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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED67C it is the complementary color #912983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED67C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED67C shade: #73D677, #84E88A, #95FA9D, #A6FFB0 and #B7FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED67C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED67C shade: #6ED67C, #5DC469, #4CB256, #3BA043 and #2A8E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED67C shade: #70D77E, #7ED770, #99D770, #B5D770 and #D1D770

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED67C shade: #70D77E, #70D799, #70D7B5, #70D7D1 and #70C1D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED67C shade matches the following richer shades: #70D77E, #61E573 and #52F468

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED67C shade: #70D77E, #7FC888, #8DB993, #9CAA9E and #AB9BA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED67C shade: #99D770, #7ED770, #70D77E, #70D799 and #70D7B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED67C shade: #36BE48, #50CE61, #70D77E, #90E09B and #B0E9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED67C shade: #6ED67C, #70B4D7 and #D7708B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED67C shade: #6ED67C, #7E70D7 and #D77E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED67C shade: #6ED67C, #70B4D7, #D770C9 and #D79270

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED67C shade: #6ED67C, #7095D7, #D770C9 and #D7B170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

Complementary color

CMYK 0 / 72 / 10 / 43

HEX #912983

RGB 145 41 131

HSL 308.08, 0.56%, 0.36%

LAB 36.45, 53.22, -27.61

 

CMYK 46 / 0 / 44 / 16

HEX #73D677

RGB 115 214 119

HSL 122.42, 0.55%, 0.65%

LAB 77.92, -48.33, 38.03

 

CMYK 43 / 0 / 41 / 9

HEX #84E88A

RGB 132 232 138

HSL 123.6, 0.68%, 0.71%

LAB 84.2, -48.19, 36.78

 

CMYK 40 / 0 / 37 / 2

HEX #95FA9D

RGB 149 250 157

HSL 124.75, 0.91%, 0.78%

LAB 90.41, -47.99, 35.58

 

CMYK 35 / 0 / 31 / 0

HEX #A6FFB0

RGB 166 255 176

HSL 126.74, 1%, 0.83%

LAB 92.91, -42.14, 29.54

 

CMYK 28 / 0 / 24 / 0

HEX #B7FFC3

RGB 183 255 195

HSL 130, 1%, 0.86%

LAB 94.11, -33.78, 21.7

 

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

CMYK 53 / 0 / 46 / 23

HEX #5DC469

RGB 93 196 105

HSL 126.99, 0.47%, 0.57%

LAB 71.44, -49, 36.65

 

CMYK 57 / 0 / 52 / 30

HEX #4CB256

RGB 76 178 86

HSL 125.88, 0.4%, 0.5%

LAB 65, -48.9, 38.02

 

CMYK 63 / 0 / 58 / 37

HEX #3BA043

RGB 59 160 67

HSL 124.75, 0.46%, 0.43%

LAB 58.49, -48.55, 39.38

 

CMYK 70 / 0 / 66 / 44

HEX #2A8E30

RGB 42 142 48

HSL 123.6, 0.54%, 0.36%

LAB 51.9, -47.81, 40.62

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 41 / 0 / 48 / 16

HEX #7ED770

RGB 126 215 112

HSL 111.84, 0.56%, 0.64%

LAB 78.58, -46.49, 42.42

 

CMYK 29 / 0 / 48 / 16

HEX #99D770

RGB 153 215 112

HSL 96.12, 0.56%, 0.64%

LAB 79.92, -37.64, 44.38

 

CMYK 16 / 0 / 48 / 16

HEX #B5D770

RGB 181 215 112

HSL 79.81, 0.56%, 0.64%

LAB 81.62, -27.4, 46.84

 

CMYK 3 / 0 / 48 / 16

HEX #D1D770

RGB 209 215 112

HSL 63.5, 0.56%, 0.64%

LAB 83.61, -16.49, 49.72

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 48 / 0 / 29 / 16

HEX #70D799

RGB 112 215 153

HSL 143.88, 0.56%, 0.64%

LAB 78.66, -43.83, 21.55

 

CMYK 48 / 0 / 16 / 16

HEX #70D7B5

RGB 112 215 181

HSL 160.19, 0.56%, 0.64%

LAB 79.26, -38.04, 7.58

 

CMYK 48 / 0 / 3 / 16

HEX #70D7D1

RGB 112 215 209

HSL 176.5, 0.56%, 0.64%

LAB 79.98, -31.4, -6.32

 

CMYK 48 / 10 / 0 / 16

HEX #70C1D7

RGB 112 193 215

HSL 192.82, 0.56%, 0.64%

LAB 73.86, -18.94, -18.71

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 58 / 0 / 50 / 10

HEX #61E573

RGB 97 229 115

HSL 128.18, 0.72%, 0.64%

LAB 81.74, -59.38, 44.65

 

CMYK 66 / 0 / 57 / 4

HEX #52F468

RGB 82 244 104

HSL 128.15, 0.88%, 0.64%

LAB 85.75, -69.19, 54.45

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 37 / 0 / 32 / 22

HEX #7FC888

RGB 127 200 136

HSL 127.4, 0.4%, 0.64%

LAB 74.57, -35.98, 25.02

 

CMYK 24 / 0 / 21 / 27

HEX #8DB993

RGB 141 185 147

HSL 128.18, 0.24%, 0.64%

LAB 71.19, -22.29, 14.6

 

CMYK 8 / 0 / 7 / 33

HEX #9CAA9E

RGB 156 170 158

HSL 128.57, 0.08%, 0.64%

LAB 68.23, -7.24, 4.5

 

CMYK 0 / 9 / 1 / 33

HEX #AB9BA9

RGB 171 155 169

HSL 307.5, 0.09%, 0.64%

LAB 65.72, 8.43, -5.16

 

CMYK 29 / 0 / 48 / 16

HEX #99D770

RGB 153 215 112

HSL 96.12, 0.56%, 0.64%

LAB 79.92, -37.64, 44.38

 

CMYK 41 / 0 / 48 / 16

HEX #7ED770

RGB 126 215 112

HSL 111.84, 0.56%, 0.64%

LAB 78.58, -46.49, 42.42

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 48 / 0 / 29 / 16

HEX #70D799

RGB 112 215 153

HSL 143.88, 0.56%, 0.64%

LAB 78.66, -43.83, 21.55

 

CMYK 48 / 0 / 16 / 16

HEX #70D7B4

RGB 112 215 180

HSL 159.61, 0.56%, 0.64%

LAB 79.24, -38.26, 8.08

 

CMYK 72 / 0 / 62 / 25

HEX #36BE48

RGB 54 190 72

HSL 127.94, 0.56%, 0.48%

LAB 68.08, -59.64, 48.1

 

CMYK 61 / 0 / 53 / 19

HEX #50CE61

RGB 80 206 97

HSL 128.1, 0.56%, 0.56%

LAB 74, -57.1, 43.67

 

CMYK 48 / 0 / 41 / 16

HEX #70D77E

RGB 112 215 126

HSL 128.16, 0.56%, 0.64%

LAB 78.2, -48.51, 34.86

 

CMYK 36 / 0 / 31 / 12

HEX #90E09B

RGB 144 224 155

HSL 128.25, 0.56%, 0.72%

LAB 82.7, -38.44, 26.25

 

CMYK 24 / 0 / 21 / 9

HEX #B0E9B8

RGB 176 233 184

HSL 128.42, 0.56%, 0.8%

LAB 87.47, -27.59, 18.05

 

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

CMYK 48 / 16 / 0 / 16

HEX #70B4D7

RGB 112 180 215

HSL 200.39, 0.56%, 0.64%

LAB 70.17, -12.13, -24.32

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

CMYK 41 / 48 / 0 / 16

HEX #7E70D7

RGB 126 112 215

HSL 248.16, 0.56%, 0.64%

LAB 52.87, 30.45, -51.3

 

CMYK 0 / 41 / 48 / 16

HEX #D77E70

RGB 215 126 112

HSL 8.16, 0.56%, 0.64%

LAB 62.12, 32.95, 22.53

 

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

CMYK 48 / 16 / 0 / 16

HEX #70B4D7

RGB 112 180 215

HSL 200.39, 0.56%, 0.64%

LAB 70.17, -12.13, -24.32

 

CMYK 0 / 48 / 7 / 16

HEX #D770C9

RGB 215 112 201

HSL 308.16, 0.56%, 0.64%

LAB 61.87, 52.19, -28.57

 

CMYK 0 / 32 / 48 / 16

HEX #D79270

RGB 215 146 112

HSL 19.81, 0.56%, 0.64%

LAB 66.65, 22.23, 28.55

 

CMYK 49 / 0 / 42 / 16

HEX #6ED67C

RGB 110 214 124

HSL 128.08, 0.56%, 0.64%

LAB 77.79, -48.95, 35.33

 

CMYK 48 / 31 / 0 / 16

HEX #7095D7

RGB 112 149 215

HSL 218.45, 0.56%, 0.64%

LAB 61.52, 5.13, -37.7

 

CMYK 0 / 48 / 7 / 16

HEX #D770C9

RGB 215 112 201

HSL 308.16, 0.56%, 0.64%

LAB 61.87, 52.19, -28.57

 

CMYK 0 / 18 / 48 / 16

HEX #D7B170

RGB 215 177 112

HSL 37.86, 0.56%, 0.64%

LAB 74.23, 5.55, 38.29

 

Description

Color code: HEX #6ED67C | qconv.com Color code: HEX #6ED67C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 214 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 214 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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