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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4AA5 it is the complementary color #91B55A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4AA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E4AA5 shade: #734AA0, #845CB3, #956EC6, #A680D9 and #B792EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4AA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E4AA5 shade: #6E4AA5, #5D3892, #4C267F, #3B146C and #2A0259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E4AA5 shade: #6E4AA5, #864AA5, #9F4AA5, #A54A92 and #A54A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E4AA5 shade: #6E4AA5, #554AA5 and #4A4AA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E4AA5 shade matches the following richer shades: #6E4AA5, #6A36B8, #6623CC and #6210DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E4AA5 shade: #6E4AA5, #725D92, #76717E, #7A846B and #7E9757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E4AA5 shade: #4A57A5, #544AA5, #6D4AA5, #854AA5 and #9D4AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E4AA5 shade: #48306C, #5B3D88, #6E4AA5, #8360B7 and #997DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E4AA5 shade: #6E4AA5, #A54A70 and #4BA54A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E4AA5 shade: #6E4AA5, #A56D4A and #4AA56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E4AA5 shade: #6E4AA5, #A54A70, #82A54A and #4AA57F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E4AA5 shade: #6E4AA5, #A54A54, #82A54A and #4AA59A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

Complementary color

CMYK 20 / 0 / 50 / 29

HEX #91B55A

RGB 145 181 90

HSL 83.74, 0.38%, 0.53%

LAB 69.33, -27.2, 42.08

 

CMYK 28 / 54 / 0 / 37

HEX #734AA0

RGB 115 74 160

HSL 268.6, 0.37%, 0.46%

LAB 39.72, 35.14, -40.37

 

CMYK 26 / 49 / 0 / 30

HEX #845CB3

RGB 132 92 179

HSL 267.59, 0.36%, 0.53%

LAB 46.73, 34.17, -40.34

 

CMYK 25 / 44 / 0 / 22

HEX #956EC6

RGB 149 110 198

HSL 266.59, 0.44%, 0.6%

LAB 53.62, 33.25, -40.32

 

CMYK 24 / 41 / 0 / 15

HEX #A680D9

RGB 166 128 217

HSL 265.62, 0.54%, 0.68%

LAB 60.39, 32.41, -40.3

 

CMYK 22 / 38 / 0 / 7

HEX #B792EC

RGB 183 146 236

HSL 264.67, 0.7%, 0.75%

LAB 67.04, 31.63, -40.31

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 36 / 62 / 0 / 43

HEX #5D3892

RGB 93 56 146

HSL 264.67, 0.45%, 0.4%

LAB 32.33, 36.22, -43.87

 

CMYK 40 / 70 / 0 / 50

HEX #4C267F

RGB 76 38 127

HSL 265.62, 0.54%, 0.32%

LAB 25.12, 37.25, -43.81

 

CMYK 45 / 81 / 0 / 58

HEX #3B146C

RGB 59 20 108

HSL 266.59, 0.69%, 0.25%

LAB 17.98, 37.86, -43.37

 

CMYK 53 / 98 / 0 / 65

HEX #2A0259

RGB 42 2 89

HSL 267.59, 0.96%, 0.18%

LAB 10.97, 37.79, -42.35

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 19 / 55 / 0 / 35

HEX #864AA5

RGB 134 74 165

HSL 279.56, 0.38%, 0.47%

LAB 42.28, 41.51, -39.13

 

CMYK 4 / 55 / 0 / 35

HEX #9F4AA5

RGB 159 74 165

HSL 296.04, 0.38%, 0.47%

LAB 45.61, 48.41, -33.65

 

CMYK 0 / 55 / 12 / 35

HEX #A54A92

RGB 165 74 146

HSL 312.53, 0.38%, 0.47%

LAB 45.6, 46.77, -22.28

 

CMYK 0 / 55 / 26 / 35

HEX #A54A7A

RGB 165 74 122

HSL 328.35, 0.38%, 0.47%

LAB 44.66, 43.07, -9.18

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 48 / 55 / 0 / 35

HEX #554AA5

RGB 85 74 165

HSL 247.25, 0.38%, 0.47%

LAB 37.01, 29.02, -47.85

 

CMYK 55 / 55 / 0 / 35

HEX #4A4AA5

RGB 74 74 165

HSL 240, 0.38%, 0.47%

LAB 36.12, 26.63, -49.34

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 42 / 71 / 0 / 28

HEX #6A36B8

RGB 106 54 184

HSL 264, 0.55%, 0.47%

LAB 36.3, 50.17, -60.21

 

CMYK 50 / 83 / 0 / 20

HEX #6623CC

RGB 102 35 204

HSL 263.79, 0.71%, 0.47%

LAB 34.78, 62.74, -74.44

 

CMYK 56 / 93 / 0 / 13

HEX #6210DF

RGB 98 16 223

HSL 263.77, 0.87%, 0.47%

LAB 34.59, 71.92, -85.75

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 22 / 36 / 0 / 43

HEX #725D92

RGB 114 93 146

HSL 263.77, 0.22%, 0.47%

LAB 43.48, 19.94, -26.06

 

CMYK 6 / 10 / 0 / 51

HEX #76717E

RGB 118 113 126

HSL 263.08, 0.05%, 0.47%

LAB 48.47, 4.6, -6.47

 

CMYK 8 / 0 / 19 / 48

HEX #7A846B

RGB 122 132 107

HSL 84, 0.1%, 0.47%

LAB 53.71, -8.47, 12.28

 

CMYK 17 / 0 / 42 / 41

HEX #7E9757

RGB 126 151 87

HSL 83.44, 0.27%, 0.47%

LAB 59.21, -20.05, 30.81

 

CMYK 55 / 47 / 0 / 35

HEX #4A57A5

RGB 74 87 165

HSL 231.43, 0.38%, 0.47%

LAB 39.56, 18.28, -43.81

 

CMYK 49 / 55 / 0 / 35

HEX #544AA5

RGB 84 74 165

HSL 246.59, 0.38%, 0.47%

LAB 36.93, 28.79, -48

 

CMYK 34 / 55 / 0 / 35

HEX #6D4AA5

RGB 109 74 165

HSL 263.08, 0.38%, 0.47%

LAB 39.35, 34.86, -43.97

 

CMYK 19 / 55 / 0 / 35

HEX #854AA5

RGB 133 74 165

HSL 278.9, 0.38%, 0.47%

LAB 42.16, 41.24, -39.34

 

CMYK 5 / 55 / 0 / 35

HEX #9D4AA5

RGB 157 74 165

HSL 294.73, 0.38%, 0.47%

LAB 45.33, 47.86, -34.11

 

CMYK 33 / 56 / 0 / 58

HEX #48306C

RGB 72 48 108

HSL 264, 0.38%, 0.31%

LAB 25.49, 24.98, -31.15

 

CMYK 33 / 55 / 0 / 47

HEX #5B3D88

RGB 91 61 136

HSL 264, 0.38%, 0.39%

LAB 32.57, 30.02, -37.34

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 28 / 48 / 0 / 28

HEX #8360B7

RGB 131 96 183

HSL 264.14, 0.38%, 0.55%

LAB 47.76, 32.57, -41.04

 

CMYK 22 / 36 / 0 / 23

HEX #997DC4

RGB 153 125 196

HSL 263.66, 0.38%, 0.63%

LAB 57.49, 25.31, -33.09

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 0 / 55 / 32 / 35

HEX #A54A70

RGB 165 74 112

HSL 334.95, 0.38%, 0.47%

LAB 44.33, 41.71, -3.56

 

CMYK 55 / 0 / 55 / 35

HEX #4BA54A

RGB 75 165 74

HSL 119.34, 0.38%, 0.47%

LAB 60.69, -45.63, 38.72

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 0 / 34 / 55 / 35

HEX #A56D4A

RGB 165 109 74

HSL 23.08, 0.38%, 0.47%

LAB 51.19, 18.42, 28.53

 

CMYK 55 / 0 / 34 / 35

HEX #4AA56D

RGB 74 165 109

HSL 143.08, 0.38%, 0.47%

LAB 61.19, -40.18, 21.03

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 0 / 55 / 32 / 35

HEX #A54A70

RGB 165 74 112

HSL 334.95, 0.38%, 0.47%

LAB 44.33, 41.71, -3.56

 

CMYK 21 / 0 / 55 / 35

HEX #82A54A

RGB 130 165 74

HSL 83.08, 0.38%, 0.47%

LAB 63.47, -26.95, 42.68

 

CMYK 55 / 0 / 23 / 35

HEX #4AA57F

RGB 74 165 127

HSL 154.95, 0.38%, 0.47%

LAB 61.57, -36.4, 11.61

 

CMYK 33 / 55 / 0 / 35

HEX #6E4AA5

RGB 110 74 165

HSL 263.74, 0.38%, 0.47%

LAB 39.46, 35.11, -43.79

 

CMYK 0 / 55 / 49 / 35

HEX #A54A54

RGB 165 74 84

HSL 353.41, 0.38%, 0.47%

LAB 43.56, 38.5, 12.55

 

CMYK 21 / 0 / 55 / 35

HEX #82A54A

RGB 130 165 74

HSL 83.08, 0.38%, 0.47%

LAB 63.47, -26.95, 42.68

 

CMYK 55 / 0 / 7 / 35

HEX #4AA59A

RGB 74 165 154

HSL 172.75, 0.38%, 0.47%

LAB 62.25, -29.78, -2.52

 

Description

Color code: HEX #6E4AA5 | qconv.com Color code: HEX #6E4AA5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 74 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 74 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 55 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 55% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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