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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E6CF6 it is the complementary color #919309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E6CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E6CF6 shade: #736CF1, #847EFF, #9590FF, #A6A2FF and #B7B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E6CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E6CF6 shade: #6E6CF6, #5D5AE3, #4C48D0, #3B36BD and #2A24AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E6CF6 shade: #6C6AF6, #926AF6, #B76AF6, #DD6AF6 and #F66AE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E6CF6 shade: #6C6AF6 and #6A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E6CF6 shade matches the following richer shades: #6C6AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E6CF6 shade: #6C6AF6, #7977E9, #8584DC, #9291CF and #9E9EC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E6CF6 shade: #6AB5F6, #6A8FF6, #6A6AF6, #8F6AF6 and #B56AF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E6CF6 shade: #201DF1, #4644F3, #6C6AF6, #9391F8 and #B9B8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E6CF6 shade: #6E6CF6, #F66ADA and #A2F66A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E6CF6 shade: #6E6CF6, #F66A6A and #6AF66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E6CF6 shade: #6E6CF6, #F66ADA, #F6F66A and #6AF686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E6CF6 shade: #6E6CF6, #F66AB0, #F6F66A and #6AF6B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

Complementary color

CMYK 1 / 0 / 94 / 42

HEX #919309

RGB 145 147 9

HSL 60.87, 0.88%, 0.31%

LAB 58.89, -15.06, 61.09

 

CMYK 52 / 55 / 0 / 5

HEX #736CF1

RGB 115 108 241

HSL 243.16, 0.83%, 0.68%

LAB 52.64, 38.04, -66.33

 

CMYK 48 / 51 / 0 / 0

HEX #847EFF

RGB 132 126 255

HSL 242.79, 1%, 0.75%

LAB 59.02, 35.12, -63.75

 

CMYK 42 / 44 / 0 / 0

HEX #9590FF

RGB 149 144 255

HSL 242.7, 1%, 0.78%

LAB 64.61, 28.54, -54.75

 

CMYK 35 / 36 / 0 / 0

HEX #A6A2FF

RGB 166 162 255

HSL 242.58, 1%, 0.82%

LAB 70.29, 22.58, -45.68

 

CMYK 28 / 29 / 0 / 0

HEX #B7B4FF

RGB 183 180 255

HSL 242.4, 1%, 0.85%

LAB 76.03, 17.19, -36.65

 

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

CMYK 59 / 60 / 0 / 11

HEX #5D5AE3

RGB 93 90 227

HSL 241.31, 0.71%, 0.62%

LAB 45.89, 40.4, -69.49

 

CMYK 63 / 65 / 0 / 18

HEX #4C48D0

RGB 76 72 208

HSL 241.76, 0.59%, 0.55%

LAB 39.11, 42.39, -69.73

 

CMYK 69 / 71 / 0 / 26

HEX #3B36BD

RGB 59 54 189

HSL 242.22, 0.56%, 0.48%

LAB 32.35, 44.55, -69.79

 

CMYK 75 / 79 / 0 / 33

HEX #2A24AA

RGB 42 36 170

HSL 242.69, 0.65%, 0.4%

LAB 25.73, 46.67, -69.43

 

CMYK 56 / 57 / 0 / 4

HEX #6C6AF6

RGB 108 106 246

HSL 240.86, 0.89%, 0.69%

LAB 52.01, 39.45, -70.17

 

CMYK 41 / 57 / 0 / 4

HEX #926AF6

RGB 146 106 246

HSL 257.14, 0.89%, 0.69%

LAB 55.15, 47.02, -64.94

 

CMYK 26 / 57 / 0 / 4

HEX #B76AF6

RGB 183 106 246

HSL 273, 0.89%, 0.69%

LAB 59, 55.48, -58.54

 

CMYK 10 / 57 / 0 / 4

HEX #DD6AF6

RGB 221 106 246

HSL 289.29, 0.89%, 0.69%

LAB 63.62, 64.73, -50.92

 

CMYK 0 / 57 / 5 / 4

HEX #F66AE9

RGB 246 106 233

HSL 305.57, 0.89%, 0.69%

LAB 66.35, 68.8, -39.19

 

CMYK 56 / 57 / 0 / 4

HEX #6C6AF6

RGB 108 106 246

HSL 240.86, 0.89%, 0.69%

LAB 52.01, 39.45, -70.17

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 56 / 57 / 0 / 4

HEX #6C6AF6

RGB 108 106 246

HSL 240.86, 0.89%, 0.69%

LAB 52.01, 39.45, -70.17

 

CMYK 56 / 57 / 0 / 4

HEX #6C6AF6

RGB 108 106 246

HSL 240.86, 0.89%, 0.69%

LAB 52.01, 39.45, -70.17

 

CMYK 48 / 49 / 0 / 9

HEX #7977E9

RGB 121 119 233

HSL 241.05, 0.72%, 0.69%

LAB 55.22, 30.37, -57.7

 

CMYK 40 / 40 / 0 / 14

HEX #8584DC

RGB 133 132 220

HSL 240.68, 0.56%, 0.69%

LAB 58.65, 21.8, -44.9

 

CMYK 29 / 30 / 0 / 19

HEX #9291CF

RGB 146 145 207

HSL 240.97, 0.39%, 0.69%

LAB 62.4, 14.37, -31.7

 

CMYK 19 / 19 / 0 / 24

HEX #9E9EC2

RGB 158 158 194

HSL 240, 0.23%, 0.69%

LAB 66.23, 7.55, -18.48

 

CMYK 57 / 26 / 0 / 4

HEX #6AB5F6

RGB 106 181 246

HSL 207.86, 0.89%, 0.69%

LAB 71.4, -4.84, -39.34

 

CMYK 57 / 42 / 0 / 4

HEX #6A8FF6

RGB 106 143 246

HSL 224.14, 0.89%, 0.69%

LAB 61.1, 16.95, -55.56

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 42 / 57 / 0 / 4

HEX #8F6AF6

RGB 143 106 246

HSL 255.86, 0.89%, 0.69%

LAB 54.87, 46.37, -65.4

 

CMYK 26 / 57 / 0 / 4

HEX #B56AF6

RGB 181 106 246

HSL 272.14, 0.89%, 0.69%

LAB 58.78, 55.01, -58.92

 

CMYK 87 / 88 / 0 / 5

HEX #201DF1

RGB 32 29 241

HSL 240.85, 0.88%, 0.53%

LAB 33, 70.03, -98.79

 

CMYK 71 / 72 / 0 / 5

HEX #4644F3

RGB 70 68 243

HSL 240.69, 0.88%, 0.61%

LAB 41.07, 55.18, -86.48

 

CMYK 56 / 57 / 0 / 4

HEX #6C6AF6

RGB 108 106 246

HSL 240.86, 0.89%, 0.69%

LAB 52.01, 39.45, -70.17

 

CMYK 41 / 42 / 0 / 3

HEX #9391F8

RGB 147 145 248

HSL 241.17, 0.88%, 0.77%

LAB 64.35, 25.54, -51.34

 

CMYK 26 / 26 / 0 / 2

HEX #B9B8FA

RGB 185 184 250

HSL 240.91, 0.87%, 0.85%

LAB 76.98, 14.37, -32.47

 

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

CMYK 0 / 57 / 11 / 4

HEX #F66ADA

RGB 246 106 218

HSL 312, 0.89%, 0.69%

LAB 65.72, 66.46, -31.83

 

CMYK 34 / 0 / 57 / 4

HEX #A2F66A

RGB 162 246 106

HSL 96, 0.89%, 0.69%

LAB 89.22, -48.68, 58.33

 

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

CMYK 0 / 57 / 57 / 4

HEX #F66A6A

RGB 246 106 106

HSL 0, 0.89%, 0.69%

LAB 62.46, 53.7, 27.17

 

CMYK 57 / 0 / 57 / 4

HEX #6AF66A

RGB 106 246 106

HSL 120, 0.89%, 0.69%

LAB 87, -64.66, 55.19

 

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

CMYK 0 / 57 / 11 / 4

HEX #F66ADA

RGB 246 106 218

HSL 312, 0.89%, 0.69%

LAB 65.72, 66.46, -31.83

 

CMYK 0 / 0 / 57 / 4

HEX #F6F66A

RGB 246 246 106

HSL 60, 0.89%, 0.69%

LAB 94.54, -17.42, 65.78

 

CMYK 57 / 0 / 46 / 4

HEX #6AF686

RGB 106 246 134

HSL 132, 0.89%, 0.69%

LAB 87.34, -60.98, 42.58

 

CMYK 55 / 56 / 0 / 4

HEX #6E6CF6

RGB 110 108 246

HSL 240.87, 0.88%, 0.69%

LAB 52.61, 38.63, -69.18

 

CMYK 0 / 57 / 28 / 4

HEX #F66AB0

RGB 246 106 176

HSL 330, 0.89%, 0.69%

LAB 64.19, 60.65, -10.46

 

CMYK 0 / 0 / 57 / 4

HEX #F6F66A

RGB 246 246 106

HSL 60, 0.89%, 0.69%

LAB 94.54, -17.42, 65.78

 

CMYK 57 / 0 / 28 / 4

HEX #6AF6B0

RGB 106 246 176

HSL 150, 0.89%, 0.69%

LAB 88.02, -53.72, 22.49

 

Description

Color code: HEX #6E6CF6 | qconv.com Color code: HEX #6E6CF6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 108 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 108 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 56 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 56% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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