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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E5682 it is the complementary color #91A97D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E5682. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E5682 shade: #73567D, #846890, #957AA3, #A68CB6 and #B79EC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E5682. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E5682 shade: #6E5682, #5D446F, #4C325C, #3B2049 and #2A0E36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E5682 shade: #6D5681, #795681, #81567D, #815671 and #815666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E5682 shade: #6D5681, #615681 and #565681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E5682 shade matches the following richer shades: #6D5681, #6F4492, #7033A3, #7222B5 and #7310C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E5682 shade: #6D5681, #6B676F, #6A785E, #688A4D and #679B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E5682 shade: #565681, #615681, #6D5681, #785681 and #81567E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E5682 shade: #43354F, #584568, #6D5681, #826699 and #967FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E5682 shade: #6E5682, #815661 and #56815B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E5682 shade: #6E5682, #816D56 and #56816D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E5682 shade: #6E5682, #815661, #6A8156 and #568175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E5682 shade: #6E5682, #815756, #6A8156 and #567F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

Complementary color

CMYK 14 / 0 / 26 / 34

HEX #91A97D

RGB 145 169 125

HSL 92.73, 0.2%, 0.58%

LAB 66.43, -16.5, 20.02

 

CMYK 8 / 31 / 0 / 51

HEX #73567D

RGB 115 86 125

HSL 284.62, 0.18%, 0.41%

LAB 40.87, 19.57, -17.39

 

CMYK 8 / 28 / 0 / 44

HEX #846890

RGB 132 104 144

HSL 282, 0.16%, 0.49%

LAB 48.03, 18.9, -17.69

 

CMYK 9 / 25 / 0 / 36

HEX #957AA3

RGB 149 122 163

HSL 279.51, 0.18%, 0.56%

LAB 55.02, 18.29, -18

 

CMYK 9 / 23 / 0 / 29

HEX #A68CB6

RGB 166 140 182

HSL 277.14, 0.22%, 0.63%

LAB 61.86, 17.75, -18.31

 

CMYK 9 / 21 / 0 / 21

HEX #B79EC9

RGB 183 158 201

HSL 274.88, 0.28%, 0.7%

LAB 68.56, 17.25, -18.63

 

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

CMYK 16 / 39 / 0 / 56

HEX #5D446F

RGB 93 68 111

HSL 274.88, 0.24%, 0.35%

LAB 33.16, 19.76, -20.81

 

CMYK 17 / 46 / 0 / 64

HEX #4C325C

RGB 76 50 92

HSL 277.14, 0.3%, 0.28%

LAB 25.53, 20.64, -20.66

 

CMYK 19 / 56 / 0 / 71

HEX #3B2049

RGB 59 32 73

HSL 279.51, 0.39%, 0.21%

LAB 17.66, 21.61, -20.48

 

CMYK 22 / 74 / 0 / 79

HEX #2A0E36

RGB 42 14 54

HSL 282, 0.59%, 0.13%

LAB 9.58, 22.45, -20.1

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 6 / 33 / 0 / 49

HEX #795681

RGB 121 86 129

HSL 288.84, 0.2%, 0.42%

LAB 41.7, 22.55, -18.49

 

CMYK 0 / 33 / 3 / 49

HEX #81567D

RGB 129 86 125

HSL 305.58, 0.2%, 0.42%

LAB 42.47, 24.55, -14.8

 

CMYK 0 / 33 / 12 / 49

HEX #815671

RGB 129 86 113

HSL 322.33, 0.2%, 0.42%

LAB 42.02, 22.26, -8.14

 

CMYK 0 / 33 / 21 / 49

HEX #815666

RGB 129 86 102

HSL 337.67, 0.2%, 0.42%

LAB 41.66, 20.33, -1.92

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 25 / 33 / 0 / 49

HEX #615681

RGB 97 86 129

HSL 255.35, 0.2%, 0.42%

LAB 39.21, 14.38, -22.53

 

CMYK 33 / 33 / 0 / 49

HEX #565681

RGB 86 86 129

HSL 240, 0.2%, 0.42%

LAB 38.23, 10.84, -24.13

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 24 / 53 / 0 / 43

HEX #6F4492

RGB 111 68 146

HSL 273.08, 0.36%, 0.42%

LAB 37.09, 34.01, -36.12

 

CMYK 31 / 69 / 0 / 36

HEX #7033A3

RGB 112 51 163

HSL 272.68, 0.52%, 0.42%

LAB 34.92, 47.55, -49.89

 

CMYK 37 / 81 / 0 / 29

HEX #7222B5

RGB 114 34 181

HSL 272.65, 0.68%, 0.42%

LAB 34.1, 59.26, -61.97

 

CMYK 42 / 92 / 0 / 22

HEX #7310C6

RGB 115 16 198

HSL 272.64, 0.85%, 0.42%

LAB 34.18, 67.9, -71.87

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 4 / 7 / 0 / 56

HEX #6B676F

RGB 107 103 111

HSL 270, 0.04%, 0.42%

LAB 44.2, 3.22, -3.93

 

CMYK 12 / 0 / 22 / 53

HEX #6A785E

RGB 106 120 94

HSL 92.31, 0.12%, 0.42%

LAB 48.64, -10.36, 12.58

 

CMYK 25 / 0 / 44 / 46

HEX #688A4D

RGB 104 138 77

HSL 93.44, 0.28%, 0.42%

LAB 53.66, -23.4, 28.83

 

CMYK 34 / 0 / 62 / 39

HEX #679B3B

RGB 103 155 59

HSL 92.5, 0.45%, 0.42%

LAB 58.64, -34.05, 43.8

 

CMYK 33 / 33 / 0 / 49

HEX #565681

RGB 86 86 129

HSL 240, 0.2%, 0.42%

LAB 38.23, 10.84, -24.13

 

CMYK 25 / 33 / 0 / 49

HEX #615681

RGB 97 86 129

HSL 255.35, 0.2%, 0.42%

LAB 39.21, 14.38, -22.53

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 7 / 33 / 0 / 49

HEX #785681

RGB 120 86 129

HSL 287.44, 0.2%, 0.42%

LAB 41.59, 22.21, -18.67

 

CMYK 0 / 33 / 2 / 49

HEX #81567E

RGB 129 86 126

HSL 304.19, 0.2%, 0.42%

LAB 42.5, 24.75, -15.35

 

CMYK 15 / 33 / 0 / 69

HEX #43354F

RGB 67 53 79

HSL 272.31, 0.2%, 0.26%

LAB 24.65, 12.11, -13.55

 

CMYK 15 / 34 / 0 / 59

HEX #584568

RGB 88 69 104

HSL 272.57, 0.2%, 0.34%

LAB 32.55, 15.66, -17.38

 

CMYK 16 / 33 / 0 / 49

HEX #6D5681

RGB 109 86 129

HSL 272.09, 0.2%, 0.42%

LAB 40.4, 18.41, -20.6

 

CMYK 15 / 33 / 0 / 40

HEX #826699

RGB 130 102 153

HSL 272.94, 0.2%, 0.5%

LAB 47.69, 21.43, -23.57

 

CMYK 12 / 25 / 0 / 33

HEX #967FAA

RGB 150 127 170

HSL 272.09, 0.2%, 0.58%

LAB 56.65, 17.25, -19.55

 

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

CMYK 0 / 33 / 25 / 49

HEX #815661

RGB 129 86 97

HSL 344.65, 0.2%, 0.42%

LAB 41.51, 19.52, 0.94

 

CMYK 33 / 0 / 29 / 49

HEX #56815B

RGB 86 129 91

HSL 126.98, 0.2%, 0.42%

LAB 50.02, -23.2, 16

 

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

CMYK 0 / 16 / 33 / 49

HEX #816D56

RGB 129 109 86

HSL 32.09, 0.2%, 0.42%

LAB 47.33, 4.24, 15.79

 

CMYK 33 / 0 / 16 / 49

HEX #56816D

RGB 86 129 109

HSL 152.09, 0.2%, 0.42%

LAB 50.43, -19.5, 6.15

 

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

CMYK 0 / 33 / 25 / 49

HEX #815661

RGB 129 86 97

HSL 344.65, 0.2%, 0.42%

LAB 41.51, 19.52, 0.94

 

CMYK 18 / 0 / 33 / 49

HEX #6A8156

RGB 106 129 86

HSL 92.09, 0.2%, 0.42%

LAB 51.19, -16.61, 20.66

 

CMYK 33 / 0 / 9 / 49

HEX #568175

RGB 86 129 117

HSL 163.26, 0.2%, 0.42%

LAB 50.64, -17.67, 1.78

 

CMYK 15 / 34 / 0 / 49

HEX #6E5682

RGB 110 86 130

HSL 272.73, 0.2%, 0.42%

LAB 40.54, 18.99, -20.98

 

CMYK 0 / 33 / 33 / 49

HEX #815756

RGB 129 87 86

HSL 1.4, 0.2%, 0.42%

LAB 41.46, 17.26, 7.64

 

CMYK 18 / 0 / 33 / 49

HEX #6A8156

RGB 106 129 86

HSL 92.09, 0.2%, 0.42%

LAB 51.19, -16.61, 20.66

 

CMYK 33 / 2 / 0 / 49

HEX #567F81

RGB 86 127 129

HSL 182.79, 0.2%, 0.42%

LAB 50.38, -13.62, -5.64

 

Description

Color code: HEX #6E5682 | qconv.com Color code: HEX #6E5682 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 86 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 86 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 34 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 34% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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