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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EA2DB it is the complementary color #915D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EA2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EA2DB shade: #73A2D6, #84B4E9, #95C6FC, #A6D8FF and #B7EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EA2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EA2DB shade: #6EA2DB, #5D90C8, #4C7EB5, #3B6CA2 and #2A5A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EA2DB shade: #70A3DB, #7086DB, #7770DB, #9470DB and #B170DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EA2DB shade: #70A3DB, #7086DB and #7070DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EA2DB shade matches the following richer shades: #70A3DB, #62A3EA and #53A2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EA2DB shade: #70A3DB, #7FA4CD, #8DA5BE, #9CA5B0 and #AAA6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EA2DB shade: #70DBDA, #70C1DB, #70A4DB, #7087DB and #7670DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EA2DB shade: #3279C7, #4F8ED3, #70A3DB, #91B8E4 and #B2CEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EA2DB shade: #6EA2DB, #BD70DB and #CFDB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EA2DB shade: #6EA2DB, #DB70A4 and #A4DB70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EA2DB shade: #6EA2DB, #BD70DB, #DBA870 and #8FDB70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EA2DB shade: #6EA2DB, #DB70DA, #DBA870 and #70DB72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

Complementary color

CMYK 0 / 36 / 75 / 43

HEX #915D24

RGB 145 93 36

HSL 31.38, 0.6%, 0.35%

LAB 44.2, 16.08, 40.03

 

CMYK 46 / 24 / 0 / 16

HEX #73A2D6

RGB 115 162 214

HSL 211.52, 0.55%, 0.65%

LAB 65.23, -1.84, -31.36

 

CMYK 43 / 23 / 0 / 9

HEX #84B4E9

RGB 132 180 233

HSL 211.49, 0.7%, 0.72%

LAB 71.85, -2.26, -31.49

 

CMYK 41 / 21 / 0 / 1

HEX #95C6FC

RGB 149 198 252

HSL 211.46, 0.94%, 0.79%

LAB 78.35, -2.62, -31.63

 

CMYK 35 / 15 / 0 / 0

HEX #A6D8FF

RGB 166 216 255

HSL 206.29, 1%, 0.83%

LAB 84.19, -6.96, -24.2

 

CMYK 28 / 8 / 0 / 0

HEX #B7EAFF

RGB 183 234 255

HSL 197.5, 1%, 0.86%

LAB 89.92, -11.56, -15.45

 

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

CMYK 54 / 28 / 0 / 22

HEX #5D90C8

RGB 93 144 200

HSL 211.4, 0.49%, 0.57%

LAB 58.46, -0.94, -34.16

 

CMYK 58 / 30 / 0 / 29

HEX #4C7EB5

RGB 76 126 181

HSL 211.43, 0.42%, 0.5%

LAB 51.6, -0.17, -34.1

 

CMYK 64 / 33 / 0 / 36

HEX #3B6CA2

RGB 59 108 162

HSL 211.46, 0.47%, 0.43%

LAB 44.61, 0.84, -34.07

 

CMYK 71 / 37 / 0 / 44

HEX #2A5A8F

RGB 42 90 143

HSL 211.49, 0.55%, 0.36%

LAB 37.46, 2.18, -34.05

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

CMYK 49 / 39 / 0 / 14

HEX #7086DB

RGB 112 134 219

HSL 227.66, 0.6%, 0.65%

LAB 57.66, 15.15, -46

 

CMYK 46 / 49 / 0 / 14

HEX #7770DB

RGB 119 112 219

HSL 243.93, 0.6%, 0.65%

LAB 52.54, 29.94, -54.13

 

CMYK 32 / 49 / 0 / 14

HEX #9470DB

RGB 148 112 219

HSL 260.19, 0.6%, 0.65%

LAB 55.07, 37.07, -49.94

 

CMYK 19 / 49 / 0 / 14

HEX #B170DB

RGB 177 112 219

HSL 276.45, 0.6%, 0.65%

LAB 58.08, 44.8, -44.97

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

CMYK 49 / 39 / 0 / 14

HEX #7086DB

RGB 112 134 219

HSL 227.66, 0.6%, 0.65%

LAB 57.66, 15.15, -46

 

CMYK 49 / 49 / 0 / 14

HEX #7070DB

RGB 112 112 219

HSL 240, 0.6%, 0.65%

LAB 52, 28.36, -55.02

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

CMYK 58 / 30 / 0 / 8

HEX #62A3EA

RGB 98 163 234

HSL 211.32, 0.76%, 0.65%

LAB 65.54, -0.09, -41.97

 

CMYK 67 / 35 / 0 / 3

HEX #53A2F8

RGB 83 162 248

HSL 211.27, 0.92%, 0.65%

LAB 65.32, 2.41, -50.02

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

CMYK 38 / 20 / 0 / 20

HEX #7FA4CD

RGB 127 164 205

HSL 211.54, 0.44%, 0.65%

LAB 66.11, -2.35, -24.96

 

CMYK 26 / 13 / 0 / 25

HEX #8DA5BE

RGB 141 165 190

HSL 210.61, 0.27%, 0.65%

LAB 66.74, -2.64, -15.6

 

CMYK 11 / 6 / 0 / 31

HEX #9CA5B0

RGB 156 165 176

HSL 213, 0.11%, 0.65%

LAB 67.36, -0.93, -6.77

 

CMYK 0 / 2 / 5 / 33

HEX #AAA6A2

RGB 170 166 162

HSL 30, 0.04%, 0.65%

LAB 68.33, 0.7, 2.57

 

CMYK 49 / 0 / 0 / 14

HEX #70DBDA

RGB 112 219 218

HSL 179.44, 0.6%, 0.65%

LAB 81.38, -31.02, -9.04

 

CMYK 49 / 12 / 0 / 14

HEX #70C1DB

RGB 112 193 219

HSL 194.58, 0.6%, 0.65%

LAB 74, -17.84, -20.67

 

CMYK 49 / 25 / 0 / 14

HEX #70A4DB

RGB 112 164 219

HSL 210.84, 0.6%, 0.65%

LAB 65.83, -2.22, -33.2

 

CMYK 49 / 38 / 0 / 14

HEX #7087DB

RGB 112 135 219

HSL 227.1, 0.6%, 0.65%

LAB 57.93, 14.55, -45.58

 

CMYK 46 / 49 / 0 / 14

HEX #7670DB

RGB 118 112 219

HSL 243.36, 0.6%, 0.65%

LAB 52.46, 29.71, -54.26

 

CMYK 75 / 39 / 0 / 22

HEX #3279C7

RGB 50 121 199

HSL 211.41, 0.6%, 0.49%

LAB 50.07, 4.79, -46.92

 

CMYK 63 / 33 / 0 / 17

HEX #4F8ED3

RGB 79 142 211

HSL 211.36, 0.6%, 0.57%

LAB 57.76, 0.94, -41.48

 

CMYK 49 / 26 / 0 / 14

HEX #70A3DB

RGB 112 163 219

HSL 211.4, 0.6%, 0.65%

LAB 65.56, -1.66, -33.64

 

CMYK 36 / 19 / 0 / 11

HEX #91B8E4

RGB 145 184 228

HSL 211.81, 0.61%, 0.73%

LAB 73.48, -2.39, -26.19

 

CMYK 25 / 13 / 0 / 7

HEX #B2CEEC

RGB 178 206 236

HSL 211.03, 0.6%, 0.81%

LAB 81.66, -2.83, -17.89

 

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

CMYK 14 / 49 / 0 / 14

HEX #BD70DB

RGB 189 112 219

HSL 283.18, 0.6%, 0.65%

LAB 59.45, 48.1, -42.72

 

CMYK 5 / 0 / 49 / 14

HEX #CFDB70

RGB 207 219 112

HSL 66.73, 0.6%, 0.65%

LAB 84.53, -19.25, 50.79

 

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

CMYK 0 / 49 / 25 / 14

HEX #DB70A4

RGB 219 112 164

HSL 330.84, 0.6%, 0.65%

LAB 61.07, 47.75, -8.65

 

CMYK 25 / 0 / 49 / 14

HEX #A4DB70

RGB 164 219 112

HSL 90.84, 0.6%, 0.65%

LAB 81.69, -35.56, 46.68

 

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

CMYK 14 / 49 / 0 / 14

HEX #BD70DB

RGB 189 112 219

HSL 283.18, 0.6%, 0.65%

LAB 59.45, 48.1, -42.72

 

CMYK 0 / 23 / 49 / 14

HEX #DBA870

RGB 219 168 112

HSL 31.4, 0.6%, 0.65%

LAB 72.39, 11.99, 36.04

 

CMYK 35 / 0 / 49 / 14

HEX #8FDB70

RGB 143 219 112

HSL 102.62, 0.6%, 0.65%

LAB 80.56, -42.8, 45.04

 

CMYK 50 / 26 / 0 / 14

HEX #6EA2DB

RGB 110 162 219

HSL 211.38, 0.6%, 0.65%

LAB 65.18, -1.57, -34.23

 

CMYK 0 / 49 / 0 / 14

HEX #DB70DA

RGB 219 112 218

HSL 300.56, 0.6%, 0.65%

LAB 63.1, 56.28, -36.18

 

CMYK 0 / 23 / 49 / 14

HEX #DBA870

RGB 219 168 112

HSL 31.4, 0.6%, 0.65%

LAB 72.39, 11.99, 36.04

 

CMYK 49 / 0 / 48 / 14

HEX #70DB72

RGB 112 219 114

HSL 121.12, 0.6%, 0.65%

LAB 79.23, -51.9, 42.12

 

Description

Color code: HEX #6EA2DB | qconv.com Color code: HEX #6EA2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 162 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 162 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 26 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 26% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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