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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ECB46 it is the complementary color #9134B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ECB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ECB46 shade: #73CB41, #84DD54, #95EF67, #A6FF7A and #B7FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ECB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ECB46 shade: #6ECB46, #5DB933, #4CA720, #3B950D and #2A8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ECB46 shade: #70CB48, #93CB48, #B6CB48, #CBBD48 and #CB9A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ECB46 shade: #70CB48, #4CCB48, #48CB67, #48CB8B and #48CBAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ECB46 shade matches the following richer shades: #70CB48, #68DE35 and #60F122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ECB46 shade: #70CB48, #77B85B, #7FA56E, #869281 and #8E7F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ECB46 shade: #B8CB48, #95CB48, #72CB48, #4FCB48 and #48CB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ECB46 shade: #4B962A, #5BB734, #70CB48, #89D468 and #A2DE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ECB46 shade: #6ECB46, #48CBBC and #CB48A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ECB46 shade: #6ECB46, #4872CB and #CB4872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ECB46 shade: #6ECB46, #48CBBC, #A248CB and #CB4857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ECB46 shade: #6ECB46, #48B3CB, #A248CB and #CB6048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

Complementary color

CMYK 22 / 72 / 0 / 27

HEX #9134B9

RGB 145 52 185

HSL 281.95, 0.56%, 0.46%

LAB 41.18, 58.94, -52.64

 

CMYK 43 / 0 / 68 / 20

HEX #73CB41

RGB 115 203 65

HSL 98.26, 0.57%, 0.53%

LAB 74.02, -49.95, 58.08

 

CMYK 40 / 0 / 62 / 13

HEX #84DD54

RGB 132 221 84

HSL 98.98, 0.67%, 0.6%

LAB 80.32, -50.2, 57.36

 

CMYK 38 / 0 / 57 / 6

HEX #95EF67

RGB 149 239 103

HSL 99.71, 0.81%, 0.67%

LAB 86.55, -50.31, 56.41

 

CMYK 35 / 0 / 52 / 0

HEX #A6FF7A

RGB 166 255 122

HSL 100.15, 1%, 0.74%

LAB 92.15, -49.49, 54.67

 

CMYK 28 / 0 / 45 / 0

HEX #B7FF8D

RGB 183 255 141

HSL 97.89, 1%, 0.78%

LAB 93.24, -41.7, 47.34

 

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

CMYK 50 / 0 / 72 / 27

HEX #5DB933

RGB 93 185 51

HSL 101.19, 0.57%, 0.46%

LAB 67.47, -50.68, 56.35

 

CMYK 54 / 0 / 81 / 35

HEX #4CA720

RGB 76 167 32

HSL 100.44, 0.68%, 0.39%

LAB 61.03, -49.97, 56.2

 

CMYK 60 / 0 / 91 / 42

HEX #3B950D

RGB 59 149 13

HSL 99.71, 0.84%, 0.32%

LAB 54.51, -48.8, 54.8

 

CMYK 68 / 0 / 100 / 49

HEX #2A8300

RGB 42 131 0

HSL 100.76, 1%, 0.26%

LAB 47.91, -46.98, 51.51

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 28 / 0 / 65 / 20

HEX #93CB48

RGB 147 203 72

HSL 85.65, 0.56%, 0.54%

LAB 75.69, -38.34, 57.52

 

CMYK 10 / 0 / 65 / 20

HEX #B6CB48

RGB 182 203 72

HSL 69.62, 0.56%, 0.54%

LAB 77.95, -24.67, 60.6

 

CMYK 0 / 7 / 65 / 20

HEX #CBBD48

RGB 203 189 72

HSL 53.59, 0.56%, 0.54%

LAB 75.8, -8.9, 58.84

 

CMYK 0 / 24 / 65 / 20

HEX #CB9A48

RGB 203 154 72

HSL 37.56, 0.56%, 0.54%

LAB 66.73, 9.65, 49.03

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 63 / 0 / 65 / 20

HEX #4CCB48

RGB 76 203 72

HSL 118.17, 0.56%, 0.54%

LAB 72.7, -59.84, 53.41

 

CMYK 65 / 0 / 49 / 20

HEX #48CB67

RGB 72 203 103

HSL 134.2, 0.56%, 0.54%

LAB 72.94, -56.8, 39.39

 

CMYK 65 / 0 / 32 / 20

HEX #48CB8B

RGB 72 203 139

HSL 150.69, 0.56%, 0.54%

LAB 73.52, -50.44, 21.66

 

CMYK 65 / 0 / 14 / 20

HEX #48CBAE

RGB 72 203 174

HSL 166.72, 0.56%, 0.54%

LAB 74.28, -42.52, 4

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 53 / 0 / 76 / 13

HEX #68DE35

RGB 104 222 53

HSL 101.89, 0.72%, 0.54%

LAB 79.3, -61.22, 67.47

 

CMYK 60 / 0 / 86 / 5

HEX #60F122

RGB 96 241 34

HSL 102.03, 0.88%, 0.54%

LAB 84.75, -70.6, 77.2

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 35 / 0 / 51 / 28

HEX #77B85B

RGB 119 184 91

HSL 101.94, 0.4%, 0.54%

LAB 68.72, -37.97, 40.5

 

CMYK 23 / 0 / 33 / 35

HEX #7FA56E

RGB 127 165 110

HSL 101.45, 0.23%, 0.54%

LAB 63.79, -23.48, 24.43

 

CMYK 8 / 0 / 12 / 43

HEX #869281

RGB 134 146 129

HSL 102.35, 0.07%, 0.54%

LAB 59.17, -7.66, 7.54

 

CMYK 4 / 14 / 0 / 42

HEX #8E7F94

RGB 142 127 148

HSL 282.86, 0.09%, 0.54%

LAB 55.14, 9.78, -9.2

 

CMYK 9 / 0 / 65 / 20

HEX #B8CB48

RGB 184 203 72

HSL 68.7, 0.56%, 0.54%

LAB 78.09, -23.85, 60.8

 

CMYK 27 / 0 / 65 / 20

HEX #95CB48

RGB 149 203 72

HSL 84.73, 0.56%, 0.54%

LAB 75.8, -37.6, 57.68

 

CMYK 44 / 0 / 65 / 20

HEX #72CB48

RGB 114 203 72

HSL 100.76, 0.56%, 0.54%

LAB 74.03, -49.68, 55.25

 

CMYK 61 / 0 / 65 / 20

HEX #4FCB48

RGB 79 203 72

HSL 116.79, 0.56%, 0.54%

LAB 72.79, -59.17, 53.53

 

CMYK 65 / 0 / 51 / 20

HEX #48CB64

RGB 72 203 100

HSL 132.82, 0.56%, 0.54%

LAB 72.9, -57.25, 40.82

 

CMYK 50 / 0 / 72 / 41

HEX #4B962A

RGB 75 150 42

HSL 101.67, 0.56%, 0.38%

LAB 55.56, -42.97, 47.39

 

CMYK 50 / 0 / 72 / 28

HEX #5BB734

RGB 91 183 52

HSL 102.14, 0.56%, 0.46%

LAB 66.78, -50.42, 55.24

 

CMYK 45 / 0 / 65 / 20

HEX #70CB48

RGB 112 203 72

HSL 101.68, 0.56%, 0.54%

LAB 73.95, -50.3, 55.13

 

CMYK 35 / 0 / 51 / 17

HEX #89D468

RGB 137 212 104

HSL 101.67, 0.56%, 0.62%

LAB 78.11, -42.7, 45.82

 

CMYK 27 / 0 / 39 / 13

HEX #A2DE88

RGB 162 222 136

HSL 101.86, 0.57%, 0.7%

LAB 82.75, -34.63, 36.19

 

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

CMYK 65 / 0 / 7 / 20

HEX #48CBBC

RGB 72 203 188

HSL 173.13, 0.56%, 0.54%

LAB 74.65, -38.93, -3.03

 

CMYK 0 / 65 / 18 / 20

HEX #CB48A6

RGB 203 72 166

HSL 316.95, 0.56%, 0.54%

LAB 51.93, 61.53, -23.9

 

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

CMYK 65 / 44 / 0 / 20

HEX #4872CB

RGB 72 114 203

HSL 220.76, 0.56%, 0.54%

LAB 49.16, 13.88, -50.61

 

CMYK 0 / 65 / 44 / 20

HEX #CB4872

RGB 203 72 114

HSL 340.76, 0.56%, 0.54%

LAB 50.15, 55.23, 4.45

 

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

CMYK 65 / 0 / 7 / 20

HEX #48CBBC

RGB 72 203 188

HSL 173.13, 0.56%, 0.54%

LAB 74.65, -38.93, -3.03

 

CMYK 20 / 65 / 0 / 20

HEX #A248CB

RGB 162 72 203

HSL 281.22, 0.56%, 0.54%

LAB 47.79, 57.73, -52.36

 

CMYK 0 / 65 / 57 / 20

HEX #CB4857

RGB 203 72 87

HSL 353.13, 0.56%, 0.54%

LAB 49.52, 52.9, 19.86

 

CMYK 46 / 0 / 66 / 20

HEX #6ECB46

RGB 110 203 70

HSL 101.95, 0.56%, 0.54%

LAB 73.85, -51.09, 55.82

 

CMYK 65 / 12 / 0 / 20

HEX #48B3CB

RGB 72 179 203

HSL 190.99, 0.56%, 0.54%

LAB 67.97, -23.13, -21.23

 

CMYK 20 / 65 / 0 / 20

HEX #A248CB

RGB 162 72 203

HSL 281.22, 0.56%, 0.54%

LAB 47.79, 57.73, -52.36

 

CMYK 0 / 53 / 65 / 20

HEX #CB6048

RGB 203 96 72

HSL 10.99, 0.56%, 0.54%

LAB 53.52, 40.69, 33.71

 

Description

Color code: HEX #6ECB46 | qconv.com Color code: HEX #6ECB46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 203 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 203 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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