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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EC49A it is the complementary color #913B65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EC49A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EC49A shade: #73C495, #84D6A8, #95E8BB, #A6FACE and #B7FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EC49A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EC49A shade: #6EC49A, #5DB287, #4CA074, #3B8E61 and #2A7C4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EC49A shade: #6EC49A, #6EC483, #71C46E, #88C46E and #9FC46E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EC49A shade: #6EC49A, #6EC4B1, #6EBFC4, #6EA8C4 and #6E91C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EC49A shade matches the following richer shades: #6EC49A, #5ED49A, #4DE59B and #3DF59B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EC49A shade: #6EC49A, #7FB39A, #8FA399, #A09299 and #B08298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EC49A shade: #71C46E, #6EC482, #6EC499, #6EC4B0 and #6EC1C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EC49A shade: #419F71, #51B886, #6EC49A, #8BD0AE and #A9DCC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EC49A shade: #6EC49A, #6E88C4 and #C4776E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EC49A shade: #6EC49A, #996EC4 and #C4996E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EC49A shade: #6EC49A, #6E88C4, #C46E99 and #C4AA6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EC49A shade: #6EC49A, #6E6EC4, #C46E99 and #C4C46E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

Complementary color

CMYK 0 / 59 / 30 / 43

HEX #913B65

RGB 145 59 101

HSL 330.7, 0.42%, 0.4%

LAB 38, 40.95, -6.47

 

CMYK 41 / 0 / 24 / 23

HEX #73C495

RGB 115 196 149

HSL 145.19, 0.41%, 0.61%

LAB 73.09, -35.3, 15.97

 

CMYK 38 / 0 / 21 / 16

HEX #84D6A8

RGB 132 214 168

HSL 146.34, 0.5%, 0.68%

LAB 79.51, -35.05, 14.96

 

CMYK 36 / 0 / 19 / 9

HEX #95E8BB

RGB 149 232 187

HSL 147.47, 0.64%, 0.75%

LAB 85.85, -34.79, 14.01

 

CMYK 34 / 0 / 18 / 2

HEX #A6FACE

RGB 166 250 206

HSL 148.57, 0.89%, 0.82%

LAB 92.1, -34.55, 13.12

 

CMYK 28 / 0 / 12 / 0

HEX #B7FFE1

RGB 183 255 225

HSL 155, 1%, 0.86%

LAB 94.75, -28.25, 7.22

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 48 / 0 / 24 / 30

HEX #5DB287

RGB 93 178 135

HSL 149.65, 0.36%, 0.53%

LAB 66.46, -35.88, 14.16

 

CMYK 53 / 0 / 28 / 37

HEX #4CA074

RGB 76 160 116

HSL 148.57, 0.36%, 0.46%

LAB 59.83, -36.04, 15.32

 

CMYK 58 / 0 / 32 / 44

HEX #3B8E61

RGB 59 142 97

HSL 147.47, 0.41%, 0.39%

LAB 53.1, -36.11, 16.61

 

CMYK 66 / 0 / 37 / 51

HEX #2A7C4E

RGB 42 124 78

HSL 146.34, 0.49%, 0.33%

LAB 46.25, -35.99, 18.05

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 44 / 0 / 33 / 23

HEX #6EC483

RGB 110 196 131

HSL 134.65, 0.42%, 0.6%

LAB 72.52, -40.1, 24.75

 

CMYK 42 / 0 / 44 / 23

HEX #71C46E

RGB 113 196 110

HSL 117.91, 0.42%, 0.6%

LAB 72.31, -42.62, 35.39

 

CMYK 31 / 0 / 44 / 23

HEX #88C46E

RGB 136 196 110

HSL 101.86, 0.42%, 0.6%

LAB 73.44, -35.14, 37.07

 

CMYK 19 / 0 / 44 / 23

HEX #9FC46E

RGB 159 196 110

HSL 85.81, 0.42%, 0.6%

LAB 74.81, -26.83, 39.09

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 44 / 0 / 10 / 23

HEX #6EC4B1

RGB 110 196 177

HSL 166.74, 0.42%, 0.6%

LAB 73.53, -30.58, 1.43

 

CMYK 44 / 3 / 0 / 23

HEX #6EBFC4

RGB 110 191 196

HSL 183.49, 0.42%, 0.6%

LAB 72.6, -23.44, -10.27

 

CMYK 44 / 14 / 0 / 23

HEX #6EA8C4

RGB 110 168 196

HSL 199.53, 0.42%, 0.6%

LAB 65.99, -11.46, -20.24

 

CMYK 44 / 26 / 0 / 23

HEX #6E91C4

RGB 110 145 196

HSL 215.58, 0.42%, 0.6%

LAB 59.48, 1.37, -30.24

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 56 / 0 / 27 / 17

HEX #5ED49A

RGB 94 212 154

HSL 150.51, 0.58%, 0.6%

LAB 77.16, -46.65, 18.86

 

CMYK 66 / 0 / 32 / 10

HEX #4DE59B

RGB 77 229 155

HSL 150.79, 0.75%, 0.6%

LAB 81.83, -56.61, 24.67

 

CMYK 75 / 0 / 37 / 4

HEX #3DF59B

RGB 61 245 155

HSL 150.65, 0.9%, 0.6%

LAB 86.34, -64.88, 30.71

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 29 / 0 / 14 / 30

HEX #7FB39A

RGB 127 179 154

HSL 151.15, 0.25%, 0.6%

LAB 68.81, -22.49, 7.3

 

CMYK 12 / 0 / 6 / 36

HEX #8FA399

RGB 143 163 153

HSL 150, 0.1%, 0.6%

LAB 65.23, -9.02, 2.82

 

CMYK 0 / 9 / 4 / 37

HEX #A09299

RGB 160 146 153

HSL 330, 0.07%, 0.6%

LAB 61.94, 6.47, -1.82

 

CMYK 0 / 26 / 14 / 31

HEX #B08298

RGB 176 130 152

HSL 331.3, 0.23%, 0.6%

LAB 59.4, 21.21, -4.81

 

CMYK 42 / 0 / 44 / 23

HEX #71C46E

RGB 113 196 110

HSL 117.91, 0.42%, 0.6%

LAB 72.31, -42.62, 35.39

 

CMYK 44 / 0 / 34 / 23

HEX #6EC482

RGB 110 196 130

HSL 133.95, 0.42%, 0.6%

LAB 72.5, -40.28, 25.25

 

CMYK 44 / 0 / 22 / 23

HEX #6EC499

RGB 110 196 153

HSL 150, 0.42%, 0.6%

LAB 72.95, -35.88, 13.6

 

CMYK 44 / 0 / 10 / 23

HEX #6EC4B0

RGB 110 196 176

HSL 166.05, 0.42%, 0.6%

LAB 73.5, -30.81, 1.94

 

CMYK 44 / 2 / 0 / 23

HEX #6EC1C4

RGB 110 193 196

HSL 182.09, 0.42%, 0.6%

LAB 73.18, -24.44, -9.41

 

CMYK 59 / 0 / 29 / 38

HEX #419F71

RGB 65 159 113

HSL 150.64, 0.42%, 0.44%

LAB 59.08, -38.85, 15.89

 

CMYK 56 / 0 / 27 / 28

HEX #51B886

RGB 81 184 134

HSL 150.87, 0.42%, 0.52%

LAB 67.84, -41.71, 16.56

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 33 / 0 / 16 / 18

HEX #8BD0AE

RGB 139 208 174

HSL 150.43, 0.42%, 0.68%

LAB 78.26, -28.99, 10.04

 

CMYK 23 / 0 / 11 / 14

HEX #A9DCC3

RGB 169 220 195

HSL 150.59, 0.42%, 0.76%

LAB 83.74, -21.47, 6.93

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 44 / 31 / 0 / 23

HEX #6E88C4

RGB 110 136 196

HSL 221.86, 0.42%, 0.6%

LAB 56.99, 6.61, -34.12

 

CMYK 0 / 39 / 44 / 23

HEX #C4776E

RGB 196 119 110

HSL 6.28, 0.42%, 0.6%

LAB 58.09, 29.12, 17.8

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 22 / 44 / 0 / 23

HEX #996EC4

RGB 153 110 196

HSL 270, 0.42%, 0.6%

LAB 53.93, 33.92, -38.65

 

CMYK 0 / 22 / 44 / 23

HEX #C4996E

RGB 196 153 110

HSL 30, 0.42%, 0.6%

LAB 66.25, 10.47, 28.72

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 44 / 31 / 0 / 23

HEX #6E88C4

RGB 110 136 196

HSL 221.86, 0.42%, 0.6%

LAB 56.99, 6.61, -34.12

 

CMYK 0 / 44 / 22 / 23

HEX #C46E99

RGB 196 110 153

HSL 330, 0.42%, 0.6%

LAB 57.26, 39.49, -8.31

 

CMYK 0 / 13 / 44 / 23

HEX #C4AA6E

RGB 196 170 110

HSL 41.86, 0.42%, 0.6%

LAB 70.6, 1.27, 34.35

 

CMYK 44 / 0 / 21 / 23

HEX #6EC49A

RGB 110 196 154

HSL 150.7, 0.42%, 0.6%

LAB 72.98, -35.67, 13.1

 

CMYK 44 / 44 / 0 / 23

HEX #6E6EC4

RGB 110 110 196

HSL 240, 0.42%, 0.6%

LAB 50.04, 22.2, -45.06

 

CMYK 0 / 44 / 22 / 23

HEX #C46E99

RGB 196 110 153

HSL 330, 0.42%, 0.6%

LAB 57.26, 39.49, -8.31

 

CMYK 0 / 0 / 44 / 23

HEX #C4C46E

RGB 196 196 110

HSL 60, 0.42%, 0.6%

LAB 77.48, -12.33, 43

 

Description

Color code: HEX #6EC49A | qconv.com Color code: HEX #6EC49A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 196 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 196 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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