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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EBFF4 it is the complementary color #91400B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EBFF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EBFF4 shade: #73BFEF, #84D1FF, #95E3FF, #A6F5FF and #B7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EBFF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EBFF4 shade: #6EBFF4, #5DADE1, #4C9BCE, #3B89BB and #2A77A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EBFF4 shade: #6CBEF4, #6C99F4, #6C75F4, #886CF4 and #AC6CF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EBFF4 shade: #6CBEF4, #6C99F4, #6C75F4 and #6C6CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EBFF4 shade matches the following richer shades: #6CBEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EBFF4 shade: #6CBEF4, #79BBE7, #86B9DA, #92B6CE and #9FB3C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EBFF4 shade: #6CF4E0, #6CE4F4, #6CC0F4, #6C9CF4 and #6C77F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EBFF4 shade: #1F9CEE, #46ADF1, #6CBEF4, #92CFF7 and #B9E0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EBFF4 shade: #6EBFF4, #BB6CF4 and #F4F26C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EBFF4 shade: #6EBFF4, #F46CC0 and #C0F46C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EBFF4 shade: #6EBFF4, #BB6CF4, #F4A06C and #A5F46C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EBFF4 shade: #6EBFF4, #E46CF4, #F4A06C and #7CF46C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

Complementary color

CMYK 0 / 56 / 92 / 43

HEX #91400B

RGB 145 64 11

HSL 23.73, 0.86%, 0.31%

LAB 37.32, 31.51, 44.24

 

CMYK 52 / 20 / 0 / 6

HEX #73BFEF

RGB 115 191 239

HSL 203.23, 0.79%, 0.69%

LAB 74.28, -10.48, -31.06

 

CMYK 48 / 18 / 0 / 0

HEX #84D1FF

RGB 132 209 255

HSL 202.44, 1%, 0.76%

LAB 80.59, -11.71, -29.86

 

CMYK 42 / 11 / 0 / 0

HEX #95E3FF

RGB 149 227 255

HSL 195.85, 1%, 0.79%

LAB 86.28, -16.97, -21.12

 

CMYK 35 / 4 / 0 / 0

HEX #A6F5FF

RGB 166 245 255

HSL 186.74, 1%, 0.83%

LAB 91.97, -21.66, -12.48

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

CMYK 59 / 23 / 0 / 12

HEX #5DADE1

RGB 93 173 225

HSL 203.64, 0.69%, 0.62%

LAB 67.76, -9.45, -33.58

 

CMYK 63 / 25 / 0 / 19

HEX #4C9BCE

RGB 76 155 206

HSL 203.54, 0.57%, 0.55%

LAB 61.16, -8.69, -33.36

 

CMYK 68 / 27 / 0 / 27

HEX #3B89BB

RGB 59 137 187

HSL 203.44, 0.52%, 0.48%

LAB 54.46, -7.7, -33.13

 

CMYK 75 / 29 / 0 / 34

HEX #2A77A8

RGB 42 119 168

HSL 203.33, 0.6%, 0.41%

LAB 47.64, -6.42, -32.87

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 56 / 37 / 0 / 4

HEX #6C99F4

RGB 108 153 244

HSL 220.15, 0.86%, 0.69%

LAB 63.76, 10.83, -50.24

 

CMYK 56 / 52 / 0 / 4

HEX #6C75F4

RGB 108 117 244

HSL 236.03, 0.86%, 0.69%

LAB 54.49, 32.27, -65.04

 

CMYK 44 / 56 / 0 / 4

HEX #886CF4

RGB 136 108 244

HSL 252.35, 0.86%, 0.69%

LAB 54.54, 43.2, -64.85

 

CMYK 30 / 56 / 0 / 4

HEX #AC6CF4

RGB 172 108 244

HSL 268.24, 0.86%, 0.69%

LAB 58.06, 51.37, -59

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 56 / 37 / 0 / 4

HEX #6C99F4

RGB 108 153 244

HSL 220.15, 0.86%, 0.69%

LAB 63.76, 10.83, -50.24

 

CMYK 56 / 52 / 0 / 4

HEX #6C75F4

RGB 108 117 244

HSL 236.03, 0.86%, 0.69%

LAB 54.49, 32.27, -65.04

 

CMYK 56 / 56 / 0 / 4

HEX #6C6CF4

RGB 108 108 244

HSL 240, 0.86%, 0.69%

LAB 52.34, 37.65, -68.52

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 48 / 19 / 0 / 9

HEX #79BBE7

RGB 121 187 231

HSL 204, 0.7%, 0.69%

LAB 73.14, -9.27, -28.46

 

CMYK 39 / 15 / 0 / 15

HEX #86B9DA

RGB 134 185 218

HSL 203.57, 0.53%, 0.69%

LAB 72.78, -8.49, -21.89

 

CMYK 29 / 12 / 0 / 19

HEX #92B6CE

RGB 146 182 206

HSL 204, 0.38%, 0.69%

LAB 72.24, -6.54, -16.08

 

CMYK 18 / 7 / 0 / 24

HEX #9FB3C1

RGB 159 179 193

HSL 204.71, 0.22%, 0.69%

LAB 71.87, -3.91, -9.44

 

CMYK 56 / 0 / 8 / 4

HEX #6CF4E0

RGB 108 244 224

HSL 171.18, 0.86%, 0.69%

LAB 88.58, -41.85, -1.6

 

CMYK 56 / 7 / 0 / 4

HEX #6CE4F4

RGB 108 228 244

HSL 187.06, 0.86%, 0.69%

LAB 84.59, -29.26, -18.03

 

CMYK 56 / 21 / 0 / 4

HEX #6CC0F4

RGB 108 192 244

HSL 202.94, 0.86%, 0.69%

LAB 74.46, -11, -33.5

 

CMYK 56 / 36 / 0 / 4

HEX #6C9CF4

RGB 108 156 244

HSL 218.82, 0.86%, 0.69%

LAB 64.56, 9.08, -48.97

 

CMYK 56 / 51 / 0 / 4

HEX #6C77F4

RGB 108 119 244

HSL 235.15, 0.86%, 0.69%

LAB 54.98, 31.07, -64.25

 

CMYK 87 / 34 / 0 / 7

HEX #1F9CEE

RGB 31 156 238

HSL 203.77, 0.86%, 0.53%

LAB 61.86, -3.37, -50.1

 

CMYK 71 / 28 / 0 / 5

HEX #46ADF1

RGB 70 173 241

HSL 203.86, 0.86%, 0.61%

LAB 67.68, -8.04, -42.52

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 41 / 16 / 0 / 3

HEX #92CFF7

RGB 146 207 247

HSL 203.76, 0.86%, 0.77%

LAB 80.43, -9.48, -25.78

 

CMYK 26 / 10 / 0 / 2

HEX #B9E0FA

RGB 185 224 250

HSL 204, 0.87%, 0.85%

LAB 87.26, -7.01, -16.82

 

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

CMYK 23 / 56 / 0 / 4

HEX #BB6CF4

RGB 187 108 244

HSL 274.85, 0.86%, 0.69%

LAB 59.73, 54.99, -56.25

 

CMYK 0 / 1 / 56 / 4

HEX #F4F26C

RGB 244 242 108

HSL 59.12, 0.86%, 0.69%

LAB 93.37, -16.13, 63.57

 

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

CMYK 0 / 56 / 21 / 4

HEX #F46CC0

RGB 244 108 192

HSL 322.94, 0.86%, 0.69%

LAB 64.77, 61.26, -18.69

 

CMYK 21 / 0 / 56 / 4

HEX #C0F46C

RGB 192 244 108

HSL 82.94, 0.86%, 0.69%

LAB 90.32, -37.12, 59.14

 

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

CMYK 23 / 56 / 0 / 4

HEX #BB6CF4

RGB 187 108 244

HSL 274.85, 0.86%, 0.69%

LAB 59.73, 54.99, -56.25

 

CMYK 0 / 34 / 56 / 4

HEX #F4A06C

RGB 244 160 108

HSL 22.94, 0.86%, 0.69%

LAB 73.19, 26.02, 39.73

 

CMYK 32 / 0 / 56 / 4

HEX #A5F46C

RGB 165 244 108

HSL 94.85, 0.86%, 0.69%

LAB 88.82, -46.64, 57.02

 

CMYK 55 / 22 / 0 / 4

HEX #6EBFF4

RGB 110 191 244

HSL 203.73, 0.86%, 0.69%

LAB 74.26, -10.06, -33.8

 

CMYK 7 / 56 / 0 / 4

HEX #E46CF4

RGB 228 108 244

HSL 292.94, 0.86%, 0.69%

LAB 64.76, 65.19, -47.94

 

CMYK 0 / 34 / 56 / 4

HEX #F4A06C

RGB 244 160 108

HSL 22.94, 0.86%, 0.69%

LAB 73.19, 26.02, 39.73

 

CMYK 49 / 0 / 56 / 4

HEX #7CF46C

RGB 124 244 108

HSL 112.94, 0.86%, 0.69%

LAB 87.03, -59.16, 54.48

 

Description

Color code: HEX #6EBFF4 | qconv.com Color code: HEX #6EBFF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 191 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 191 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 22 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 22% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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