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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED444 it is the complementary color #912BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED444 shade: #73D43F, #84E652, #95F865, #A6FF78 and #B7FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED444 shade: #6ED444, #5DC231, #4CB01E, #3B9E0B and #2A8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED444 shade: #6ED544, #95D544, #BCD544, #D5C644 and #D59F44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED444 shade: #6ED544, #47D544, #44D568, #44D58F and #44D5B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED444 shade matches the following richer shades: #6ED544, #66E731 and #5FFA1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED444 shade: #6ED544, #76C257, #7EAF69, #859D7C and #8D8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED444 shade: #BCD544, #96D544, #6FD544, #49D544 and #44D566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED444 shade: #49A125, #58C32C, #6ED544, #88DC66 and #A2E487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED444 shade: #6ED444, #44D5C6 and #D544A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED444 shade: #6ED444, #446FD5 and #D5446F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED444 shade: #6ED444, #44D5C6, #A944D5 and #D54452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED444 shade: #6ED444, #44B8D5, #A944D5 and #D56144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

Complementary color

CMYK 22 / 77 / 0 / 27

HEX #912BBB

RGB 145 43 187

HSL 282.5, 0.63%, 0.45%

LAB 40.14, 62.72, -55.49

 

CMYK 46 / 0 / 70 / 17

HEX #73D43F

RGB 115 212 63

HSL 99.06, 0.63%, 0.54%

LAB 76.73, -53.66, 61.65

 

CMYK 43 / 0 / 64 / 10

HEX #84E652

RGB 132 230 82

HSL 99.73, 0.75%, 0.61%

LAB 82.97, -53.99, 61.08

 

CMYK 40 / 0 / 59 / 3

HEX #95F865

RGB 149 248 101

HSL 100.41, 0.91%, 0.68%

LAB 89.14, -54.17, 60.23

 

CMYK 35 / 0 / 53 / 0

HEX #A6FF78

RGB 166 255 120

HSL 99.56, 1%, 0.74%

LAB 92.12, -49.71, 55.55

 

CMYK 28 / 0 / 45 / 0

HEX #B7FF8B

RGB 183 255 139

HSL 97.24, 1%, 0.77%

LAB 93.21, -41.94, 48.26

 

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

CMYK 52 / 0 / 75 / 24

HEX #5DC231

RGB 93 194 49

HSL 101.79, 0.6%, 0.48%

LAB 70.27, -54.24, 59.84

 

CMYK 57 / 0 / 83 / 31

HEX #4CB01E

RGB 76 176 30

HSL 101.1, 0.71%, 0.4%

LAB 63.9, -53.39, 59.4

 

CMYK 63 / 0 / 93 / 38

HEX #3B9E0B

RGB 59 158 11

HSL 100.41, 0.87%, 0.33%

LAB 57.47, -52.05, 57.64

 

CMYK 70 / 0 / 100 / 45

HEX #2A8C00

RGB 42 140 0

HSL 102, 1%, 0.27%

LAB 50.98, -50.06, 53.95

 

CMYK 48 / 0 / 68 / 16

HEX #6ED544

RGB 110 213 68

HSL 102.62, 0.63%, 0.55%

LAB 76.87, -55.15, 59.84

 

CMYK 30 / 0 / 68 / 16

HEX #95D544

RGB 149 213 68

HSL 86.48, 0.63%, 0.55%

LAB 78.69, -42.31, 62.3

 

CMYK 12 / 0 / 68 / 16

HEX #BCD544

RGB 188 213 68

HSL 70.34, 0.63%, 0.55%

LAB 81.12, -27.29, 65.57

 

CMYK 0 / 7 / 68 / 16

HEX #D5C644

RGB 213 198 68

HSL 53.79, 0.63%, 0.55%

LAB 79.01, -9.5, 64.06

 

CMYK 0 / 25 / 68 / 16

HEX #D59F44

RGB 213 159 68

HSL 37.66, 0.63%, 0.55%

LAB 69.01, 11, 53.67

 

CMYK 48 / 0 / 68 / 16

HEX #6ED544

RGB 110 213 68

HSL 102.62, 0.63%, 0.55%

LAB 76.87, -55.15, 59.84

 

CMYK 67 / 0 / 68 / 16

HEX #47D544

RGB 71 213 68

HSL 118.76, 0.63%, 0.55%

LAB 75.67, -64.67, 58.2

 

CMYK 68 / 0 / 51 / 16

HEX #44D568

RGB 68 213 104

HSL 134.9, 0.63%, 0.55%

LAB 75.96, -61.01, 42.63

 

CMYK 68 / 0 / 33 / 16

HEX #44D58F

RGB 68 213 143

HSL 151.03, 0.63%, 0.55%

LAB 76.56, -54.28, 23.7

 

CMYK 68 / 0 / 15 / 16

HEX #44D5B6

RGB 68 213 182

HSL 167.17, 0.63%, 0.55%

LAB 77.4, -45.49, 4.19

 

CMYK 48 / 0 / 68 / 16

HEX #6ED544

RGB 110 213 68

HSL 102.62, 0.63%, 0.55%

LAB 76.87, -55.15, 59.84

 

CMYK 56 / 0 / 79 / 9

HEX #66E731

RGB 102 231 49

HSL 102.53, 0.79%, 0.55%

LAB 81.95, -65.14, 71.15

 

CMYK 62 / 0 / 88 / 2

HEX #5FFA1F

RGB 95 250 31

HSL 102.47, 0.96%, 0.55%

LAB 87.44, -73.82, 80.07

 

CMYK 48 / 0 / 68 / 16

HEX #6ED544

RGB 110 213 68

HSL 102.62, 0.63%, 0.55%

LAB 76.87, -55.15, 59.84

 

CMYK 39 / 0 / 55 / 24

HEX #76C257

RGB 118 194 87

HSL 102.62, 0.47%, 0.55%

LAB 71.64, -43.16, 45.92

 

CMYK 28 / 0 / 40 / 31

HEX #7EAF69

RGB 126 175 105

HSL 102, 0.3%, 0.55%

LAB 66.61, -29.49, 30.78

 

CMYK 15 / 0 / 21 / 38

HEX #859D7C

RGB 133 157 124

HSL 103.64, 0.14%, 0.55%

LAB 62.13, -14.85, 14.52

 

CMYK 1 / 3 / 0 / 44

HEX #8D8A8E

RGB 141 138 142

HSL 285, 0.02%, 0.55%

LAB 57.84, 1.89, -1.74

 

CMYK 12 / 0 / 68 / 16

HEX #BCD544

RGB 188 213 68

HSL 70.34, 0.63%, 0.55%

LAB 81.12, -27.29, 65.57

 

CMYK 30 / 0 / 68 / 16

HEX #96D544

RGB 150 213 68

HSL 86.07, 0.63%, 0.55%

LAB 78.75, -41.95, 62.38

 

CMYK 48 / 0 / 68 / 16

HEX #6FD544

RGB 111 213 68

HSL 102.21, 0.63%, 0.55%

LAB 76.91, -54.86, 59.89

 

CMYK 66 / 0 / 68 / 16

HEX #49D544

RGB 73 213 68

HSL 117.93, 0.63%, 0.55%

LAB 75.71, -64.27, 58.26

 

CMYK 68 / 0 / 52 / 16

HEX #44D566

RGB 68 213 102

HSL 134.07, 0.63%, 0.55%

LAB 75.93, -61.3, 43.55

 

CMYK 55 / 0 / 77 / 37

HEX #49A125

RGB 73 161 37

HSL 102.58, 0.63%, 0.39%

LAB 59.01, -48.25, 52.65

 

CMYK 55 / 0 / 77 / 24

HEX #58C32C

RGB 88 195 44

HSL 102.52, 0.63%, 0.47%

LAB 70.38, -56.31, 61.52

 

CMYK 48 / 0 / 68 / 16

HEX #6ED544

RGB 110 213 68

HSL 102.62, 0.63%, 0.55%

LAB 76.87, -55.15, 59.84

 

CMYK 38 / 0 / 54 / 14

HEX #88DC66

RGB 136 220 102

HSL 102.71, 0.63%, 0.63%

LAB 80.39, -46.68, 49.49

 

CMYK 29 / 0 / 41 / 11

HEX #A2E487

RGB 162 228 135

HSL 102.58, 0.63%, 0.71%

LAB 84.44, -37.5, 38.87

 

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

CMYK 68 / 0 / 7 / 16

HEX #44D5C6

RGB 68 213 198

HSL 173.79, 0.63%, 0.55%

LAB 77.81, -41.36, -3.77

 

CMYK 0 / 68 / 21 / 16

HEX #D544A9

RGB 213 68 169

HSL 318.21, 0.63%, 0.55%

LAB 53.11, 66.11, -23.71

 

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

CMYK 68 / 48 / 0 / 16

HEX #446FD5

RGB 68 111 213

HSL 222.21, 0.63%, 0.55%

LAB 48.76, 18.64, -56.96

 

CMYK 0 / 68 / 48 / 16

HEX #D5446F

RGB 213 68 111

HSL 342.21, 0.63%, 0.55%

LAB 51.18, 59.61, 7.97

 

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

CMYK 68 / 0 / 7 / 16

HEX #44D5C6

RGB 68 213 198

HSL 173.79, 0.63%, 0.55%

LAB 77.81, -41.36, -3.77

 

CMYK 21 / 68 / 0 / 16

HEX #A944D5

RGB 169 68 213

HSL 281.79, 0.63%, 0.55%

LAB 48.73, 63.09, -56.54

 

CMYK 0 / 68 / 62 / 16

HEX #D54452

RGB 213 68 82

HSL 354.21, 0.63%, 0.55%

LAB 50.56, 57.4, 24.54

 

CMYK 48 / 0 / 68 / 17

HEX #6ED444

RGB 110 212 68

HSL 102.5, 0.63%, 0.55%

LAB 76.57, -54.77, 59.52

 

CMYK 68 / 14 / 0 / 16

HEX #44B8D5

RGB 68 184 213

HSL 192, 0.63%, 0.55%

LAB 69.69, -23.22, -24.1

 

CMYK 21 / 68 / 0 / 16

HEX #A944D5

RGB 169 68 213

HSL 281.79, 0.63%, 0.55%

LAB 48.73, 63.09, -56.54

 

CMYK 0 / 54 / 68 / 16

HEX #D56144

RGB 213 97 68

HSL 12, 0.63%, 0.55%

LAB 55.19, 43.72, 38.27

 

Description

Color code: HEX #6ED444 | qconv.com Color code: HEX #6ED444 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 212 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 212 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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