, 0.65%, 0.6%

LAB 67.87, -13.52, -30.14

 

CMYK 10 / 60 / 0 / 14

HEX #C557DB

RGB 197 87 219

HSL 290, 0.65%, 0.6%

LAB 55.89, 62.38, -48.29

 

CMYK 0 / 40 / 60 / 14

HEX #DB8357

RGB 219 131 87

HSL 20, 0.65%, 0.6%

LAB 63.33, 29.78, 37.96

 

Description

Color code: HEX #6EDC58 | qconv.com Color code: HEX #6EDC58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 220 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 220 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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