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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DFDB3 it is the complementary color #92024C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DFDB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DFDB3 shade: #72FDAE, #83FFC1, #94FFD4, #A5FFE7 and #B6FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DFDB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DFDB3 shade: #6DFDB3, #5CEBA0, #4BD98D, #3AC77A and #29B567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DFDB3 shade: #6DFDB3, #6DFD8C, #75FD6D, #9CFD6D and #C2FD6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DFDB3 shade: #6DFDB3, #6DFDDA, #6DF9FD, #6DD2FD and #6DACFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DFDB3 shade matches the following richer shades: #6DFDB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DFDB3 shade: #6DFDB3, #79F1B3, #85E5B4, #91D9B4 and #9DCDB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DFDB3 shade: #74FD6D, #6DFD8C, #6DFDB3, #6DFDD9 and #6DFAFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DFDB3 shade: #1CFC89, #45FC9E, #6DFDB3, #96FDC8 and #BFFEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DFDB3 shade: #6DFDB3, #6D9BFD and #FD796D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DFDB3 shade: #6DFDB3, #B36DFD and #FDB36D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DFDB3 shade: #6DFDB3, #6D9BFD, #FD6DB7 and #FDCF6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DFDB3 shade: #6DFDB3, #6D70FD, #FD6DB7 and #FDFA6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

Complementary color

CMYK 0 / 99 / 48 / 43

HEX #92024C

RGB 146 2 76

HSL 329.17, 0.97%, 0.29%

LAB 31.06, 55.96, -0.6

 

CMYK 55 / 0 / 31 / 1

HEX #72FDAE

RGB 114 253 174

HSL 145.9, 0.97%, 0.72%

LAB 90.27, -55.22, 26.63

 

CMYK 49 / 0 / 24 / 0

HEX #83FFC1

RGB 131 255 193

HSL 150, 1%, 0.76%

LAB 91.77, -48.52, 19.12

 

CMYK 42 / 0 / 17 / 0

HEX #94FFD4

RGB 148 255 212

HSL 155.89, 1%, 0.79%

LAB 92.83, -40.5, 10.95

 

CMYK 35 / 0 / 9 / 0

HEX #A5FFE7

RGB 165 255 231

HSL 164, 1%, 0.82%

LAB 94.01, -32.08, 2.95

 

CMYK 29 / 0 / 2 / 0

HEX #B6FFFA

RGB 182 255 250

HSL 175.89, 1%, 0.86%

LAB 95.32, -23.37, -4.84

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 61 / 0 / 32 / 8

HEX #5CEBA0

RGB 92 235 160

HSL 148.53, 0.78%, 0.64%

LAB 84.09, -55.26, 25.23

 

CMYK 65 / 0 / 35 / 15

HEX #4BD98D

RGB 75 217 141

HSL 147.89, 0.65%, 0.57%

LAB 77.9, -55.03, 26.58

 

CMYK 71 / 0 / 39 / 22

HEX #3AC77A

RGB 58 199 122

HSL 147.23, 0.56%, 0.5%

LAB 71.66, -54.59, 28.04

 

CMYK 77 / 0 / 43 / 29

HEX #29B567

RGB 41 181 103

HSL 146.57, 0.63%, 0.44%

LAB 65.36, -53.84, 29.61

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 0 / 45 / 1

HEX #6DFD8C

RGB 109 253 140

HSL 132.92, 0.97%, 0.71%

LAB 89.58, -62.04, 42.55

 

CMYK 54 / 0 / 57 / 1

HEX #75FD6D

RGB 117 253 109

HSL 116.67, 0.97%, 0.71%

LAB 89.46, -64.22, 56.82

 

CMYK 38 / 0 / 57 / 1

HEX #9CFD6D

RGB 156 253 109

HSL 100.42, 0.97%, 0.71%

LAB 90.97, -53.21, 58.96

 

CMYK 23 / 0 / 57 / 1

HEX #C2FD6D

RGB 194 253 109

HSL 84.58, 0.97%, 0.71%

LAB 92.94, -40.32, 61.73

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 0 / 14 / 1

HEX #6DFDDA

RGB 109 253 218

HSL 165.42, 0.97%, 0.71%

LAB 91.04, -47.03, 5.1

 

CMYK 57 / 2 / 0 / 1

HEX #6DF9FD

RGB 109 249 253

HSL 181.67, 0.97%, 0.71%

LAB 90.82, -36.56, -13.38

 

CMYK 57 / 17 / 0 / 1

HEX #6DD2FD

RGB 109 210 253

HSL 197.92, 0.97%, 0.71%

LAB 79.86, -17.58, -29.99

 

CMYK 57 / 32 / 0 / 1

HEX #6DACFD

RGB 109 172 253

HSL 213.75, 0.97%, 0.71%

LAB 69.36, 2.94, -46.3

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 50 / 0 / 26 / 5

HEX #79F1B3

RGB 121 241 179

HSL 149, 0.81%, 0.71%

LAB 87.11, -47.72, 19.76

 

CMYK 42 / 0 / 21 / 10

HEX #85E5B4

RGB 133 229 180

HSL 149.38, 0.65%, 0.71%

LAB 84.13, -39.24, 15.14

 

CMYK 33 / 0 / 17 / 15

HEX #91D9B4

RGB 145 217 180

HSL 149.17, 0.49%, 0.71%

LAB 81.26, -30.31, 11.16

 

CMYK 23 / 0 / 12 / 20

HEX #9DCDB4

RGB 157 205 180

HSL 148.75, 0.32%, 0.71%

LAB 78.54, -20.77, 7.36

 

CMYK 54 / 0 / 57 / 1

HEX #74FD6D

RGB 116 253 109

HSL 117.08, 0.97%, 0.71%

LAB 89.42, -64.46, 56.77

 

CMYK 57 / 0 / 45 / 1

HEX #6DFD8C

RGB 109 253 140

HSL 132.92, 0.97%, 0.71%

LAB 89.58, -62.04, 42.55

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 0 / 14 / 1

HEX #6DFDD9

RGB 109 253 217

HSL 165, 0.97%, 0.71%

LAB 91.01, -47.26, 5.58

 

CMYK 57 / 1 / 0 / 1

HEX #6DFAFD

RGB 109 250 253

HSL 181.25, 0.97%, 0.71%

LAB 91.1, -37.02, -12.96

 

CMYK 89 / 0 / 46 / 1

HEX #1CFC89

RGB 28 252 137

HSL 149.2, 0.97%, 0.55%

LAB 87.81, -73.38, 41.46

 

CMYK 73 / 0 / 37 / 1

HEX #45FC9E

RGB 69 252 158

HSL 149.18, 0.97%, 0.63%

LAB 88.62, -65.8, 32.27

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 41 / 0 / 21 / 1

HEX #96FDC8

RGB 150 253 200

HSL 149.13, 0.96%, 0.79%

LAB 92.09, -41.49, 16.08

 

CMYK 25 / 0 / 13 / 0

HEX #BFFEDD

RGB 191 254 221

HSL 148.57, 0.97%, 0.87%

LAB 94.81, -26.16, 9.43

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 39 / 0 / 1

HEX #6D9BFD

RGB 109 155 253

HSL 220.83, 0.97%, 0.71%

LAB 64.79, 12.71, -53.52

 

CMYK 0 / 52 / 57 / 1

HEX #FD796D

RGB 253 121 109

HSL 5, 0.97%, 0.71%

LAB 66.26, 49.34, 30.64

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 29 / 57 / 0 / 1

HEX #B36DFD

RGB 179 109 253

HSL 269.17, 0.97%, 0.71%

LAB 59.54, 54.61, -61.58

 

CMYK 0 / 29 / 57 / 1

HEX #FDB36D

RGB 253 179 109

HSL 29.17, 0.97%, 0.71%

LAB 78.59, 19.72, 46.08

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 39 / 0 / 1

HEX #6D9BFD

RGB 109 155 253

HSL 220.83, 0.97%, 0.71%

LAB 64.79, 12.71, -53.52

 

CMYK 0 / 57 / 28 / 1

HEX #FD6DB7

RGB 253 109 183

HSL 329.17, 0.97%, 0.71%

LAB 65.93, 62.29, -11.71

 

CMYK 0 / 18 / 57 / 1

HEX #FDCF6D

RGB 253 207 109

HSL 40.83, 0.97%, 0.71%

LAB 85.31, 5.15, 54.08

 

CMYK 57 / 0 / 29 / 1

HEX #6DFDB3

RGB 109 253 179

HSL 149.17, 0.97%, 0.71%

LAB 90.21, -55.34, 23.98

 

CMYK 57 / 56 / 0 / 1

HEX #6D70FD

RGB 109 112 253

HSL 238.75, 0.97%, 0.71%

LAB 53.95, 38.26, -70.89

 

CMYK 0 / 57 / 28 / 1

HEX #FD6DB7

RGB 253 109 183

HSL 329.17, 0.97%, 0.71%

LAB 65.93, 62.29, -11.71

 

CMYK 0 / 1 / 57 / 1

HEX #FDFA6D

RGB 253 250 109

HSL 58.75, 0.97%, 0.71%

LAB 96.15, -16.36, 66.43

 

Description

Color code: HEX #6DFDB3 | qconv.com Color code: HEX #6DFDB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 253 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 253 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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