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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EAB3A it is the complementary color #9154C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EAB3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EAB3A shade: #73AB35, #84BD48, #95CF5B, #A6E16E and #B7F381

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EAB3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EAB3A shade: #6EAB3A, #5D9927, #4C8714, #3B7501 and #2A6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EAB3A shade: #6EAA3A, #8CAA3A, #AAAA3A, #AA8C3A and #AA6E3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EAB3A shade: #6EAA3A, #4FAA3A, #3AAA43, #3AAA61 and #3AAA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EAB3A shade matches the following richer shades: #6EAA3A, #6CBD27, #6BD015 and #69E202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EAB3A shade: #6EAA3A, #6F984D, #71855F, #727372 and #746084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EAB3A shade: #AAAA3A, #8CAA3A, #6FAA3A, #51AA3A and #3AAA42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EAB3A shade: #466D25, #5A8C30, #6EAA3A, #82C14C and #98CC6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EAB3A shade: #6EAB3A, #3AAA8C and #AA3A9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EAB3A shade: #6EAB3A, #3A6FAA and #AA3A6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EAB3A shade: #6EAB3A, #3AAA8C, #763AAA and #AA3A58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EAB3A shade: #6EAB3A, #3AA7AA, #763AAA and #AA3E3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

Complementary color

CMYK 26 / 57 / 0 / 23

HEX #9154C5

RGB 145 84 197

HSL 272.39, 0.49%, 0.55%

LAB 47.48, 46.4, -49.51

 

CMYK 33 / 0 / 69 / 33

HEX #73AB35

RGB 115 171 53

HSL 88.47, 0.53%, 0.44%

LAB 64.18, -37.35, 52.54

 

CMYK 30 / 0 / 62 / 26

HEX #84BD48

RGB 132 189 72

HSL 89.23, 0.47%, 0.51%

LAB 70.71, -37.6, 51.86

 

CMYK 28 / 0 / 56 / 19

HEX #95CF5B

RGB 149 207 91

HSL 90, 0.55%, 0.58%

LAB 77.14, -37.73, 50.9

 

CMYK 26 / 0 / 51 / 12

HEX #A6E16E

RGB 166 225 110

HSL 90.78, 0.66%, 0.66%

LAB 83.49, -37.78, 49.83

 

CMYK 25 / 0 / 47 / 5

HEX #B7F381

RGB 183 243 129

HSL 91.58, 0.83%, 0.73%

LAB 89.74, -37.78, 48.71

 

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

CMYK 39 / 0 / 75 / 40

HEX #5D9927

RGB 93 153 39

HSL 91.58, 0.59%, 0.38%

LAB 57.32, -38.42, 50.58

 

CMYK 44 / 0 / 85 / 47

HEX #4C8714

RGB 76 135 20

HSL 90.78, 0.74%, 0.3%

LAB 50.59, -37.79, 50.07

 

CMYK 50 / 0 / 99 / 54

HEX #3B7501

RGB 59 117 1

HSL 90, 0.98%, 0.23%

LAB 43.73, -36.8, 48.24

 

CMYK 58 / 0 / 100 / 61

HEX #2A6300

RGB 42 99 0

HSL 94.55, 1%, 0.19%

LAB 36.77, -35.06, 42.71

 

CMYK 35 / 0 / 66 / 33

HEX #6EAA3A

RGB 110 170 58

HSL 92.14, 0.49%, 0.45%

LAB 63.65, -38.33, 49.83

 

CMYK 18 / 0 / 66 / 33

HEX #8CAA3A

RGB 140 170 58

HSL 76.07, 0.49%, 0.45%

LAB 65.46, -26.74, 52.31

 

CMYK 0 / 0 / 66 / 33

HEX #AAAA3A

RGB 170 170 58

HSL 60, 0.49%, 0.45%

LAB 67.73, -14.08, 55.37

 

CMYK 0 / 18 / 66 / 33

HEX #AA8C3A

RGB 170 140 58

HSL 43.93, 0.49%, 0.45%

LAB 59.53, 1.97, 46.73

 

CMYK 0 / 35 / 66 / 33

HEX #AA6E3A

RGB 170 110 58

HSL 27.86, 0.49%, 0.45%

LAB 51.84, 18.79, 38.18

 

CMYK 35 / 0 / 66 / 33

HEX #6EAA3A

RGB 110 170 58

HSL 92.14, 0.49%, 0.45%

LAB 63.65, -38.33, 49.83

 

CMYK 54 / 0 / 66 / 33

HEX #4FAA3A

RGB 79 170 58

HSL 108.75, 0.49%, 0.45%

LAB 62.27, -48.31, 47.94

 

CMYK 66 / 0 / 61 / 33

HEX #3AAA43

RGB 58 170 67

HSL 124.82, 0.49%, 0.45%

LAB 61.7, -52.47, 43.11

 

CMYK 66 / 0 / 43 / 33

HEX #3AAA61

RGB 58 170 97

HSL 140.89, 0.49%, 0.45%

LAB 62.09, -48.01, 28.59

 

CMYK 66 / 0 / 25 / 33

HEX #3AAA80

RGB 58 170 128

HSL 157.5, 0.49%, 0.45%

LAB 62.68, -41.67, 12.56

 

CMYK 35 / 0 / 66 / 33

HEX #6EAA3A

RGB 110 170 58

HSL 92.14, 0.49%, 0.45%

LAB 63.65, -38.33, 49.83

 

CMYK 43 / 0 / 79 / 26

HEX #6CBD27

RGB 108 189 39

HSL 92.4, 0.66%, 0.45%

LAB 69.28, -48.29, 62.28

 

CMYK 49 / 0 / 90 / 18

HEX #6BD015

RGB 107 208 21

HSL 92.41, 0.82%, 0.45%

LAB 75.01, -56.62, 71.38

 

CMYK 54 / 0 / 99 / 11

HEX #69E202

RGB 105 226 2

HSL 92.41, 0.98%, 0.45%

LAB 80.4, -64, 77.83

 

CMYK 35 / 0 / 66 / 33

HEX #6EAA3A

RGB 110 170 58

HSL 92.14, 0.49%, 0.45%

LAB 63.65, -38.33, 49.83

 

CMYK 27 / 0 / 49 / 40

HEX #6F984D

RGB 111 152 77

HSL 92.8, 0.33%, 0.45%

LAB 58.39, -27.65, 34.82

 

CMYK 15 / 0 / 29 / 48

HEX #71855F

RGB 113 133 95

HSL 91.58, 0.17%, 0.45%

LAB 53.07, -14.56, 18.16

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 12 / 27 / 0 / 48

HEX #746084

RGB 116 96 132

HSL 273.33, 0.16%, 0.45%

LAB 43.86, 15.43, -17.03

 

CMYK 0 / 0 / 66 / 33

HEX #AAAA3A

RGB 170 170 58

HSL 60, 0.49%, 0.45%

LAB 67.73, -14.08, 55.37

 

CMYK 18 / 0 / 66 / 33

HEX #8CAA3A

RGB 140 170 58

HSL 76.07, 0.49%, 0.45%

LAB 65.46, -26.74, 52.31

 

CMYK 35 / 0 / 66 / 33

HEX #6FAA3A

RGB 111 170 58

HSL 91.61, 0.49%, 0.45%

LAB 63.7, -37.97, 49.91

 

CMYK 52 / 0 / 66 / 33

HEX #51AA3A

RGB 81 170 58

HSL 107.68, 0.49%, 0.45%

LAB 62.34, -47.75, 48.04

 

CMYK 66 / 0 / 61 / 33

HEX #3AAA42

RGB 58 170 66

HSL 124.29, 0.49%, 0.45%

LAB 61.69, -52.59, 43.56

 

CMYK 36 / 0 / 66 / 57

HEX #466D25

RGB 70 109 37

HSL 92.5, 0.49%, 0.29%

LAB 41.8, -27.07, 34.88

 

CMYK 36 / 0 / 66 / 45

HEX #5A8C30

RGB 90 140 48

HSL 92.61, 0.49%, 0.37%

LAB 53.11, -33.01, 42.48

 

CMYK 35 / 0 / 66 / 33

HEX #6EAA3A

RGB 110 170 58

HSL 92.14, 0.49%, 0.45%

LAB 63.65, -38.33, 49.83

 

CMYK 33 / 0 / 61 / 24

HEX #82C14C

RGB 130 193 76

HSL 92.31, 0.49%, 0.53%

LAB 71.83, -39.74, 51.32

 

CMYK 25 / 0 / 48 / 20

HEX #98CC6B

RGB 152 204 107

HSL 92.16, 0.49%, 0.61%

LAB 76.63, -33.55, 42.75

 

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

CMYK 66 / 0 / 18 / 33

HEX #3AAA8C

RGB 58 170 140

HSL 163.93, 0.49%, 0.45%

LAB 62.96, -38.79, 6.29

 

CMYK 0 / 66 / 9 / 33

HEX #AA3A9B

RGB 170 58 155

HSL 308.04, 0.49%, 0.45%

LAB 44.14, 56.81, -29.87

 

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

CMYK 66 / 35 / 0 / 33

HEX #3A6FAA

RGB 58 111 170

HSL 211.61, 0.49%, 0.45%

LAB 45.87, 1.63, -36.79

 

CMYK 0 / 66 / 35 / 33

HEX #AA3A6F

RGB 170 58 111

HSL 331.61, 0.49%, 0.45%

LAB 42.34, 50.62, -5.81

 

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

CMYK 66 / 0 / 18 / 33

HEX #3AAA8C

RGB 58 170 140

HSL 163.93, 0.49%, 0.45%

LAB 62.96, -38.79, 6.29

 

CMYK 31 / 66 / 0 / 33

HEX #763AAA

RGB 118 58 170

HSL 272.14, 0.49%, 0.45%

LAB 37.44, 47.09, -49.97

 

CMYK 0 / 66 / 48 / 33

HEX #AA3A58

RGB 170 58 88

HSL 343.93, 0.49%, 0.45%

LAB 41.65, 48.16, 7.52

 

CMYK 36 / 0 / 66 / 33

HEX #6EAB3A

RGB 110 171 58

HSL 92.39, 0.49%, 0.45%

LAB 63.95, -38.77, 50.16

 

CMYK 66 / 2 / 0 / 33

HEX #3AA7AA

RGB 58 167 170

HSL 181.61, 0.49%, 0.45%

LAB 62.88, -29.23, -10.62

 

CMYK 31 / 66 / 0 / 33

HEX #763AAA

RGB 118 58 170

HSL 272.14, 0.49%, 0.45%

LAB 37.44, 47.09, -49.97

 

CMYK 0 / 64 / 66 / 33

HEX #AA3E3A

RGB 170 62 58

HSL 2.14, 0.49%, 0.45%

LAB 41.68, 44.04, 26.1

 

Description

Color code: HEX #6EAB3A | qconv.com Color code: HEX #6EAB3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 171 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 171 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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