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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E334D it is the complementary color #91CCB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E334D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E334D shade: #733348, #84455B, #95576E, #A66981 and #B77B94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E334D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E334D shade: #6E334D, #5D213A, #4C0F27, #3B0014 and #2A0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E334D shade: #70334E, #70333E and #703333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E334D shade: #70334E, #70335E, #70336F, #613370 and #503370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E334D shade matches the following richer shades: #70334E, #7D264C, #8A194B and #970C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E334D shade: #70334E, #634150, #554E51, #485B53 and #3B6854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E334D shade: #70336F, #70335F, #70334F, #70333E and #703833

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E334D shade: #371927, #54263A, #70334E, #8C4062 and #A84D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E334D shade: #6E334D, #706133 and #336770

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E334D shade: #6E334D, #4F7033 and #334F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E334D shade: #6E334D, #706133, #337055 and #334370

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E334D shade: #6E334D, #6D7033, #337055 and #363370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

Complementary color

CMYK 29 / 0 / 13 / 20

HEX #91CCB2

RGB 145 204 178

HSL 153.56, 0.37%, 0.68%

LAB 77.53, -24.42, 6.9

 

CMYK 0 / 56 / 37 / 55

HEX #733348

RGB 115 51 72

HSL 340.31, 0.39%, 0.33%

LAB 30.59, 30.59, 0.65

 

CMYK 0 / 48 / 31 / 48

HEX #84455B

RGB 132 69 91

HSL 339.05, 0.31%, 0.39%

LAB 37.69, 29.65, -0.85

 

CMYK 0 / 42 / 26 / 42

HEX #95576E

RGB 149 87 110

HSL 337.74, 0.26%, 0.46%

LAB 44.7, 28.72, -2.04

 

CMYK 0 / 37 / 22 / 35

HEX #A66981

RGB 166 105 129

HSL 336.39, 0.26%, 0.53%

LAB 51.6, 27.84, -3.04

 

CMYK 0 / 33 / 19 / 28

HEX #B77B94

RGB 183 123 148

HSL 335, 0.29%, 0.6%

LAB 58.39, 27.04, -3.91

 

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

CMYK 0 / 65 / 38 / 64

HEX #5D213A

RGB 93 33 58

HSL 335, 0.48%, 0.25%

LAB 22.72, 30.18, -1.94

 

CMYK 0 / 80 / 49 / 70

HEX #4C0F27

RGB 76 15 39

HSL 336.39, 0.67%, 0.18%

LAB 15.62, 30.35, 0.66

 

CMYK 0 / 100 / 66 / 77

HEX #3B0014

RGB 59 0 20

HSL 339.66, 1%, 0.12%

LAB 8.83, 29.4, 4.5

 

CMYK 0 / 100 / 98 / 84

HEX #2A0001

RGB 42 0 1

HSL 358.57, 1%, 0.08%

LAB 4.47, 19.88, 6.65

 

CMYK 0 / 54 / 30 / 56

HEX #70334E

RGB 112 51 78

HSL 333.44, 0.37%, 0.32%

LAB 30.31, 30.31, -3.74

 

CMYK 0 / 54 / 45 / 56

HEX #70333E

RGB 112 51 62

HSL 349.18, 0.37%, 0.32%

LAB 29.81, 28.17, 6.03

 

CMYK 0 / 54 / 54 / 56

HEX #703333

RGB 112 51 51

HSL 0, 0.37%, 0.32%

LAB 29.54, 26.97, 12.85

 

CMYK 0 / 54 / 30 / 56

HEX #70334E

RGB 112 51 78

HSL 333.44, 0.37%, 0.32%

LAB 30.31, 30.31, -3.74

 

CMYK 0 / 54 / 16 / 56

HEX #70335E

RGB 112 51 94

HSL 317.7, 0.37%, 0.32%

LAB 30.93, 32.87, -13.21

 

CMYK 0 / 54 / 1 / 56

HEX #70336F

RGB 112 51 111

HSL 300.98, 0.37%, 0.32%

LAB 31.72, 36.02, -22.87

 

CMYK 13 / 54 / 0 / 56

HEX #613370

RGB 97 51 112

HSL 285.25, 0.37%, 0.32%

LAB 29.61, 31.62, -26.96

 

CMYK 29 / 54 / 0 / 56

HEX #503370

RGB 80 51 112

HSL 268.52, 0.37%, 0.32%

LAB 27.42, 26.52, -30.58

 

CMYK 0 / 54 / 30 / 56

HEX #70334E

RGB 112 51 78

HSL 333.44, 0.37%, 0.32%

LAB 30.31, 30.31, -3.74

 

CMYK 0 / 70 / 39 / 51

HEX #7D264C

RGB 125 38 76

HSL 333.79, 0.53%, 0.32%

LAB 30.08, 40.95, -2.52

 

CMYK 0 / 82 / 46 / 46

HEX #8A194B

RGB 138 25 75

HSL 333.45, 0.69%, 0.32%

LAB 30.89, 49.39, -0.38

 

CMYK 0 / 92 / 52 / 41

HEX #970C49

RGB 151 12 73

HSL 333.67, 0.85%, 0.32%

LAB 32.53, 55.48, 3.65

 

CMYK 0 / 54 / 30 / 56

HEX #70334E

RGB 112 51 78

HSL 333.44, 0.37%, 0.32%

LAB 30.31, 30.31, -3.74

 

CMYK 0 / 34 / 19 / 61

HEX #634150

RGB 99 65 80

HSL 333.53, 0.21%, 0.32%

LAB 31.84, 17.27, -2.99

 

CMYK 0 / 8 / 5 / 67

HEX #554E51

RGB 85 78 81

HSL 334.29, 0.04%, 0.32%

LAB 33.93, 3.51, -0.73

 

CMYK 21 / 0 / 9 / 64

HEX #485B53

RGB 72 91 83

HSL 154.74, 0.12%, 0.32%

LAB 36.9, -9.13, 2.21

 

CMYK 43 / 0 / 19 / 59

HEX #3B6854

RGB 59 104 84

HSL 153.33, 0.28%, 0.32%

LAB 40.36, -20.63, 6.46

 

CMYK 0 / 54 / 1 / 56

HEX #70336F

RGB 112 51 111

HSL 300.98, 0.37%, 0.32%

LAB 31.72, 36.02, -22.87

 

CMYK 0 / 54 / 15 / 56

HEX #70335F

RGB 112 51 95

HSL 316.72, 0.37%, 0.32%

LAB 30.97, 33.05, -13.79

 

CMYK 0 / 54 / 29 / 56

HEX #70334F

RGB 112 51 79

HSL 332.46, 0.37%, 0.32%

LAB 30.34, 30.45, -4.35

 

CMYK 0 / 54 / 45 / 56

HEX #70333E

RGB 112 51 62

HSL 349.18, 0.37%, 0.32%

LAB 29.81, 28.17, 6.03

 

CMYK 0 / 50 / 54 / 56

HEX #703833

RGB 112 56 51

HSL 4.92, 0.37%, 0.32%

LAB 30.67, 24.12, 14.36

 

CMYK 0 / 55 / 29 / 78

HEX #371927

RGB 55 25 39

HSL 332, 0.38%, 0.16%

LAB 13.56, 17.01, -2.83

 

CMYK 0 / 55 / 31 / 67

HEX #54263A

RGB 84 38 58

HSL 333.91, 0.38%, 0.24%

LAB 22.22, 24.01, -2.86

 

CMYK 0 / 54 / 30 / 56

HEX #70334E

RGB 112 51 78

HSL 333.44, 0.37%, 0.32%

LAB 30.31, 30.31, -3.74

 

CMYK 0 / 54 / 30 / 45

HEX #8C4062

RGB 140 64 98

HSL 333.16, 0.37%, 0.4%

LAB 38.06, 36.28, -4.57

 

CMYK 0 / 54 / 30 / 34

HEX #A84D75

RGB 168 77 117

HSL 333.63, 0.37%, 0.48%

LAB 45.52, 41.88, -4.8

 

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

CMYK 0 / 13 / 54 / 56

HEX #706133

RGB 112 97 51

HSL 45.25, 0.37%, 0.32%

LAB 41.58, -0.52, 28.22

 

CMYK 54 / 8 / 0 / 56

HEX #336770

RGB 51 103 112

HSL 188.85, 0.37%, 0.32%

LAB 40.53, -14.6, -10.4

 

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

CMYK 29 / 0 / 54 / 56

HEX #4F7033

RGB 79 112 51

HSL 92.46, 0.37%, 0.32%

LAB 43.49, -23.45, 29.88

 

CMYK 54 / 29 / 0 / 56

HEX #334F70

RGB 51 79 112

HSL 212.46, 0.37%, 0.32%

LAB 32.84, -0.1, -22.19

 

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

CMYK 0 / 13 / 54 / 56

HEX #706133

RGB 112 97 51

HSL 45.25, 0.37%, 0.32%

LAB 41.58, -0.52, 28.22

 

CMYK 54 / 0 / 24 / 56

HEX #337055

RGB 51 112 85

HSL 153.44, 0.37%, 0.32%

LAB 42.68, -26.76, 9.09

 

CMYK 54 / 40 / 0 / 56

HEX #334370

RGB 51 67 112

HSL 224.26, 0.37%, 0.32%

LAB 29.13, 7.8, -28.03

 

CMYK 0 / 54 / 30 / 57

HEX #6E334D

RGB 110 51 77

HSL 333.56, 0.37%, 0.32%

LAB 29.96, 29.42, -3.65

 

CMYK 3 / 0 / 54 / 56

HEX #6D7033

RGB 109 112 51

HSL 62.95, 0.37%, 0.32%

LAB 45.74, -10.52, 33.09

 

CMYK 54 / 0 / 24 / 56

HEX #337055

RGB 51 112 85

HSL 153.44, 0.37%, 0.32%

LAB 42.68, -26.76, 9.09

 

CMYK 52 / 54 / 0 / 56

HEX #363370

RGB 54 51 112

HSL 242.95, 0.37%, 0.32%

LAB 24.71, 19.44, -35.06

 

Description

Color code: HEX #6E334D | qconv.com Color code: HEX #6E334D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 51 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 51 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 30 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 30% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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