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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB6D4 it is the complementary color #91492B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB6D4 shade: #73B6CF, #84C8E2, #95DAF5, #A6ECFF and #B7FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB6D4 shade: #6EB6D4, #5DA4C1, #4C92AE, #3B809B and #2A6E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB6D4 shade: #6EB6D4, #6E9AD4, #6E7FD4, #786ED4 and #946ED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB6D4 shade: #6EB6D4, #6E9AD4, #6E7FD4 and #6E6ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB6D4 shade matches the following richer shades: #6EB6D4, #5EBCE3 and #4FC2F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB6D4 shade: #6EB6D4, #7DAFC4, #8CA9B5, #9BA3A6 and #AB9C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB6D4 shade: #6ED4BA, #6ED2D4, #6EB7D4, #6E9CD4 and #6E80D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB6D4 shade: #3792B8, #4EA6CA, #6EB6D4, #8DC6DD and #ADD6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB6D4 shade: #6EB6D4, #9F6ED4 and #D4C86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB6D4 shade: #6EB6D4, #D46EB7 and #B7D46E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB6D4 shade: #6EB6D4, #9F6ED4, #D48B6E and #A2D46E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB6D4 shade: #6EB6D4, #BE6ED4, #D48B6E and #84D46E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

Complementary color

CMYK 0 / 50 / 70 / 43

HEX #91492B

RGB 145 73 43

HSL 17.65, 0.54%, 0.37%

LAB 39.51, 27.86, 31.3

 

CMYK 44 / 12 / 0 / 19

HEX #73B6CF

RGB 115 182 207

HSL 196.3, 0.49%, 0.63%

LAB 70.6, -14.68, -19.28

 

CMYK 42 / 12 / 0 / 11

HEX #84C8E2

RGB 132 200 226

HSL 196.6, 0.62%, 0.7%

LAB 77.1, -14.82, -19.66

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF5

RGB 149 218 245

HSL 196.88, 0.83%, 0.77%

LAB 83.51, -14.93, -20.03

 

CMYK 35 / 7 / 0 / 0

HEX #A6ECFF

RGB 166 236 255

HSL 192.81, 1%, 0.83%

LAB 89.54, -17.2, -16.12

 

CMYK 28 / 0 / 0 / 0

HEX #B7FEFF

RGB 183 254 255

HSL 180.83, 1%, 0.86%

LAB 95.23, -21.52, -7.54

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 52 / 15 / 0 / 24

HEX #5DA4C1

RGB 93 164 193

HSL 197.4, 0.45%, 0.56%

LAB 63.94, -14.21, -21.77

 

CMYK 56 / 16 / 0 / 32

HEX #4C92AE

RGB 76 146 174

HSL 197.14, 0.39%, 0.49%

LAB 57.22, -13.82, -21.39

 

CMYK 62 / 17 / 0 / 39

HEX #3B809B

RGB 59 128 155

HSL 196.88, 0.45%, 0.42%

LAB 50.38, -13.29, -21

 

CMYK 69 / 19 / 0 / 47

HEX #2A6E88

RGB 42 110 136

HSL 196.6, 0.53%, 0.35%

LAB 43.39, -12.52, -20.56

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 48 / 27 / 0 / 17

HEX #6E9AD4

RGB 110 154 212

HSL 214.12, 0.54%, 0.63%

LAB 62.66, 0.89, -34.27

 

CMYK 48 / 40 / 0 / 17

HEX #6E7FD4

RGB 110 127 212

HSL 230, 0.54%, 0.63%

LAB 55.33, 16.73, -45.78

 

CMYK 43 / 48 / 0 / 17

HEX #786ED4

RGB 120 110 212

HSL 245.88, 0.54%, 0.63%

LAB 51.72, 29.33, -51.47

 

CMYK 30 / 48 / 0 / 17

HEX #946ED4

RGB 148 110 212

HSL 262.35, 0.54%, 0.63%

LAB 54.24, 36.43, -47.31

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 48 / 27 / 0 / 17

HEX #6E9AD4

RGB 110 154 212

HSL 214.12, 0.54%, 0.63%

LAB 62.66, 0.89, -34.27

 

CMYK 48 / 40 / 0 / 17

HEX #6E7FD4

RGB 110 127 212

HSL 230, 0.54%, 0.63%

LAB 55.33, 16.73, -45.78

 

CMYK 48 / 48 / 0 / 17

HEX #6E6ED4

RGB 110 110 212

HSL 240, 0.54%, 0.63%

LAB 50.94, 26.99, -52.76

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 59 / 17 / 0 / 11

HEX #5EBCE3

RGB 94 188 227

HSL 197.59, 0.7%, 0.63%

LAB 72.16, -16.67, -27.89

 

CMYK 67 / 20 / 0 / 5

HEX #4FC2F2

RGB 79 194 242

HSL 197.67, 0.86%, 0.63%

LAB 73.97, -17.71, -33.25

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 36 / 11 / 0 / 23

HEX #7DAFC4

RGB 125 175 196

HSL 197.75, 0.38%, 0.63%

LAB 68.76, -11.26, -15.97

 

CMYK 23 / 7 / 0 / 29

HEX #8CA9B5

RGB 140 169 181

HSL 197.56, 0.22%, 0.63%

LAB 67.49, -7.24, -9.47

 

CMYK 7 / 2 / 0 / 35

HEX #9BA3A6

RGB 155 163 166

HSL 196.36, 0.06%, 0.63%

LAB 66.46, -2.23, -2.54

 

CMYK 0 / 9 / 12 / 33

HEX #AB9C97

RGB 171 156 151

HSL 15, 0.11%, 0.63%

LAB 65.49, 4.62, 4.6

 

CMYK 48 / 0 / 12 / 17

HEX #6ED4BA

RGB 110 212 186

HSL 164.71, 0.54%, 0.63%

LAB 78.43, -36, 3.7

 

CMYK 48 / 1 / 0 / 17

HEX #6ED2D4

RGB 110 210 212

HSL 181.18, 0.54%, 0.63%

LAB 78.56, -28.67, -10.05

 

CMYK 48 / 14 / 0 / 17

HEX #6EB7D4

RGB 110 183 212

HSL 197.06, 0.54%, 0.63%

LAB 70.83, -15.03, -21.69

 

CMYK 48 / 26 / 0 / 17

HEX #6E9CD4

RGB 110 156 212

HSL 212.94, 0.54%, 0.63%

LAB 63.21, -0.25, -33.4

 

CMYK 48 / 40 / 0 / 17

HEX #6E80D4

RGB 110 128 212

HSL 229.41, 0.54%, 0.63%

LAB 55.59, 16.13, -45.36

 

CMYK 70 / 21 / 0 / 28

HEX #3792B8

RGB 55 146 184

HSL 197.67, 0.54%, 0.47%

LAB 56.91, -14.38, -27.62

 

CMYK 61 / 18 / 0 / 21

HEX #4EA6CA

RGB 78 166 202

HSL 197.42, 0.54%, 0.55%

LAB 64.29, -15.61, -26.3

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 36 / 10 / 0 / 13

HEX #8DC6DD

RGB 141 198 221

HSL 197.25, 0.54%, 0.71%

LAB 76.84, -12.72, -17.32

 

CMYK 25 / 7 / 0 / 9

HEX #ADD6E7

RGB 173 214 231

HSL 197.59, 0.55%, 0.79%

LAB 83.31, -9.63, -12.77

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 25 / 48 / 0 / 17

HEX #9F6ED4

RGB 159 110 212

HSL 268.82, 0.54%, 0.63%

LAB 55.36, 39.39, -45.47

 

CMYK 0 / 6 / 48 / 17

HEX #D4C86E

RGB 212 200 110

HSL 52.94, 0.54%, 0.63%

LAB 79.86, -7.89, 46.2

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 0 / 48 / 14 / 17

HEX #D46EB7

RGB 212 110 183

HSL 317.06, 0.54%, 0.63%

LAB 60.4, 49.33, -20.64

 

CMYK 14 / 0 / 48 / 17

HEX #B7D46E

RGB 183 212 110

HSL 77.06, 0.54%, 0.63%

LAB 80.89, -25.41, 46.95

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 25 / 48 / 0 / 17

HEX #9F6ED4

RGB 159 110 212

HSL 268.82, 0.54%, 0.63%

LAB 55.36, 39.39, -45.47

 

CMYK 0 / 34 / 48 / 17

HEX #D48B6E

RGB 212 139 110

HSL 17.06, 0.54%, 0.63%

LAB 64.63, 24.61, 26.93

 

CMYK 24 / 0 / 48 / 17

HEX #A2D46E

RGB 162 212 110

HSL 89.41, 0.54%, 0.63%

LAB 79.55, -33.29, 45.01

 

CMYK 48 / 14 / 0 / 17

HEX #6EB6D4

RGB 110 182 212

HSL 197.65, 0.54%, 0.63%

LAB 70.54, -14.5, -22.13

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 0 / 34 / 48 / 17

HEX #D48B6E

RGB 212 139 110

HSL 17.06, 0.54%, 0.63%

LAB 64.63, 24.61, 26.93

 

CMYK 38 / 0 / 48 / 17

HEX #84D46E

RGB 132 212 110

HSL 107.06, 0.54%, 0.63%

LAB 77.94, -43.59, 42.67

 

Description

Color code: HEX #6EB6D4 | qconv.com Color code: HEX #6EB6D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 182 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 182 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 14 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 14% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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