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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB4AF it is the complementary color #914B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB4AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6EB4AF: #73B4AA, #84C6BD, #95D8D0, #A6EAE3 and #B7FCF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB4AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6EB4AF: #6EB4AF, #5DA29C, #4C9089, #3B7E76 and #2A6C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

Complementary color

CMYK 0 / 48 / 45 / 43

HEX #914B50

RGB 145 75 80

HSL 355.71, 0.32%, 0.43%

LAB 40.62, 29.93, 10.47

 

CMYK 36 / 0 / 6 / 29

HEX #73B4AA

RGB 115 180 170

HSL 170.77, 0.3%, 0.58%

LAB 68.89, -23.04, -1.48

 

CMYK 33 / 0 / 5 / 22

HEX #84C6BD

RGB 132 198 189

HSL 171.82, 0.37%, 0.65%

LAB 75.43, -22.89, -2.17

 

CMYK 31 / 0 / 4 / 15

HEX #95D8D0

RGB 149 216 208

HSL 172.84, 0.46%, 0.72%

LAB 81.87, -22.75, -2.82

 

CMYK 29 / 0 / 3 / 8

HEX #A6EAE3

RGB 166 234 227

HSL 173.82, 0.62%, 0.78%

LAB 88.21, -22.62, -3.44

 

CMYK 27 / 0 / 2 / 1

HEX #B7FCF6

RGB 183 252 246

HSL 174.78, 0.92%, 0.85%

LAB 94.46, -22.5, -4.03

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 43 / 0 / 4 / 36

HEX #5DA29C

RGB 93 162 156

HSL 174.78, 0.27%, 0.5%

LAB 62.14, -23.29, -3.72

 

CMYK 47 / 0 / 5 / 44

HEX #4C9089

RGB 76 144 137

HSL 173.82, 0.31%, 0.43%

LAB 55.37, -23.34, -2.97

 

CMYK 53 / 0 / 6 / 51

HEX #3B7E76

RGB 59 126 118

HSL 172.84, 0.36%, 0.36%

LAB 48.46, -23.34, -2.15

 

CMYK 61 / 0 / 8 / 58

HEX #2A6C63

RGB 42 108 99

HSL 171.82, 0.44%, 0.29%

LAB 41.4, -23.22, -1.23

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 39 / 3 / 0 / 29

HEX #6EAEB4

RGB 110 174 180

HSL 185.14, 0.32%, 0.57%

LAB 67.19, -18.88, -9.55

 

CMYK 39 / 10 / 0 / 29

HEX #6EA2B4

RGB 110 162 180

HSL 195.43, 0.32%, 0.57%

LAB 63.71, -12.54, -14.77

 

CMYK 39 / 16 / 0 / 29

HEX #6E97B4

RGB 110 151 180

HSL 204.86, 0.32%, 0.57%

LAB 60.55, -6.51, -19.56

 

CMYK 39 / 23 / 0 / 29

HEX #6E8BB4

RGB 110 139 180

HSL 215.14, 0.32%, 0.57%

LAB 57.15, 0.3, -24.77

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 39 / 0 / 3 / 9

HEX #8DE7E1

RGB 141 231 225

HSL 176, 0.65%, 0.73%

LAB 86.13, -28.29, -5.58

 

CMYK 37 / 0 / 4 / 89

HEX #111B1A

RGB 17 27 26

HSL 174, 0.23%, 0.09%

LAB 8.8, -4.78, -0.77

 

CMYK 38 / 0 / 3 / 69

HEX #304E4C

RGB 48 78 76

HSL 176, 0.24%, 0.25%

LAB 30.88, -11.66, -2.37

 

CMYK 39 / 0 / 3 / 49

HEX #4F817D

RGB 79 129 125

HSL 175.2, 0.24%, 0.41%

LAB 50.5, -17.8, -3.16

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 34 / 39 / 0 / 29

HEX #766EB4

RGB 118 110 180

HSL 246.86, 0.32%, 0.57%

LAB 49.86, 19.77, -36.08

 

CMYK 0 / 19 / 39 / 29

HEX #B4926E

RGB 180 146 110

HSL 30.86, 0.32%, 0.57%

LAB 62.83, 7.73, 23.91

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 3 / 39 / 0 / 29

HEX #AE6EB4

RGB 174 110 180

HSL 294.86, 0.32%, 0.57%

LAB 55.53, 36.86, -26.81

 

CMYK 0 / 3 / 39 / 29

HEX #B4AE6E

RGB 180 174 110

HSL 54.86, 0.32%, 0.57%

LAB 70.25, -7.42, 33.61

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 34 / 39 / 0 / 29

HEX #766EB4

RGB 118 110 180

HSL 246.86, 0.32%, 0.57%

LAB 49.86, 19.77, -36.08

 

CMYK 0 / 39 / 36 / 29

HEX #B46E74

RGB 180 110 116

HSL 354.86, 0.32%, 0.57%

LAB 54.15, 28.53, 8.52

 

CMYK 4 / 0 / 39 / 29

HEX #ACB46E

RGB 172 180 110

HSL 66.86, 0.32%, 0.57%

LAB 71.24, -13.78, 34.76

 

CMYK 39 / 0 / 3 / 29

HEX #6EB4AF

RGB 110 180 175

HSL 175.71, 0.32%, 0.57%

LAB 68.79, -23.2, -4.41

 

CMYK 23 / 39 / 0 / 29

HEX #8B6EB4

RGB 139 110 180

HSL 264.86, 0.32%, 0.57%

LAB 51.76, 25.95, -32.95

 

CMYK 0 / 39 / 36 / 29

HEX #B46E74

RGB 180 110 116

HSL 354.86, 0.32%, 0.57%

LAB 54.15, 28.53, 8.52

 

CMYK 16 / 0 / 39 / 29

HEX #97B46E

RGB 151 180 110

HSL 84.86, 0.32%, 0.57%

LAB 69.72, -22, 32.49

 

Description

Color code: HEX #6EB4AF | qconv.com Color code: HEX #6EB4AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 180 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 180 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 3 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 3% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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