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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E5EAF it is the complementary color #91A150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E5EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E5EAF shade: #735EAA, #8470BD, #9582D0, #A694E3 and #B7A6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E5EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E5EAF shade: #6E5EAF, #5D4C9C, #4C3A89, #3B2876 and #2A1663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E5EAF shade: #6E5EB0, #845EB0, #9A5EB0, #B05EAF and #B05E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E5EAF shade: #6E5EB0 and #5E5EB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E5EAF shade matches the following richer shades: #6E5EB0, #634BC3, #5738D7, #4B24EA and #4011FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E5EAF shade: #6E5EB0, #7A729D, #868589, #929976 and #9DAC62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E5EAF shade: #5E7BB0, #5E65B0, #6D5EB0, #835EB0 and #995EB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E5EAF shade: #4B3E7E, #5B4C99, #6E5EB0, #877ABE and #A096CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E5EAF shade: #6E5EAF, #B05E91 and #70B05E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E5EAF shade: #6E5EAF, #B06D5E and #5EB06D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E5EAF shade: #6E5EAF, #B05E91, #A1B05E and #5EB07E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E5EAF shade: #6E5EAF, #B05E78, #A1B05E and #5EB096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

Complementary color

CMYK 10 / 0 / 50 / 37

HEX #91A150

RGB 145 161 80

HSL 71.85, 0.34%, 0.47%

LAB 63.42, -18.28, 39.93

 

CMYK 32 / 45 / 0 / 33

HEX #735EAA

RGB 115 94 170

HSL 256.58, 0.31%, 0.52%

LAB 45.02, 25.87, -37.89

 

CMYK 30 / 41 / 0 / 26

HEX #8470BD

RGB 132 112 189

HSL 255.58, 0.37%, 0.59%

LAB 52.03, 24.97, -37.78

 

CMYK 28 / 38 / 0 / 18

HEX #9582D0

RGB 149 130 208

HSL 254.62, 0.45%, 0.66%

LAB 58.89, 24.17, -37.71

 

CMYK 27 / 35 / 0 / 11

HEX #A694E3

RGB 166 148 227

HSL 253.67, 0.59%, 0.74%

LAB 65.62, 23.46, -37.68

 

CMYK 26 / 33 / 0 / 4

HEX #B7A6F6

RGB 183 166 246

HSL 252.75, 0.82%, 0.81%

LAB 72.22, 22.81, -37.69

 

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

CMYK 40 / 51 / 0 / 39

HEX #5D4C9C

RGB 93 76 156

HSL 252.75, 0.34%, 0.45%

LAB 37.66, 27, -41.39

 

CMYK 45 / 58 / 0 / 46

HEX #4C3A89

RGB 76 58 137

HSL 253.67, 0.41%, 0.38%

LAB 30.32, 28.3, -41.65

 

CMYK 50 / 66 / 0 / 54

HEX #3B2876

RGB 59 40 118

HSL 254.62, 0.49%, 0.31%

LAB 22.85, 29.78, -41.88

 

CMYK 58 / 78 / 0 / 61

HEX #2A1663

RGB 42 22 99

HSL 255.58, 0.64%, 0.24%

LAB 15.31, 31.28, -41.9

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 25 / 47 / 0 / 31

HEX #845EB0

RGB 132 94 176

HSL 267.8, 0.34%, 0.53%

LAB 47.03, 32.27, -38.11

 

CMYK 13 / 47 / 0 / 31

HEX #9A5EB0

RGB 154 94 176

HSL 283.9, 0.34%, 0.53%

LAB 49.51, 38.7, -34.04

 

CMYK 0 / 47 / 1 / 31

HEX #B05EAF

RGB 176 94 175

HSL 300.73, 0.34%, 0.53%

LAB 52.21, 45.08, -29.04

 

CMYK 0 / 47 / 13 / 31

HEX #B05E99

RGB 176 94 153

HSL 316.83, 0.34%, 0.53%

LAB 51.31, 41.21, -17.54

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 47 / 47 / 0 / 31

HEX #5E5EB0

RGB 94 94 176

HSL 240, 0.34%, 0.53%

LAB 43.54, 22.05, -43.88

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 49 / 62 / 0 / 24

HEX #634BC3

RGB 99 75 195

HSL 252, 0.5%, 0.53%

LAB 40.61, 40.49, -59.67

 

CMYK 60 / 74 / 0 / 16

HEX #5738D7

RGB 87 56 215

HSL 251.7, 0.67%, 0.53%

LAB 37.41, 54.83, -76.53

 

CMYK 68 / 85 / 0 / 8

HEX #4B24EA

RGB 75 36 234

HSL 251.82, 0.83%, 0.53%

LAB 35.4, 67.62, -90.76

 

CMYK 75 / 93 / 0 / 1

HEX #4011FD

RGB 64 17 253

HSL 251.95, 0.98%, 0.53%

LAB 35.17, 77.06, -101.9

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 22 / 27 / 0 / 38

HEX #7A729D

RGB 122 114 157

HSL 251.16, 0.18%, 0.53%

LAB 50.22, 12.59, -22.08

 

CMYK 2 / 3 / 0 / 46

HEX #868589

RGB 134 133 137

HSL 255, 0.02%, 0.53%

LAB 55.74, 1.17, -2.02

 

CMYK 5 / 0 / 23 / 40

HEX #929976

RGB 146 153 118

HSL 72, 0.15%, 0.53%

LAB 61.83, -8.76, 17.59

 

CMYK 9 / 0 / 43 / 33

HEX #9DAC62

RGB 157 172 98

HSL 72.16, 0.31%, 0.53%

LAB 67.69, -17.08, 36.23

 

CMYK 47 / 30 / 0 / 31

HEX #5E7BB0

RGB 94 123 176

HSL 218.78, 0.34%, 0.53%

LAB 51.47, 4.24, -31.35

 

CMYK 47 / 43 / 0 / 31

HEX #5E65B0

RGB 94 101 176

HSL 234.88, 0.34%, 0.53%

LAB 45.39, 17.69, -40.93

 

CMYK 38 / 47 / 0 / 31

HEX #6D5EB0

RGB 109 94 176

HSL 250.98, 0.34%, 0.53%

LAB 44.79, 25.88, -41.81

 

CMYK 26 / 47 / 0 / 31

HEX #835EB0

RGB 131 94 176

HSL 267.07, 0.34%, 0.53%

LAB 46.93, 31.98, -38.28

 

CMYK 13 / 47 / 0 / 31

HEX #995EB0

RGB 153 94 176

HSL 283.17, 0.34%, 0.53%

LAB 49.39, 38.41, -34.24

 

CMYK 40 / 51 / 0 / 51

HEX #4B3E7E

RGB 75 62 126

HSL 252.19, 0.34%, 0.37%

LAB 30.51, 22.14, -34.51

 

CMYK 41 / 50 / 0 / 40

HEX #5B4C99

RGB 91 76 153

HSL 251.69, 0.34%, 0.45%

LAB 37.29, 25.59, -40.18

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 29 / 36 / 0 / 25

HEX #877ABE

RGB 135 122 190

HSL 251.47, 0.34%, 0.61%

LAB 54.85, 20.19, -33.9

 

CMYK 21 / 26 / 0 / 20

HEX #A096CB

RGB 160 150 203

HSL 251.32, 0.34%, 0.69%

LAB 64.64, 14.78, -25.91

 

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

CMYK 0 / 47 / 18 / 31

HEX #B05E91

RGB 176 94 145

HSL 322.68, 0.34%, 0.53%

LAB 51.01, 39.91, -13.27

 

CMYK 36 / 0 / 47 / 31

HEX #70B05E

RGB 112 176 94

HSL 106.83, 0.34%, 0.53%

LAB 65.98, -36.35, 35.53

 

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

CMYK 0 / 38 / 47 / 31

HEX #B06D5E

RGB 176 109 94

HSL 10.98, 0.34%, 0.53%

LAB 52.92, 24.95, 19.6

 

CMYK 47 / 0 / 38 / 31

HEX #5EB06D

RGB 94 176 109

HSL 130.98, 0.34%, 0.53%

LAB 65.38, -39.66, 26.77

 

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

CMYK 0 / 47 / 18 / 31

HEX #B05E91

RGB 176 94 145

HSL 322.68, 0.34%, 0.53%

LAB 51.01, 39.91, -13.27

 

CMYK 9 / 0 / 47 / 31

HEX #A1B05E

RGB 161 176 94

HSL 70.98, 0.34%, 0.53%

LAB 69.07, -17.95, 40.03

 

CMYK 47 / 0 / 28 / 31

HEX #5EB07E

RGB 94 176 126

HSL 143.41, 0.34%, 0.53%

LAB 65.7, -36.53, 18.03

 

CMYK 37 / 46 / 0 / 31

HEX #6E5EAF

RGB 110 94 175

HSL 251.85, 0.34%, 0.53%

LAB 44.82, 25.87, -41.16

 

CMYK 0 / 47 / 32 / 31

HEX #B05E78

RGB 176 94 120

HSL 340.98, 0.34%, 0.53%

LAB 50.21, 36.25, 0.41

HEX #B05E78

CMYK 9 / 0 / 47 / 31

HEX #A1B05E

RGB 161 176 94

HSL 70.98, 0.34%, 0.53%

LAB 69.07, -17.95, 40.03

HEX #A1B05E

CMYK 47 / 0 / 15 / 31

HEX #5EB096

RGB 94 176 150

HSL 160.98, 0.34%, 0.53%

LAB 66.24, -31.38, 5.6

HEX #5EB096

Description

Color code: HEX #6E5EAF | qconv.com Color code: HEX #6E5EAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 94 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 94 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 46 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 46% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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