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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E2C43 it is the complementary color #91D3BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E2C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E2C43 shade: #732C3E, #843E51, #955064, #A66277 and #B7748A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E2C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E2C43 shade: #6E2C43, #5D1A30, #4C081D, #3B000A and #2A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E2C43 shade: #6D2C43, #6D2C31 and #6D2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E2C43 shade: #6D2C43, #6D2C54, #6D2C66, #632C6D and #512C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E2C43 shade matches the following richer shades: #6D2C43, #7A1F3F, #86133B and #930637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E2C43 shade: #6D2C43, #613846, #55444A, #48514E and #3C5D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E2C43 shade: #6D2C66, #6D2C54, #6D2C43, #6D2C31 and #6D382C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E2C43 shade: #32141F, #502031, #6D2C43, #8B3754 and #A84366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E2C43 shade: #6E2C43, #6D642C and #2C5D6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E2C43 shade: #6E2C43, #436D2C and #2C436D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E2C43 shade: #6E2C43, #6D642C, #2C6D56 and #2C356D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E2C43 shade: #6E2C43, #646D2C, #2C6D56 and #352C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

Complementary color

CMYK 31 / 0 / 11 / 17

HEX #91D3BC

RGB 145 211 188

HSL 159.09, 0.43%, 0.7%

LAB 79.75, -25.78, 4.74

 

CMYK 0 / 62 / 46 / 55

HEX #732C3E

RGB 115 44 62

HSL 344.79, 0.45%, 0.31%

LAB 28.89, 33.06, 4.78

 

CMYK 0 / 53 / 39 / 48

HEX #843E51

RGB 132 62 81

HSL 343.71, 0.36%, 0.38%

LAB 35.88, 32.16, 2.84

 

CMYK 0 / 46 / 33 / 42

HEX #955064

RGB 149 80 100

HSL 342.61, 0.3%, 0.45%

LAB 42.83, 31.2, 1.34

 

CMYK 0 / 41 / 28 / 35

HEX #A66277

RGB 166 98 119

HSL 341.47, 0.28%, 0.52%

LAB 49.71, 30.26, 0.12

 

CMYK 0 / 37 / 25 / 28

HEX #B7748A

RGB 183 116 138

HSL 340.3, 0.32%, 0.59%

LAB 56.48, 29.38, -0.92

 

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

CMYK 0 / 72 / 48 / 64

HEX #5D1A30

RGB 93 26 48

HSL 340.3, 0.56%, 0.23%

LAB 21.13, 32.38, 2.66

 

CMYK 0 / 89 / 62 / 70

HEX #4C081D

RGB 76 8 29

HSL 341.47, 0.81%, 0.16%

LAB 14.39, 31.93, 6.27

 

CMYK 0 / 100 / 83 / 77

HEX #3B000A

RGB 59 0 10

HSL 349.83, 1%, 0.12%

LAB 8.58, 28.74, 9.46

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 60 / 55 / 57

HEX #6D2C31

RGB 109 44 49

HSL 355.38, 0.42%, 0.3%

LAB 27.5, 29.41, 11.32

 

CMYK 0 / 60 / 60 / 57

HEX #6D2C2C

RGB 109 44 44

HSL 0, 0.42%, 0.3%

LAB 27.39, 28.96, 14.48

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 60 / 23 / 57

HEX #6D2C54

RGB 109 44 84

HSL 323.08, 0.42%, 0.3%

LAB 28.62, 33.92, -10.26

 

CMYK 0 / 60 / 6 / 57

HEX #6D2C66

RGB 109 44 102

HSL 306.46, 0.42%, 0.3%

LAB 29.44, 37.03, -20.7

 

CMYK 9 / 60 / 0 / 57

HEX #632C6D

RGB 99 44 109

HSL 290.77, 0.42%, 0.3%

LAB 28.27, 35.44, -27.14

 

CMYK 26 / 60 / 0 / 57

HEX #512C6D

RGB 81 44 109

HSL 274.15, 0.42%, 0.3%

LAB 25.73, 30.26, -31.34

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 75 / 48 / 52

HEX #7A1F3F

RGB 122 31 63

HSL 338.9, 0.59%, 0.3%

LAB 28.05, 41.46, 3.09

 

CMYK 0 / 86 / 56 / 47

HEX #86133B

RGB 134 19 59

HSL 339.13, 0.75%, 0.3%

LAB 29.03, 48.48, 7.51

 

CMYK 0 / 96 / 63 / 42

HEX #930637

RGB 147 6 55

HSL 339.15, 0.92%, 0.3%

LAB 30.9, 54.05, 13.2

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 42 / 28 / 62

HEX #613846

RGB 97 56 70

HSL 339.51, 0.27%, 0.3%

LAB 28.93, 20.3, -0.79

 

CMYK 0 / 20 / 13 / 67

HEX #55444A

RGB 85 68 74

HSL 338.82, 0.11%, 0.3%

LAB 30.78, 8.42, -0.86

 

CMYK 11 / 0 / 4 / 68

HEX #48514E

RGB 72 81 78

HSL 160, 0.06%, 0.3%

LAB 33.59, -4.26, 0.54

 

CMYK 35 / 0 / 12 / 64

HEX #3C5D52

RGB 60 93 82

HSL 160, 0.22%, 0.3%

LAB 36.74, -14.79, 2.5

 

CMYK 0 / 60 / 6 / 57

HEX #6D2C66

RGB 109 44 102

HSL 306.46, 0.42%, 0.3%

LAB 29.44, 37.03, -20.7

 

CMYK 0 / 60 / 23 / 57

HEX #6D2C54

RGB 109 44 84

HSL 323.08, 0.42%, 0.3%

LAB 28.62, 33.92, -10.26

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 60 / 55 / 57

HEX #6D2C31

RGB 109 44 49

HSL 355.38, 0.42%, 0.3%

LAB 27.5, 29.41, 11.32

 

CMYK 0 / 49 / 60 / 57

HEX #6D382C

RGB 109 56 44

HSL 11.08, 0.42%, 0.3%

LAB 30.06, 22.17, 17.95

 

CMYK 0 / 60 / 38 / 80

HEX #32141F

RGB 50 20 31

HSL 338, 0.43%, 0.14%

LAB 11.12, 16.71, -0.62

 

CMYK 0 / 60 / 39 / 69

HEX #502031

RGB 80 32 49

HSL 338.75, 0.43%, 0.22%

LAB 19.88, 24.58, -0.15

 

CMYK 0 / 60 / 39 / 57

HEX #6D2C43

RGB 109 44 67

HSL 338.77, 0.42%, 0.3%

LAB 28, 31.46, 0.05

 

CMYK 0 / 60 / 40 / 45

HEX #8B3754

RGB 139 55 84

HSL 339.29, 0.43%, 0.38%

LAB 35.72, 38.69, 0.83

 

CMYK 0 / 60 / 39 / 34

HEX #A84366

RGB 168 67 102

HSL 339.21, 0.43%, 0.46%

LAB 43.21, 44.9, 1.01

 

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

CMYK 0 / 8 / 60 / 57

HEX #6D642C

RGB 109 100 44

HSL 51.69, 0.42%, 0.3%

LAB 42.07, -4.32, 32.51

 

CMYK 60 / 15 / 0 / 57

HEX #2C5D6D

RGB 44 93 109

HSL 194.77, 0.42%, 0.3%

LAB 36.87, -11.42, -14.14

 

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

CMYK 39 / 0 / 60 / 57

HEX #436D2C

RGB 67 109 44

HSL 98.77, 0.42%, 0.3%

LAB 41.71, -27.47, 31.26

 

CMYK 60 / 39 / 0 / 57

HEX #2C436D

RGB 44 67 109

HSL 218.77, 0.42%, 0.3%

LAB 28.52, 5.01, -27.11

 

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

CMYK 0 / 8 / 60 / 57

HEX #6D642C

RGB 109 100 44

HSL 51.69, 0.42%, 0.3%

LAB 42.07, -4.32, 32.51

 

CMYK 60 / 0 / 21 / 57

HEX #2C6D56

RGB 44 109 86

HSL 158.77, 0.42%, 0.3%

LAB 41.45, -26.79, 6.7

 

CMYK 60 / 51 / 0 / 57

HEX #2C356D

RGB 44 53 109

HSL 231.69, 0.42%, 0.3%

LAB 24.28, 14.64, -33.87

 

CMYK 0 / 60 / 39 / 57

HEX #6E2C43

RGB 110 44 67

HSL 339.09, 0.43%, 0.3%

LAB 28.17, 31.82, 0.32

 

CMYK 8 / 0 / 60 / 57

HEX #646D2C

RGB 100 109 44

HSL 68.31, 0.42%, 0.3%

LAB 43.99, -13.58, 34.47

 

CMYK 60 / 0 / 21 / 57

HEX #2C6D56

RGB 44 109 86

HSL 158.77, 0.42%, 0.3%

LAB 41.45, -26.79, 6.7

 

CMYK 51 / 60 / 0 / 57

HEX #352C6D

RGB 53 44 109

HSL 248.31, 0.42%, 0.3%

LAB 22.52, 22.9, -36.66

 

Description

Color code: HEX #6E2C43 | qconv.com Color code: HEX #6E2C43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 44 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 44 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 39 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 39% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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