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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DFEB0 it is the complementary color #92014F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DFEB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DFEB0 shade: #72FEAB, #83FFBE, #94FFD1, #A5FFE4 and #B6FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DFEB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DFEB0 shade: #6DFEB0, #5CEC9D, #4BDA8A, #3AC877 and #29B664

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DFEB0 shade: #6CFEAF, #6CFE88, #77FE6C, #9FFE6C and #C6FE6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DFEB0 shade: #6CFEAF, #6CFED7, #6CFEFE, #6CD7FE and #6CAFFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DFEB0 shade matches the following richer shades: #6CFEAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DFEB0 shade: #6CFEAF, #78F2B0, #84E6B1, #90DAB2 and #9CCEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DFEB0 shade: #78FE6C, #6CFE87, #6CFEAE, #6CFED5 and #6CFEFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DFEB0 shade: #1AFE83, #43FE99, #6CFEAF, #95FEC6 and #BEFFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DFEB0 shade: #6DFEB0, #6C9FFE and #FE736C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DFEB0 shade: #6DFEB0, #AE6CFE and #FEAE6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DFEB0 shade: #6DFEB0, #6C9FFE, #FE6CBC and #FECB6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DFEB0 shade: #6DFEB0, #6C73FE, #FE6CBC and #FEF76C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

Complementary color

CMYK 0 / 99 / 46 / 43

HEX #92014F

RGB 146 1 79

HSL 327.72, 0.99%, 0.29%

LAB 31.11, 56.38, -2.51

 

CMYK 55 / 0 / 33 / 0

HEX #72FEAB

RGB 114 254 171

HSL 144.43, 0.99%, 0.72%

LAB 90.51, -56.17, 28.46

 

CMYK 49 / 0 / 25 / 0

HEX #83FFBE

RGB 131 255 190

HSL 148.55, 1%, 0.76%

LAB 91.71, -49.11, 20.57

 

CMYK 42 / 0 / 18 / 0

HEX #94FFD1

RGB 148 255 209

HSL 154.21, 1%, 0.79%

LAB 92.76, -41.11, 12.4

 

CMYK 35 / 0 / 11 / 0

HEX #A5FFE4

RGB 165 255 228

HSL 162, 1%, 0.82%

LAB 93.94, -32.71, 4.39

 

CMYK 29 / 0 / 3 / 0

HEX #B6FFF7

RGB 182 255 247

HSL 173.42, 1%, 0.86%

LAB 95.24, -24.01, -3.41

 

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

CMYK 61 / 0 / 33 / 7

HEX #5CEC9D

RGB 92 236 157

HSL 147.08, 0.79%, 0.64%

LAB 84.33, -56.22, 27.1

 

CMYK 66 / 0 / 37 / 15

HEX #4BDA8A

RGB 75 218 138

HSL 146.43, 0.66%, 0.57%

LAB 78.15, -55.98, 28.47

 

CMYK 71 / 0 / 41 / 22

HEX #3AC877

RGB 58 200 119

HSL 145.77, 0.56%, 0.51%

LAB 71.92, -55.52, 29.94

 

CMYK 77 / 0 / 45 / 29

HEX #29B664

RGB 41 182 100

HSL 145.11, 0.63%, 0.44%

LAB 65.63, -54.74, 31.52

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAF

RGB 108 254 175

HSL 147.53, 0.99%, 0.71%

LAB 90.4, -56.71, 26.27

 

CMYK 57 / 0 / 46 / 0

HEX #6CFE88

RGB 108 254 136

HSL 131.51, 0.99%, 0.71%

LAB 89.79, -63.23, 44.74

 

CMYK 53 / 0 / 57 / 0

HEX #77FE6C

RGB 119 254 108

HSL 115.48, 0.99%, 0.71%

LAB 89.81, -64.2, 57.68

 

CMYK 37 / 0 / 57 / 0

HEX #9FFE6C

RGB 159 254 108

HSL 99.04, 0.99%, 0.71%

LAB 91.39, -52.77, 59.91

 

CMYK 22 / 0 / 57 / 0

HEX #C6FE6C

RGB 198 254 108

HSL 83.01, 0.99%, 0.71%

LAB 93.44, -39.4, 62.79

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAF

RGB 108 254 175

HSL 147.53, 0.99%, 0.71%

LAB 90.4, -56.71, 26.27

 

CMYK 57 / 0 / 15 / 0

HEX #6CFED7

RGB 108 254 215

HSL 163.97, 0.99%, 0.71%

LAB 91.22, -48.33, 6.92

 

CMYK 57 / 0 / 0 / 0

HEX #6CFEFE

RGB 108 254 254

HSL 180, 0.99%, 0.71%

LAB 92.23, -38.76, -11.8

 

CMYK 57 / 15 / 0 / 0

HEX #6CD7FE

RGB 108 215 254

HSL 196.03, 0.99%, 0.71%

LAB 81.26, -20.03, -28.38

 

CMYK 57 / 31 / 0 / 0

HEX #6CAFFE

RGB 108 175 254

HSL 212.47, 0.99%, 0.71%

LAB 70.18, 1.36, -45.57

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAF

RGB 108 254 175

HSL 147.53, 0.99%, 0.71%

LAB 90.4, -56.71, 26.27

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAF

RGB 108 254 175

HSL 147.53, 0.99%, 0.71%

LAB 90.4, -56.71, 26.27

 

CMYK 50 / 0 / 27 / 5

HEX #78F2B0

RGB 120 242 176

HSL 147.54, 0.82%, 0.71%

LAB 87.31, -48.96, 21.57

 

CMYK 43 / 0 / 23 / 10

HEX #84E6B1

RGB 132 230 177

HSL 147.55, 0.66%, 0.71%

LAB 84.32, -40.55, 16.96

 

CMYK 34 / 0 / 18 / 15

HEX #90DAB2

RGB 144 218 178

HSL 147.57, 0.5%, 0.71%

LAB 81.45, -31.47, 12.48

 

CMYK 24 / 0 / 13 / 19

HEX #9CCEB3

RGB 156 206 179

HSL 147.6, 0.34%, 0.71%

LAB 78.73, -21.78, 8.17

 

CMYK 53 / 0 / 57 / 0

HEX #78FE6C

RGB 120 254 108

HSL 115.07, 0.99%, 0.71%

LAB 89.84, -63.95, 57.72

 

CMYK 57 / 0 / 47 / 0

HEX #6CFE87

RGB 108 254 135

HSL 131.1, 0.99%, 0.71%

LAB 89.78, -63.37, 45.2

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAE

RGB 108 254 174

HSL 147.12, 0.99%, 0.71%

LAB 90.38, -56.89, 26.75

 

CMYK 57 / 0 / 16 / 0

HEX #6CFED5

RGB 108 254 213

HSL 163.15, 0.99%, 0.71%

LAB 91.18, -48.79, 7.89

 

CMYK 57 / 0 / 1 / 0

HEX #6CFEFC

RGB 108 254 252

HSL 179.18, 0.99%, 0.71%

LAB 92.18, -39.28, -10.85

 

CMYK 90 / 0 / 48 / 0

HEX #1AFE83

RGB 26 254 131

HSL 147.63, 0.99%, 0.55%

LAB 88.32, -75.09, 44.98

 

CMYK 74 / 0 / 40 / 0

HEX #43FE99

RGB 67 254 153

HSL 147.59, 0.99%, 0.63%

LAB 89.1, -67.68, 35.39

 

CMYK 57 / 0 / 31 / 0

HEX #6CFEAF

RGB 108 254 175

HSL 147.53, 0.99%, 0.71%

LAB 90.4, -56.71, 26.27

 

CMYK 41 / 0 / 22 / 0

HEX #95FEC6

RGB 149 254 198

HSL 148, 0.98%, 0.79%

LAB 92.29, -42.59, 17.38

 

CMYK 25 / 0 / 14 / 0

HEX #BEFFDC

RGB 190 255 220

HSL 147.69, 1%, 0.87%

LAB 95.01, -27.13, 10.22

 

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

CMYK 57 / 37 / 0 / 0

HEX #6C9FFE

RGB 108 159 254

HSL 219.04, 0.99%, 0.71%

LAB 65.86, 10.5, -52.38

 

CMYK 0 / 55 / 57 / 0

HEX #FE736C

RGB 254 115 108

HSL 2.88, 0.99%, 0.71%

LAB 65.29, 52.46, 29.97

 

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

CMYK 31 / 57 / 0 / 0

HEX #AE6CFE

RGB 174 108 254

HSL 267.12, 0.99%, 0.71%

LAB 58.86, 54.21, -63.24

 

CMYK 0 / 31 / 57 / 0

HEX #FEAE6C

RGB 254 174 108

HSL 27.12, 0.99%, 0.71%

LAB 77.53, 22.67, 45.33

 

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

CMYK 57 / 37 / 0 / 0

HEX #6C9FFE

RGB 108 159 254

HSL 219.04, 0.99%, 0.71%

LAB 65.86, 10.5, -52.38

 

CMYK 0 / 57 / 26 / 0

HEX #FE6CBC

RGB 254 108 188

HSL 327.12, 0.99%, 0.71%

LAB 66.08, 63.65, -14.31

 

CMYK 0 / 20 / 57 / 0

HEX #FECB6C

RGB 254 203 108

HSL 39.04, 0.99%, 0.71%

LAB 84.41, 7.55, 53.53

 

CMYK 57 / 0 / 31 / 0

HEX #6DFEB0

RGB 109 254 176

HSL 147.72, 0.99%, 0.71%

LAB 90.45, -56.31, 25.83

 

CMYK 57 / 55 / 0 / 0

HEX #6C73FE

RGB 108 115 254

HSL 237.12, 0.99%, 0.71%

LAB 54.66, 36.62, -70.3

 

CMYK 0 / 57 / 26 / 0

HEX #FE6CBC

RGB 254 108 188

HSL 327.12, 0.99%, 0.71%

LAB 66.08, 63.65, -14.31

 

CMYK 0 / 3 / 57 / 0

HEX #FEF76C

RGB 254 247 108

HSL 57.12, 0.99%, 0.71%

LAB 95.44, -14.58, 66.1

 

Description

Color code: HEX #6DFEB0 | qconv.com Color code: HEX #6DFEB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 254 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 254 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 31 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 31% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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