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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EB030 it is the complementary color #914FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EB030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EB030 shade: #73B02B, #84C23E, #95D451, #A6E664 and #B7F877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EB030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EB030 shade: #6EB030, #5D9E1D, #4C8C0A, #3B7A00 and #2A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EB030 shade: #6EB030, #91B030, #B0AD30, #B08B30 and #B06830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EB030 shade: #6EB030, #4CB030, #30B037, #30B05A and #30B07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EB030 shade matches the following richer shades: #6EB030, #6EC21E and #6DD40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EB030 shade: #6EB030, #6F9E42, #6F8C55, #707A67 and #706879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EB030 shade: #B0AC30, #92B030, #70B030, #4EB030 and #30B035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EB030 shade: #466F1F, #5A9027, #6EB030, #83CA3F and #98D360

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EB030 shade: #6EB030, #30B08A and #B030A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EB030 shade: #6EB030, #3070B0 and #B03070

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EB030 shade: #6EB030, #30B08A, #7030B0 and #B03057

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EB030 shade: #6EB030, #30B0B0, #7030B0 and #B03030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

Complementary color

CMYK 30 / 62 / 0 / 19

HEX #914FCF

RGB 145 79 207

HSL 270.94, 0.57%, 0.56%

LAB 47.13, 51.37, -55.84

 

CMYK 35 / 0 / 76 / 31

HEX #73B02B

RGB 115 176 43

HSL 87.52, 0.61%, 0.43%

LAB 65.65, -40.21, 57.7

 

CMYK 32 / 0 / 68 / 24

HEX #84C23E

RGB 132 194 62

HSL 88.18, 0.52%, 0.5%

LAB 72.12, -40.62, 57.52

 

CMYK 30 / 0 / 62 / 17

HEX #95D451

RGB 149 212 81

HSL 88.85, 0.6%, 0.57%

LAB 78.5, -40.87, 56.85

 

CMYK 28 / 0 / 57 / 10

HEX #A6E664

RGB 166 230 100

HSL 89.54, 0.72%, 0.65%

LAB 84.8, -41.01, 55.94

 

CMYK 26 / 0 / 52 / 3

HEX #B7F877

RGB 183 248 119

HSL 90.23, 0.9%, 0.72%

LAB 91.02, -41.08, 54.91

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 41 / 0 / 82 / 38

HEX #5D9E1D

RGB 93 158 29

HSL 90.23, 0.69%, 0.37%

LAB 58.85, -41.14, 55.33

 

CMYK 46 / 0 / 93 / 45

HEX #4C8C0A

RGB 76 140 10

HSL 89.54, 0.87%, 0.29%

LAB 52.19, -40.25, 53.65

 

CMYK 52 / 0 / 100 / 52

HEX #3B7A00

RGB 59 122 0

HSL 90.98, 1%, 0.24%

LAB 45.43, -38.89, 49.8

 

CMYK 60 / 0 / 100 / 59

HEX #2A6800

RGB 42 104 0

HSL 95.77, 1%, 0.2%

LAB 38.54, -37.05, 44.1

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 18 / 0 / 73 / 31

HEX #91B030

RGB 145 176 48

HSL 74.53, 0.57%, 0.44%

LAB 67.49, -28.22, 58.37

 

CMYK 0 / 2 / 73 / 31

HEX #B0AD30

RGB 176 173 48

HSL 58.59, 0.57%, 0.44%

LAB 68.99, -13.57, 60.63

 

CMYK 0 / 21 / 73 / 31

HEX #B08B30

RGB 176 139 48

HSL 42.66, 0.57%, 0.44%

LAB 59.81, 4.63, 51.64

 

CMYK 0 / 41 / 73 / 31

HEX #B06830

RGB 176 104 48

HSL 26.25, 0.57%, 0.44%

LAB 51.09, 24.15, 42.66

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 57 / 0 / 73 / 31

HEX #4CB030

RGB 76 176 48

HSL 106.88, 0.57%, 0.44%

LAB 64, -52.27, 53.73

 

CMYK 73 / 0 / 69 / 31

HEX #30B037

RGB 48 176 55

HSL 123.28, 0.57%, 0.44%

LAB 63.31, -57.75, 50.06

 

CMYK 73 / 0 / 49 / 31

HEX #30B05A

RGB 48 176 90

HSL 139.69, 0.57%, 0.44%

LAB 63.69, -53.24, 34.21

 

CMYK 73 / 0 / 30 / 31

HEX #30B07C

RGB 48 176 124

HSL 155.63, 0.57%, 0.44%

LAB 64.27, -46.71, 16.93

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 43 / 0 / 85 / 24

HEX #6EC21E

RGB 110 194 30

HSL 90.73, 0.73%, 0.44%

LAB 70.87, -50.03, 66.12

 

CMYK 49 / 0 / 94 / 17

HEX #6DD40C

RGB 109 212 12

HSL 90.9, 0.89%, 0.44%

LAB 76.29, -57.7, 73.67

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 30 / 0 / 58 / 38

HEX #6F9E42

RGB 111 158 66

HSL 90.65, 0.41%, 0.44%

LAB 60.09, -31.76, 42.3

 

CMYK 21 / 0 / 39 / 45

HEX #6F8C55

RGB 111 140 85

HSL 91.64, 0.24%, 0.44%

LAB 54.86, -20.57, 26.1

 

CMYK 8 / 0 / 16 / 52

HEX #707A67

RGB 112 122 103

HSL 91.58, 0.08%, 0.44%

LAB 49.91, -7.5, 9.15

 

CMYK 7 / 14 / 0 / 53

HEX #706879

RGB 112 104 121

HSL 268.24, 0.08%, 0.44%

LAB 45.26, 6.67, -8.33

 

CMYK 0 / 2 / 73 / 31

HEX #B0AC30

RGB 176 172 48

HSL 58.13, 0.57%, 0.44%

LAB 68.71, -13.05, 60.36

 

CMYK 17 / 0 / 73 / 31

HEX #92B030

RGB 146 176 48

HSL 74.06, 0.57%, 0.44%

LAB 67.56, -27.81, 58.46

 

CMYK 36 / 0 / 73 / 31

HEX #70B030

RGB 112 176 48

HSL 90, 0.57%, 0.44%

LAB 65.52, -40.98, 55.76

 

CMYK 56 / 0 / 73 / 31

HEX #4EB030

RGB 78 176 48

HSL 105.94, 0.57%, 0.44%

LAB 64.07, -51.74, 53.82

 

CMYK 73 / 0 / 70 / 31

HEX #30B035

RGB 48 176 53

HSL 122.34, 0.57%, 0.44%

LAB 63.29, -57.93, 50.84

 

CMYK 37 / 0 / 72 / 56

HEX #466F1F

RGB 70 111 31

HSL 90.75, 0.56%, 0.28%

LAB 42.41, -28.56, 38.26

 

CMYK 38 / 0 / 73 / 44

HEX #5A9027

RGB 90 144 39

HSL 90.86, 0.57%, 0.36%

LAB 54.31, -35.55, 47.51

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 35 / 0 / 69 / 21

HEX #83CA3F

RGB 131 202 63

HSL 90.65, 0.57%, 0.52%

LAB 74.46, -44.35, 59.54

 

CMYK 28 / 0 / 55 / 17

HEX #98D360

RGB 152 211 96

HSL 90.78, 0.57%, 0.6%

LAB 78.52, -37.95, 50.26

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 73 / 0 / 22 / 31

HEX #30B08A

RGB 48 176 138

HSL 162.19, 0.57%, 0.44%

LAB 64.57, -43.45, 9.67

 

CMYK 0 / 73 / 7 / 31

HEX #B030A3

RGB 176 48 163

HSL 306.09, 0.57%, 0.44%

LAB 44.22, 63.23, -34.48

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 73 / 36 / 0 / 31

HEX #3070B0

RGB 48 112 176

HSL 210, 0.57%, 0.44%

LAB 46.11, 1.57, -39.93

 

CMYK 0 / 73 / 36 / 31

HEX #B03070

RGB 176 48 112

HSL 330, 0.57%, 0.44%

LAB 42.02, 56.37, -6.79

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 73 / 0 / 22 / 31

HEX #30B08A

RGB 48 176 138

HSL 162.19, 0.57%, 0.44%

LAB 64.57, -43.45, 9.67

 

CMYK 36 / 73 / 0 / 31

HEX #7030B0

RGB 112 48 176

HSL 270, 0.57%, 0.44%

LAB 35.39, 52.12, -56.91

 

CMYK 0 / 73 / 51 / 31

HEX #B03057

RGB 176 48 87

HSL 341.72, 0.57%, 0.44%

LAB 41.27, 53.9, 7.76

 

CMYK 38 / 0 / 73 / 31

HEX #6EB030

RGB 110 176 48

HSL 90.94, 0.57%, 0.44%

LAB 65.42, -41.69, 55.63

 

CMYK 73 / 0 / 0 / 31

HEX #30B0B0

RGB 48 176 176

HSL 180, 0.57%, 0.44%

LAB 65.6, -33.18, -9.92

 

CMYK 36 / 73 / 0 / 31

HEX #7030B0

RGB 112 48 176

HSL 270, 0.57%, 0.44%

LAB 35.39, 52.12, -56.91

 

CMYK 0 / 73 / 73 / 31

HEX #B03030

RGB 176 48 48

HSL 0, 0.57%, 0.44%

LAB 40.5, 51.32, 30.94

 

Description

Color code: HEX #6EB030 | qconv.com Color code: HEX #6EB030 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 176 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 176 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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