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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ECAFFCE it is the complementary color #913500CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ECAFFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ECAFFCE shade: #73CAFACE, #84DCFFCE, #95EEFFCE, #A6FFFFCE and #B7FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ECAFFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ECAFFCE shade: #6ECAFFCE, #5DB8ECCE, #4CA6D9CE, #3B94C6CE and #2A82B3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ECAFFCE shade: #70CBFF, #70A4FF, #707EFF, #8970FF and #B070FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ECAFFCE shade: #70CBFF, #70A4FF, #707EFF and #7070FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ECAFFCE shade matches the following richer shades: #70CBFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ECAFFCE shade: #70CBFF, #7CC8F3, #87C5E8, #93C1DC and #9EBED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ECAFFCE shade: #70FFE5, #70F3FF, #70CDFF, #70A7FF and #7081FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ECAFFCE shade: #1EADFF, #47BCFF, #70CBFF, #99DAFF and #C3E9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ECAFFCE shade: #6ECAFF, #BF70FF and #FFF870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ECAFFCE shade: #6ECAFF, #FF70CD and #CDFF70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ECAFFCE shade: #6ECAFF, #BF70FF, #FFA270 and #B0FF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ECAFFCE shade: #6ECAFF, #EA70FF, #FFA270 and #86FF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 17 / 0 / 0

HEX #6ECAFFCE

RGBA 110 202 255 0.81

HSLA 201.93, 1%, 0.72%, 0.81

LABA 77.74, -12.64, -34.32, 0.81

 

Complementary color

CMYK 0 / 51 / 81 / 35

HEX #913500CE

RGBA 145 53 0 0.81

HSLA 21.93, 1%, 0.28%, 0.81

LABA 35.13, 36.88, 46.69, 0.81

 

CMYK 44 / 16 / 0 / 2

HEX #73CAFACE

RGBA 115 202 250 0.81

HSLA 201.33, 0.93%, 0.72%, 0.81

LABA 77.75, -13.11, -31.62, 0.81

 

CMYK 39 / 11 / 0 / 0

HEX #84DCFFCE

RGBA 132 220 255 0.81

HSLA 197.07, 1%, 0.76%, 0.81

LABA 83.61, -17.38, -25.25, 0.81

 

CMYK 34 / 5 / 0 / 0

HEX #95EEFFCE

RGBA 149 238 255 0.81

HSLA 189.62, 1%, 0.79%, 0.81

LABA 89.28, -22.46, -16.59, 0.81

 

CMYK 28 / 0 / 0 / 0

HEX #A6FFFFCE

RGBA 166 255 255 0.81

HSLA 180, 1%, 0.83%, 0.81

LABA 94.67, -26.51, -8.46, 0.81

 

CMYK 23 / 0 / 0 / 0

HEX #B7FFFFCE

RGBA 183 255 255 0.81

HSLA 180, 1%, 0.86%, 0.81

LABA 95.5, -22, -7.15, 0.81

 

CMYK 46 / 17 / 0 / 0

HEX #6ECAFFCE

RGBA 110 202 255 0.81

HSLA 201.93, 1%, 0.72%, 0.81

LABA 77.74, -12.64, -34.32, 0.81

 

CMYK 49 / 18 / 0 / 6

HEX #5DB8ECCE

RGBA 93 184 236 0.81

HSLA 201.82, 0.79%, 0.65%, 0.81

LABA 71.33, -12, -34.06, 0.81

 

CMYK 53 / 19 / 0 / 12

HEX #4CA6D9CE

RGBA 76 166 217 0.81

HSLA 201.7, 0.65%, 0.57%, 0.81

LABA 64.82, -11.2, -33.79, 0.81

 

CMYK 57 / 20 / 0 / 18

HEX #3B94C6CE

RGBA 59 148 198 0.81

HSLA 201.58, 0.55%, 0.5%, 0.81

LABA 58.21, -10.19, -33.51, 0.81

 

CMYK 62 / 22 / 0 / 24

HEX #2A82B3CE

RGBA 42 130 179 0.81

HSLA 201.46, 0.62%, 0.43%, 0.81

LABA 51.51, -8.87, -33.19, 0.81

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 56 / 36 / 0 / 0

HEX #70A4FF

RGB 112 164 255

HSL 218.18, 1%, 0.72%

LAB 67.44, 8.72, -50.41

 

CMYK 56 / 51 / 0 / 0

HEX #707EFF

RGB 112 126 255

HSL 234.13, 1%, 0.72%

LAB 57.64, 31.11, -66.03

 

CMYK 46 / 56 / 0 / 0

HEX #8970FF

RGB 137 112 255

HSL 250.49, 1%, 0.72%

LAB 56.21, 44.23, -68.24

 

CMYK 31 / 56 / 0 / 0

HEX #B070FF

RGB 176 112 255

HSL 266.85, 1%, 0.72%

LAB 59.92, 52.82, -62.08

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 56 / 36 / 0 / 0

HEX #70A4FF

RGB 112 164 255

HSL 218.18, 1%, 0.72%

LAB 67.44, 8.72, -50.41

 

CMYK 56 / 51 / 0 / 0

HEX #707EFF

RGB 112 126 255

HSL 234.13, 1%, 0.72%

LAB 57.64, 31.11, -66.03

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 49 / 18 / 0 / 5

HEX #7CC8F3

RGB 124 200 243

HSL 201.68, 0.83%, 0.72%

LAB 77.32, -12.13, -28.5

 

CMYK 42 / 15 / 0 / 9

HEX #87C5E8

RGB 135 197 232

HSL 201.65, 0.68%, 0.72%

LAB 76.62, -10.93, -23.6

 

CMYK 33 / 12 / 0 / 14

HEX #93C1DC

RGB 147 193 220

HSL 202.19, 0.51%, 0.72%

LAB 75.77, -8.7, -18.37

 

CMYK 24 / 9 / 0 / 18

HEX #9EBED1

RGB 158 190 209

HSL 202.35, 0.36%, 0.72%

LAB 75.26, -6.52, -13.1

 

CMYK 56 / 0 / 10 / 0

HEX #70FFE5

RGB 112 255 229

HSL 169.09, 1%, 0.72%

LAB 91.96, -44.74, 0.76

 

CMYK 56 / 5 / 0 / 0

HEX #70F3FF

RGB 112 243 255

HSL 185.03, 1%, 0.72%

LAB 89.28, -32.7, -16.72

 

CMYK 56 / 20 / 0 / 0

HEX #70CDFF

RGB 112 205 255

HSL 200.98, 1%, 0.72%

LAB 78.65, -13.82, -32.91

 

CMYK 56 / 35 / 0 / 0

HEX #70A7FF

RGB 112 167 255

HSL 216.92, 1%, 0.72%

LAB 68.24, 7, -49.14

 

CMYK 56 / 49 / 0 / 0

HEX #7081FF

RGB 112 129 255

HSL 232.87, 1%, 0.72%

LAB 58.38, 29.32, -64.84

 

CMYK 88 / 32 / 0 / 0

HEX #1EADFF

RGB 30 173 255

HSL 201.87, 1%, 0.56%

LAB 67.56, -6.9, -50.37

 

CMYK 72 / 26 / 0 / 0

HEX #47BCFF

RGB 71 188 255

HSL 201.85, 1%, 0.64%

LAB 72.58, -11.43, -42.44

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 40 / 15 / 0 / 0

HEX #99DAFF

RGB 153 218 255

HSL 201.76, 1%, 0.8%

LAB 84.04, -11.38, -24.5

 

CMYK 24 / 9 / 0 / 0

HEX #C3E9FF

RGB 195 233 255

HSL 202, 1%, 0.88%

LAB 90.37, -7.61, -14.71

 

CMYK 57 / 21 / 0 / 0

HEX #6ECAFF

RGB 110 202 255

HSL 201.93, 1%, 0.72%

LAB 77.74, -12.64, -34.32

 

CMYK 25 / 56 / 0 / 0

HEX #BF70FF

RGB 191 112 255

HSL 273.15, 1%, 0.72%

LAB 61.55, 56.36, -59.38

 

CMYK 0 / 3 / 56 / 0

HEX #FFF870

RGB 255 248 112

HSL 57.06, 1%, 0.72%

LAB 95.82, -14.38, 64.82

 

CMYK 57 / 21 / 0 / 0

HEX #6ECAFF

RGB 110 202 255

HSL 201.93, 1%, 0.72%

LAB 77.74, -12.64, -34.32

 

CMYK 0 / 56 / 20 / 0

HEX #FF70CD

RGB 255 112 205

HSL 320.98, 1%, 0.72%

LAB 67.47, 64.45, -21.76

 

CMYK 20 / 0 / 56 / 0

HEX #CDFF70

RGB 205 255 112

HSL 80.98, 1%, 0.72%

LAB 94.17, -36.94, 62.01

 

CMYK 57 / 21 / 0 / 0

HEX #6ECAFF

RGB 110 202 255

HSL 201.93, 1%, 0.72%

LAB 77.74, -12.64, -34.32

 

CMYK 25 / 56 / 0 / 0

HEX #BF70FF

RGB 191 112 255

HSL 273.15, 1%, 0.72%

LAB 61.55, 56.36, -59.38

 

CMYK 0 / 36 / 56 / 0

HEX #FFA270

RGB 255 162 112

HSL 20.98, 1%, 0.72%

LAB 75, 29.64, 40.18

 

CMYK 31 / 0 / 56 / 0

HEX #B0FF70

RGB 176 255 112

HSL 93.15, 1%, 0.72%

LAB 92.54, -47.21, 59.71

 

CMYK 57 / 21 / 0 / 0

HEX #6ECAFF

RGB 110 202 255

HSL 201.93, 1%, 0.72%

LAB 77.74, -12.64, -34.32

 

CMYK 8 / 56 / 0 / 0

HEX #EA70FF

RGB 234 112 255

HSL 291.19, 1%, 0.72%

LAB 66.75, 66.87, -50.8

 

CMYK 0 / 36 / 56 / 0

HEX #FFA270

RGB 255 162 112

HSL 20.98, 1%, 0.72%

LAB 75, 29.64, 40.18

 

CMYK 47 / 0 / 56 / 0

HEX #86FF70

RGB 134 255 112

HSL 110.77, 1%, 0.72%

LAB 90.67, -60.19, 57.06

 

Description

Color code: HEX #6ECAFFCE | qconv.com Color code: HEX #6ECAFFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 202 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 202 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 17 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 17% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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