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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EDC39 it is the complementary color #9123C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EDC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EDC39 shade: #73DC34, #84EE47, #95FF5A, #A6FF6D and #B7FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EDC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EDC39 shade: #6EDC39, #5DCA26, #4CB813, #3BA600 and #2A9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EDC39 shade: #6DDC38, #99DC38, #C6DC38, #DCC638 and #DC9938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EDC39 shade: #6DDC38, #41DC38, #38DC5B, #38DC87 and #38DCB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EDC39 shade matches the following richer shades: #6DDC38 and #66EF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EDC39 shade: #6DDC38, #74C94B, #7AB65E, #81A371 and #889084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EDC39 shade: #C6DC38, #9ADC38, #6EDC38, #43DC38 and #38DC58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EDC39 shade: #49A41D, #58C723, #6DDC38, #87E25B and #A0E87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EDC39 shade: #6EDC39, #38DCC6 and #DC38B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EDC39 shade: #6EDC39, #386EDC and #DC386E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EDC39 shade: #6EDC39, #38DCC6, #A538DC and #DC384D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EDC39 shade: #6EDC39, #38C0DC, #A538DC and #DC5338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

Complementary color

CMYK 27 / 82 / 0 / 22

HEX #9123C6

RGB 145 35 198

HSL 280.49, 0.7%, 0.46%

LAB 40.08, 67.45, -62.03

 

CMYK 48 / 0 / 76 / 14

HEX #73DC34

RGB 115 220 52

HSL 97.5, 0.71%, 0.53%

LAB 79.09, -57.43, 67.72

 

CMYK 45 / 0 / 70 / 7

HEX #84EE47

RGB 132 238 71

HSL 98.08, 0.83%, 0.61%

LAB 85.26, -57.96, 67.68

 

CMYK 42 / 0 / 65 / 0

HEX #95FF5A

RGB 149 255 90

HSL 98.55, 1%, 0.68%

LAB 91.07, -57.9, 66.87

 

CMYK 35 / 0 / 57 / 0

HEX #A6FF6D

RGB 166 255 109

HSL 96.58, 1%, 0.71%

LAB 92.01, -50.82, 60.28

 

CMYK 28 / 0 / 50 / 0

HEX #B7FF80

RGB 183 255 128

HSL 94.02, 1%, 0.75%

LAB 93.08, -43.2, 53.25

 

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

CMYK 54 / 0 / 81 / 21

HEX #5DCA26

RGB 93 202 38

HSL 99.88, 0.68%, 0.47%

LAB 72.7, -57.81, 65.51

 

CMYK 59 / 0 / 90 / 28

HEX #4CB813

RGB 76 184 19

HSL 99.27, 0.81%, 0.4%

LAB 66.42, -56.67, 64.04

 

CMYK 64 / 0 / 100 / 35

HEX #3BA600

RGB 59 166 0

HSL 98.67, 1%, 0.33%

LAB 60.07, -55.08, 61.35

 

CMYK 72 / 0 / 100 / 42

HEX #2A9400

RGB 42 148 0

HSL 102.97, 1%, 0.29%

LAB 53.68, -52.71, 56.09

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 30 / 0 / 75 / 14

HEX #99DC38

RGB 153 220 56

HSL 84.51, 0.7%, 0.54%

LAB 80.87, -44.61, 68.78

 

CMYK 10 / 0 / 75 / 14

HEX #C6DC38

RGB 198 220 56

HSL 68.05, 0.7%, 0.54%

LAB 83.69, -27.18, 72.45

 

CMYK 0 / 10 / 75 / 14

HEX #DCC638

RGB 220 198 56

HSL 51.95, 0.7%, 0.54%

LAB 79.55, -7.09, 69.2

 

CMYK 0 / 30 / 75 / 14

HEX #DC9938

RGB 220 153 56

HSL 35.49, 0.7%, 0.54%

LAB 68.23, 16.63, 58.3

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 70 / 0 / 75 / 14

HEX #41DC38

RGB 65 220 56

HSL 116.71, 0.7%, 0.54%

LAB 77.64, -68.99, 64.52

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 75 / 0 / 39 / 14

HEX #38DC87

RGB 56 220 135

HSL 148.9, 0.7%, 0.54%

LAB 78.33, -60.23, 30.17

 

CMYK 75 / 0 / 19 / 14

HEX #38DCB3

RGB 56 220 179

HSL 165, 0.7%, 0.54%

LAB 79.2, -50.75, 8.36

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 57 / 0 / 85 / 6

HEX #66EF25

RGB 102 239 37

HSL 100.69, 0.86%, 0.54%

LAB 84.32, -68.41, 76.28

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 42 / 0 / 63 / 21

HEX #74C94B

RGB 116 201 75

HSL 100.48, 0.54%, 0.54%

LAB 73.54, -47.97, 53.47

 

CMYK 33 / 0 / 48 / 29

HEX #7AB65E

RGB 122 182 94

HSL 100.91, 0.38%, 0.54%

LAB 68.32, -35.66, 38.55

 

CMYK 21 / 0 / 31 / 36

HEX #81A371

RGB 129 163 113

HSL 100.8, 0.21%, 0.54%

LAB 63.39, -21.27, 22.27

 

CMYK 6 / 0 / 8 / 44

HEX #889084

RGB 136 144 132

HSL 100, 0.05%, 0.54%

LAB 58.83, -5.25, 5.37

 

CMYK 10 / 0 / 75 / 14

HEX #C6DC38

RGB 198 220 56

HSL 68.05, 0.7%, 0.54%

LAB 83.69, -27.18, 72.45

 

CMYK 30 / 0 / 75 / 14

HEX #9ADC38

RGB 154 220 56

HSL 84.15, 0.7%, 0.54%

LAB 80.93, -44.25, 68.85

 

CMYK 50 / 0 / 75 / 14

HEX #6EDC38

RGB 110 220 56

HSL 100.24, 0.7%, 0.54%

LAB 78.92, -58.64, 66.21

 

CMYK 70 / 0 / 75 / 14

HEX #43DC38

RGB 67 220 56

HSL 115.98, 0.7%, 0.54%

LAB 77.68, -68.64, 64.57

 

CMYK 75 / 0 / 60 / 14

HEX #38DC58

RGB 56 220 88

HSL 131.71, 0.7%, 0.54%

LAB 77.72, -67.4, 52.05

 

CMYK 55 / 0 / 82 / 36

HEX #49A41D

RGB 73 164 29

HSL 100.44, 0.7%, 0.38%

LAB 59.94, -49.85, 56.02

 

CMYK 56 / 0 / 82 / 22

HEX #58C723

RGB 88 199 35

HSL 100.61, 0.7%, 0.46%

LAB 71.58, -58.22, 65.22

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 40 / 0 / 60 / 11

HEX #87E25B

RGB 135 226 91

HSL 100.44, 0.7%, 0.62%

LAB 82, -50.63, 56.28

 

CMYK 31 / 0 / 46 / 9

HEX #A0E87E

RGB 160 232 126

HSL 100.75, 0.7%, 0.7%

LAB 85.35, -41.12, 44.41

 

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

CMYK 75 / 0 / 10 / 14

HEX #38DCC6

RGB 56 220 198

HSL 171.95, 0.7%, 0.54%

LAB 79.67, -45.93, -1.07

 

CMYK 0 / 75 / 20 / 14

HEX #DC38B0

RGB 220 56 176

HSL 316.1, 0.7%, 0.54%

LAB 53.14, 72.76, -27.66

 

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

CMYK 75 / 50 / 0 / 14

HEX #386EDC

RGB 56 110 220

HSL 220.24, 0.7%, 0.54%

LAB 48.46, 20.17, -61.44

 

CMYK 0 / 75 / 50 / 14

HEX #DC386E

RGB 220 56 110

HSL 340.24, 0.7%, 0.54%

LAB 50.89, 65.74, 8.32

 

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

CMYK 75 / 0 / 10 / 14

HEX #38DCC6

RGB 56 220 198

HSL 171.95, 0.7%, 0.54%

LAB 79.67, -45.93, -1.07

 

CMYK 25 / 75 / 0 / 14

HEX #A538DC

RGB 165 56 220

HSL 279.88, 0.7%, 0.54%

LAB 46.97, 68.45, -63.41

 

CMYK 0 / 75 / 65 / 14

HEX #DC384D

RGB 220 56 77

HSL 352.32, 0.7%, 0.54%

LAB 50.19, 63.5, 27.3

 

CMYK 50 / 0 / 74 / 14

HEX #6EDC39

RGB 110 220 57

HSL 100.49, 0.7%, 0.54%

LAB 78.92, -58.58, 65.89

 

CMYK 75 / 13 / 0 / 14

HEX #38C0DC

RGB 56 192 220

HSL 190.24, 0.7%, 0.54%

LAB 72.03, -26.62, -24.37

 

CMYK 25 / 75 / 0 / 14

HEX #A538DC

RGB 165 56 220

HSL 279.88, 0.7%, 0.54%

LAB 46.97, 68.45, -63.41

 

CMYK 0 / 62 / 75 / 14

HEX #DC5338

RGB 220 83 56

HSL 9.88, 0.7%, 0.54%

LAB 53.69, 52.16, 43.34

 

Description

Color code: HEX #6EDC39 | qconv.com Color code: HEX #6EDC39 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 220 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 220 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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