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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB616 it is the complementary color #9149E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB616 shade: #73B611, #84C824, #95DA37, #A6EC4A and #B7FE5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB616 shade: #6EB616, #5DA403, #4C9200, #3B8000 and #2A6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB616 shade: #6EB616, #99B616, #B6A716, #B67C16 and #B65216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB616 shade: #6EB616, #43B616, #18B616, #16B640 and #16B66B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB616 shade matches the following richer shades: #6EB616 and #70C606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB616 shade: #6EB616, #6CA527, #6B9537, #698448 and #677458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB616 shade: #B6A816, #98B616, #6EB616, #44B616 and #19B616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB616 shade: #416C0D, #589112, #6EB616, #84DA1B and #98E638

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB616 shade: #6EB616, #16B67E and #B616AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB616 shade: #6EB616, #166EB6 and #B6166E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB616 shade: #6EB616, #16B67E, #5E16B6 and #B6164E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB616 shade: #6EB616, #16B6AE, #5E16B6 and #B6161E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

Complementary color

CMYK 38 / 69 / 0 / 9

HEX #9149E9

RGB 145 73 233

HSL 267, 0.78%, 0.6%

LAB 47.84, 60.54, -69.49

 

CMYK 37 / 0 / 91 / 29

HEX #73B611

RGB 115 182 17

HSL 84.36, 0.83%, 0.39%

LAB 67.38, -43.82, 65.84

 

CMYK 34 / 0 / 82 / 22

HEX #84C824

RGB 132 200 36

HSL 84.88, 0.69%, 0.46%

LAB 73.77, -44.65, 67.63

 

CMYK 32 / 0 / 75 / 15

HEX #95DA37

RGB 149 218 55

HSL 85.4, 0.69%, 0.54%

LAB 80.07, -45.26, 68.26

 

CMYK 30 / 0 / 69 / 7

HEX #A6EC4A

RGB 166 236 74

HSL 85.93, 0.81%, 0.61%

LAB 86.3, -45.69, 68.18

 

CMYK 28 / 0 / 63 / 0

HEX #B7FE5D

RGB 183 254 93

HSL 86.46, 0.99%, 0.68%

LAB 92.46, -45.99, 67.66

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 43 / 0 / 98 / 36

HEX #5DA403

RGB 93 164 3

HSL 86.46, 0.96%, 0.33%

LAB 60.68, -44.42, 61.93

 

CMYK 48 / 0 / 100 / 43

HEX #4C9200

RGB 76 146 0

HSL 88.77, 1%, 0.29%

LAB 54.13, -42.95, 56.92

 

CMYK 54 / 0 / 100 / 50

HEX #3B8000

RGB 59 128 0

HSL 92.34, 1%, 0.25%

LAB 47.45, -41.28, 51.39

 

CMYK 62 / 0 / 100 / 57

HEX #2A6E00

RGB 42 110 0

HSL 97.09, 1%, 0.22%

LAB 40.64, -39.37, 45.76

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 16 / 0 / 88 / 29

HEX #99B616

RGB 153 182 22

HSL 70.88, 0.78%, 0.4%

LAB 69.67, -28.81, 67.77

 

CMYK 0 / 8 / 88 / 29

HEX #B6A716

RGB 182 167 22

HSL 54.38, 0.78%, 0.4%

LAB 67.75, -8.69, 67.17

 

CMYK 0 / 32 / 88 / 29

HEX #B67C16

RGB 182 124 22

HSL 38.25, 0.78%, 0.4%

LAB 56.5, 14.71, 58.15

 

CMYK 0 / 55 / 88 / 29

HEX #B65216

RGB 182 82 22

HSL 22.5, 0.78%, 0.4%

LAB 47.02, 37.44, 50.55

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 63 / 0 / 88 / 29

HEX #43B616

RGB 67 182 22

HSL 103.13, 0.78%, 0.4%

LAB 65.52, -58.07, 62.6

 

CMYK 87 / 0 / 88 / 29

HEX #18B616

RGB 24 182 22

HSL 119.25, 0.78%, 0.4%

LAB 64.73, -64.89, 61.61

 

CMYK 88 / 0 / 65 / 29

HEX #16B640

RGB 22 182 64

HSL 135.75, 0.78%, 0.4%

LAB 64.96, -61.92, 47.97

 

CMYK 88 / 0 / 41 / 29

HEX #16B66B

RGB 22 182 107

HSL 151.88, 0.78%, 0.4%

LAB 65.51, -55.35, 27.66

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 43 / 0 / 97 / 22

HEX #70C606

RGB 112 198 6

HSL 86.88, 0.94%, 0.4%

LAB 72.13, -51.54, 71

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 35 / 0 / 76 / 35

HEX #6CA527

RGB 108 165 39

HSL 87.14, 0.62%, 0.4%

LAB 61.86, -38.2, 55.28

 

CMYK 28 / 0 / 63 / 42

HEX #6B9537

RGB 107 149 55

HSL 86.81, 0.46%, 0.4%

LAB 56.97, -30.09, 43.84

 

CMYK 20 / 0 / 45 / 48

HEX #698448

RGB 105 132 72

HSL 87, 0.29%, 0.4%

LAB 51.81, -20.6, 29.2

 

CMYK 11 / 0 / 24 / 55

HEX #677458

RGB 103 116 88

HSL 87.86, 0.14%, 0.4%

LAB 47.08, -10.37, 13.89

 

CMYK 0 / 8 / 88 / 29

HEX #B6A816

RGB 182 168 22

HSL 54.75, 0.78%, 0.4%

LAB 68.03, -9.21, 67.38

 

CMYK 16 / 0 / 88 / 29

HEX #98B616

RGB 152 182 22

HSL 71.25, 0.78%, 0.4%

LAB 69.6, -29.23, 67.68

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 63 / 0 / 88 / 29

HEX #44B616

RGB 68 182 22

HSL 102.75, 0.78%, 0.4%

LAB 65.55, -57.84, 62.63

 

CMYK 86 / 0 / 88 / 29

HEX #19B616

RGB 25 182 22

HSL 118.88, 0.78%, 0.4%

LAB 64.74, -64.8, 61.62

 

CMYK 40 / 0 / 88 / 58

HEX #416C0D

RGB 65 108 13

HSL 87.16, 0.79%, 0.24%

LAB 41.02, -30.23, 43.25

 

CMYK 39 / 0 / 88 / 43

HEX #589112

RGB 88 145 18

HSL 86.93, 0.78%, 0.32%

LAB 54.42, -37.84, 54.16

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 39 / 0 / 88 / 15

HEX #84DA1B

RGB 132 218 27

HSL 87.02, 0.78%, 0.48%

LAB 79.11, -52.33, 74.23

 

CMYK 34 / 0 / 76 / 10

HEX #98E638

RGB 152 230 56

HSL 86.9, 0.78%, 0.56%

LAB 83.73, -49.17, 71.5

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 88 / 0 / 31 / 29

HEX #16B67E

RGB 22 182 126

HSL 159, 0.78%, 0.4%

LAB 65.85, -51.38, 17.97

 

CMYK 0 / 88 / 4 / 29

HEX #B616AE

RGB 182 22 174

HSL 303, 0.78%, 0.4%

LAB 43.62, 72.6, -41.91

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 88 / 40 / 0 / 29

HEX #166EB6

RGB 22 110 182

HSL 207, 0.78%, 0.4%

LAB 45.22, 2.36, -44.88

 

CMYK 0 / 88 / 40 / 29

HEX #B6166E

RGB 182 22 110

HSL 327, 0.78%, 0.4%

LAB 40.65, 64.65, -7.48

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 88 / 0 / 31 / 29

HEX #16B67E

RGB 22 182 126

HSL 159, 0.78%, 0.4%

LAB 65.85, -51.38, 17.97

 

CMYK 48 / 88 / 0 / 29

HEX #5E16B6

RGB 94 22 182

HSL 267, 0.78%, 0.4%

LAB 30.23, 60.61, -69.01

 

CMYK 0 / 88 / 57 / 29

HEX #B6164E

RGB 182 22 78

HSL 339, 0.78%, 0.4%

LAB 39.7, 61.98, 11.43

 

CMYK 40 / 0 / 88 / 29

HEX #6EB616

RGB 110 182 22

HSL 87, 0.78%, 0.4%

LAB 67.15, -45.46, 64.64

 

CMYK 88 / 0 / 4 / 29

HEX #16B6AE

RGB 22 182 174

HSL 177, 0.78%, 0.4%

LAB 67.04, -38.86, -6.71

 

CMYK 48 / 88 / 0 / 29

HEX #5E16B6

RGB 94 22 182

HSL 267, 0.78%, 0.4%

LAB 30.23, 60.61, -69.01

 

CMYK 0 / 88 / 84 / 29

HEX #B6161E

RGB 182 22 30

HSL 357, 0.78%, 0.4%

LAB 38.92, 59.74, 39.95

 

Description

Color code: HEX #6EB616 | qconv.com Color code: HEX #6EB616 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 182 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 182 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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