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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E8CD9 it is the complementary color #917326. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E8CD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E8CD9 shade: #738CD4, #849EE7, #95B0FA, #A6C2FF and #B7D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E8CD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E8CD9 shade: #6E8CD9, #5D7AC6, #4C68B3, #3B56A0 and #2A448D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E8CD9 shade: #6E8CD8, #6E6FD8, #8A6ED8, #A66ED8 and #C36ED8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E8CD9 shade: #6E8CD8, #6E6FD8 and #6E6ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E8CD9 shade matches the following richer shades: #6E8CD8, #5F85E7 and #507FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E8CD9 shade: #6E8CD8, #7D92CA, #8C99BB, #9B9FAC and #A9A69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E8CD9 shade: #6EC5D8, #6EA9D8, #6E8CD8, #6E70D8 and #896ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E8CD9 shade: #335BC1, #4D72D0, #6E8CD8, #8FA6E1 and #AFC0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E8CD9 shade: #6E8CD9, #D06ED8 and #B7D86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E8CD9 shade: #6E8CD9, #D86E8C and #8CD86E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E8CD9 shade: #6E8CD9, #D06ED8, #D8BA6E and #77D86E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E8CD9 shade: #6E8CD9, #D86EC1, #D8BA6E and #6ED885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

Complementary color

CMYK 0 / 21 / 74 / 43

HEX #917326

RGB 145 115 38

HSL 43.18, 0.58%, 0.36%

LAB 50, 3.47, 45

 

CMYK 46 / 34 / 0 / 17

HEX #738CD4

RGB 115 140 212

HSL 224.54, 0.53%, 0.64%

LAB 59.12, 10.22, -39.78

 

CMYK 43 / 32 / 0 / 9

HEX #849EE7

RGB 132 158 231

HSL 224.24, 0.67%, 0.71%

LAB 65.85, 9.52, -39.71

 

CMYK 40 / 30 / 0 / 2

HEX #95B0FA

RGB 149 176 250

HSL 223.96, 0.91%, 0.78%

LAB 72.46, 8.92, -39.68

 

CMYK 35 / 24 / 0 / 0

HEX #A6C2FF

RGB 166 194 255

HSL 221.12, 1%, 0.83%

LAB 78.41, 4.78, -33.06

 

CMYK 28 / 17 / 0 / 0

HEX #B7D4FF

RGB 183 212 255

HSL 215.83, 1%, 0.86%

LAB 84.16, -0.15, -24.16

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

CMYK 53 / 38 / 0 / 22

HEX #5D7AC6

RGB 93 122 198

HSL 223.43, 0.48%, 0.57%

LAB 52.2, 11.47, -42.85

 

CMYK 58 / 42 / 0 / 30

HEX #4C68B3

RGB 76 104 179

HSL 223.69, 0.4%, 0.5%

LAB 45.21, 12.63, -43.04

 

CMYK 63 / 46 / 0 / 37

HEX #3B56A0

RGB 59 86 160

HSL 223.96, 0.46%, 0.43%

LAB 38.06, 14.1, -43.28

 

CMYK 70 / 52 / 0 / 45

HEX #2A448D

RGB 42 68 141

HSL 224.24, 0.54%, 0.36%

LAB 30.76, 16.01, -43.54

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 49 / 49 / 0 / 15

HEX #6E6FD8

RGB 110 111 216

HSL 239.43, 0.58%, 0.64%

LAB 51.43, 27.6, -54.25

 

CMYK 36 / 49 / 0 / 15

HEX #8A6ED8

RGB 138 110 216

HSL 255.85, 0.58%, 0.64%

LAB 53.51, 34.88, -50.8

 

CMYK 23 / 49 / 0 / 15

HEX #A66ED8

RGB 166 110 216

HSL 271.7, 0.58%, 0.64%

LAB 56.3, 42.22, -46.18

 

CMYK 10 / 49 / 0 / 15

HEX #C36ED8

RGB 195 110 216

HSL 288.11, 0.58%, 0.64%

LAB 59.63, 50.2, -40.71

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 49 / 49 / 0 / 15

HEX #6E6FD8

RGB 110 111 216

HSL 239.43, 0.58%, 0.64%

LAB 51.43, 27.6, -54.25

 

CMYK 49 / 49 / 0 / 15

HEX #6E6ED8

RGB 110 110 216

HSL 240, 0.58%, 0.64%

LAB 51.18, 28.21, -54.65

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 59 / 42 / 0 / 9

HEX #5F85E7

RGB 95 133 231

HSL 223.24, 0.74%, 0.64%

LAB 57.05, 15.94, -53.74

 

CMYK 67 / 48 / 0 / 4

HEX #507FF6

RGB 80 127 246

HSL 223.01, 0.9%, 0.64%

LAB 55.62, 22.11, -64.41

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 38 / 28 / 0 / 21

HEX #7D92CA

RGB 125 146 202

HSL 223.64, 0.42%, 0.64%

LAB 60.94, 6.49, -31.27

 

CMYK 25 / 18 / 0 / 27

HEX #8C99BB

RGB 140 153 187

HSL 223.4, 0.26%, 0.64%

LAB 63.3, 3.02, -19.14

 

CMYK 10 / 8 / 0 / 33

HEX #9B9FAC

RGB 155 159 172

HSL 225.88, 0.09%, 0.64%

LAB 65.55, 1.2, -7.24

 

CMYK 0 / 2 / 7 / 34

HEX #A9A69D

RGB 169 166 157

HSL 45, 0.07%, 0.64%

LAB 68.12, -0.56, 5.03

 

CMYK 49 / 9 / 0 / 15

HEX #6EC5D8

RGB 110 197 216

HSL 190.75, 0.58%, 0.64%

LAB 74.95, -21.16, -17.61

 

CMYK 49 / 22 / 0 / 15

HEX #6EA9D8

RGB 110 169 216

HSL 206.6, 0.58%, 0.64%

LAB 67.01, -6.35, -29.73

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 49 / 48 / 0 / 15

HEX #6E70D8

RGB 110 112 216

HSL 238.87, 0.58%, 0.64%

LAB 51.68, 27, -53.85

 

CMYK 37 / 49 / 0 / 15

HEX #896ED8

RGB 137 110 216

HSL 255.28, 0.58%, 0.64%

LAB 53.41, 34.62, -50.95

 

CMYK 74 / 53 / 0 / 24

HEX #335BC1

RGB 51 91 193

HSL 223.1, 0.58%, 0.48%

LAB 41.27, 21.71, -57.58

 

CMYK 63 / 45 / 0 / 18

HEX #4D72D0

RGB 77 114 208

HSL 223.05, 0.58%, 0.56%

LAB 49.7, 16.49, -52.59

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD8

RGB 110 140 216

HSL 223.02, 0.58%, 0.64%

LAB 59, 10.21, -42.22

 

CMYK 36 / 26 / 0 / 12

HEX #8FA6E1

RGB 143 166 225

HSL 223.17, 0.58%, 0.72%

LAB 68.42, 6.23, -32.35

 

CMYK 25 / 18 / 0 / 8

HEX #AFC0EA

RGB 175 192 234

HSL 222.71, 0.58%, 0.8%

LAB 77.73, 3.3, -22.78

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

CMYK 4 / 49 / 0 / 15

HEX #D06ED8

RGB 208 110 216

HSL 295.47, 0.58%, 0.64%

LAB 61.24, 53.82, -38.08

 

CMYK 15 / 0 / 49 / 15

HEX #B7D86E

RGB 183 216 110

HSL 78.68, 0.58%, 0.64%

LAB 82, -27.33, 48.29

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

CMYK 0 / 49 / 35 / 15

HEX #D86E8C

RGB 216 110 140

HSL 343.02, 0.58%, 0.64%

LAB 59.57, 44.65, 2.94

 

CMYK 35 / 0 / 49 / 15

HEX #8CD86E

RGB 140 216 110

HSL 103.02, 0.58%, 0.64%

LAB 79.51, -42.73, 44.68

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

CMYK 4 / 49 / 0 / 15

HEX #D06ED8

RGB 208 110 216

HSL 295.47, 0.58%, 0.64%

LAB 61.24, 53.82, -38.08

 

CMYK 0 / 14 / 49 / 15

HEX #D8BA6E

RGB 216 186 110

HSL 43.02, 0.58%, 0.64%

LAB 76.58, 1.01, 42.27

 

CMYK 45 / 0 / 49 / 15

HEX #77D86E

RGB 119 216 110

HSL 114.91, 0.58%, 0.64%

LAB 78.55, -49.26, 43.29

 

CMYK 49 / 35 / 0 / 15

HEX #6E8CD9

RGB 110 140 217

HSL 223.18, 0.58%, 0.64%

LAB 59.05, 10.52, -42.71

 

CMYK 0 / 49 / 11 / 15

HEX #D86EC1

RGB 216 110 193

HSL 313.02, 0.58%, 0.64%

LAB 61.31, 52.15, -24.89

 

CMYK 0 / 14 / 49 / 15

HEX #D8BA6E

RGB 216 186 110

HSL 43.02, 0.58%, 0.64%

LAB 76.58, 1.01, 42.27

 

CMYK 49 / 0 / 38 / 15

HEX #6ED885

RGB 110 216 133

HSL 133.02, 0.58%, 0.64%

LAB 78.53, -48.33, 31.73

 

Description

Color code: HEX #6E8CD9 | qconv.com Color code: HEX #6E8CD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 140 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 140 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 35 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 35% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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