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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB331 it is the complementary color #914CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB331 shade: #73B32C, #84C53F, #95D752, #A6E965 and #B7FB78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB331 shade: #6EB331, #5DA11E, #4C8F0B, #3B7D00 and #2A6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB331 shade: #6FB431, #92B431, #B4B331, #B49031 and #B46C31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB331 shade: #6FB431, #4BB431, #31B43B, #31B45E and #31B481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB331 shade matches the following richer shades: #6FB431, #6EC71F and #6CD90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB331 shade: #6FB431, #70A244, #718F56, #727C69 and #736A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB331 shade: #B4B231, #93B431, #71B431, #4EB431 and #31B438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB331 shade: #477320, #5B9428, #6FB431, #83CC43 and #99D464

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB331 shade: #6EB331, #31B48F and #B431A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB331 shade: #6EB331, #3171B4 and #B43171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB331 shade: #6EB331, #31B48F, #7531B4 and #B43156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB331 shade: #6EB331, #31B2B4, #7531B4 and #B43431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

Complementary color

CMYK 30 / 63 / 0 / 19

HEX #914CCE

RGB 145 76 206

HSL 271.85, 0.57%, 0.55%

LAB 46.51, 52.65, -56.27

 

CMYK 36 / 0 / 75 / 30

HEX #73B32C

RGB 115 179 44

HSL 88.44, 0.61%, 0.44%

LAB 66.57, -41.45, 58.26

 

CMYK 33 / 0 / 68 / 23

HEX #84C53F

RGB 132 197 63

HSL 89.1, 0.54%, 0.51%

LAB 73.02, -41.85, 58.06

 

CMYK 31 / 0 / 62 / 16

HEX #95D752

RGB 149 215 82

HSL 89.77, 0.62%, 0.58%

LAB 79.39, -42.1, 57.4

 

CMYK 29 / 0 / 57 / 9

HEX #A6E965

RGB 166 233 101

HSL 90.45, 0.75%, 0.65%

LAB 85.67, -42.24, 56.49

 

CMYK 27 / 0 / 52 / 2

HEX #B7FB78

RGB 183 251 120

HSL 91.15, 0.94%, 0.73%

LAB 91.87, -42.3, 55.46

 

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

CMYK 42 / 0 / 81 / 37

HEX #5DA11E

RGB 93 161 30

HSL 91.15, 0.69%, 0.37%

LAB 59.81, -42.35, 55.91

 

CMYK 47 / 0 / 92 / 44

HEX #4C8F0B

RGB 76 143 11

HSL 90.45, 0.86%, 0.3%

LAB 53.17, -41.45, 54.3

 

CMYK 53 / 0 / 100 / 51

HEX #3B7D00

RGB 59 125 0

HSL 91.68, 1%, 0.25%

LAB 46.44, -40.09, 50.59

 

CMYK 61 / 0 / 100 / 58

HEX #2A6B00

RGB 42 107 0

HSL 96.45, 1%, 0.21%

LAB 39.59, -38.22, 44.93

 

CMYK 38 / 0 / 73 / 29

HEX #6FB431

RGB 111 180 49

HSL 91.6, 0.57%, 0.45%

LAB 66.71, -42.98, 56.56

 

CMYK 19 / 0 / 73 / 29

HEX #92B431

RGB 146 180 49

HSL 75.57, 0.57%, 0.45%

LAB 68.73, -29.67, 59.25

 

CMYK 0 / 1 / 73 / 29

HEX #B4B331

RGB 180 179 49

HSL 59.54, 0.57%, 0.45%

LAB 70.98, -14.86, 62.3

 

CMYK 0 / 20 / 73 / 29

HEX #B49031

RGB 180 144 49

HSL 43.51, 0.57%, 0.45%

LAB 61.54, 3.72, 53.1

 

CMYK 0 / 40 / 73 / 29

HEX #B46C31

RGB 180 108 49

HSL 27.02, 0.57%, 0.45%

LAB 52.56, 23.71, 43.89

 

CMYK 38 / 0 / 73 / 29

HEX #6FB431

RGB 111 180 49

HSL 91.6, 0.57%, 0.45%

LAB 66.71, -42.98, 56.56

 

CMYK 58 / 0 / 73 / 29

HEX #4BB431

RGB 75 180 49

HSL 108.09, 0.57%, 0.45%

LAB 65.25, -53.92, 54.62

 

CMYK 73 / 0 / 67 / 29

HEX #31B43B

RGB 49 180 59

HSL 124.58, 0.57%, 0.45%

LAB 64.65, -58.52, 49.87

 

CMYK 73 / 0 / 48 / 29

HEX #31B45E

RGB 49 180 94

HSL 140.61, 0.57%, 0.45%

LAB 65.04, -53.89, 33.89

 

CMYK 73 / 0 / 28 / 29

HEX #31B481

RGB 49 180 129

HSL 156.64, 0.57%, 0.45%

LAB 65.66, -47.07, 16.13

 

CMYK 38 / 0 / 73 / 29

HEX #6FB431

RGB 111 180 49

HSL 91.6, 0.57%, 0.45%

LAB 66.71, -42.98, 56.56

 

CMYK 45 / 0 / 84 / 22

HEX #6EC71F

RGB 110 199 31

HSL 91.79, 0.73%, 0.45%

LAB 72.4, -51.95, 67.24

 

CMYK 50 / 0 / 94 / 15

HEX #6CD90C

RGB 108 217 12

HSL 91.9, 0.9%, 0.45%

LAB 77.78, -59.82, 74.86

 

CMYK 38 / 0 / 73 / 29

HEX #6FB431

RGB 111 180 49

HSL 91.6, 0.57%, 0.45%

LAB 66.71, -42.98, 56.56

 

CMYK 31 / 0 / 58 / 36

HEX #70A244

RGB 112 162 68

HSL 91.91, 0.41%, 0.45%

LAB 61.4, -33.05, 42.87

 

CMYK 21 / 0 / 40 / 44

HEX #718F56

RGB 113 143 86

HSL 91.58, 0.25%, 0.45%

LAB 55.91, -21.19, 26.95

 

CMYK 8 / 0 / 15 / 51

HEX #727C69

RGB 114 124 105

HSL 91.58, 0.08%, 0.45%

LAB 50.7, -7.48, 9.13

 

CMYK 7 / 15 / 0 / 51

HEX #736A7C

RGB 115 106 124

HSL 270, 0.08%, 0.45%

LAB 46.19, 7.23, -8.71

 

CMYK 0 / 1 / 73 / 29

HEX #B4B231

RGB 180 178 49

HSL 59.08, 0.57%, 0.45%

LAB 70.71, -14.35, 62.03

 

CMYK 18 / 0 / 73 / 29

HEX #93B431

RGB 147 180 49

HSL 75.11, 0.57%, 0.45%

LAB 68.8, -29.27, 59.34

 

CMYK 37 / 0 / 73 / 29

HEX #71B431

RGB 113 180 49

HSL 90.69, 0.57%, 0.45%

LAB 66.81, -42.28, 56.7

 

CMYK 57 / 0 / 73 / 29

HEX #4EB431

RGB 78 180 49

HSL 106.72, 0.57%, 0.45%

LAB 65.34, -53.14, 54.75

 

CMYK 73 / 0 / 69 / 29

HEX #31B438

RGB 49 180 56

HSL 123.21, 0.57%, 0.45%

LAB 64.63, -58.81, 51.07

 

CMYK 38 / 0 / 72 / 55

HEX #477320

RGB 71 115 32

HSL 91.81, 0.56%, 0.29%

LAB 43.81, -29.98, 39.29

 

CMYK 39 / 0 / 73 / 42

HEX #5B9428

RGB 91 148 40

HSL 91.67, 0.57%, 0.37%

LAB 55.64, -36.88, 48.49

 

CMYK 38 / 0 / 73 / 29

HEX #6FB431

RGB 111 180 49

HSL 91.6, 0.57%, 0.45%

LAB 66.71, -42.98, 56.56

 

CMYK 36 / 0 / 67 / 20

HEX #83CC43

RGB 131 204 67

HSL 91.97, 0.57%, 0.53%

LAB 75.09, -44.9, 58.64

 

CMYK 28 / 0 / 53 / 17

HEX #99D464

RGB 153 212 100

HSL 91.61, 0.57%, 0.61%

LAB 78.91, -37.63, 48.88

 

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 0 / 73 / 8 / 29

HEX #B431A5

RGB 180 49 165

HSL 306.87, 0.57%, 0.45%

LAB 45.1, 64.13, -34.23

 

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

CMYK 73 / 37 / 0 / 29

HEX #3171B4

RGB 49 113 180

HSL 210.69, 0.57%, 0.45%

LAB 46.66, 2.57, -41.4

 

CMYK 0 / 73 / 37 / 29

HEX #B43171

RGB 180 49 113

HSL 330.69, 0.57%, 0.45%

LAB 42.9, 57.24, -6.02

 

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 35 / 73 / 0 / 29

HEX #7531B4

RGB 117 49 180

HSL 271.15, 0.57%, 0.45%

LAB 36.51, 53.57, -57.44

 

CMYK 0 / 73 / 52 / 29

HEX #B43156

RGB 180 49 86

HSL 343.05, 0.57%, 0.45%

LAB 42.11, 54.65, 9.68

 

CMYK 39 / 0 / 73 / 30

HEX #6EB331

RGB 110 179 49

HSL 91.85, 0.57%, 0.45%

LAB 66.35, -42.9, 56.19

 

CMYK 73 / 1 / 0 / 29

HEX #31B2B4

RGB 49 178 180

HSL 180.92, 0.57%, 0.45%

LAB 66.36, -32.83, -11

 

CMYK 35 / 73 / 0 / 29

HEX #7531B4

RGB 117 49 180

HSL 271.15, 0.57%, 0.45%

LAB 36.51, 53.57, -57.44

 

CMYK 0 / 71 / 73 / 29

HEX #B43431

RGB 180 52 49

HSL 1.37, 0.57%, 0.45%

LAB 41.82, 51.16, 32.05

 

Description

Color code: HEX #6EB331 | qconv.com Color code: HEX #6EB331 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 179 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 179 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 73 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 73% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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