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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EA5E6 it is the complementary color #915A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EA5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EA5E6 shade: #73A5E1, #84B7F4, #95C9FF, #A6DBFF and #B7EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EA5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EA5E6 shade: #6EA5E6, #5D93D3, #4C81C0, #3B6FAD and #2A5D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EA5E6 shade: #6FA5E6, #6F85E6, #786FE6, #996FE6 and #B96FE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EA5E6 shade: #6FA5E6, #6F85E6 and #6F6FE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EA5E6 shade matches the following richer shades: #6FA5E6 and #61A4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EA5E6 shade: #6FA5E6, #7CA7D8, #8AA8CB, #97A9BD and #A5AAB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EA5E6 shade: #6FE6E6, #6FC6E6, #6FA6E6, #6F87E6 and #776FE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EA5E6 shade: #287ADA, #4B90E0, #6FA5E6, #92BBEC and #B5D1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EA5E6 shade: #6EA5E6, #C66FE6 and #D6E66F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EA5E6 shade: #6EA5E6, #E66FA6 and #A6E66F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EA5E6 shade: #6EA5E6, #C66FE6, #E6AE6F and #8EE66F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EA5E6 shade: #6EA5E6, #E66FE2, #E6AE6F and #6FE673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

Complementary color

CMYK 0 / 38 / 83 / 43

HEX #915A19

RGB 145 90 25

HSL 32.5, 0.71%, 0.33%

LAB 43.36, 17.35, 44.11

 

CMYK 49 / 27 / 0 / 12

HEX #73A5E1

RGB 115 165 225

HSL 212.73, 0.65%, 0.67%

LAB 66.51, -0.32, -35.44

 

CMYK 46 / 25 / 0 / 4

HEX #84B7F4

RGB 132 183 244

HSL 212.68, 0.84%, 0.74%

LAB 73.09, -0.84, -35.52

 

CMYK 42 / 21 / 0 / 0

HEX #95C9FF

RGB 149 201 255

HSL 210.57, 1%, 0.79%

LAB 79.26, -3.43, -31.83

 

CMYK 35 / 14 / 0 / 0

HEX #A6DBFF

RGB 166 219 255

HSL 204.27, 1%, 0.83%

LAB 84.99, -8.53, -22.99

 

CMYK 28 / 7 / 0 / 0

HEX #B7EDFF

RGB 183 237 255

HSL 195, 1%, 0.86%

LAB 90.71, -13.08, -14.27

 

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

CMYK 56 / 30 / 0 / 17

HEX #5D93D3

RGB 93 147 211

HSL 212.54, 0.57%, 0.6%

LAB 59.8, 0.78, -38.24

 

CMYK 60 / 33 / 0 / 25

HEX #4C81C0

RGB 76 129 192

HSL 212.59, 0.48%, 0.53%

LAB 53, 1.7, -38.23

 

CMYK 66 / 36 / 0 / 32

HEX #3B6FAD

RGB 59 111 173

HSL 212.63, 0.49%, 0.45%

LAB 46.06, 2.87, -38.23

 

CMYK 73 / 40 / 0 / 40

HEX #2A5D9A

RGB 42 93 154

HSL 212.68, 0.57%, 0.38%

LAB 38.99, 4.41, -38.25

 

CMYK 52 / 28 / 0 / 10

HEX #6FA5E6

RGB 111 165 230

HSL 212.77, 0.7%, 0.67%

LAB 66.52, 0.26, -38.19

 

CMYK 52 / 42 / 0 / 10

HEX #6F85E6

RGB 111 133 230

HSL 228.91, 0.7%, 0.67%

LAB 57.91, 18.9, -51.76

 

CMYK 48 / 52 / 0 / 10

HEX #786FE6

RGB 120 111 230

HSL 244.54, 0.7%, 0.67%

LAB 53.03, 34, -59.53

 

CMYK 33 / 52 / 0 / 10

HEX #996FE6

RGB 153 111 230

HSL 261.18, 0.7%, 0.67%

LAB 55.94, 41.7, -54.7

 

CMYK 20 / 52 / 0 / 10

HEX #B96FE6

RGB 185 111 230

HSL 277.31, 0.7%, 0.67%

LAB 59.34, 49.88, -49.09

 

CMYK 52 / 28 / 0 / 10

HEX #6FA5E6

RGB 111 165 230

HSL 212.77, 0.7%, 0.67%

LAB 66.52, 0.26, -38.19

 

CMYK 52 / 42 / 0 / 10

HEX #6F85E6

RGB 111 133 230

HSL 228.91, 0.7%, 0.67%

LAB 57.91, 18.9, -51.76

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE6

RGB 111 111 230

HSL 240, 0.7%, 0.67%

LAB 52.36, 32.1, -60.65

 

CMYK 52 / 28 / 0 / 10

HEX #6FA5E6

RGB 111 165 230

HSL 212.77, 0.7%, 0.67%

LAB 66.52, 0.26, -38.19

 

CMYK 60 / 33 / 0 / 4

HEX #61A4F4

RGB 97 164 244

HSL 212.65, 0.87%, 0.67%

LAB 66.23, 2.34, -46.37

 

CMYK 52 / 28 / 0 / 10

HEX #6FA5E6

RGB 111 165 230

HSL 212.77, 0.7%, 0.67%

LAB 66.52, 0.26, -38.19

 

CMYK 43 / 23 / 0 / 15

HEX #7CA7D8

RGB 124 167 216

HSL 211.96, 0.54%, 0.67%

LAB 67.19, -1.81, -29.41

 

CMYK 32 / 17 / 0 / 20

HEX #8AA8CB

RGB 138 168 203

HSL 212.31, 0.38%, 0.67%

LAB 67.81, -1.99, -21.19

 

CMYK 20 / 11 / 0 / 26

HEX #97A9BD

RGB 151 169 189

HSL 211.58, 0.22%, 0.67%

LAB 68.48, -1.93, -12.35

 

CMYK 6 / 3 / 0 / 31

HEX #A5AAB0

RGB 165 170 176

HSL 212.73, 0.07%, 0.67%

LAB 69.39, -0.58, -3.7

 

CMYK 52 / 0 / 0 / 10

HEX #6FE6E6

RGB 111 230 230

HSL 180, 0.7%, 0.67%

LAB 84.84, -33.35, -10.26

 

CMYK 52 / 14 / 0 / 10

HEX #6FC6E6

RGB 111 198 230

HSL 196.13, 0.7%, 0.67%

LAB 75.75, -17.58, -23.96

 

CMYK 52 / 28 / 0 / 10

HEX #6FA6E6

RGB 111 166 230

HSL 212.27, 0.7%, 0.67%

LAB 66.8, -0.31, -37.76

 

CMYK 52 / 41 / 0 / 10

HEX #6F87E6

RGB 111 135 230

HSL 227.9, 0.7%, 0.67%

LAB 58.43, 17.7, -50.93

 

CMYK 48 / 52 / 0 / 10

HEX #776FE6

RGB 119 111 230

HSL 244.03, 0.7%, 0.67%

LAB 52.95, 33.79, -59.66

 

CMYK 82 / 44 / 0 / 15

HEX #287ADA

RGB 40 122 218

HSL 212.36, 0.71%, 0.51%

LAB 51.19, 10.19, -55.95

 

CMYK 67 / 36 / 0 / 12

HEX #4B90E0

RGB 75 144 224

HSL 212.21, 0.71%, 0.59%

LAB 58.81, 3.48, -47.1

 

CMYK 52 / 28 / 0 / 10

HEX #6FA5E6

RGB 111 165 230

HSL 212.77, 0.7%, 0.67%

LAB 66.52, 0.26, -38.19

 

CMYK 38 / 21 / 0 / 7

HEX #92BBEC

RGB 146 187 236

HSL 212.67, 0.7%, 0.75%

LAB 74.64, -1.67, -28.75

 

CMYK 25 / 14 / 0 / 5

HEX #B5D1F2

RGB 181 209 242

HSL 212.46, 0.7%, 0.83%

LAB 82.83, -2.16, -19.29

 

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

CMYK 14 / 52 / 0 / 10

HEX #C66FE6

RGB 198 111 230

HSL 283.87, 0.7%, 0.67%

LAB 60.86, 53.31, -46.59

 

CMYK 7 / 0 / 52 / 10

HEX #D6E66F

RGB 214 230 111

HSL 68.07, 0.7%, 0.67%

LAB 87.99, -21.94, 55.46

 

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

CMYK 0 / 52 / 28 / 10

HEX #E66FA6

RGB 230 111 166

HSL 332.27, 0.7%, 0.67%

LAB 62.46, 52.08, -7.56

 

CMYK 28 / 0 / 52 / 10

HEX #A6E66F

RGB 166 230 111

HSL 92.27, 0.7%, 0.67%

LAB 84.92, -39.91, 51.08

 

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

CMYK 14 / 52 / 0 / 10

HEX #C66FE6

RGB 198 111 230

HSL 283.87, 0.7%, 0.67%

LAB 60.86, 53.31, -46.59

 

CMYK 0 / 24 / 52 / 10

HEX #E6AE6F

RGB 230 174 111

HSL 31.76, 0.7%, 0.67%

LAB 74.98, 13.19, 40.07

 

CMYK 38 / 0 / 52 / 10

HEX #8EE66F

RGB 142 230 111

HSL 104.37, 0.7%, 0.67%

LAB 83.7, -47.94, 49.33

 

CMYK 52 / 28 / 0 / 10

HEX #6EA5E6

RGB 110 165 230

HSL 212.5, 0.71%, 0.67%

LAB 66.47, 0.03, -38.28

 

CMYK 0 / 52 / 2 / 10

HEX #E66FE2

RGB 230 111 226

HSL 302.02, 0.7%, 0.67%

LAB 64.71, 61.17, -38.03

 

CMYK 0 / 24 / 52 / 10

HEX #E6AE6F

RGB 230 174 111

HSL 31.76, 0.7%, 0.67%

LAB 74.98, 13.19, 40.07

 

CMYK 52 / 0 / 50 / 10

HEX #6FE673

RGB 111 230 115

HSL 122.02, 0.7%, 0.67%

LAB 82.49, -56.36, 45.68

 

Description

Color code: HEX #6EA5E6 | qconv.com Color code: HEX #6EA5E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 165 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 165 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 28% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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