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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB3FACE it is the complementary color #914C05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB3FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB3FACE shade: #73B3F5CE, #84C5FFCE, #95D7FFCE, #A6E9FFCE and #B7FBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB3FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB3FACE shade: #6EB3FACE, #5DA1E7CE, #4C8FD4CE, #3B7DC1CE and #2A6BAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB3FACE shade: #70B4FA, #708FFA, #7770FA, #9C70FA and #C170FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB3FACE shade: #70B4FA, #708FFA and #7070FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB3FACE shade matches the following richer shades: #70B4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB3FACE shade: #70B4FA, #7CB4EE, #88B4E2, #94B5D6 and #A0B5CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB3FACE shade: #70FAF5, #70DAFA, #70B5FA, #7090FA and #7570FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB3FACE shade: #218AF7, #489FF8, #70B4FA, #98C9FB and #C0DEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB3FACE shade: #6EB3FA, #D170FA and #ECFA70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB3FACE shade: #6EB3FA, #FA70B5 and #B5FA70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB3FACE shade: #6EB3FA, #D170FA, #FAB570 and #9AFA70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB3FACE shade: #6EB3FA, #FA70FA, #FAB570 and #70FA70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 23 / 0 / 2

HEX #6EB3FACE

RGBA 110 179 250 0.81

HSLA 210.43, 0.93%, 0.71%, 0.81

LABA 71.19, -1.71, -41.82, 0.81

 

Complementary color

CMYK 0 / 39 / 78 / 35

HEX #914C05CE

RGBA 145 76 5 0.81

HSLA 30.43, 0.93%, 0.29%, 0.81

LABA 39.91, 24.85, 47.91, 0.81

 

CMYK 43 / 22 / 0 / 3

HEX #73B3F5CE

RGBA 115 179 245 0.81

HSLA 210.46, 0.87%, 0.71%, 0.81

LABA 71.2, -2.19, -39.07, 0.81

 

CMYK 39 / 18 / 0 / 0

HEX #84C5FFCE

RGBA 132 197 255 0.81

HSLA 208.29, 1%, 0.76%, 0.81

LABA 77.32, -5.35, -34.9, 0.81

 

CMYK 34 / 13 / 0 / 0

HEX #95D7FFCE

RGBA 149 215 255 0.81

HSLA 202.64, 1%, 0.79%, 0.81

LABA 83.03, -10.82, -26.06, 0.81

 

CMYK 28 / 7 / 0 / 0

HEX #A6E9FFCE

RGBA 166 233 255 0.81

HSLA 194.83, 1%, 0.83%, 0.81

LABA 88.74, -15.69, -17.33, 0.81

 

CMYK 23 / 1 / 0 / 0

HEX #B7FBFFCE

RGBA 183 251 255 0.81

HSLA 183.33, 1%, 0.86%, 0.81

LABA 94.43, -20.05, -8.73, 0.81

 

CMYK 45 / 23 / 0 / 2

HEX #6EB3FACE

RGBA 110 179 250 0.81

HSLA 210.43, 0.93%, 0.71%, 0.81

LABA 71.19, -1.71, -41.82, 0.81

 

CMYK 48 / 25 / 0 / 8

HEX #5DA1E7CE

RGBA 93 161 231 0.81

HSLA 210.43, 0.74%, 0.64%, 0.81

LABA 64.63, -0.87, -41.76, 0.81

 

CMYK 52 / 26 / 0 / 14

HEX #4C8FD4CE

RGBA 76 143 212 0.81

HSLA 210.44, 0.61%, 0.56%, 0.81

LABA 57.98, 0.16, -41.71, 0.81

 

CMYK 56 / 29 / 0 / 20

HEX #3B7DC1CE

RGBA 59 125 193 0.81

HSLA 210.45, 0.53%, 0.49%, 0.81

LABA 51.21, 1.45, -41.67, 0.81

 

CMYK 61 / 31 / 0 / 26

HEX #2A6BAECE

RGBA 42 107 174 0.81

HSLA 210.45, 0.61%, 0.42%, 0.81

LABA 44.32, 3.11, -41.61, 0.81

 

CMYK 55 / 28 / 0 / 2

HEX #70B4FA

RGB 112 180 250

HSL 210.43, 0.93%, 0.71%

LAB 71.55, -1.86, -41.25

 

CMYK 55 / 43 / 0 / 2

HEX #708FFA

RGB 112 143 250

HSL 226.52, 0.93%, 0.71%

LAB 61.65, 19.41, -56.87

 

CMYK 52 / 55 / 0 / 2

HEX #7770FA

RGB 119 112 250

HSL 243.04, 0.93%, 0.71%

LAB 54.46, 39.19, -68.38

 

CMYK 38 / 55 / 0 / 2

HEX #9C70FA

RGB 156 112 250

HSL 259.13, 0.93%, 0.71%

LAB 57.62, 46.98, -63.13

 

CMYK 23 / 55 / 0 / 2

HEX #C170FA

RGB 193 112 250

HSL 275.22, 0.93%, 0.71%

LAB 61.51, 55.74, -56.69

 

CMYK 55 / 28 / 0 / 2

HEX #70B4FA

RGB 112 180 250

HSL 210.43, 0.93%, 0.71%

LAB 71.55, -1.86, -41.25

 

CMYK 55 / 43 / 0 / 2

HEX #708FFA

RGB 112 143 250

HSL 226.52, 0.93%, 0.71%

LAB 61.65, 19.41, -56.87

 

CMYK 55 / 55 / 0 / 2

HEX #7070FA

RGB 112 112 250

HSL 240, 0.93%, 0.71%

LAB 53.96, 37.87, -69.22

 

CMYK 55 / 28 / 0 / 2

HEX #70B4FA

RGB 112 180 250

HSL 210.43, 0.93%, 0.71%

LAB 71.55, -1.86, -41.25

 

CMYK 55 / 28 / 0 / 2

HEX #70B4FA

RGB 112 180 250

HSL 210.43, 0.93%, 0.71%

LAB 71.55, -1.86, -41.25

 

CMYK 48 / 24 / 0 / 7

HEX #7CB4EE

RGB 124 180 238

HSL 210.53, 0.77%, 0.71%

LAB 71.62, -2.79, -34.58

 

CMYK 40 / 20 / 0 / 11

HEX #88B4E2

RGB 136 180 226

HSL 210.67, 0.61%, 0.71%

LAB 71.8, -3.14, -27.72

 

CMYK 31 / 15 / 0 / 16

HEX #94B5D6

RGB 148 181 214

HSL 210, 0.45%, 0.71%

LAB 72.36, -3.46, -20.26

 

CMYK 21 / 10 / 0 / 21

HEX #A0B5CA

RGB 160 181 202

HSL 210, 0.28%, 0.71%

LAB 72.75, -2.67, -13.04

 

CMYK 55 / 0 / 2 / 2

HEX #70FAF5

RGB 112 250 245

HSL 177.83, 0.93%, 0.71%

LAB 90.97, -38.55, -9

 

CMYK 55 / 13 / 0 / 2

HEX #70DAFA

RGB 112 218 250

HSL 193.91, 0.93%, 0.71%

LAB 82.1, -21.92, -24.96

 

CMYK 55 / 28 / 0 / 2

HEX #70B5FA

RGB 112 181 250

HSL 210, 0.93%, 0.71%

LAB 71.82, -2.41, -40.82

 

CMYK 55 / 42 / 0 / 2

HEX #7090FA

RGB 112 144 250

HSL 226.09, 0.93%, 0.71%

LAB 61.91, 18.82, -56.45

 

CMYK 53 / 55 / 0 / 2

HEX #7570FA

RGB 117 112 250

HSL 242.17, 0.93%, 0.71%

LAB 54.31, 38.8, -68.62

 

CMYK 87 / 44 / 0 / 3

HEX #218AF7

RGB 33 138 247

HSL 210.56, 0.93%, 0.55%

LAB 57.28, 10.78, -62.36

 

CMYK 71 / 36 / 0 / 3

HEX #489FF8

RGB 72 159 248

HSL 210.34, 0.93%, 0.63%

LAB 64.12, 2.53, -51.95

 

CMYK 55 / 28 / 0 / 2

HEX #70B4FA

RGB 112 180 250

HSL 210.43, 0.93%, 0.71%

LAB 71.55, -1.86, -41.25

 

CMYK 39 / 20 / 0 / 2

HEX #98C9FB

RGB 152 201 251

HSL 210.3, 0.93%, 0.79%

LAB 79.28, -3.73, -29.65

 

CMYK 24 / 12 / 0 / 1

HEX #C0DEFD

RGB 192 222 253

HSL 210.49, 0.94%, 0.87%

LAB 87.26, -3.25, -18.35

 

CMYK 56 / 28 / 0 / 2

HEX #6EB3FA

RGB 110 179 250

HSL 210.43, 0.93%, 0.71%

LAB 71.19, -1.71, -41.82

 

CMYK 16 / 55 / 0 / 2

HEX #D170FA

RGB 209 112 250

HSL 282.17, 0.93%, 0.71%

LAB 63.38, 59.7, -53.59

 

CMYK 6 / 0 / 55 / 2

HEX #ECFA70

RGB 236 250 112

HSL 66.09, 0.93%, 0.71%

LAB 94.9, -22.84, 63.39

 

CMYK 56 / 28 / 0 / 2

HEX #6EB3FA

RGB 110 179 250

HSL 210.43, 0.93%, 0.71%

LAB 71.19, -1.71, -41.82

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 28 / 0 / 55 / 2

HEX #B5FA70

RGB 181 250 112

HSL 90, 0.93%, 0.71%

LAB 91.4, -43.35, 58.46

 

CMYK 56 / 28 / 0 / 2

HEX #6EB3FA

RGB 110 179 250

HSL 210.43, 0.93%, 0.71%

LAB 71.19, -1.71, -41.82

 

CMYK 16 / 55 / 0 / 2

HEX #D170FA

RGB 209 112 250

HSL 282.17, 0.93%, 0.71%

LAB 63.38, 59.7, -53.59

 

CMYK 0 / 28 / 55 / 2

HEX #FAB570

RGB 250 181 112

HSL 30, 0.93%, 0.71%

LAB 78.78, 17.7, 44.72

 

CMYK 38 / 0 / 55 / 2

HEX #9AFA70

RGB 154 250 112

HSL 101.74, 0.93%, 0.71%

LAB 90.05, -52.31, 56.55

 

CMYK 56 / 28 / 0 / 2

HEX #6EB3FA

RGB 110 179 250

HSL 210.43, 0.93%, 0.71%

LAB 71.19, -1.71, -41.82

 

CMYK 0 / 55 / 0 / 2

HEX #FA70FA

RGB 250 112 250

HSL 300, 0.93%, 0.71%

LAB 68.62, 70.01, -44.98

 

CMYK 0 / 28 / 55 / 2

HEX #FAB570

RGB 250 181 112

HSL 30, 0.93%, 0.71%

LAB 78.78, 17.7, 44.72

 

CMYK 55 / 0 / 55 / 2

HEX #70FA70

RGB 112 250 112

HSL 120, 0.93%, 0.71%

LAB 88.44, -64, 54.25

 

Description

Color code: HEX #6EB3FACE | qconv.com Color code: HEX #6EB3FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 179 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 179 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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