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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED681 it is the complementary color #91297E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED681 shade: #73D67C, #84E88F, #95FAA2, #A6FFB5 and #B7FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED681 shade: #6ED681, #5DC46E, #4CB25B, #3BA048 and #2A8E35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED681 shade: #70D783, #79D770, #94D770, #B0D770 and #CCD770

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED681 shade: #70D783, #70D79E, #70D7BA, #70D7D6 and #70BCD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED681 shade matches the following richer shades: #70D783, #61E579 and #52F470

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED681 shade: #70D783, #7FC88C, #8DB995, #9CAA9F and #AB9BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED681 shade: #95D770, #7AD770, #70D781, #70D79C and #70D7B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED681 shade: #36BE4F, #50CE67, #70D783, #90E09F and #B0E9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED681 shade: #6ED681, #70B1D7 and #D77088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED681 shade: #6ED681, #8170D7 and #D78170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED681 shade: #6ED681, #70B1D7, #D770C5 and #D79570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED681 shade: #6ED681, #7092D7, #D770C5 and #D7B470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

Complementary color

CMYK 0 / 72 / 13 / 43

HEX #91297E

RGB 145 41 126

HSL 310.96, 0.56%, 0.36%

LAB 36.2, 52.43, -24.89

 

CMYK 46 / 0 / 42 / 16

HEX #73D67C

RGB 115 214 124

HSL 125.45, 0.55%, 0.65%

LAB 77.99, -47.58, 35.62

 

CMYK 43 / 0 / 38 / 9

HEX #84E88F

RGB 132 232 143

HSL 126.6, 0.68%, 0.71%

LAB 84.28, -47.42, 34.38

 

CMYK 40 / 0 / 35 / 2

HEX #95FAA2

RGB 149 250 162

HSL 127.72, 0.91%, 0.78%

LAB 90.49, -47.21, 33.19

 

CMYK 35 / 0 / 29 / 0

HEX #A6FFB5

RGB 166 255 181

HSL 130.11, 1%, 0.83%

LAB 93, -41.32, 27.14

 

CMYK 28 / 0 / 22 / 0

HEX #B7FFC8

RGB 183 255 200

HSL 134.17, 1%, 0.86%

LAB 94.21, -32.91, 19.28

 

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

CMYK 53 / 0 / 44 / 23

HEX #5DC46E

RGB 93 196 110

HSL 129.9, 0.47%, 0.57%

LAB 71.51, -48.23, 34.21

 

CMYK 57 / 0 / 49 / 30

HEX #4CB25B

RGB 76 178 91

HSL 128.82, 0.4%, 0.5%

LAB 65.07, -48.17, 35.59

 

CMYK 63 / 0 / 55 / 37

HEX #3BA048

RGB 59 160 72

HSL 127.72, 0.46%, 0.43%

LAB 58.55, -47.89, 37

 

CMYK 70 / 0 / 63 / 44

HEX #2A8E35

RGB 42 142 53

HSL 126.6, 0.54%, 0.36%

LAB 51.94, -47.22, 38.37

 

CMYK 48 / 0 / 39 / 16

HEX #70D783

RGB 112 215 131

HSL 131.07, 0.56%, 0.64%

LAB 78.28, -47.72, 32.43

 

CMYK 44 / 0 / 48 / 16

HEX #79D770

RGB 121 215 112

HSL 114.76, 0.56%, 0.64%

LAB 78.37, -47.99, 42.11

 

CMYK 31 / 0 / 48 / 16

HEX #94D770

RGB 148 215 112

HSL 99.03, 0.56%, 0.64%

LAB 79.65, -39.36, 43.98

 

CMYK 18 / 0 / 48 / 16

HEX #B0D770

RGB 176 215 112

HSL 82.72, 0.56%, 0.64%

LAB 81.29, -29.29, 46.37

 

CMYK 5 / 0 / 48 / 16

HEX #CCD770

RGB 204 215 112

HSL 66.41, 0.56%, 0.64%

LAB 83.24, -18.47, 49.18

 

CMYK 48 / 0 / 39 / 16

HEX #70D783

RGB 112 215 131

HSL 131.07, 0.56%, 0.64%

LAB 78.28, -47.72, 32.43

 

CMYK 48 / 0 / 27 / 16

HEX #70D79E

RGB 112 215 158

HSL 146.8, 0.56%, 0.64%

LAB 78.76, -42.86, 19.06

 

CMYK 48 / 0 / 13 / 16

HEX #70D7BA

RGB 112 215 186

HSL 163.11, 0.56%, 0.64%

LAB 79.38, -36.91, 5.09

 

CMYK 48 / 0 / 0 / 16

HEX #70D7D6

RGB 112 215 214

HSL 179.42, 0.56%, 0.64%

LAB 80.12, -30.13, -8.78

 

CMYK 48 / 13 / 0 / 16

HEX #70BCD7

RGB 112 188 215

HSL 195.73, 0.56%, 0.64%

LAB 72.44, -16.35, -20.87

 

CMYK 48 / 0 / 39 / 16

HEX #70D783

RGB 112 215 131

HSL 131.07, 0.56%, 0.64%

LAB 78.28, -47.72, 32.43

 

CMYK 58 / 0 / 47 / 10

HEX #61E579

RGB 97 229 121

HSL 130.91, 0.72%, 0.64%

LAB 81.82, -58.52, 41.85

 

CMYK 66 / 0 / 54 / 4

HEX #52F470

RGB 82 244 112

HSL 131.11, 0.88%, 0.64%

LAB 85.84, -68.19, 50.95

 

CMYK 48 / 0 / 39 / 16

HEX #70D783

RGB 112 215 131

HSL 131.07, 0.56%, 0.64%

LAB 78.28, -47.72, 32.43

 

CMYK 37 / 0 / 30 / 22

HEX #7FC88C

RGB 127 200 140

HSL 130.68, 0.4%, 0.64%

LAB 74.64, -35.28, 23.01

 

CMYK 24 / 0 / 19 / 27

HEX #8DB995

RGB 141 185 149

HSL 130.91, 0.24%, 0.64%

LAB 71.24, -21.92, 13.58

 

CMYK 8 / 0 / 6 / 33

HEX #9CAA9F

RGB 156 170 159

HSL 132.86, 0.08%, 0.64%

LAB 68.26, -7.05, 3.98

 

CMYK 0 / 9 / 2 / 33

HEX #AB9BA8

RGB 171 155 168

HSL 311.25, 0.09%, 0.64%

LAB 65.69, 8.24, -4.64

 

CMYK 31 / 0 / 48 / 16

HEX #95D770

RGB 149 215 112

HSL 98.45, 0.56%, 0.64%

LAB 79.7, -39.02, 44.06

 

CMYK 43 / 0 / 48 / 16

HEX #7AD770

RGB 122 215 112

HSL 114.17, 0.56%, 0.64%

LAB 78.41, -47.69, 42.17

 

CMYK 48 / 0 / 40 / 16

HEX #70D781

RGB 112 215 129

HSL 129.9, 0.56%, 0.64%

LAB 78.25, -48.04, 33.4

 

CMYK 48 / 0 / 27 / 16

HEX #70D79C

RGB 112 215 156

HSL 145.63, 0.56%, 0.64%

LAB 78.72, -43.25, 20.06

 

CMYK 48 / 0 / 14 / 16

HEX #70D7B8

RGB 112 215 184

HSL 161.94, 0.56%, 0.64%

LAB 79.33, -37.36, 6.08

 

CMYK 72 / 0 / 58 / 25

HEX #36BE4F

RGB 54 190 79

HSL 131.03, 0.56%, 0.48%

LAB 68.15, -58.79, 45.01

 

CMYK 61 / 0 / 50 / 19

HEX #50CE67

RGB 80 206 103

HSL 130.95, 0.56%, 0.56%

LAB 74.08, -56.26, 40.86

 

CMYK 48 / 0 / 39 / 16

HEX #70D783

RGB 112 215 131

HSL 131.07, 0.56%, 0.64%

LAB 78.28, -47.72, 32.43

 

CMYK 36 / 0 / 29 / 12

HEX #90E09F

RGB 144 224 159

HSL 131.25, 0.56%, 0.72%

LAB 82.78, -37.76, 24.28

 

CMYK 24 / 0 / 20 / 9

HEX #B0E9BA

RGB 176 233 186

HSL 130.53, 0.56%, 0.8%

LAB 87.51, -27.23, 17.07

 

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

CMYK 48 / 18 / 0 / 16

HEX #70B1D7

RGB 112 177 215

HSL 202.14, 0.56%, 0.64%

LAB 69.32, -10.52, -25.62

 

CMYK 0 / 48 / 37 / 16

HEX #D77088

RGB 215 112 136

HSL 346.02, 0.56%, 0.64%

LAB 59.72, 42.81, 5.45

 

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

CMYK 40 / 48 / 0 / 16

HEX #8170D7

RGB 129 112 215

HSL 249.9, 0.56%, 0.64%

LAB 53.13, 31.19, -50.88

 

CMYK 0 / 40 / 48 / 16

HEX #D78170

RGB 215 129 112

HSL 9.9, 0.56%, 0.64%

LAB 62.77, 31.36, 23.41

 

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

CMYK 48 / 18 / 0 / 16

HEX #70B1D7

RGB 112 177 215

HSL 202.14, 0.56%, 0.64%

LAB 69.32, -10.52, -25.62

 

CMYK 0 / 48 / 8 / 16

HEX #D770C5

RGB 215 112 197

HSL 310.49, 0.56%, 0.64%

LAB 61.71, 51.52, -26.55

 

CMYK 0 / 31 / 48 / 16

HEX #D79570

RGB 215 149 112

HSL 21.55, 0.56%, 0.64%

LAB 67.36, 20.6, 29.48

 

CMYK 49 / 0 / 40 / 16

HEX #6ED681

RGB 110 214 129

HSL 130.96, 0.56%, 0.64%

LAB 77.87, -48.16, 32.9

 

CMYK 48 / 32 / 0 / 16

HEX #7092D7

RGB 112 146 215

HSL 220.19, 0.56%, 0.64%

LAB 60.7, 6.87, -38.99

 

CMYK 0 / 48 / 8 / 16

HEX #D770C5

RGB 215 112 197

HSL 310.49, 0.56%, 0.64%

LAB 61.71, 51.52, -26.55

 

CMYK 0 / 16 / 48 / 16

HEX #D7B470

RGB 215 180 112

HSL 39.61, 0.56%, 0.64%

LAB 74.99, 3.95, 39.25

 

Description

Color code: HEX #6ED681 | qconv.com Color code: HEX #6ED681 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 214 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 214 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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