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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EC2AF it is the complementary color #913D50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EC2AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EC2AF shade: #73C2AA, #84D4BD, #95E6D0, #A6F8E3 and #B7FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EC2AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EC2AF shade: #6EC2AF, #5DB09C, #4C9E89, #3B8C76 and #2A7A63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EC2AF shade: #6FC3B0, #6FC399, #6FC383, #72C36F and #89C36F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EC2AF shade: #6FC3B0, #6FBFC3, #6FA9C3, #6F92C3 and #6F7CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EC2AF shade matches the following richer shades: #6FC3B0, #5FD3B9, #4EE4C2 and #3EF4CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EC2AF shade: #6FC3B0, #80B2A7, #90A29E, #A19195 and #B1818C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EC2AF shade: #6FC383, #6FC399, #6FC3AF, #6FC0C3 and #6FAAC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EC2AF shade: #429E89, #52B7A0, #6FC3B0, #8CCFC0 and #A9DBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EC2AF shade: #6EC2AF, #6F72C3 and #C38E6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EC2AF shade: #6EC2AF, #AF6FC3 and #C3AF6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EC2AF shade: #6EC2AF, #6F72C3, #C36F83 and #C3C06F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EC2AF shade: #6EC2AF, #856FC3, #C36F83 and #ADC36F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

Complementary color

CMYK 0 / 58 / 45 / 43

HEX #913D50

RGB 145 61 80

HSL 346.43, 0.41%, 0.4%

LAB 37.73, 37.37, 6.4

 

CMYK 41 / 0 / 12 / 24

HEX #73C2AA

RGB 115 194 170

HSL 161.77, 0.39%, 0.61%

LAB 72.98, -29.92, 4.47

 

CMYK 38 / 0 / 11 / 17

HEX #84D4BD

RGB 132 212 189

HSL 162.75, 0.48%, 0.67%

LAB 79.42, -29.73, 3.65

 

CMYK 35 / 0 / 10 / 10

HEX #95E6D0

RGB 149 230 208

HSL 163.7, 0.62%, 0.74%

LAB 85.77, -29.54, 2.89

 

CMYK 33 / 0 / 8 / 3

HEX #A6F8E3

RGB 166 248 227

HSL 164.63, 0.85%, 0.81%

LAB 92.04, -29.36, 2.16

 

CMYK 28 / 0 / 4 / 0

HEX #B7FFF6

RGB 183 255 246

HSL 172.5, 1%, 0.86%

LAB 95.26, -23.95, -2.85

 

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

CMYK 47 / 0 / 11 / 31

HEX #5DB09C

RGB 93 176 156

HSL 165.54, 0.34%, 0.53%

LAB 66.35, -30.21, 2.44

 

CMYK 52 / 0 / 13 / 38

HEX #4C9E89

RGB 76 158 137

HSL 164.63, 0.35%, 0.46%

LAB 59.7, -30.3, 3.35

 

CMYK 58 / 0 / 16 / 45

HEX #3B8C76

RGB 59 140 118

HSL 163.7, 0.41%, 0.39%

LAB 52.94, -30.3, 4.37

 

CMYK 66 / 0 / 19 / 52

HEX #2A7A63

RGB 42 122 99

HSL 162.75, 0.49%, 0.32%

LAB 46.06, -30.15, 5.52

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3B0

RGB 111 195 176

HSL 166.43, 0.41%, 0.6%

LAB 73.25, -30.08, 1.58

 

CMYK 43 / 0 / 22 / 24

HEX #6FC399

RGB 111 195 153

HSL 150, 0.41%, 0.6%

LAB 72.7, -35.15, 13.25

 

CMYK 43 / 0 / 33 / 24

HEX #6FC383

RGB 111 195 131

HSL 134.29, 0.41%, 0.6%

LAB 72.26, -39.37, 24.41

 

CMYK 42 / 0 / 43 / 24

HEX #72C36F

RGB 114 195 111

HSL 117.86, 0.41%, 0.6%

LAB 72.06, -41.73, 34.58

 

CMYK 30 / 0 / 43 / 24

HEX #89C36F

RGB 137 195 111

HSL 101.43, 0.41%, 0.6%

LAB 73.22, -34.2, 36.29

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3B0

RGB 111 195 176

HSL 166.43, 0.41%, 0.6%

LAB 73.25, -30.08, 1.58

 

CMYK 43 / 2 / 0 / 24

HEX #6FBFC3

RGB 111 191 195

HSL 182.86, 0.41%, 0.6%

LAB 72.62, -23.46, -9.7

 

CMYK 43 / 13 / 0 / 24

HEX #6FA9C3

RGB 111 169 195

HSL 198.57, 0.41%, 0.6%

LAB 66.29, -12.02, -19.23

 

CMYK 43 / 25 / 0 / 24

HEX #6F92C3

RGB 111 146 195

HSL 215, 0.41%, 0.6%

LAB 59.78, 0.77, -29.21

 

CMYK 43 / 36 / 0 / 24

HEX #6F7CC3

RGB 111 124 195

HSL 230.71, 0.41%, 0.6%

LAB 53.74, 13.7, -38.63

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3B0

RGB 111 195 176

HSL 166.43, 0.41%, 0.6%

LAB 73.25, -30.08, 1.58

 

CMYK 55 / 0 / 12 / 17

HEX #5FD3B9

RGB 95 211 185

HSL 166.55, 0.57%, 0.6%

LAB 77.59, -39.09, 2.96

 

CMYK 66 / 0 / 15 / 11

HEX #4EE4C2

RGB 78 228 194

HSL 166.4, 0.74%, 0.6%

LAB 82.38, -47.42, 5.04

 

CMYK 75 / 0 / 17 / 4

HEX #3EF4CB

RGB 62 244 203

HSL 166.48, 0.89%, 0.6%

LAB 87.02, -54, 6.96

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3B0

RGB 111 195 176

HSL 166.43, 0.41%, 0.6%

LAB 73.25, -30.08, 1.58

 

CMYK 28 / 0 / 6 / 30

HEX #80B2A7

RGB 128 178 167

HSL 166.8, 0.25%, 0.6%

LAB 68.91, -18.89, 0.29

 

CMYK 11 / 0 / 2 / 36

HEX #90A29E

RGB 144 162 158

HSL 166.67, 0.09%, 0.6%

LAB 65.15, -7.13, -0.08

 

CMYK 0 / 10 / 7 / 37

HEX #A19195

RGB 161 145 149

HSL 345, 0.08%, 0.6%

LAB 61.65, 6.66, 0.04

 

CMYK 0 / 27 / 21 / 31

HEX #B1818C

RGB 177 129 140

HSL 346.25, 0.24%, 0.6%

LAB 58.92, 20.19, 1.4

 

CMYK 43 / 0 / 33 / 24

HEX #6FC383

RGB 111 195 131

HSL 134.29, 0.41%, 0.6%

LAB 72.26, -39.37, 24.41

 

CMYK 43 / 0 / 22 / 24

HEX #6FC399

RGB 111 195 153

HSL 150, 0.41%, 0.6%

LAB 72.7, -35.15, 13.25

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3AF

RGB 111 195 175

HSL 165.71, 0.41%, 0.6%

LAB 73.22, -30.31, 2.09

 

CMYK 43 / 2 / 0 / 24

HEX #6FC0C3

RGB 111 192 195

HSL 182.14, 0.41%, 0.6%

LAB 72.9, -23.96, -9.27

 

CMYK 43 / 13 / 0 / 24

HEX #6FAAC3

RGB 111 170 195

HSL 197.86, 0.41%, 0.6%

LAB 66.57, -12.56, -18.79

 

CMYK 58 / 0 / 13 / 38

HEX #429E89

RGB 66 158 137

HSL 166.3, 0.41%, 0.44%

LAB 59.36, -32.53, 2.81

 

CMYK 55 / 0 / 13 / 28

HEX #52B7A0

RGB 82 183 160

HSL 166.34, 0.41%, 0.52%

LAB 68.17, -35.09, 2.81

 

CMYK 43 / 0 / 10 / 24

HEX #6FC3B0

RGB 111 195 176

HSL 166.43, 0.41%, 0.6%

LAB 73.25, -30.08, 1.58

 

CMYK 32 / 0 / 7 / 19

HEX #8CCFC0

RGB 140 207 192

HSL 166.57, 0.41%, 0.68%

LAB 78.47, -24.41, 0.7

 

CMYK 23 / 0 / 5 / 14

HEX #A9DBD0

RGB 169 219 208

HSL 166.8, 0.41%, 0.76%

LAB 83.78, -18.36, 0.12

 

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

CMYK 43 / 42 / 0 / 24

HEX #6F72C3

RGB 111 114 195

HSL 237.86, 0.41%, 0.6%

LAB 51.1, 19.73, -42.8

 

CMYK 0 / 27 / 43 / 24

HEX #C38E6F

RGB 195 142 111

HSL 22.14, 0.41%, 0.6%

LAB 63.42, 16.21, 24.42

 

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

CMYK 10 / 43 / 0 / 24

HEX #AF6FC3

RGB 175 111 195

HSL 285.71, 0.41%, 0.6%

LAB 56.51, 39.64, -33.87

 

CMYK 0 / 10 / 43 / 24

HEX #C3AF6F

RGB 195 175 111

HSL 45.71, 0.41%, 0.6%

LAB 71.83, -1.7, 35.38

 

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

CMYK 43 / 42 / 0 / 24

HEX #6F72C3

RGB 111 114 195

HSL 237.86, 0.41%, 0.6%

LAB 51.1, 19.73, -42.8

 

CMYK 0 / 43 / 33 / 24

HEX #C36F83

RGB 195 111 131

HSL 345.71, 0.41%, 0.6%

LAB 56.69, 35.54, 3.65

 

CMYK 0 / 2 / 43 / 24

HEX #C3C06F

RGB 195 192 111

HSL 57.86, 0.41%, 0.6%

LAB 76.34, -10.59, 41.07

 

CMYK 43 / 0 / 10 / 24

HEX #6EC2AF

RGB 110 194 175

HSL 166.43, 0.41%, 0.6%

LAB 72.89, -30.09, 1.59

 

CMYK 32 / 43 / 0 / 24

HEX #856FC3

RGB 133 111 195

HSL 255.71, 0.41%, 0.6%

LAB 52.17, 27.41, -40.99

 

CMYK 0 / 43 / 33 / 24

HEX #C36F83

RGB 195 111 131

HSL 345.71, 0.41%, 0.6%

LAB 56.69, 35.54, 3.65

 

CMYK 11 / 0 / 43 / 24

HEX #ADC36F

RGB 173 195 111

HSL 75.71, 0.41%, 0.6%

LAB 75.49, -20.86, 39.64

 

Description

Color code: HEX #6EC2AF | qconv.com Color code: HEX #6EC2AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 194 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 194 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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