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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB2E64C it is the complementary color #914D194C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB2E64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB2E64C shade: #73B2E14C, #84C4F44C, #95D6FF4C, #A6E8FF4C and #B7FAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB2E64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB2E64C shade: #6EB2E64C, #5DA0D34C, #4C8EC04C, #3B7CAD4C and #2A6A9A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB2E64C shade: #6FB3E7, #6F93E7, #6F72E7, #8C6FE7 and #AC6FE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB2E64C shade: #6FB3E7, #6F93E7, #6F72E7 and #6F6FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB2E64C shade matches the following richer shades: #6FB3E7 and #61B5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB2E64C shade: #6FB3E7, #7DB1D9, #8AAFCB, #98ADBE and #A6ACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB2E64C shade: #6FE7DB, #6FD3E7, #6FB3E7, #6F93E7 and #6F73E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB2E64C shade: #298DDB, #4CA0E1, #6FB3E7, #92C5ED and #B6D8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB2E64C shade: #6EB2E6, #BB6FE7 and #E3E76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB2E64C shade: #6EB2E6, #E76FB3 and #B3E76F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB2E64C shade: #6EB2E6, #BB6FE7, #E7A36F and #9BE76F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB2E64C shade: #6EB2E6, #DF6FE7, #E7A36F and #77E76F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 7 / 0 / 3

HEX #6EB2E64C

RGBA 110 178 230 0.3

HSLA 206, 0.71%, 0.67%, 0.3

LABA 70.08, -7.18, -32.66, 0.3

 

Complementary color

CMYK 0 / 14 / 25 / 13

HEX #914D194C

RGBA 145 77 25 0.3

HSLA 26, 0.71%, 0.33%, 0.3

LABA 40.24, 24.78, 41.25, 0.3

 

CMYK 15 / 6 / 0 / 4

HEX #73B2E14C

RGBA 115 178 225 0.3

HSLA 205.64, 0.65%, 0.67%, 0.3

LABA 70.12, -7.51, -29.86, 0.3

 

CMYK 14 / 6 / 0 / 1

HEX #84C4F44C

RGBA 132 196 244 0.3

HSLA 205.71, 0.84%, 0.74%, 0.3

LABA 76.63, -7.88, -30.06, 0.3

 

CMYK 12 / 5 / 0 / 0

HEX #95D6FF4C

RGBA 149 214 255 0.3

HSLA 203.21, 1%, 0.79%, 0.3

LABA 82.76, -10.3, -26.47, 0.3

 

CMYK 10 / 3 / 0 / 0

HEX #A6E8FF4C

RGBA 166 232 255 0.3

HSLA 195.51, 1%, 0.83%, 0.3

LABA 88.47, -15.19, -17.73, 0.3

 

CMYK 8 / 1 / 0 / 0

HEX #B7FAFF4C

RGBA 183 250 255 0.3

HSLA 184.17, 1%, 0.86%, 0.3

LABA 94.17, -19.56, -9.12, 0.3

 

CMYK 16 / 7 / 0 / 3

HEX #6EB2E64C

RGBA 110 178 230 0.3

HSLA 206, 0.71%, 0.67%, 0.3

LABA 70.08, -7.18, -32.66, 0.3

 

CMYK 17 / 7 / 0 / 5

HEX #5DA0D34C

RGBA 93 160 211 0.3

HSLA 205.93, 0.57%, 0.6%, 0.3

LABA 63.48, -6.61, -32.49, 0.3

 

CMYK 18 / 8 / 0 / 7

HEX #4C8EC04C

RGBA 76 142 192 0.3

HSLA 205.86, 0.48%, 0.53%, 0.3

LABA 56.77, -5.89, -32.32, 0.3

 

CMYK 20 / 8 / 0 / 10

HEX #3B7CAD4C

RGBA 59 124 173 0.3

HSLA 205.79, 0.49%, 0.45%, 0.3

LABA 49.93, -4.96, -32.15, 0.3

 

CMYK 22 / 9 / 0 / 12

HEX #2A6A9A4C

RGBA 42 106 154 0.3

HSLA 205.71, 0.57%, 0.38%, 0.3

LABA 42.96, -3.73, -31.97, 0.3

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 52 / 36 / 0 / 9

HEX #6F93E7

RGB 111 147 231

HSL 222, 0.71%, 0.67%

LAB 61.67, 10.92, -46.36

 

CMYK 52 / 51 / 0 / 9

HEX #6F72E7

RGB 111 114 231

HSL 238.5, 0.71%, 0.67%

LAB 53.15, 30.61, -59.93

 

CMYK 39 / 52 / 0 / 9

HEX #8C6FE7

RGB 140 111 231

HSL 254.5, 0.71%, 0.67%

LAB 54.78, 38.82, -57.2

 

CMYK 26 / 52 / 0 / 9

HEX #AC6FE7

RGB 172 111 231

HSL 270.5, 0.71%, 0.67%

LAB 57.95, 46.73, -51.95

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 52 / 36 / 0 / 9

HEX #6F93E7

RGB 111 147 231

HSL 222, 0.71%, 0.67%

LAB 61.67, 10.92, -46.36

 

CMYK 52 / 51 / 0 / 9

HEX #6F72E7

RGB 111 114 231

HSL 238.5, 0.71%, 0.67%

LAB 53.15, 30.61, -59.93

 

CMYK 52 / 52 / 0 / 9

HEX #6F6FE7

RGB 111 111 231

HSL 240, 0.71%, 0.67%

LAB 52.42, 32.41, -61.11

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 60 / 26 / 0 / 4

HEX #61B5F4

RGB 97 181 244

HSL 205.71, 0.87%, 0.67%

LAB 70.95, -7.16, -38.97

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 42 / 18 / 0 / 15

HEX #7DB1D9

RGB 125 177 217

HSL 206.09, 0.55%, 0.67%

LAB 70.05, -6.78, -25.56

 

CMYK 32 / 14 / 0 / 20

HEX #8AAFCB

RGB 138 175 203

HSL 205.85, 0.38%, 0.67%

LAB 69.74, -5.82, -18.27

 

CMYK 20 / 9 / 0 / 25

HEX #98ADBE

RGB 152 173 190

HSL 206.84, 0.23%, 0.67%

LAB 69.67, -3.57, -11.12

 

CMYK 6 / 2 / 0 / 31

HEX #A6ACB0

RGB 166 172 176

HSL 204, 0.06%, 0.67%

LAB 70, -1.32, -2.79

 

CMYK 52 / 0 / 5 / 9

HEX #6FE7DB

RGB 111 231 219

HSL 174, 0.71%, 0.67%

LAB 84.82, -36.6, -4.49

 

CMYK 52 / 9 / 0 / 9

HEX #6FD3E7

RGB 111 211 231

HSL 190, 0.71%, 0.67%

LAB 79.46, -23.89, -18.86

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 52 / 36 / 0 / 9

HEX #6F93E7

RGB 111 147 231

HSL 222, 0.71%, 0.67%

LAB 61.67, 10.92, -46.36

 

CMYK 52 / 50 / 0 / 9

HEX #6F73E7

RGB 111 115 231

HSL 238, 0.71%, 0.67%

LAB 53.4, 30.01, -59.54

 

CMYK 81 / 36 / 0 / 14

HEX #298DDB

RGB 41 141 219

HSL 206.29, 0.71%, 0.51%

LAB 56.72, -0.85, -47.69

 

CMYK 66 / 29 / 0 / 12

HEX #4CA0E1

RGB 76 160 225

HSL 206.17, 0.71%, 0.59%

LAB 63.44, -5.25, -40.37

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E7

RGB 111 179 231

HSL 206, 0.71%, 0.67%

LAB 70.45, -7.21, -32.64

 

CMYK 38 / 17 / 0 / 7

HEX #92C5ED

RGB 146 197 237

HSL 206.37, 0.72%, 0.75%

LAB 77.38, -6.79, -25.1

 

CMYK 25 / 11 / 0 / 5

HEX #B6D8F3

RGB 182 216 243

HSL 206.56, 0.72%, 0.83%

LAB 84.76, -5.31, -16.91

 

CMYK 52 / 23 / 0 / 10

HEX #6EB2E6

RGB 110 178 230

HSL 206, 0.71%, 0.67%

LAB 70.08, -7.18, -32.66

 

CMYK 19 / 52 / 0 / 9

HEX #BB6FE7

RGB 187 111 231

HSL 278, 0.71%, 0.67%

LAB 59.62, 50.62, -49.19

 

CMYK 2 / 0 / 52 / 9

HEX #E3E76F

RGB 227 231 111

HSL 62, 0.71%, 0.67%

LAB 89.22, -17.3, 57.15

 

CMYK 52 / 23 / 0 / 10

HEX #6EB2E6

RGB 110 178 230

HSL 206, 0.71%, 0.67%

LAB 70.08, -7.18, -32.66

 

CMYK 0 / 52 / 23 / 9

HEX #E76FB3

RGB 231 111 179

HSL 326, 0.71%, 0.67%

LAB 63.02, 54.15, -14.14

 

CMYK 23 / 0 / 52 / 9

HEX #B3E76F

RGB 179 231 111

HSL 86, 0.71%, 0.67%

LAB 85.95, -35.71, 52.49

 

CMYK 52 / 23 / 0 / 10

HEX #6EB2E6

RGB 110 178 230

HSL 206, 0.71%, 0.67%

LAB 70.08, -7.18, -32.66

 

CMYK 19 / 52 / 0 / 9

HEX #BB6FE7

RGB 187 111 231

HSL 278, 0.71%, 0.67%

LAB 59.62, 50.62, -49.19

 

CMYK 0 / 29 / 52 / 9

HEX #E7A36F

RGB 231 163 111

HSL 26, 0.71%, 0.67%

LAB 72.45, 19.46, 36.91

 

CMYK 33 / 0 / 52 / 9

HEX #9BE76F

RGB 155 231 111

HSL 98, 0.71%, 0.67%

LAB 84.62, -44.12, 50.58

 

CMYK 52 / 23 / 0 / 10

HEX #6EB2E6

RGB 110 178 230

HSL 206, 0.71%, 0.67%

LAB 70.08, -7.18, -32.66

 

CMYK 3 / 52 / 0 / 9

HEX #DF6FE7

RGB 223 111 231

HSL 296, 0.71%, 0.67%

LAB 64.02, 60.16, -41.96

 

CMYK 0 / 29 / 52 / 9

HEX #E7A36F

RGB 231 163 111

HSL 26, 0.71%, 0.67%

LAB 72.45, 19.46, 36.91

 

CMYK 48 / 0 / 52 / 9

HEX #77E76F

RGB 119 231 111

HSL 116, 0.71%, 0.67%

LAB 83.03, -55.14, 48.29

 

Description

Color code: HEX #6EB2E64C | qconv.com Color code: HEX #6EB2E64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 178 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 178 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 7 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 7% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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