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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E46E3 it is the complementary color #91B91C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E46E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E46E3 shade: #7346DE, #8458F1, #956AFF, #A67CFF and #B78EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E46E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E46E3 shade: #6E46E3, #5D34D0, #4C22BD, #3B10AA and #2A0097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E46E3 shade: #6D45E3, #9845E3, #C345E3, #E345D9 and #E345AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E46E3 shade: #6D45E3 and #4545E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E46E3 shade matches the following richer shades: #6D45E3 and #6533F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E46E3 shade: #6D45E3, #7656D2, #7E67C0, #8779AF and #8F8A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E46E3 shade: #4572E3, #4547E3, #6C45E3, #9745E3 and #C145E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E46E3 shade: #441CBA, #5121DD, #6D45E3, #8969E9 and #A58CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E46E3 shade: #6E46E3, #E3459C and #5CE345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E46E3 shade: #6E46E3, #E36C45 and #45E36C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E46E3 shade: #6E46E3, #E3459C, #BCE345 and #45E38C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E46E3 shade: #6E46E3, #E3456C, #BCE345 and #45E3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

Complementary color

CMYK 22 / 0 / 85 / 27

HEX #91B91C

RGB 145 185 28

HSL 75.29, 0.74%, 0.42%

LAB 70.04, -33.33, 66.6

 

CMYK 48 / 68 / 0 / 13

HEX #7346DE

RGB 115 70 222

HSL 257.76, 0.7%, 0.57%

LAB 43.21, 53.83, -70.93

 

CMYK 45 / 63 / 0 / 5

HEX #8458F1

RGB 132 88 241

HSL 257.25, 0.85%, 0.65%

LAB 49.78, 52.61, -70.9

 

CMYK 42 / 58 / 0 / 0

HEX #956AFF

RGB 149 106 255

HSL 257.32, 1%, 0.71%

LAB 56.01, 50.05, -68.53

 

CMYK 35 / 51 / 0 / 0

HEX #A67CFF

RGB 166 124 255

HSL 259.24, 1%, 0.74%

LAB 61.43, 43.99, -59.72

 

CMYK 28 / 44 / 0 / 0

HEX #B78EFF

RGB 183 142 255

HSL 261.77, 1%, 0.78%

LAB 67, 38.33, -50.77

 

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

CMYK 55 / 75 / 0 / 18

HEX #5D34D0

RGB 93 52 208

HSL 255.77, 0.62%, 0.51%

LAB 36.63, 55.58, -73.76

 

CMYK 60 / 82 / 0 / 26

HEX #4C22BD

RGB 76 34 189

HSL 256.26, 0.7%, 0.44%

LAB 30.29, 56.34, -73.14

 

CMYK 65 / 91 / 0 / 33

HEX #3B10AA

RGB 59 16 170

HSL 256.75, 0.83%, 0.36%

LAB 24.33, 56.1, -71.71

 

CMYK 72 / 100 / 0 / 41

HEX #2A0097

RGB 42 0 151

HSL 256.69, 1%, 0.3%

LAB 18.91, 54.4, -69.16

 

CMYK 52 / 70 / 0 / 11

HEX #6D45E3

RGB 109 69 227

HSL 255.19, 0.74%, 0.58%

LAB 42.84, 54.75, -74.4

 

CMYK 33 / 70 / 0 / 11

HEX #9845E3

RGB 152 69 227

HSL 271.52, 0.74%, 0.58%

LAB 47.6, 62.27, -66.45

 

CMYK 14 / 70 / 0 / 11

HEX #C345E3

RGB 195 69 227

HSL 287.85, 0.74%, 0.58%

LAB 53.39, 70.86, -56.82

 

CMYK 0 / 70 / 4 / 11

HEX #E345D9

RGB 227 69 217

HSL 303.8, 0.74%, 0.58%

LAB 57.65, 76.04, -44.09

 

CMYK 0 / 70 / 23 / 11

HEX #E345AE

RGB 227 69 174

HSL 320.13, 0.74%, 0.58%

LAB 55.73, 69.98, -22.41

 

CMYK 52 / 70 / 0 / 11

HEX #6D45E3

RGB 109 69 227

HSL 255.19, 0.74%, 0.58%

LAB 42.84, 54.75, -74.4

 

CMYK 70 / 70 / 0 / 11

HEX #4545E3

RGB 69 69 227

HSL 240, 0.74%, 0.58%

LAB 39.69, 49.43, -79.69

 

CMYK 52 / 70 / 0 / 11

HEX #6D45E3

RGB 109 69 227

HSL 255.19, 0.74%, 0.58%

LAB 42.84, 54.75, -74.4

 

CMYK 59 / 79 / 0 / 4

HEX #6533F4

RGB 101 51 244

HSL 255.54, 0.9%, 0.58%

LAB 40.68, 66.72, -87.6

 

CMYK 52 / 70 / 0 / 11

HEX #6D45E3

RGB 109 69 227

HSL 255.19, 0.74%, 0.58%

LAB 42.84, 54.75, -74.4

 

CMYK 44 / 59 / 0 / 18

HEX #7656D2

RGB 118 86 210

HSL 255.48, 0.58%, 0.58%

LAB 45.85, 42.38, -59.76

 

CMYK 34 / 46 / 0 / 25

HEX #7E67C0

RGB 126 103 192

HSL 255.51, 0.41%, 0.58%

LAB 49.43, 29.43, -43.65

 

CMYK 23 / 31 / 0 / 31

HEX #8779AF

RGB 135 121 175

HSL 255.56, 0.25%, 0.58%

LAB 53.94, 17.02, -26.7

 

CMYK 9 / 13 / 0 / 38

HEX #8F8A9E

RGB 143 138 158

HSL 255, 0.09%, 0.58%

LAB 58.49, 5.9, -9.93

 

CMYK 70 / 50 / 0 / 11

HEX #4572E3

RGB 69 114 227

HSL 222.91, 0.74%, 0.58%

LAB 50.51, 21.89, -62.07

 

CMYK 70 / 69 / 0 / 11

HEX #4547E3

RGB 69 71 227

HSL 239.24, 0.74%, 0.58%

LAB 40.11, 48.29, -79

 

CMYK 52 / 70 / 0 / 11

HEX #6C45E3

RGB 108 69 227

HSL 254.81, 0.74%, 0.58%

LAB 42.75, 54.59, -74.56

 

CMYK 33 / 70 / 0 / 11

HEX #9745E3

RGB 151 69 227

HSL 271.14, 0.74%, 0.58%

LAB 47.47, 62.08, -66.66

 

CMYK 15 / 70 / 0 / 11

HEX #C145E3

RGB 193 69 227

HSL 287.09, 0.74%, 0.58%

LAB 53.1, 70.44, -57.29

 

CMYK 63 / 85 / 0 / 27

HEX #441CBA

RGB 68 28 186

HSL 255.19, 0.74%, 0.42%

LAB 28.39, 57.11, -74.53

 

CMYK 63 / 85 / 0 / 13

HEX #5121DD

RGB 81 33 221

HSL 255.32, 0.74%, 0.5%

LAB 34.1, 65.69, -85.46

 

CMYK 52 / 70 / 0 / 11

HEX #6D45E3

RGB 109 69 227

HSL 255.19, 0.74%, 0.58%

LAB 42.84, 54.75, -74.4

 

CMYK 41 / 55 / 0 / 9

HEX #8969E9

RGB 137 105 233

HSL 255, 0.74%, 0.66%

LAB 53.28, 42.09, -60.73

 

CMYK 31 / 41 / 0 / 7

HEX #A58CEE

RGB 165 140 238

HSL 255.31, 0.74%, 0.74%

LAB 64.1, 30.44, -46.13

 

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

CMYK 0 / 70 / 31 / 11

HEX #E3459C

RGB 227 69 156

HSL 326.96, 0.74%, 0.58%

LAB 55.06, 67.8, -12.89

 

CMYK 59 / 0 / 70 / 11

HEX #5CE345

RGB 92 227 69

HSL 111.27, 0.74%, 0.58%

LAB 80.54, -64.85, 63.11

 

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

CMYK 0 / 52 / 70 / 11

HEX #E36C45

RGB 227 108 69

HSL 14.81, 0.74%, 0.58%

LAB 59.42, 43.62, 43.15

 

CMYK 70 / 0 / 52 / 11

HEX #45E36C

RGB 69 227 108

HSL 134.81, 0.74%, 0.58%

LAB 80.34, -65.16, 46.09

 

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

CMYK 0 / 70 / 31 / 11

HEX #E3459C

RGB 227 69 156

HSL 326.96, 0.74%, 0.58%

LAB 55.06, 67.8, -12.89

 

CMYK 17 / 0 / 70 / 11

HEX #BCE345

RGB 188 227 69

HSL 74.81, 0.74%, 0.58%

LAB 85.03, -33.77, 69.12

 

CMYK 70 / 0 / 38 / 11

HEX #45E38C

RGB 69 227 140

HSL 146.96, 0.74%, 0.58%

LAB 80.79, -60, 30.93

 

CMYK 52 / 69 / 0 / 11

HEX #6E46E3

RGB 110 70 227

HSL 255.29, 0.74%, 0.58%

LAB 43.12, 54.39, -73.94

 

CMYK 0 / 70 / 52 / 11

HEX #E3456C

RGB 227 69 108

HSL 345.19, 0.74%, 0.58%

LAB 53.67, 63.15, 13.62

 

CMYK 17 / 0 / 70 / 11

HEX #BCE345

RGB 188 227 69

HSL 74.81, 0.74%, 0.58%

LAB 85.03, -33.77, 69.12

 

CMYK 70 / 0 / 17 / 11

HEX #45E3BC

RGB 69 227 188

HSL 165.19, 0.74%, 0.58%

LAB 81.75, -49.78, 7.28

 

Description

Color code: HEX #6E46E3 | qconv.com Color code: HEX #6E46E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 70 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 70 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 69 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 69% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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