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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E5D42 it is the complementary color #91A2BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E5D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E5D42 shade: #735D3D, #846F50, #958163, #A69376 and #B7A589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E5D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E5D42 shade: #6E5D42, #5D4B2F, #4C391C, #3B2709 and #2A1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E5D42 shade: #705E43, #705243, #704643 and #704343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E5D42 shade: #705E43, #706A43, #697043, #5D7043 and #517043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E5D42 shade matches the following richer shades: #705E43, #7E6234, #8C6526, #9B6818 and #A96B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E5D42 shade: #705E43, #615B51, #535860, #44546E and #36517D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E5D42 shade: #704643, #705243, #705E43, #706A43 and #6A7043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E5D42 shade: #3C3324, #564933, #705E43, #897452 and #A28A63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E5D42 shade: #6E5D42, #4C7043 and #4C4370

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E5D42 shade: #6E5D42, #43705E and #5E4370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E5D42 shade: #6E5D42, #4C7043, #435570 and #674370

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E5D42 shade: #6E5D42, #437047, #435570 and #70436B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

Complementary color

CMYK 23 / 14 / 0 / 26

HEX #91A2BD

RGB 145 162 189

HSL 216.82, 0.25%, 0.65%

LAB 66.16, 0.03, -15.89

 

CMYK 0 / 19 / 47 / 55

HEX #735D3D

RGB 115 93 61

HSL 35.56, 0.31%, 0.35%

LAB 40.91, 4.3, 21.72

 

CMYK 0 / 16 / 39 / 48

HEX #846F50

RGB 132 111 80

HSL 35.77, 0.25%, 0.42%

LAB 48.08, 3.57, 20.34

 

CMYK 0 / 13 / 34 / 42

HEX #958163

RGB 149 129 99

HSL 36, 0.2%, 0.49%

LAB 55.06, 2.98, 19.1

 

CMYK 0 / 11 / 29 / 35

HEX #A69376

RGB 166 147 118

HSL 36.25, 0.21%, 0.56%

LAB 61.9, 2.5, 17.96

 

CMYK 0 / 10 / 25 / 28

HEX #B7A589

RGB 183 165 137

HSL 36.52, 0.24%, 0.63%

LAB 68.59, 2.09, 16.91

 

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

CMYK 0 / 19 / 49 / 64

HEX #5D4B2F

RGB 93 75 47

HSL 36.52, 0.33%, 0.27%

LAB 33.06, 3.41, 19.5

 

CMYK 0 / 25 / 63 / 70

HEX #4C391C

RGB 76 57 28

HSL 36.25, 0.46%, 0.2%

LAB 25.4, 4.46, 21.09

 

CMYK 0 / 34 / 85 / 77

HEX #3B2709

RGB 59 39 9

HSL 36, 0.74%, 0.13%

LAB 17.46, 6, 21.73

 

CMYK 0 / 50 / 100 / 84

HEX #2A1500

RGB 42 21 0

HSL 30, 1%, 0.08%

LAB 9.23, 8.43, 13.99

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 27 / 40 / 56

HEX #705243

RGB 112 82 67

HSL 20, 0.25%, 0.35%

LAB 37.63, 10.34, 13.7

 

CMYK 0 / 38 / 40 / 56

HEX #704643

RGB 112 70 67

HSL 4, 0.25%, 0.35%

LAB 34.46, 17.65, 9.32

 

CMYK 0 / 40 / 40 / 56

HEX #704343

RGB 112 67 67

HSL 0, 0.25%, 0.35%

LAB 33.7, 19.46, 8.26

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 5 / 40 / 56

HEX #706A43

RGB 112 106 67

HSL 52, 0.25%, 0.35%

LAB 44.46, -3.98, 22.75

 

CMYK 6 / 0 / 40 / 56

HEX #697043

RGB 105 112 67

HSL 69.33, 0.25%, 0.35%

LAB 45.63, -10.48, 24.13

 

CMYK 17 / 0 / 40 / 56

HEX #5D7043

RGB 93 112 67

HSL 85.33, 0.25%, 0.35%

LAB 44.69, -15.58, 22.73

 

CMYK 28 / 0 / 40 / 56

HEX #517043

RGB 81 112 67

HSL 101.33, 0.25%, 0.35%

LAB 43.86, -20.41, 21.5

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 22 / 59 / 51

HEX #7E6234

RGB 126 98 52

HSL 37.3, 0.42%, 0.35%

LAB 43.39, 5.48, 30.19

 

CMYK 0 / 28 / 73 / 45

HEX #8C6526

RGB 140 101 38

HSL 37.06, 0.57%, 0.35%

LAB 45.67, 9.23, 40.39

 

CMYK 0 / 33 / 85 / 39

HEX #9B6818

RGB 155 104 24

HSL 36.64, 0.73%, 0.35%

LAB 48.18, 13.83, 49.25

 

CMYK 0 / 37 / 95 / 34

HEX #A96B09

RGB 169 107 9

HSL 36.75, 0.9%, 0.35%

LAB 50.65, 18.15, 56.04

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 6 / 16 / 62

HEX #615B51

RGB 97 91 81

HSL 37.5, 0.09%, 0.35%

LAB 38.93, 0.5, 6.63

 

CMYK 14 / 8 / 0 / 62

HEX #535860

RGB 83 88 96

HSL 216.92, 0.07%, 0.35%

LAB 37.23, -0.13, -5.29

 

CMYK 38 / 24 / 0 / 57

HEX #44546E

RGB 68 84 110

HSL 217.14, 0.24%, 0.35%

LAB 35.39, 0.93, -16.91

 

CMYK 57 / 35 / 0 / 51

HEX #36517D

RGB 54 81 125

HSL 217.18, 0.4%, 0.35%

LAB 34.29, 3.84, -28

 

CMYK 0 / 38 / 40 / 56

HEX #704643

RGB 112 70 67

HSL 4, 0.25%, 0.35%

LAB 34.46, 17.65, 9.32

 

CMYK 0 / 27 / 40 / 56

HEX #705243

RGB 112 82 67

HSL 20, 0.25%, 0.35%

LAB 37.63, 10.34, 13.7

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 5 / 40 / 56

HEX #706A43

RGB 112 106 67

HSL 52, 0.25%, 0.35%

LAB 44.46, -3.98, 22.75

 

CMYK 5 / 0 / 40 / 56

HEX #6A7043

RGB 106 112 67

HSL 68, 0.25%, 0.35%

LAB 45.71, -10.04, 24.26

 

CMYK 0 / 15 / 40 / 76

HEX #3C3324

RGB 60 51 36

HSL 37.5, 0.25%, 0.19%

LAB 21.78, 1.33, 11.01

 

CMYK 0 / 15 / 41 / 66

HEX #564933

RGB 86 73 51

HSL 37.71, 0.26%, 0.27%

LAB 31.77, 1.86, 15.21

 

CMYK 0 / 16 / 40 / 56

HEX #705E43

RGB 112 94 67

HSL 36, 0.25%, 0.35%

LAB 40.99, 3.08, 18.2

 

CMYK 0 / 15 / 40 / 46

HEX #897452

RGB 137 116 82

HSL 37.09, 0.25%, 0.43%

LAB 50, 3.1, 21.83

 

CMYK 0 / 15 / 39 / 36

HEX #A28A63

RGB 162 138 99

HSL 37.14, 0.25%, 0.51%

LAB 58.75, 3.37, 24.26

 

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

CMYK 32 / 0 / 40 / 56

HEX #4C7043

RGB 76 112 67

HSL 108, 0.25%, 0.35%

LAB 43.55, -22.33, 21.03

 

CMYK 32 / 40 / 0 / 56

HEX #4C4370

RGB 76 67 112

HSL 252, 0.25%, 0.35%

LAB 31.16, 15.03, -24.68

 

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

CMYK 40 / 0 / 16 / 56

HEX #43705E

RGB 67 112 94

HSL 156, 0.25%, 0.35%

LAB 43.64, -20.01, 5.16

 

CMYK 16 / 40 / 0 / 56

HEX #5E4370

RGB 94 67 112

HSL 276, 0.25%, 0.35%

LAB 33.06, 20.98, -21.58

 

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

CMYK 32 / 0 / 40 / 56

HEX #4C7043

RGB 76 112 67

HSL 108, 0.25%, 0.35%

LAB 43.55, -22.33, 21.03

 

CMYK 40 / 24 / 0 / 56

HEX #435570

RGB 67 85 112

HSL 216, 0.25%, 0.35%

LAB 35.71, 0.59, -17.66

 

CMYK 8 / 40 / 0 / 56

HEX #674370

RGB 103 67 112

HSL 288, 0.25%, 0.35%

LAB 34.12, 24.06, -19.84

 

CMYK 0 / 15 / 40 / 57

HEX #6E5D42

RGB 110 93 66

HSL 36.82, 0.25%, 0.35%

LAB 40.47, 2.65, 18.08

 

CMYK 40 / 0 / 37 / 56

HEX #437047

RGB 67 112 71

HSL 125.33, 0.25%, 0.35%

LAB 43.12, -24.86, 18.06

 

CMYK 40 / 24 / 0 / 56

HEX #435570

RGB 67 85 112

HSL 216, 0.25%, 0.35%

LAB 35.71, 0.59, -17.66

 

CMYK 0 / 40 / 4 / 56

HEX #70436B

RGB 112 67 107

HSL 306.67, 0.25%, 0.35%

LAB 35.04, 26.15, -15.19

 

Description

Color code: HEX #6E5D42 | qconv.com Color code: HEX #6E5D42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 93 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 93 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 40 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 40% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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