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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EC02E it is the complementary color #913FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EC02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EC02E shade: #73C029, #84D23C, #95E44F, #A6F662 and #B7FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EC02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EC02E shade: #6EC02E, #5DAE1B, #4C9C08, #3B8A00 and #2A7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EC02E shade: #6EC02E, #96C02E, #BDC02E, #C09C2E and #C0752E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EC02E shade: #6EC02E, #47C02E, #2EC03D, #2EC064 and #2EC08C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EC02E shade matches the following richer shades: #6EC02E, #6CD41B and #6AE707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EC02E shade: #6EC02E, #71AD42, #739A55, #768668 and #78737C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EC02E shade: #BEC02E, #97C02E, #70C02E, #49C02E and #2EC03A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EC02E shade: #487E1E, #5B9F26, #6EC02E, #83D246 and #9ADA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EC02E shade: #6EC02E, #2EC09C and #C02EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EC02E shade: #6EC02E, #2E70C0 and #C02E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EC02E shade: #6EC02E, #2EC09C, #7F2EC0 and #C02E53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EC02E shade: #6EC02E, #2EB9C0, #7F2EC0 and #C0362E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

Complementary color

CMYK 31 / 70 / 0 / 18

HEX #913FD1

RGB 145 63 209

HSL 273.7, 0.61%, 0.53%

LAB 44.49, 59.48, -61.25

 

CMYK 40 / 0 / 79 / 25

HEX #73C029

RGB 115 192 41

HSL 90.6, 0.65%, 0.46%

LAB 70.53, -47.06, 62.97

 

CMYK 37 / 0 / 71 / 18

HEX #84D23C

RGB 132 210 60

HSL 91.2, 0.63%, 0.53%

LAB 76.88, -47.57, 63.13

 

CMYK 35 / 0 / 65 / 11

HEX #95E44F

RGB 149 228 79

HSL 91.81, 0.73%, 0.6%

LAB 83.15, -47.89, 62.7

 

CMYK 33 / 0 / 60 / 4

HEX #A6F662

RGB 166 246 98

HSL 92.43, 0.89%, 0.67%

LAB 89.35, -48.08, 61.95

 

CMYK 28 / 0 / 54 / 0

HEX #B7FF75

RGB 183 255 117

HSL 91.3, 1%, 0.73%

LAB 92.96, -44.34, 58.09

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 47 / 0 / 84 / 32

HEX #5DAE1B

RGB 93 174 27

HSL 93.06, 0.73%, 0.39%

LAB 63.9, -47.75, 60.41

 

CMYK 51 / 0 / 95 / 39

HEX #4C9C08

RGB 76 156 8

HSL 92.43, 0.9%, 0.32%

LAB 57.4, -46.69, 58.26

 

CMYK 57 / 0 / 100 / 46

HEX #3B8A00

RGB 59 138 0

HSL 94.35, 1%, 0.27%

LAB 50.81, -45.12, 54.03

 

CMYK 65 / 0 / 100 / 53

HEX #2A7800

RGB 42 120 0

HSL 99, 1%, 0.24%

LAB 44.13, -43.08, 48.51

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 22 / 0 / 76 / 25

HEX #96C02E

RGB 150 192 46

HSL 77.26, 0.61%, 0.47%

LAB 72.48, -33.84, 63.95

 

CMYK 2 / 0 / 76 / 25

HEX #BDC02E

RGB 189 192 46

HSL 61.23, 0.61%, 0.47%

LAB 75.27, -17.7, 67.55

 

CMYK 0 / 19 / 76 / 25

HEX #C09C2E

RGB 192 156 46

HSL 45.21, 0.61%, 0.47%

LAB 65.89, 2.38, 58.92

 

CMYK 0 / 39 / 76 / 25

HEX #C0752E

RGB 192 117 46

HSL 29.18, 0.61%, 0.47%

LAB 56.21, 23.76, 49.54

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 63 / 0 / 76 / 25

HEX #47C02E

RGB 71 192 46

HSL 109.73, 0.61%, 0.47%

LAB 68.92, -59.32, 59.29

 

CMYK 76 / 0 / 68 / 25

HEX #2EC03D

RGB 46 192 61

HSL 126.16, 0.61%, 0.47%

LAB 68.47, -62.71, 53.14

 

CMYK 76 / 0 / 48 / 25

HEX #2EC064

RGB 46 192 100

HSL 142.19, 0.61%, 0.47%

LAB 68.9, -57.65, 35.7

 

CMYK 76 / 0 / 27 / 25

HEX #2EC08C

RGB 46 192 140

HSL 158.63, 0.61%, 0.47%

LAB 69.59, -49.82, 15.63

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 49 / 0 / 87 / 17

HEX #6CD41B

RGB 108 212 27

HSL 93.73, 0.77%, 0.47%

LAB 76.29, -57.63, 71.42

 

CMYK 54 / 0 / 97 / 9

HEX #6AE707

RGB 106 231 7

HSL 93.48, 0.94%, 0.47%

LAB 81.96, -65.39, 78.65

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 35 / 0 / 62 / 32

HEX #71AD42

RGB 113 173 66

HSL 93.64, 0.45%, 0.47%

LAB 64.8, -37.88, 47.65

 

CMYK 25 / 0 / 45 / 40

HEX #739A55

RGB 115 154 85

HSL 93.91, 0.29%, 0.47%

LAB 59.35, -26.09, 31.9

 

CMYK 12 / 0 / 22 / 47

HEX #768668

RGB 118 134 104

HSL 92, 0.13%, 0.47%

LAB 53.92, -11.65, 14.25

 

CMYK 3 / 7 / 0 / 51

HEX #78737C

RGB 120 115 124

HSL 273.33, 0.04%, 0.47%

LAB 49.14, 3.74, -4.26

 

CMYK 1 / 0 / 76 / 25

HEX #BEC02E

RGB 190 192 46

HSL 60.82, 0.61%, 0.47%

LAB 75.35, -17.28, 67.65

 

CMYK 21 / 0 / 76 / 25

HEX #97C02E

RGB 151 192 46

HSL 76.85, 0.61%, 0.47%

LAB 72.55, -33.44, 64.03

 

CMYK 42 / 0 / 76 / 25

HEX #70C02E

RGB 112 192 46

HSL 92.88, 0.61%, 0.47%

LAB 70.41, -47.8, 61.25

 

CMYK 62 / 0 / 76 / 25

HEX #49C02E

RGB 73 192 46

HSL 108.9, 0.61%, 0.47%

LAB 68.98, -58.87, 59.36

 

CMYK 76 / 0 / 70 / 25

HEX #2EC03A

RGB 46 192 58

HSL 124.93, 0.61%, 0.47%

LAB 68.45, -62.99, 54.3

 

CMYK 43 / 0 / 76 / 51

HEX #487E1E

RGB 72 126 30

HSL 93.75, 0.62%, 0.31%

LAB 47.49, -34.75, 43.84

 

CMYK 43 / 0 / 76 / 38

HEX #5B9F26

RGB 91 159 38

HSL 93.72, 0.61%, 0.39%

LAB 59.12, -41.75, 52.67

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 38 / 0 / 67 / 18

HEX #83D246

RGB 131 210 70

HSL 93.86, 0.61%, 0.55%

LAB 76.9, -47.19, 59.36

 

CMYK 29 / 0 / 53 / 15

HEX #9ADA67

RGB 154 218 103

HSL 93.39, 0.61%, 0.63%

LAB 80.73, -39.64, 49.65

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 76 / 0 / 19 / 25

HEX #2EC09C

RGB 46 192 156

HSL 165.21, 0.61%, 0.47%

LAB 69.95, -46, 7.46

 

CMYK 0 / 76 / 11 / 25

HEX #C02EAB

RGB 192 46 171

HSL 308.63, 0.61%, 0.47%

LAB 47.11, 68.67, -34.5

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 76 / 42 / 0 / 25

HEX #2E70C0

RGB 46 112 192

HSL 212.88, 0.61%, 0.47%

LAB 46.94, 7.26, -47.9

 

CMYK 0 / 76 / 42 / 25

HEX #C02E70

RGB 192 46 112

HSL 332.88, 0.61%, 0.47%

LAB 44.7, 61.42, -2.49

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 76 / 0 / 19 / 25

HEX #2EC09C

RGB 46 192 156

HSL 165.21, 0.61%, 0.47%

LAB 69.95, -46, 7.46

 

CMYK 34 / 76 / 0 / 25

HEX #7F2EC0

RGB 127 46 192

HSL 273.29, 0.61%, 0.47%

LAB 38.33, 59.44, -61.49

 

CMYK 0 / 76 / 57 / 25

HEX #C02E53

RGB 192 46 83

HSL 344.79, 0.61%, 0.47%

LAB 43.92, 58.95, 14.41

 

CMYK 43 / 0 / 76 / 25

HEX #6EC02E

RGB 110 192 46

HSL 93.7, 0.61%, 0.47%

LAB 70.32, -48.46, 61.13

 

CMYK 76 / 4 / 0 / 25

HEX #2EB9C0

RGB 46 185 192

HSL 182.88, 0.61%, 0.47%

LAB 68.81, -32.92, -13.95

 

CMYK 34 / 76 / 0 / 25

HEX #7F2EC0

RGB 127 46 192

HSL 273.29, 0.61%, 0.47%

LAB 38.33, 59.44, -61.49

 

CMYK 0 / 72 / 76 / 25

HEX #C0362E

RGB 192 54 46

HSL 3.29, 0.61%, 0.47%

LAB 44.29, 54.16, 37.17

 

Description

Color code: HEX #6EC02E | qconv.com Color code: HEX #6EC02E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 192 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 192 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 76% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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