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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED10B it is the complementary color #912EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED10B shade: #73D106, #84E319, #95F52C, #A6FF3F and #B7FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED10B shade: #6ED10B, #5DBF00, #4CAD00, #3B9B00 and #2A8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED10B shade: #6ED00B, #A3D00B, #D0C90B, #D0930B and #D05E0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED10B shade: #6ED00B, #38D00B, #0BD013, #0BD048 and #0BD07D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED10B shade matches the following richer shades: #6ED00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED10B shade: #6ED00B, #6EBF1D, #6EAD2E, #6E9B40 and #6E8952

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED10B shade: #D0CA0B, #A2D00B, #6ED00B, #39D00B and #0BD012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED10B shade: #448207, #59A909, #6ED00B, #82F312 and #97F539

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED10B shade: #6ED10B, #0BD095 and #D00BBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED10B shade: #6ED10B, #0B6ED0 and #D00B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED10B shade: #6ED10B, #0BD095, #6E0BD0 and #D00B46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED10B shade: #6ED10B, #0BD0D0, #6E0BD0 and #D00B0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

Complementary color

CMYK 41 / 81 / 0 / 4

HEX #912EF4

RGB 145 46 244

HSL 270, 0.9%, 0.57%

LAB 44.95, 73.83, -80.4

 

CMYK 45 / 0 / 97 / 18

HEX #73D106

RGB 115 209 6

HSL 87.78, 0.94%, 0.42%

LAB 75.61, -54.81, 73.82

 

CMYK 42 / 0 / 89 / 11

HEX #84E319

RGB 132 227 25

HSL 88.22, 0.8%, 0.49%

LAB 81.79, -55.91, 76.82

 

CMYK 39 / 0 / 82 / 4

HEX #95F52C

RGB 149 245 44

HSL 88.66, 0.91%, 0.57%

LAB 87.91, -56.74, 78.55

 

CMYK 35 / 0 / 75 / 0

HEX #A6FF3F

RGB 166 255 63

HSL 87.81, 1%, 0.62%

LAB 91.68, -54.19, 77.16

 

CMYK 28 / 0 / 68 / 0

HEX #B7FF52

RGB 183 255 82

HSL 84.97, 1%, 0.66%

LAB 92.66, -47.19, 72.06

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

CMYK 51 / 0 / 100 / 25

HEX #5DBF00

RGB 93 191 0

HSL 90.79, 1%, 0.37%

LAB 69.18, -54.91, 69

 

CMYK 56 / 0 / 100 / 32

HEX #4CAD00

RGB 76 173 0

HSL 93.64, 1%, 0.34%

LAB 62.86, -53.2, 63.78

 

CMYK 62 / 0 / 100 / 39

HEX #3B9B00

RGB 59 155 0

HSL 97.16, 1%, 0.3%

LAB 56.46, -51.29, 58.49

 

CMYK 69 / 0 / 100 / 46

HEX #2A8900

RGB 42 137 0

HSL 101.61, 1%, 0.27%

LAB 49.96, -49.04, 53.14

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 22 / 0 / 95 / 18

HEX #A3D00B

RGB 163 208 11

HSL 73.71, 0.9%, 0.43%

LAB 77.83, -37, 76.15

 

CMYK 0 / 3 / 95 / 18

HEX #D0C90B

RGB 208 201 11

HSL 57.87, 0.9%, 0.43%

LAB 79.16, -14.9, 78.6

 

CMYK 0 / 29 / 95 / 18

HEX #D0930B

RGB 208 147 11

HSL 41.42, 0.9%, 0.43%

LAB 65.2, 13.45, 68.32

 

CMYK 0 / 55 / 95 / 18

HEX #D05E0B

RGB 208 94 11

HSL 25.28, 0.9%, 0.43%

LAB 53.43, 41.46, 60.18

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 73 / 0 / 95 / 18

HEX #38D00B

RGB 56 208 11

HSL 106.29, 0.9%, 0.43%

LAB 73.53, -68.8, 70.9

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 95 / 0 / 65 / 18

HEX #0BD048

RGB 11 208 72

HSL 138.58, 0.9%, 0.43%

LAB 73.32, -69.56, 53.82

 

CMYK 95 / 0 / 40 / 18

HEX #0BD07D

RGB 11 208 125

HSL 154.72, 0.9%, 0.43%

LAB 73.97, -61.61, 29.45

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 42 / 0 / 85 / 25

HEX #6EBF1D

RGB 110 191 29

HSL 90, 0.74%, 0.43%

LAB 69.94, -48.87, 65.54

 

CMYK 36 / 0 / 73 / 32

HEX #6EAD2E

RGB 110 173 46

HSL 89.76, 0.58%, 0.43%

LAB 64.48, -40.53, 55.42

 

CMYK 29 / 0 / 59 / 39

HEX #6E9B40

RGB 110 155 64

HSL 89.67, 0.42%, 0.43%

LAB 59.09, -30.93, 42.09

 

CMYK 20 / 0 / 40 / 46

HEX #6E8952

RGB 110 137 82

HSL 89.45, 0.25%, 0.43%

LAB 53.83, -19.84, 26.4

 

CMYK 0 / 3 / 95 / 18

HEX #D0CA0B

RGB 208 202 11

HSL 58.17, 0.9%, 0.43%

LAB 79.43, -15.4, 78.8

 

CMYK 22 / 0 / 95 / 18

HEX #A2D00B

RGB 162 208 11

HSL 74.01, 0.9%, 0.43%

LAB 77.77, -37.39, 76.08

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 73 / 0 / 95 / 18

HEX #39D00B

RGB 57 208 11

HSL 105.99, 0.9%, 0.43%

LAB 73.55, -68.63, 70.92

 

CMYK 95 / 0 / 91 / 18

HEX #0BD012

RGB 11 208 18

HSL 122.13, 0.9%, 0.43%

LAB 73.04, -73.11, 69.4

 

CMYK 48 / 0 / 95 / 49

HEX #448207

RGB 68 130 7

HSL 90.24, 0.9%, 0.27%

LAB 48.52, -38.93, 51.01

 

CMYK 47 / 0 / 95 / 34

HEX #59A909

RGB 89 169 9

HSL 90, 0.9%, 0.35%

LAB 62.1, -47.62, 62.18

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 47 / 0 / 93 / 5

HEX #82F312

RGB 130 243 18

HSL 90.13, 0.9%, 0.51%

LAB 86.45, -62.68, 81.58

 

CMYK 38 / 0 / 77 / 4

HEX #97F539

RGB 151 245 57

HSL 90, 0.9%, 0.59%

LAB 88.05, -55.51, 75.27

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

CMYK 95 / 0 / 28 / 18

HEX #0BD095

RGB 11 208 149

HSL 162.03, 0.9%, 0.43%

LAB 74.41, -56.56, 17.47

 

CMYK 0 / 95 / 9 / 18

HEX #D00BBD

RGB 208 11 189

HSL 305.79, 0.9%, 0.43%

LAB 48.66, 80.73, -42.42

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

CMYK 95 / 47 / 0 / 18

HEX #0B6ED0

RGB 11 110 208

HSL 209.85, 0.9%, 0.43%

LAB 46.68, 12.08, -57.54

 

CMYK 0 / 95 / 47 / 18

HEX #D00B6E

RGB 208 11 110

HSL 329.85, 0.9%, 0.43%

LAB 45.32, 72.07, 0.02

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

CMYK 95 / 0 / 28 / 18

HEX #0BD095

RGB 11 208 149

HSL 162.03, 0.9%, 0.43%

LAB 74.41, -56.56, 17.47

 

CMYK 47 / 95 / 0 / 18

HEX #6E0BD0

RGB 110 11 208

HSL 270.15, 0.9%, 0.43%

LAB 34.21, 70.37, -77.67

 

CMYK 0 / 95 / 66 / 18

HEX #D00B46

RGB 208 11 70

HSL 342.03, 0.9%, 0.43%

LAB 44.36, 69.46, 23.66

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10B

RGB 110 209 11

HSL 90, 0.9%, 0.43%

LAB 75.41, -56.3, 73.09

 

CMYK 95 / 0 / 0 / 18

HEX #0BD0D0

RGB 11 208 208

HSL 180, 0.9%, 0.43%

LAB 75.91, -40.94, -12.05

 

CMYK 47 / 95 / 0 / 18

HEX #6E0BD0

RGB 110 11 208

HSL 270.15, 0.9%, 0.43%

LAB 34.21, 70.37, -77.67

 

CMYK 0 / 95 / 95 / 18

HEX #D00B0B

RGB 208 11 11

HSL 0, 0.9%, 0.43%

LAB 43.76, 67.78, 54.3

 

Description

Color code: HEX #6ED10B | qconv.com Color code: HEX #6ED10B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 209 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 209 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 95 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 95% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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