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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E4089 it is the complementary color #91BF76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E4089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E4089 shade: #734084, #845297, #9564AA, #A676BD and #B788D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E4089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E4089 shade: #6E4089, #5D2E76, #4C1C63, #3B0A50 and #2A003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E4089 shade: #6D4087, #804087, #87407B, #874068 and #874054

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E4089 shade: #6D4087, #594087, #464087 and #404087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E4089 shade matches the following richer shades: #6D4087, #713097, #751FA7 and #790FB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E4089 shade: #6D4087, #695077, #646067, #607057 and #5C8047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E4089 shade: #464087, #594087, #6C4087, #7F4087 and #87407D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E4089 shade: #40254F, #56326B, #6D4087, #834DA3 and #9764B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E4089 shade: #6E4089, #87404D and #40874F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E4089 shade: #6E4089, #876C40 and #40876C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E4089 shade: #6E4089, #87404D, #5B8740 and #40877A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E4089 shade: #6E4089, #874840, #5B8740 and #407F87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

Complementary color

CMYK 24 / 0 / 38 / 25

HEX #91BF76

RGB 145 191 118

HSL 97.81, 0.36%, 0.61%

LAB 72.62, -28.52, 32.02

 

CMYK 13 / 52 / 0 / 48

HEX #734084

RGB 115 64 132

HSL 285, 0.35%, 0.38%

LAB 35.94, 34.18, -29.34

 

CMYK 13 / 46 / 0 / 41

HEX #845297

RGB 132 82 151

HSL 283.48, 0.3%, 0.46%

LAB 43.02, 33.34, -29.62

 

CMYK 12 / 41 / 0 / 33

HEX #9564AA

RGB 149 100 170

HSL 282, 0.29%, 0.53%

LAB 49.99, 32.52, -29.84

 

CMYK 12 / 38 / 0 / 26

HEX #A676BD

RGB 166 118 189

HSL 280.56, 0.35%, 0.6%

LAB 56.82, 31.73, -30.04

 

CMYK 12 / 35 / 0 / 18

HEX #B788D0

RGB 183 136 208

HSL 279.17, 0.43%, 0.67%

LAB 63.53, 31, -30.24

 

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

CMYK 21 / 61 / 0 / 54

HEX #5D2E76

RGB 93 46 118

HSL 279.17, 0.44%, 0.32%

LAB 28.35, 34.69, -32.8

 

CMYK 23 / 72 / 0 / 61

HEX #4C1C63

RGB 76 28 99

HSL 280.56, 0.56%, 0.25%

LAB 21.09, 35.26, -32.31

 

CMYK 26 / 88 / 0 / 69

HEX #3B0A50

RGB 59 10 80

HSL 282, 0.78%, 0.18%

LAB 13.98, 34.88, -31.18

 

CMYK 31 / 100 / 0 / 76

HEX #2A003D

RGB 42 0 61

HSL 281.31, 1%, 0.12%

LAB 7.49, 31.96, -28.55

 

CMYK 19 / 53 / 0 / 47

HEX #6D4087

RGB 109 64 135

HSL 278.03, 0.36%, 0.39%

LAB 35.34, 33.08, -32.19

 

CMYK 5 / 53 / 0 / 47

HEX #804087

RGB 128 64 135

HSL 294.08, 0.36%, 0.39%

LAB 37.85, 38.73, -28.06

 

CMYK 0 / 53 / 9 / 47

HEX #87407B

RGB 135 64 123

HSL 310.14, 0.36%, 0.39%

LAB 38.28, 38.6, -19.92

 

CMYK 0 / 53 / 23 / 47

HEX #874068

RGB 135 64 104

HSL 326.2, 0.36%, 0.39%

LAB 37.51, 35.42, -9.25

 

CMYK 0 / 53 / 38 / 47

HEX #874054

RGB 135 64 84

HSL 343.1, 0.36%, 0.39%

LAB 36.85, 32.59, 2.4

 

CMYK 19 / 53 / 0 / 47

HEX #6D4087

RGB 109 64 135

HSL 278.03, 0.36%, 0.39%

LAB 35.34, 33.08, -32.19

 

CMYK 34 / 53 / 0 / 47

HEX #594087

RGB 89 64 135

HSL 261.13, 0.36%, 0.39%

LAB 33.01, 27.35, -36.04

 

CMYK 48 / 53 / 0 / 47

HEX #464087

RGB 70 64 135

HSL 245.07, 0.36%, 0.39%

LAB 31.16, 22.35, -39.1

 

CMYK 53 / 53 / 0 / 47

HEX #404087

RGB 64 64 135

HSL 240, 0.36%, 0.39%

LAB 30.65, 20.92, -39.93

 

CMYK 19 / 53 / 0 / 47

HEX #6D4087

RGB 109 64 135

HSL 278.03, 0.36%, 0.39%

LAB 35.34, 33.08, -32.19

 

CMYK 25 / 68 / 0 / 41

HEX #713097

RGB 113 48 151

HSL 277.86, 0.52%, 0.39%

LAB 33.69, 46.4, -44.6

 

CMYK 30 / 81 / 0 / 35

HEX #751FA7

RGB 117 31 167

HSL 277.94, 0.69%, 0.39%

LAB 33.03, 57.66, -55.32

 

CMYK 34 / 92 / 0 / 28

HEX #790FB8

RGB 121 15 184

HSL 277.63, 0.85%, 0.39%

LAB 33.7, 65.84, -64.36

 

CMYK 19 / 53 / 0 / 47

HEX #6D4087

RGB 109 64 135

HSL 278.03, 0.36%, 0.39%

LAB 35.34, 33.08, -32.19

 

CMYK 12 / 33 / 0 / 53

HEX #695077

RGB 105 80 119

HSL 278.46, 0.2%, 0.39%

LAB 37.97, 18.36, -18.24

 

CMYK 3 / 7 / 0 / 60

HEX #646067

RGB 100 96 103

HSL 274.29, 0.04%, 0.39%

LAB 41.3, 3.05, -3.41

 

CMYK 14 / 0 / 22 / 56

HEX #607057

RGB 96 112 87

HSL 98.4, 0.13%, 0.39%

LAB 45.31, -11.09, 11.95

 

CMYK 28 / 0 / 45 / 50

HEX #5C8047

RGB 92 128 71

HSL 97.89, 0.29%, 0.39%

LAB 49.7, -23.8, 26.91

 

CMYK 48 / 53 / 0 / 47

HEX #464087

RGB 70 64 135

HSL 245.07, 0.36%, 0.39%

LAB 31.16, 22.35, -39.1

 

CMYK 34 / 53 / 0 / 47

HEX #594087

RGB 89 64 135

HSL 261.13, 0.36%, 0.39%

LAB 33.01, 27.35, -36.04

 

CMYK 20 / 53 / 0 / 47

HEX #6C4087

RGB 108 64 135

HSL 277.18, 0.36%, 0.39%

LAB 35.21, 32.79, -32.4

 

CMYK 6 / 53 / 0 / 47

HEX #7F4087

RGB 127 64 135

HSL 293.24, 0.36%, 0.39%

LAB 37.71, 38.43, -28.29

 

CMYK 0 / 53 / 7 / 47

HEX #87407D

RGB 135 64 125

HSL 308.45, 0.36%, 0.39%

LAB 38.37, 38.96, -21.02

 

CMYK 19 / 53 / 0 / 69

HEX #40254F

RGB 64 37 79

HSL 278.57, 0.36%, 0.23%

LAB 19.95, 21.62, -20.9

 

CMYK 20 / 53 / 0 / 58

HEX #56326B

RGB 86 50 107

HSL 277.89, 0.36%, 0.31%

LAB 27.63, 27.65, -26.99

 

CMYK 19 / 53 / 0 / 47

HEX #6D4087

RGB 109 64 135

HSL 278.03, 0.36%, 0.39%

LAB 35.34, 33.08, -32.19

 

CMYK 20 / 53 / 0 / 36

HEX #834DA3

RGB 131 77 163

HSL 277.67, 0.36%, 0.47%

LAB 42.43, 38.58, -37.73

 

CMYK 17 / 45 / 0 / 29

HEX #9764B6

RGB 151 100 182

HSL 277.32, 0.36%, 0.55%

LAB 50.77, 35.78, -35.58

 

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

CMYK 0 / 53 / 43 / 47

HEX #87404D

RGB 135 64 77

HSL 349.01, 0.36%, 0.39%

LAB 36.66, 31.73, 6.56

 

CMYK 53 / 0 / 41 / 47

HEX #40874F

RGB 64 135 79

HSL 132.68, 0.36%, 0.39%

LAB 50.67, -35.21, 23.47

 

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

CMYK 0 / 20 / 53 / 47

HEX #876C40

RGB 135 108 64

HSL 37.18, 0.36%, 0.39%

LAB 47.3, 4.85, 28.52

 

CMYK 53 / 0 / 20 / 47

HEX #40876C

RGB 64 135 108

HSL 157.18, 0.36%, 0.39%

LAB 51.27, -29.17, 7.78

 

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

CMYK 0 / 53 / 43 / 47

HEX #87404D

RGB 135 64 77

HSL 349.01, 0.36%, 0.39%

LAB 36.66, 31.73, 6.56

 

CMYK 33 / 0 / 53 / 47

HEX #5B8740

RGB 91 135 64

HSL 97.18, 0.36%, 0.39%

LAB 51.75, -28.57, 33.17

 

CMYK 53 / 0 / 10 / 47

HEX #40877A

RGB 64 135 122

HSL 169.01, 0.36%, 0.39%

LAB 51.64, -25.66, 0.18

 

CMYK 20 / 53 / 0 / 46

HEX #6E4089

RGB 110 64 137

HSL 277.81, 0.36%, 0.39%

LAB 35.57, 33.85, -33.04

 

CMYK 0 / 47 / 53 / 47

HEX #874840

RGB 135 72 64

HSL 6.76, 0.36%, 0.39%

LAB 38.12, 25.88, 16.73

 

CMYK 33 / 0 / 53 / 47

HEX #5B8740

RGB 91 135 64

HSL 97.18, 0.36%, 0.39%

LAB 51.75, -28.57, 33.17

 

CMYK 53 / 6 / 0 / 47

HEX #407F87

RGB 64 127 135

HSL 186.76, 0.36%, 0.39%

LAB 49.52, -17.86, -10.57

 

Description

Color code: HEX #6E4089 | qconv.com Color code: HEX #6E4089 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 64 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 64 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 53 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 53% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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